## Tutorial 11: Graphic Double Integration, or, Weighing dinosaurs on the cheap

### January 20, 2011

Why we do mass estimates

Mass estimates are a big deal in paleobiology. If you want to know how much an animal needed in terms of food, water, and oxygen, or how fast it could move, or how many offspring it could produce in a season, or something about its heat balance, or its population density, or the size of its brain relative to its body, then at some point you are going to need a mass estimate.

All that is true, but it’s also a bit bogus. The fact is, people like to know how big things are, and paleontologists are not immune to this desire. We have loads of ways to rationalize our basic curiosity about the bigness of extinct critters. And the figuring out part is both very cool and strangely satisfying. So let’s get on with it.

There are two basic modes for determining the mass of an extinct animal: allometric, and volumetric. Allometric methods rely on predictable mathematical relationships between body measurements and body mass. You measure a bunch of living critters, plot the results, find your regression line, and use that to estimate the masses of extinct things based on their measurements. Allometric methods have a couple of problems. One is that they are absolutely horrible for extrapolating to animals outside the size range of the modern sample, which ain’t so great for us sauropod workers. The other is that they’re pretty imprecise even within the size range of the modern sample, because real data are messy and there is often substantial scatter around the regression line, which if faithfully carried through the calculations produces large uncertainties in the output. The obvious conclusion is that anyone calculating extinct-animal masses by extrapolating an allometric regression ought to calculate the 95% confidence intervals (e.g. “Argentinosaurus massed 70000 kg, with a 95% confidence interval of 25000-140000 kg), but, oddly, no-one seems to do this.

Volumetric methods rely on creating a physical, digital, or mathematical model of an extinct animal, determining the volume of the model, multiplying by a scale factor to get the volume of the animal in life, and multiplying that by the presumed density of the living animal to get its mass. Volumetric methods have three problems: (1) many extinct vertebrates are known from insufficient material to make a good 3D model of the skeleton; (2) even if you have a complete skeleton, the method is very sensitive to how you articulate the bones–especially the ribcage–and the amount of flesh you decide to pack on, and there are few good guidelines for doing this correctly; and (3) relatively small changes in the scale factor of the model can produce big changes in the output, because mass goes with the cube of the linear measurement. If your scale factor is off by 10%, you mass will be off by 33% (1.1^3=1.33).

On the plus side, volumetric mass estimates are cheap and easy. You don’t need hundreds or thousands of measurements and body masses taken from living animals; you can do the whole thing in your kitchen or on your laptop in the space of an afternoon, or even less. In the old days you’d build a physical model, or buy a toy dinosaur, and use a sandbox or a dunk tank to measure the volume of sand or water that the model displaced, and go from there. Then in the 90s people started building digital 3D models of extinct animals and measuring the volumes of those.

But you don’t need a physical model or a dunk tank or even a laptop to do volumetric modeling. Thanks to a method called graphic double integration or GDI, which is explained in detail in the next section, you can go through the whole process with nothing more than pen and paper, although a computer helps.

Volumetric methods in general, and GDI in particular, have one more huge advantage over allometric methods: they’re more precise and more accurate. In the only published study that compares the accuracy of various methods on extant animals of known mass, Hurlburt (1999) found that GDI estimates were sometimes off by as much as 20%, but that allometric estimates were much worse, with several off by 90-100% and one off by more than 800%. GDI estimates were not only closer to the right answers, they also varied much less than allometric methods. On one hand, this is good news for GDI afficionados, since it is the cheapest and easiest of all the mass estimation methods out there. On the other hand, it should give us pause that on samples of known mass, the best available method can still be off by as much as a fifth even when working with complete bodies, including the flesh. We should account for every source of error that we can, and still treat our results with appropriate skepticism.

Graphic Double Integration

GDI was invented by Jerison (1973) to estimate the volumes of cranial endocasts. Hurlburt (1999) was the first to apply it to whole animals, and since then it has been used by Murray and Vickers-Rich (2004) for mihirungs and other extinct flightless birds, yours truly for small basal saurischians (Wedel 2007), Mike for Brachiosaurus and Giraffatitan (Taylor 2009), and probably many others that I’ve missed.

