March 1, 2014
Christine Argot of the MNHN, Paris, drew our attention to this wonderful old photo (from here, original caption reproduced below):
I found a different version of what seems to be the same photo (greyscaled, lower resolution, but showing more of the surrounding area) here:
What we have here is a truly bizarre mount of Diplodocus – almost certainly one of the casts of the D. carnegii holotype CM 84 — with perfectly erect, parasagittal hind-limbs, but bizarrely everted elbows.
There are a few mysteries here.
First, where and when was this photo taken? Christine’s email described this as a “picture of a Diplodocus cast taken in St. Petersburg around 1920″, and the caption above seems to confirm that location; but then why is it copyright the Paleontological Museum, Moscow? Since the web-site in question is for a Swedish museum, it’s not forthcoming.
The second photo is from the web-site of the Borisyak Paleontological Institute in Moscow, but that site unfortunately provides no caption. The juxtaposition with two more modern Diplodocus-skeleton photos that are from its own gallery perhaps suggest that the modern mount shown in the more recent photographs is a re-pose of the old mount in the black-and white photo. If so, that might mean that the skeleton was actually in Moscow all along rather than St. Petersburg, or perhaps that it was moved from St. Petersburg to Moscow and remounted there.
Does anyone know? Has anyone out there visited the St. Petersburg museum recently and seen whether there is still a Diplodocus skeleton there? If so, is it still mounted in this bizarre way? Better yet, do you have photos?
The second question of course is why was this posture used? This pose makes no sense for several reasons — one of which is that even if Diplodocus could attain this posture it would only serve to leave the forefeet under the torso in the same position as erect forelimbs would have them. The pose only makes any kind of sense at all if you imagine the animal lowering its torso to drink; but given that it had a flexible six-meter-long neck, that hardly seems necessary.
Of course Diplodocus does have a history of odd postures: because of the completeness of the D. carnegii holotype, it became the subject of the Sauropod Posture Wars between Tornier, Hay and Holland in the early 20th Century. Both Tornier (1909) and Hay (1910) favoured a sprawling posture like that of lizards (see images above and below), and were soundly refuted by Holland
But the Tornier and Hay postures bear no relation to that of the mounted skeleton in the photographs above: they position the forefeet far lateral to the torso, and affect the hindlimbs as well as the forelimbs. So whatever the Russian mount was doing, I don’t think it can have been intended as a representation of the Tornier/Hay hypothesis.
But it gets even weirder. Christine tells me that “I’m aware of [...] the tests that Holland performed on the Russian cast to get rid of the hypothesis suggesting a potential lizard-like posture. So I think that he would have never allowed such a posture for one of the casts he mounted himself.” Now I didn’t know that Holland had executed the mounting of this cast. Assuming that’s right, it makes it even more inexplicable that he would have allowed such a posture.
Or did he?
Christine’s email finishes by asking: “What do you think? do you think that somebody could have come behind Holland to change the position? do you know any colleague or publication who could mention this peculiar cast and comment its posture?”
Can anyone help?
- Hay, Oliver. P. 1910. On the manner of locomotion of the dinosaurs, especially Diplodocus, with remarks on the origin of birds. Proceedings of the Washington Academy of Sciences 12(1):1-25.
- Holland, W. J. 1910. A review of some recent criticisms of the restorations of sauropod dinosaurs existing in the museums of the United States, with special reference to that of Diplodocus carnegiei in the Carnegie museum. American Naturalist 44:259-283.
- Nieuwland, Ilja. 2010. The colossal stranger. Andrew Carnegie and Diplodocus intrude European Culture, 1904–1912. Endeavour 34(2):61-68.
- Tornier, Gustav. 1909. Wie war der Diplodocus carnegii wirklich gebaut? Sitzungsbericht der Gesellschaft naturforschender Freunde zu Berlin 4:193– 209.
February 3, 2014
From the files of J. K. Rowling.