GDI is conceptually simple, and easy to do. Using orthogonal views of a life restoration of an extinct animal, you divide the body into slices, treat each slice as an ellipse whose dimensions are determined from two perspectives, compute the average cross-sectional area of each body part, multiply that by the length of the body part in question, and add up the results. Here’s a figure from Murray and Vickers-Rich (2004) that should clarify things:

One of the cool things about GDI is that it is not just easy to separate out the relative contributions of each body region (i.e., head, neck, torso, limbs) to the total body volume, it’s usually unavoidable. This not only lets you compare body volume distributions among animals, it also lets you tinker with assigning different densities to different body parts.

An Example: Plateosaurus

Naturally I’m not going to introduce GDI without taking it for a test drive, and given my proclivities, that test drive is naturally going to be on a sauropodomorph. All we need is an accurate reconstruction of the test subject from at least two directions, and preferably three. You could get these images in several ways. You could take photographs of physical models (or toy dinosaurs) from the front, side, and top–that could be a cool science fair project for the dino-obsessed youngster in your life. You could use the white-bones-on-black-silhouette skeletal reconstructions that have become the unofficial industry standard. You could also use orthogonal photographs of mounted skeletons, although you’d have to make sure that they were taken from far enough away to avoid introducing perspective effects.

For this example, I’m going to use the digital skeletal reconstruction of the GPIT1 individual of Plateosaurus published by virtual dino-wrangler and frequent SV-POW! commenter Heinrich Mallison (Mallison et al 2009, fig. 14). I’m using this skeleton for several reasons: it’s almost complete, very little distorted, and I trust that Heinrich has all the bits in the right places. I don’t know if the ribcage articulation is perfect but it looks reasonable, and as we saw last time that is a major consideration. Since Heinrich built the digital skeleton in digital space, he knows precisely how big each piece actually is, so for once we have scale bars we can trust. Finally, this skeleton is well known and has been used in other mass estimate studies, so when I’m done we’ll have some other values to compare with and some grist for discussion. (To avoid accidental bias, I’m not looking at those other estimates until I’ve done mine.)

Of course, this is just a skeleton, and for GDI I need the body outline with the flesh on. So I opened the image in GIMP (still free, still awesome) and drew on some flesh. Here we necessarily enter the realm of speculation and opinion. I stuck pretty close to the skeletal outline, with the only major departures being for the soft tissues ventral to the vertebrae in the neck and for the bulk of the hip muscles. As movie Boromir said, there are other paths we might take, and we’ll get to a couple of alternatives at the end of the post.

This third image is the one I used for actually taking measurements. You need to lop off the arms and legs and tote them up separately from the body axis. I also filled in the body outlines and got rid of the background so I wouldn’t have any distracting visual clutter when I was taking measurements. I took the measurements using the measuring tool in GIMP (compass icon in the toolbar), in orthogonal directions (i.e., straight up/down and left/right), at regular intervals–every 20 pixels in this case.

One thing you’ll have to decide is how many slices to make. Ideally you’d do one slice per pixel, and then your mathematical model would be fairly smooth. There are programs out there that will do this for you; if you have a 3D digital model you can just measure the voxels (= pixels cubed) directly, and even if all you have is 2D images there are programs that will crank the GDI math for you and measure every pixel-width slice (Motani 2001). But if you’re just rolling with GIMP and OpenOffice Calc (or Photoshop and Excel, or calipers and a calculator), you need to have enough slices to capture most of the information in the model without becoming unwieldy to measure and calculate. I usually go with 40-50 slices through the body axis and 9 or 10 per limb.

The area of a circle is pi*r^2, and the area of an ellipse is pi*r*R, where r and R are the radii of the minor and major axes. So enter the widths and heights of the body segments in pixels in two columns (we’ll call them A and B) in your spreadsheet, and create a third column with the function 3.14*A1*B1/4. Divide by four because the pixel counts you measured on the image are diameters and the formula requires radii. If you forget to do that, you are going to get some wacky numbers.

One obvious departure from reality is that the method assumes that all of the body segments of an animal have elliptical cross-sections, when that is often not exactly true. But it’s usually close enough for the coarse level of detail that any mass estimation method is going to provide, and if it’s really eating you, there are ways to deal with it without assuming elliptical cross-sections (Motani 2001).

For each body region, average the resulting areas of the individual slices and multiply the resulting average areas by the lengths of the body regions to get volumes. Remember to measure the lengths at right angles to your diameter measurements, even when the body part in question is curved, as is the tail of Heinrich’s Plateosaurus.

For sauropods you can usually treat the limbs as cylinders and just enter the lateral view diameter twice, unless you are fortunate enough to have fore and aft views. It’s not a perfect solution but it’s probably better than agonizing over the exact cross sectional shape of each limb segment, since that will be highly dependent on how much flesh you (or some other artist) put on the model, and the limbs contribute so little to the final result. For Plateosaurus I made the arm circular, the forearm and hand half as wide as tall, the thigh twice as long as wide, and the leg and foot round. Don’t forget to double the volumes of the limbs since they’re paired!

We’re not done, because so far all our measurements are in pixels (and pixels cubed). But already we know something cool, which is what proportion each part of the body contributes to the total volume. In my model based on Heinrich’s digital skeleton, segmented as shown above, the relative contributions are as follows:

• Neck: 3%
• Trunk: 70%
• Tail: 11%
• Forelimbs (pair): 3%
• Hindlimbs (pair): 12%

Already one of the great truths of volumetric mass estimates is revealed: we tend to notice the extremities first, but really it is the dimensions of the trunk that drive everything. You could double the size of any given extremity and the impact on the result would be noticeable, but small. Consequently, modeling the torso accurately is crucial, which is why we get worried about the preservation of ribs and the slop inherent in complex joints.

Scale factor

The 170 cm scale bar in Heinrich’s figure measures 292 pixels, or 0.582 cm per pixel. The volume of each body segment must be multiplied by 0.582 cubed to convert to cubic cm, and then divided by 1000 to convert to liters, which are the lingua franca of volumetric measurement. If you’re a math n00b, your function should look like this: volume in liters = volume in pixels*SF*SF*SF/1000, where SF is the scale factor in units of cm/pixel. Don’t screw up and use pixels/cm, or if you do, remember to divide by the scale factor instead of multiplying. Just keep track of your units and everything will come out right.

If you’re not working from an example as perfect as Heinrich’s digital (and digitally measured) skeleton, you’ll have to find something else to use for a scale bar. Something big and reasonably impervious to error is good. I like the femur, if nothing else is available. Any sort of multi-segment dimension like shoulder height or trunk length is going to be very sensitive to how much gloop someone thought should go between the bones. Total length is especially bad because it depends not only on the intervertebral spacing but also on the number of vertebrae, and even most well-known dinos do not have complete vertebral series.

Density

Finally, multiply the volume in liters by the assumed density to get the mass of each body segment. Lots of people just go with the density of water, 1.0 kg/L, which is the same as saying a specific gravity (SG) of 1. Depending on what kind of animal you’re talking about, that may be a little bit off or it may be fairly calamitous. Colbert (1962) found SGs of 0.81 and 0.89 for an extant lizard and croc, which means an SG of 1.0 is off by between 11% and 19%. Nineteen percent–almost a fifth! For birds, it’s even worse; Hazlehurst and Rayner (1992) found an SG of 0.73.

Now, scroll back up to the diagram of the giant moa, which had a mass of 257.5 kg “assuming a specific gravity of 1”. If the moa was as light as an extant bird–and its skeleton is highly pneumatic–then it might have had a mass of only 188 kg (257.5*0.73). Or perhaps its density was higher, like that of a lizard or a croc. Without a living moa to play with, we may never know. Two points here: first, the common assumption of whole-body densities of 1.0 is demonstrably incorrect* for many animals, and second, since it’s hard to be certain about the densities of extinct animals, maybe the best thing is to try the calculation with several densities and see what results we get. (My thoughts on the plausible densities of sauropods are here.)