Dear Ms. Rowling,
Thank you for submitting your manuscript Harry Potter and the Half-Blood Prince. We will be happy to consider it for publication. However we have some concerns about the excessive length of this manuscript. We usually handle works of 5-20 pages, sometimes as much as 30 pages. Your 1337-page manuscript exceeds these limits, and requires some trimming.
We suggest that this rather wide-ranging work could usefully be split into a number of smaller, more tightly focussed, papers. In particular, we feel that the “magic” theme is not appropriate for our venue, and should be excised from the current submission.
Assuming you are happy to make these changes, we will be pleased to work with you on this project.
Esteemed Joenne Kay Rowling,
We are delightful to recieve your manuscript Harry Potter and the Half-Blood Prince and we look forword to publish it in our highly prestigious International Journal of Story Peer Reviewed which in 2013 is awarded an impact factor of 0.024.
Before we can progression this mutually benefit work, we require you to send a cheque for $5,000 US Dollars to the above address.
Dear J.R.R. Rowling,
We are in receipt of your manuscript Harry Potter and the Half-Blood Prince. Unfortunately, after a discussion with the editorial board, we concluded that it is insufficiently novel to warrant publication in our journal, which is one of the leading venues in its field. Although your work is well executed, it does not represent a significant advance in scholarship.
That is not to say that minor studies such as yours are of no value, however! Have you considered one of the smaller society journals?
Dear Dr. Rowling
Your submission Harry Potter and the Half-Blood Prince has passed initial editorial checks and will now be sent to two peer-reviewers. We will contact you when we have their reports and are able to make a decision.
Dear Dr. Rowling
Re: Harry Potter and the Half-Blood Prince.
We agree that eighteen months is too long for a manuscript to spend in review. On making inquiries, we find that we are unfortunately no longer able to contact the editor who was handling your submission.
We have appointed a new handling editor, who will send your submission to two new reviewers. We will contact you as soon as the new editor has made a decision.
Dear Dr. Rowling
Re: Harry Potter and the Half-Blood Prince.
Your complaint is quite justified. We will chase the reviewers.
Dear Dr. Rowling
I am pleased to say that the reviewers have returned their reports on your submission Harry Potter and the Half-Blood Prince and we are able to make an editiorial decision, which is ACCEPT WITH MAJOR REVISION.
Reviewer 1 felt that the core point of your contribution could be made much more succinctly, and recommended that you remove the characters of Ron, Hermione, Draco, Hagrid and Snape. I concur with his assessment that the final version will be tighter and stronger for these cuts, and am confident that you can make them in a way that does not compromise the plot.
Reviewer 2 was positive over all, but did not like being surprised by the ending, and felt that it should have been outlined in the abstract. She also felt that citation of earlier works including Lewis (1950, 1951, 1952, 1953, 1954, 1955, 1956) and Pullman (1995, 1997, 2000) would be appropriate, and noted an over-use of constructions such as “… said Hermione, warningly”.
Dear Dr. Rowling
Thank you for your revised manuscript of Harry Potter and the Half-Blood Prince, which it is our pleasure to accept. We now ask you to sign the attached copyright transfer form, so we can proceed with publication.
Dear Dr. Rowling
I am sorry that you are unhappy about this, but transfer of copyright is our standard procedure, and we must insist on it as a prerequisite for publication. None of our other authors have complained.
Dear Dr. Rowling
Thank you for the signed copyright transfer form.
In answer to your query, no, we do not pay royalties.
Dear Dr. Rowling
Sadly, no, we are unable to make an exception in the matter of royalties.
Dear Dr. Rowling
Your book has now been formatted. We attach a proof PDF. Please read this very carefully as this is the last chance to spot errors.
You will readily appreciate that publishing is an expensive business. In order to remain competitive we have had to reduce costs, and as a result we are no longer able to offer proof-reading or copy-editing. Therefore you are responsible for ensuring the copy is clean.