* Does anyone know of actual published data indicating a density of 1.0 for a terrestrial vertebrate? Or is the oft-quoted “bodies have the same density as water” basically bunk? (Note: I’m not disputing that flesh has a density close to that of water, but bones are denser and lungs and air spaces are lighter, and I want to know the mean density of the whole organism.)

Back to Plateosaurus. Using the measurements and calculations presented above, the total volume of the restored animal is 636 liters. Here are the whole body masses (in kg) we get using several different densities:

• SG=1.0 (water), 636 kg
• SG=0.89 (reptile high), 566 kg
• SG=0.81 (reptile low), 515 kg
• SG=0.73 (bird), 464 kg

I got numbers. Now what?

I’m going to describe three possible things you could do with the results once you have them. In my opinion, two of them are the wrong the thing to do and one is the right thing to do.

DON’T mistake the result of your calculation for The Right Answer. You haven’t stumbled on any universal truth. Assuming you measured enough slices and didn’t screw up the math, you know the volume of a mathematical model of an organism. If you crank all the way through the method you will always get a result, but that result is only an estimate of the volume of the real animal the model was based on. There are numerous sources of error that could plague your results, including: incomplete skeletal material, poorly articulated bones, wrong scale factor, wrong density, wrong amount of soft tissue on the skeleton. I saved density and gloop for last because you can’t do much about them; here the strength of your estimate relies on educated guesses that could themselves be wrong. In short, you don’t even know how wrong your estimate might be.

Pretty dismal, eh?

DON’T assume that the results are meaningless because you don’t know the actual fatness or the density of the animal, or because your results don’t match what you expected or what someone else got. I see this a LOT in people that have just run their first phylogenetic analysis. “Why, I could get any result I wanted just by tinkering with the input!” Well, duh! Like I said, the method will always give you an answer, and it won’t tell you whether the answer is right or not. The greatest advantage of explicit methods like cladistics and GDI is that you know what the input is, and so does everyone else if you are honest about reporting it. So if someone disagrees with your character coding or with how much the belly sags on your model sauropod, you can have a constructive discussion and hopefully science as a whole gets closer to the right answer (even if we have no way of knowing if or when we arrive, and even if your pet hypothesis gets trampled along the way).

DO be appropriately skeptical of your own results without either accepting them as gospel or throwing them out as worthless. The fact that the answer changes as you vary the parameters is a feature, not a bug. Investigate a range of possibilities, report all of those results, and feel free to argue why you think some of the results are better than others. Give people enough information to replicate your results, and compare your results to those of other workers. Figure out where yours differ and why.

Try to think of more interesting things you could do with your results. Don Henderson went from digitally slicing critters (Henderson 1999) to investigating floating sauropods (Henderson 2004) to literally putting sauropods through their paces (Henderson 2006)–not to mention working on pterosaur flight and swimming giraffes and other cool stuff. I’m not saying you should run out and do those exact things, but rather that you’re more likely to come up with something interesting if you think about what you could do with your GDI results instead of treating them as an end in themselves.

How massive was GPIT1, really?

Beats me. I’m not the only one who has done a mass estimate based on that skeleton. Gunga et al. (2007) did not one but two volumetric mass estimates based on GPIT1, and Mallison (2010) did a whole series, and they published their models so we can see how they got there. (In fact, many of you have probably been reading this post in slack-jawed horror, wondering why I was ignoring those papers and redoing the mass estimate the hard way. Now you know!) I’m going to discuss the results of Gunga et al. (2007) first, and come back to Mallison (2010) at the end.

Here’s the “slender” model of Gunga et al. 2007 (their fig. 3):

and here’s their “robust” model (Gunga et al. 2007:fig. 4):

(These look a bit…inelegant, let’s say…because they are based on the way the physical skeleton is currently mounted; Heinrich’s model looks much nicer because of his virtual remount.)

For both mass estimates they used a density of 0.8, which I think is probably on the low end of the range for prosauropods but not beyond the bounds of possibility. They got a mass of 630 kg for the slender model and 912 kg for the robust one.

Their 630-kg estimate for the slender model is deceptively close to the upper end of my range; deceptive because their 630-kg estimate assumes a density of 0.8 and my 636-kg one assumes a density of 1.0. The volumes are more directly comparable: 636 L for mine, 790 L for their slender one, and 1140 L for their robust one. I think that’s pretty good correspondence, and the differences are easily explained. My version is even more skinnier than their slender version; I made it about as svelte as it could possibly have been. I did that deliberately, because it’s always possible to pack on more soft tissue but at some point the dimensions of the skeleton establish a lower bound for how voluminous a healthy (i.e., non-starving) animal could have been. The slender model of Gunga et al. (2007) looks healthier than mine, whereas their robust version looks, to my eye, downright corpulent. But not unrealistically so; fat animals are less common than skinny ones but they are out there to be found, at least in some times and places. It pays to remember that the mass of a single individual can fluctuate wildly depending on seasonal food availability and exercise level.

For GPIT1, I think something like 500 kg is probably a realistic lower bound and 900 kg is a realistic upper bound, and the actual mass of an average individual Plateosaurus of that size was somewhere in the middle. That’s a big range–900 kg is almost twice 500 kg. It’s hard to narrow down because I really don’t know how fleshy Plateosaurus was or what it’s density might have been, and I feel less comfortable making guesses because I’ve spent much less time working on prosauropods than on sauropods. If someone put a gun to my head, I’d say that in my opinion, a bulk somewhere between that of my model and the slender model of Gunga et al. is most believable, and a density of perhaps 0.85, for a result in the neighborhood of 600 kg. But those are opinions, not hypotheses, certainly not facts.

I’m happy to see that my results are pretty close to those of Mallison (2010), who got 740 L, which is also not far off from the slender model of Gunga et al. (2007). So we’ve had at least three independent attempts at this and gotten comparable results, which hopefully means we’re at least in the right ballpark (and pessimistically means we’re all making mistakes of equal magnitude!). Heinrich’s paper is a goldmine, with loads of interesting stuff on how the skeleton articulates, what poses the animal might have been capable of, and how varying the density of different body segments affects the estimated mass and center of mass. It’s a model study and I’d happily tell you all about it but you should really read it for yourself. Since it’s freely available (yay open access!), there’s no barrier to you doing so.

Conclusion

So: use GDI with caution, but do use it. It’s easy, it’s cool, it’s explicit, it will give you lots to think about and give us lots to talk about. Stay tuned for related posts in the not-too-distant future.

References

## How fat was Camarasaurus?

### January 16, 2011

For reasons that will soon become apparent (yes, that’s a teaser), Matt and I wanted to figure out how heavy Camarasaurus was.  This is the story of how I almost completely badgered up part of that problem.  I am publishing it as a cautionary tale because I am very secure and don’t mind everyone knowing that I’m an idiot.

Those who paid close attention to my recent paper on Brachiosaurus and Giraffatitan will remember that when I estimated their mass using Graphic Double Integration (Taylor 2009: 802-804) I listed separately the volumes of the head, neck, forelimbs, hindlimbs, torso and tail of each taxon.  In Giraffatitan, the torso accounted for 71% of the total volume (20588 of 29171 litres), and in Brachiosaurus, 74% (26469 of 35860 litres), so it’s apparent that torso volume hugely dominates that of the whole animal.  In the giant balloon-model Giraffatitan of Gunga et al.’s (1995, 1999) estimates, the torso accounted for 74% of volume (55120 of 74420 litres) so even though their fleshing out of the skeleton was morbidly obese, the relative importance of the torso came out roughly the same.  Finally, Gunga et al’.s (2008) revised, less bloated, model of the same Giraffatitan had the torso contributing 68% of volume (32400 of 47600 litres).  So far as I know, these are all of the published accounts that give the volumes of separate parts of a sauropod body, but if there are any more, please tell me in the comments!   (Odd that they should all be for brachiosaurids.)