At this stage, changes should be kept as small as possible, otherwise a charge may be incurred for re-typesetting.
Dear Dr. Rowling
Many thanks for returning the corrected proofs of Harry Potter and the Half-Blood Prince. We will proceed with publication.
Now that the final length of your contribution is known, we are able to assess page charges. At 607 pages, this work exceeds our standard twenty free pages by 587. At $140 US per page, this comes to $82,180. We would be grateful if you would forward us a cheque for this amount at your convenience.
Dear Dr. Rowling
Thank you for you prompt payment of the page charges. We agree that these are regrettable, but sadly they are part of the reality of the publishing business.
We are delighted to inform you that Harry Potter and the Half-Blood Prince is now published online, and has been assigned the DOI 10.123.45678.
We thank you for working on this fine contribution with us, and hope you will consider us for your future publications.
Dear Dr. Rowling
You are correct, your book is not freely downloadable. As we explained earlier in this correspondence, publishing is an expensive business. We recover our substantial costs by means of subscriptions and paid downloads.
In our experience, those with the most need to read your book will probably have institutional access. As for those who do not: if your readers are as keen as you say, they will no doubt find the customary download fee of $37.95 more than reasonable. Alternatively, readers can rent online access at the convenient price of $9.95 per 24 hours.
Dear Dr. Rowling
I am sorry that you feel the need to take that tone. I must reiterate, as already stated, that the revenues from download charges are not sufficient for us to be able to pay royalties. The $37.95 goes to cover our own costs.
If you wish for your book to be available as “open access”, then you may take advantage of our Freedom Through Slavery option. This will attract a further charge of $3,000, which can be paid by cheque as previously.
Your attitude is really quite difficult to understand. All of this was quite clearly set out on our web-site, and should have been understood by you before you made your submission.
As stated in the copyright transfer form that you signed, you do not retain the right to post freely downloadable copies of your work, since you are no longer the copyright holder.
We must ask you not to contact your handling editor directly. He was quite shaken by your latest outburst. If you feel you must write to us again, we must ask you to moderate your language, which is quite unsuitable for a lady. Meanwhile, we remind you that our publishing agreement follows industry best practice. It’s too late to complain about it now.
Dear Pyramid Web-Hosting,
We write on behalf of our client, Ancient Monolith Scholarly Publishing, who we assert are the copyright holders of Harry Potter and the Half-Blood Prince. It has come to our attention that a copy of this copyrighted work has been posted on a site hosted by you at the URL below.
This letter is official notification under the provisions of Section 512(c) of the Digital Millennium Copyright Act (“DMCA”) to effect removal of the above-reported infringement. We request that you immediately issue a cancellation message as specified in RFC 1036 for the specified posting and prevent the infringer, Ms. J. K. Rowling, from posting the infringing material to your servers in the future. Please be advised that law requires you, as a service provider, to “expeditiously remove or disable access to” the infringing material upon receiving this notice. Noncompliance may result in a loss of immunity for liability under the DMCA.
Please send us at the address above a prompt response indicating the actions you have taken to resolve this matter.
Examination of Ms. Rowling’s personal effects established that she had written most of a seventh book, Harry Potter and the Deathly Hallows. However, Rowling never sought to publish this final book in the series.
January 3, 2014
The Scholarly Kitchen is the blog of the Society of Scholarly Publishers, and as such discusses lots of issues that are of interest to us. But a while back, I gave up commenting there two reasons. First, it seemed rare that fruitful discussions emerged, rather than mere echo-chamberism; and second, my comments would often be deliberately delayed for several hours “to let others get in first”, and randomly discarded completely for reasons that I found completely opaque.
But since June, when David Crotty took over as Editor-in-Chief from Kent Anderson, I’ve sensed a change in the wind: more thoughtful pieces, less head-in-the-sandism over the inevitable coming changes in scholarly publishing, and even genuinely fruitful back-and-forth in the comments. I was optimistic that the Kitchen could become a genuine hub of cross-fertilisation.