3D “slim” version of reconstruction of the “Brachiosaurus” brancai mounted and exhibited at the Museum of Natural History in Berlin (Germany).  A. Side view, upper panel; B. top view, lower panel.  The cross in the figure of upper panel indicates the calculated center of gravity.  (Gunga et al. 2008: figure 2)

So it’s evident that, in brachiosaurs at least, the torso accounts for about 70% total body volume, and therefore for about that much of the total mass.  (The distribution of penumaticity means that it’s denser than the neck and less dense than the limbs, so that its density is probably reasonably close to the average of the whole animal.)

Now here’s the problem.  How fat is the sauropod?  Look at the top-view of Giraffatitan in the Gunga et al. figure above: it’s easy to imagine that the torso could be say 20% narrower from side to side, or 20% broader.  Those changes to breadth would affect volume in direct proportion, which would mean (if the torso is 70% of the whole animal) a change in total body volume of 14% either way.  Significant stuff.

So what do we know about the torso breadth in sauropods?  It obviously dependant primarily on the orientation of the ribs and their articulation to the dorsal vertebrae.  And what do we know about that?

Nothing.

Well, OK, I am over-simplifying a little.  It’s been mentioned in passing in a few papers, but it’s never been discussed in any detail in a published paper that I know of.  (There’s a Masters thesis out there that starts to grapple with the subject, but I don’t know whether I should talk about that while it’s still being prepared for publication, so I won’t say anything more.)  The most important published contribution is more than a century old — Holland’s (1910) smackdown of Tornier’s and Hay’s comical Diplodocus postures, which included the following cross-sections of the torsos of several animals at the seventh dorsal vertebra:

(This figure previously appeared on SV-POW! in Matt’s post, Sauropods were tacos, not corn dogs, which as far as I am aware is the only existing non-technical treatment of sauropod torso-shape.)

Holland unfortunately did not discuss the torso shape that he illustrated, merely asserting it.  Presumably it is based on the mounted skeleton of the Diplodocus carnegii holotype CM 84, which is at the Carnegie Museum in Pittsburgh, where Holland was based.  I have no reason to doubt it; just noting that it wasn’t discussed.

All right then — what about Camarasaurus?  I think it’s fair to say that it’s generally considered to be fairly rotund among sauropods, as for example this skeletal reconstruction by Greg Paul shows:

Camarasaurus lentus skeletal reconstruction, in dorsal and right lateral views. (Paul 2010:197)

Measuring off the height and width of the torso at the seventh dorsal vertebra, using GIMP, I find that they are 341 and 292 pixels respectively, so that the eccentricity is 341/292 = 1.17.  This compares with 1760/916 = 1.92 for Holland’s Diplodocus above, so if both figures are accurate, then Camarasaurus is much fatter than Diplodocus.

But is Paul’s Camarasaurus ribcage right?  To answer that, I went back to my all-time favourite sauropod paper, Osborn and Mook’s (1921) epic descriptive monograph of Camarasaurus (and Cope’s other sauropods).  I knew that this awesomely comprehensive piece of work would include plates illustrating the ribs; and in fact there are four plates that each illustrate a complete set of dorsal ribs (although the associations are doubtful).  Here they all are:

Left dorsal ribs of Camarasaurus (Osborn and Mook 1921:pl. LXXVIII)

Left dorsal ribs of Camarasaurus (Osborn and Mook 1921:pl. LXXIX)

Left dorsal ribs of Camarasaurus (Osborn and Mook 1921:pl. LXXX)

Left dorsal ribs of Camarasaurus (Osborn and Mook 1921:pl. LXXXI)

But hang on a minute — what do you get if you articulate these ribs with the dorsal vertebrae?  Osborn and Mook also provided four plates of sequences of dorsal vertebrae, and the best D7 of the four they illustrate is probably the one from plate  LXX.  And of the four 7th ribs illustrated above, the best preserved is from plate LXXIX.  So I GIMPed them together, rotated the ribs to fit as best I could and …

What on earth?!

I spent a bit of time last night feeling everything from revulsion to excitement about this bizarre vertebra-and-rib combination.  Until I happened to look again Osborn and Mook — earlier on, in the body of the paper, in the section about the ribs.  And here’s what I saw:

(Note that this is the vertebra and ribs at D4, not D7; but that’s close enough that there’s no way there could be a transition across three vertebrae like the change between this and the horrible sight that I presented above.)

What’s going on here?  In the plates above, the ribs do not curve inwards as in this cross-section: they are mostly straight, and in many case seem to curve negatively — away from the torso.  So why do O&M draw the ribs in this position that looks perfectly reasonable?

And figure 70, a few pages earlier, makes things even weirder: it clearly shows a pair of ribs curving medially, as you’d expect them to:

So why do these ribs look so totally different from those in the plates above?

I’ll give you a moment to think about that before I tell you the answer.

Seriously, think about it for yourself.  While you’re turning it over in your mind, here is a picture of the beautiful Lego kit #10198, the Blockade Runner from the original Star Wars movie.  (I deeply admire the photography here: clear as a bell.)

OK, welcome back.

Got it?  I bet most of you have.

The answer was right there in figure 71:

Osborn and Mook 1921:fig. 71. Left rib of Camarasaurus supremus Cope. Rib 4 (Amer. Mus. Cope Coll. No. 5761/R-A-24). (A) direct external view when placed as in position in the body; (B) direct anterior when placed as in position in the body. Capit. capitulum; Sh. shaft; Tub. tuberculum. Reconstructed view, portion in outline.

And, my word, isn’t it embarrassingly obvious once you see it?  I’d been blithely assuming that the ribs in O&M’s plates were illustrated in anterior view, with the capitula (which articulate with the parapophyses) located more medially, as well as more ventrally, than the tubercula (which articulate with the diapophyses).  But no: as in fact the captions of the plates state perfectly clearly — if I’d only had the wits to read them — the ribs are shown in “external” (i.e. lateral) view.  Although it’s true that the capitula in life would indeed have been more medially positioned than the tubercula, it’s also true that they were more anteriorly positioned, and that’s what the plates show at the rib heads.  And the curvature that I’d been stupidly interpreting as outward, away from the midline, is in fact posteriorly directed: the ribs are “swept back”.  The ventral portions of the ribs also curve medially, away from the viewer and into the page … but of course you can’t see that in the plates.

The important truth — and if you take away nothing else from this post, take this — is that I am dumb bones are complex three-dimensional objects, and it’s impossible to fully understand their shape from single-view illustrations.  It’s for this reason that I make an effort, when I can, to illustrate complex bones from all cardinal directions — in particular, with the Archbishop bones, as for example “Cervical S” in the Brachiosaurus coracoid post.

Because ribs, in particular, are such complex shapes — because their curvature is so unpredictable, and because their articulation with the dorsal vertebrae is via two points which are located differently on successive vertebrae, and because this articulation still allows a degree of freedom of movement — orthogonal views, even from all cardinal directions, are of limited value.  Compositing figures will give misleading results … as demonstrated above.  PhotoShop is no more use here.  Fly, you fools!

Paradoxically, our best source of information on the shapes of saurpod torsos is: mounted skeletons.  I say “paradoxically” because we’ve all grown used to the idea that mounts are not much use to us as scientists, and are really there only as objects of awe.  As Brian Curtice once said, “A mounted skeleton is not science.  It’s art.  Its purpose is to entertain the public, not to be a scientifically accurate specimen”.  In many respects, that’s true — especially in skeletons like that of the “Brontosaurus” holotype, YPM 1980, where the bones are restored with, and in some cases encased in, plaster so you can’t tell what’s what.  But until digital scanning and modelling make some big steps forward, actual mounted skeletons are the best reference we have for the complex articulations of ribs.

Giraffatitan brancai paralectotype HMN SII, composite mounted skeleton, torso in left posteroventrolateral view (photograph by Mike Taylor)

And I finish this very long (sorry!) post with yet another note of caution.  Ribs are long and thin and very prone to damage and distortion.  It’s rare to find complete sauropod ribs (look closely at the O&M plates above for evidence), but even when we do, we shouldn’t be quick to assume that the shape in which they are preserved is necessarily the same as the shape they had in life.  (If you doubt this, take another look at rib #6 in the third of the four O&M plates above.)  And as if that weren’t enough to discourage us, we should also remember that the vertebra-rib joints would have involved a lot of cartilage, and we don’t know its extent or shape.