But then, this: The Jack Andraka Story — Uncovering the Hidden Contradictions Behind a Science Folk Hero [cached copy]. Ex-editor Kent Anderson has risen from the grave to give us this attack piece on a fifteen-year-old.
I’m frankly astonished that David Crotty allowed this spiteful piece on the blog he edits. Is Kent Anderson so big that no-one can tell him “no”? Embarrassingly, he is currently president of the SSP, which maybe gives him leverage over the blog. But I’m completely baffled over how Crotty, Anderson or anyone else can think this piece will achieve anything other than to destroy the reputation of the Kitchen.
As Eva Amsen says, “I got as far as the part where he says Jack is not a “layperson” because his parents are middle class. (What?) Then closed tab.” I could do a paragraph-by-paragraph takedown of Anderson’s article, as Michael Eisen did for Jeffrey Beall’s anti-OA coming-out letter; but it really doesn’t deserve that level of attention.
So why am I even mentioning it? Because Jack Andraka doesn’t deserve to be hunted by a troll. I’m not going to be the only one finally giving up on The Scholarly Kitchen if David Crotty doesn’t do something to control his attack dog.
Seriously, David. You’re better than that. You have to be.
Anderson, Kent. 2014. The Jack Andraka Story — Uncovering the Hidden Contradictions Behind a Science Folk Hero. Society of Scholarly Publishers. The Scholarly Kitchen, Society of Scholarly Publishers. URL:http://scholarlykitchen.sspnet.org/2014/01/03/the-jack-andraka-story-uncovering-the-hidden-contradictions-of-an-oa-paragon/. Accessed: 2014-01-03. (Archived by WebCite® at http://www.webcitation.org/6MLiAaC9o)
As we all know, University libraries have to pay expensive subscription fees to scholarly publishers such as Elsevier, Springer, Wiley and Informa, so that their researchers can read articles written by their colleagues and donated to those publishers. Controversially (and maybe illegally), when negotiating contracts with libraries, publishers often insist on confidentiality clauses — so that librarians are not allowed to disclose how much they are paying. The result is an opaque market with no downward pressure on prices, hence the current outrageously high prices, which are rising much more quickly than inflation even as publishers’ costs shrink due to the transition to electronic publishing.
On Thursday 11 April 2013, Oxford University hosted a conference called Rigour and Openness in 21st Century Science. The evening event was a debate on the subject Evolution or Revolution In Science Communication. During this debate, Stephen Curry of Imperial College noted that his librarian isn’t allowed to tell him how much they pay for Elsevier journals. This is the response of David Tempest, Elsevier’s Deputy Director of Universal Sustainable Research Access.
Heres’ a transcript
Curry [in reference to the previous answer]: I’m glad David Tempest is so interested in librarians being able to make costs transparent to their users, because at my university, Imperial College, my chief librarian can not tell me how much she pays for Elsevier journals because she’s bound by a confidentiality clause. Would you like to address that?
[Loud applause for the question]
Tempest: Well, indeed there are confidentiality clauses inherent in the system, in our Freedom Collections. The Freedom Collections do give a lot of choice and there is a lot of discount in there to the librarians. And the use, and the cost per use has been dropping dramatically, year on year. And so we have to ensure that, in order to have fair competition between different countries, that we have this level of confidentiality to make that work. Otherwise everybody would drive down, drive down, drive drive drive, and that would mean that …
[The last part is drowned in the laughter of the audience.]
So there you have it: confidentiality clauses exist because otherwise everybody would drive down prices. And we can’t have that, can we?
(Is this extracted segment of video unfairly misrepresenting Tempest? No. To see that for yourself, I highly recommend that you watch the video of the whole debate. It’s long — nearly two hours — but well worth the time. The section I used here starts at 1:09:50.)
November 26, 2013
Reading the Government’s comments on the recent BIS hearing on open access, I see this:
As a result of the Finch Group’s work, a programme devised by publishers, through the Publishers Licensing Society, and without funding from Government, will culminate in a Public Library Initiative. A technical pilot was successfully started on 9 September 2013
Following the link provided, I read:
The Report recommended that the existing proposal to make the majority of journals available for free to walk-in users at public libraries throughout the UK should be supported and pursued vigorously.
I’m completely, completely baffled by this. The idea that people should get in a car and drive to a special magic building in order to read papers that their own computers are perfectly capable of downloading is so utterly wrong-headed I struggle to find words for it. It’s a nineteenth-century solution to a twentieth-century problem. In 2013.
Who thought this was a good idea?
And what were they smoking at the time?
I can tell you now that the take-up for this misbegotten initiative will be zero. Because although it’s a painful waste of time to negotiate the paywalls erected by those corporations we laughably call “publishers”, this “solution” will be more of a waste of time still. (Not to mention a waste of petrol).
I can only assume that was always the intention of the barrier-based publishers on the Finch committee that came up with this initiative: to deliver a stillborn access initiative that they can point to and say “See, no-one wants open access”. Meanwhile, everyone will be over on Twitter using #icanhazpdf and other such 21st-century workarounds.
October 14, 2013
In what is by now a much-reported story, @DNLee, who writes the Urban Scientist blog on the Scientific American blog network, was invited by Biology Online to write a guest-post for their blog. On being told this was a non-paying gig, she politely declined: “Thank you very much for your reply. But I will have to decline your offer. Have a great day.” To which Biology Online’s blog editor Ofek replied “Are you an urban scientist or an urban whore?”
So far, so horrible. I had never heard of Biology Online before this, and won’t be seeking them out. You can add my name of the long list of people who certainly won’t be writing free content for them.
It’s what happened next that bothers me.
DNLee posted on her blog about what happened — rather a restrained post, which took the opportunity to discuss the wider implications rather than cursing out the perpetrator.
And Scientific American deleted the post.
They just deleted it.
This bothers me much more than the original incident, because I had no idea who Biology Online are, but thought I knew what Scientific American was. Looks like I didn’t. All I know for sure about them now is that they’re a company that accepts advertising revenue from Biology Online. Just saying.
Not a word was said to DNLee about this censorship by the people running the network. The post just vanished, bam. If you follow the link, it currently says “You have reached this page due to an error”. Yes. An error on the part of the blog-network management.
(This, by the way, is one of the reasons I don’t expect Sauropod Vertebra Picture of the Week ever to join one of these networks. I will not tolerate someone else making a decision to take down one of my posts.)
What makes this much worse is that Scientific American‘s Editor in Chief Mariette DiChristina has flat-out lied about this incident at least once. First she tweeted “@sciam is a publication for discovering science. The post was not appropriate for this area & was therefore removed.” Then after a day of silence, she blogged “we could not quickly verify the facts of the blog post and consequently for legal reasons we had to remove the post“.
So which was it, SciAm? Did you censor the post because it was off-topic? Or because of a perceived legal threat? Or, since we know at least one of these mutually contradictory claims isn’t true, maybe neither of them is, and you removed it avoid inconveniencing a sponsor?
DoChristina’s blog-post is a classic nonpoplogy. It says nothing about the original slur that gave rise to all this, and it doesn’t apologise of DNLee for censoring her perfectly reasonable blog-post. What it does do is blame the victim by implying that DNLee’s post is somehow illegal. (You can judge for yourself whether it is by reading one of the many mirrors.)
Then there’s this: “for legal reasons we had to remove the post”. What legal reasons? When did the SciAm legal team get involved in this? (Did they at all? I am sceptical.) Have you actually been threatened by Biology Online? (Again, I have my doubts.) Even if a threat has been received, it’s at best cowardly of SciAm to cave so immediately, and grotesquely unprofessional not even to bother notifying DNLee.