So bearing in mind the complicated 3D shape of ribs and of dorsal vertebrae, the tendency for both to distort during and after fossilisation, and the complex and imperfectly known nature of the joints between them, I think that maybe I wasn’t too far wrong earlier when I said that what we know about sauropod torso shape is: nothing.

It’s a sobering thought.

# References

## I do not dare behold it

### January 14, 2011

By a curious coincidence, today’s Bob The Angry Flower cartoon is all about the Archbishop description.

But, hey, at least I got my confession in early — I was officially the first participant to fail the 2010 Paleo Project Challenge.

THIS year, for sure!

## An open letter to PLoS ONE — a pox on your numbered references!

### January 7, 2011

In most journals, in-line citations are by author and year.  So, for example, if someone writes “Haplocanthosaurus has been recovered as a non-diplodocimorph diplodocoid (Wilson 2002)”, you know that the paper that recovered Haplo in that position was, well, Wilson 2002.  And everyone who works on sauropods is familiar with Wilson 2002.

But there are some journals — our old friends Science and Nature are the most significant perpetrators here — that use numbered references instead.  So you’d read “Haplocanthosaurus has been recovered as a non-diplodocimorph diplodocoid [35]”, and then you have to flip to the end of the paper, look up number 35 in the numbered list of notes, and see that the reference is given as “J. Wilson, Zool. J. Linn. Soc. 136, 217 (2002).”  (Yes, it’s true: Science doesn’t even bother to tell you the title or end-page of the cited paper.  You just get author name, hghly abbrvted jrnl ttl, volume, start-page and publication year.)

This is completely stupid, of course, but you can just about see why the world is that way: S&N are basically print journals (albeit with online editions), and space is at a very tight premium.  So this kind of extreme compression may be worth the pain it costs in terms of space recovered.

But you want to know what’s really stupid?

PLoS ONE, and the rest of the PLoS journals, use numbered references.  Yes, PLoS ONE, the online-only journal that has no length restrictions whatsoever.  In PLoS ONE, you can have as many giant figures as you need, and as many tables, and as much text.  Yet still they niggle away at space by using the objectively inferior numbered-references format.

Why?

I can only assume it’s because they want to look like Science ‘n’ Nature.

Which is really, really, really stupid, because the whole point of the PLoS journals is that they’re not Science and Nature.  PLoS is the antidote to all the dumb diseases that the tabloids have infected us all with.  But for some reason, this particular part of the Tabloid Plague Complex — numbered references — has been picked out as worthy of promotion.  The stupid, it burns.

I’ve made no secret of the fact that when I finally get around to finishing the Archbishop description, I’ll be sending it to PLoS ONE, mostly because of its open access and its handling of figures: no limits on number, and they’re made available at original resolution.  The use of numbered references is a significant drawback to comprehensibility, but a price I’m prepared to pay in order to get those delicious figures.

But I was interested last night, when discussing journal selection with a colleague who will remain nameless, to read this [edited for punctuation only]:

Everyone loves PLoS — I can’t stand their referencing …  I just think no way would I want to have a reader of a my hypothetical longer paper suffer that.

And yes, it is an abolute deal breaker for me.

The longest paper I had to deal with was Hocknull’s “short” monograph on titanosauriforms/Australovenator.  What a nightmare for me.

I hadn’t realised how strongly the feelings run for some people.  My interlocutor was dead serious — I did check.  He’s going to be not sending his good papers to PLoS journals for this single reason.  Because of this dumb, ever-so-avoidable screwup.

Come on, PLoS people — sort it out.  (I called out Palaeontologia Electronica on their lame image resolutions, so it’s only fair that I spread the love around.)

# Acknowledgement

The very nice Lego Nebulon B Frigate that decorates this page is the “Malevolent Nova”, created by The One They Call Eric.