So SciAm are digging themselves deeper and deeper into this hole. Even their usually prolific and reliable blog editor @BoraZ has gone uncharacteristically quiet — I can only hope because he, too, is being silenced, rather than because he’s complicit.
There are only two ways for the SciAm blogging network to get out of this with some shreds of their reputation intact. They need to either show clearly that DNLee was lying about Biology Online, in which case they would merely have mismanaged this incident; or they need to reinstate her post and apologise properly. ”Properly” means “We screwed up because of our cowardice, please forgive us”, not “We’re sorry if some people were offended by our decision to do this thing that we’re going to keep claiming was OK”. Because it wasn’t.
Right then, SciAm. Where now?
October 7, 2013
Suppose, hypothetically, that you worked for an organisation whose nominal goal is the advancement of science, but which has mutated into a highly profitable subscription-based publisher. And suppose you wanted to construct a study that showed the alternative — open-access publishing — is inferior.
What would you do?
You might decide that a good way to test publishers is by sending them an obviously flawed paper and seeing whether their peer-review weeds it out.
But you wouldn’t want to risk showing up subscription publishers. So the first thing you’d do is decide up front not to send your flawed paper to any subscription journals. You might justify this by saying something like “the turnaround time for traditional journals is usually months and sometimes more than a year. How could I ever pull off a representative sample?“.
Next, you’d need to choose a set of open-access journals to send it to. At this point, you would carefully avoid consulting the membership list of the Open Access Scholarly Publishers Association, since that list has specific criteria and members have to adhere to a code of conduct. You don’t want the good open-access journals — they won’t give you the result you want.
Instead, you would draw your list of publishers from the much broader Directory of Open Access Journals, since that started out as a catalogue rather than a whitelist. (That’s changing, and journals are now being cut from the list faster than they’re being added, but lots of old entries are still in place.)
Then, to help remove many of the publishers that are in the game only to advance research, you’d trim out all the journals that don’t levy an article processing charge.
But the resulting list might still have an inconveniently high proportion of quality journals. So you would bring down the quality by adding in known-bad publishers from Beall’s list of predatory open-access publishers.
Having established your sample, you’d then send the fake papers, wait for the journals’ responses, and gather your results.
To make sure you get a good, impressive result that will have a lot of “impact”, you might find it necessary to discard some inconvenient data points, omitting from the results some open-access journals that rejected the paper.
Now you have your results, it’s time to spin them. Use sweeping, unsupported generalisations like “Most of the players are murky. The identity and location of the journals’ editors, as well as the financial workings of their publishers, are often purposefully obscured.”
Suppose you have a quote from the scientist whose experiences triggered the whole project, and he said something inconvenient like “If [you] had targeted traditional, subscription-based journals, I strongly suspect you would get the same result”. Just rewrite it to say “if you had targeted the bottom tier of traditional, subscription-based journals”.
Now you have the results you want — but how will you ever get through through peer-review, when your bias is so obvious? Simple: don’t submit your article for peer-review at all. Classify it as journalism, so you don’t need to go through review, nor to get ethical approval for the enormous amount of editors’ and reviewers’ time you’ve wasted — but publish it in a journal that’s known internationally for peer-reviewed research, so that uncritical journalists will leap to your favoured conclusion.
Last but not least, write a press-release that casts the whole study as being about the “Wild West” of Open-Access Publishing.
Everyone reading this will, I am sure, have recognised that I’m talking about John Bohannon’s “sting operation” in Science. Bohannon has a Ph.D. in molecular biology from Oxford University, so we would hope he’d know what actual science looks like, and that this study is not it.
Of course, the problem is that he does know what science looks like, and he’s made the “sting” operation look like it. It has that sciencey quality. It discusses methods. It has supplementary information. It talks a lot about peer-review, that staple of science. But none of that makes it science. It’s a maze of preordained outcomes, multiple levels of biased selection, cherry-picked data and spin-ridden conclusions. What it shows is: predatory journals are predatory. That’s not news.
Speculating about motives is always error-prone, of course, but it it’s hard not to think that Science‘s goal in all this was to discredit open-access publishing — just as legacy publishers have been doing ever since they realised OA was real competition. If that was their goal, it’s misfired badly. It’s Science‘s credibility that’s been compromised.
Update (9 October)
Akbar Khan points out yet more problems with Bohannon’s work: mistakes in attributing where given journals were listed, DOAJ or Beall’s list. As a result, the sample may be more, or less, biased than Bohannon reported.
October 3, 2013
An extraordinary study has come to light today, showing just how shoddy peer-review standards are at some journals.
Evidently fascinated by Science‘s eagerness to publish the fatally flawed Arsenic Life paper, John Bohannon conceived the idea of constructing a study so incredibly flawed that it didn’t even include a control. His plan was to see whether he could get it past the notoriously lax Science peer-review provided it appealed strongly enough to that journal’s desire for “impact” (designed as the ability to generate headlines) and pandered to its preconceptions (that its own publication model is the best one).
So Bohannon carried out the most flawed study he could imagine: submitting fake papers to open-access journals selected in part from Jeffrey Beall’s list of predatory publishers without sending any of his fake papers to subscription journals, noting that many of the journals accepted the papers, and drawing the flagrantly unsupported conclusion that open-access publishing is flawed.
It’s hard to know where Science can go from here. Having fallen for Bohannon’s sting, its credibility is shot to pieces. We can only assume that the AAAS will now be added to Beall’s list of predatory publishers.
Here are some other responses to the Science story:
- Michael Eisen: I confess, I wrote the Arsenic DNA paper to expose flaws in peer-review at subscription based journals
- Martin Eve: Flawed sting operation singles out open access journals (and his longer original version)
- Peter Suber: New “sting” of weak open-access journals
- The Library Loon: Which is it?
- Björn Brembs: Science Magazine Rejects Data, Publishes Anecdote
- Kausik Datta at SciLogs: What Science’s “Sting Operation” Reveals: Open Access Fiasco or Peer Review Hellhole?
- John Hawks: “Open access spam” and how journals sell scientific reputation
- Retraction Watch:
- OASPA: response to the recent article in Science entitled “Who’s Afraid of Peer Review?”
- Jeroen Bosman: Science Mag sting of OA journals: is it about Open Access or about peer review?
- Curt Rice: What Science — and the Gonzo Scientist — got wrong: open access will make research better (now also appearing at the Guardian)
- Michelle N. Meyer: The troubled peer-review system, the open-access wars, and the blurry line between human subjects research and investigative journalism
- Ernesto Priego: Who’s Afraid of Open Access?
- Marius Buliga: On John Bohannon article in Science
- DOAJ: response to the recent article in Science entitled “Who’s Afraid of Peer Review?
- Zen Faulkes: Open access or vanity press, the Science “sting” edition
- Graham Steel: Glam Mag fucks up, news at eleven
- Heather Joseph (SPARC): Science Magazine’s Open Access “Sting”
- Lenny Teytelman: What hurts science – rejection of good or acceptance of bad?
- Fabiana Kubke: Science gone bad; or, or the day after the sting
- Gunther Eysenbach: Unscientific spoof paper accepted by 157 “black sheep” open access journals – but the Bohannon study has severe flaws itself
- Jon Brock: This study lacked an appropriate control group: Two stars
- Me again, this time with the gloves off: Anti-tutorial: how to design and execute a really bad study
- Paul Basken (Chronicle of Higher Education): Critics Say Sting on Open-Access Journals Misses Larger Point
- Neurobonkers: Science’s Straw Man Sting
- The Winnower: The Real Peer Review: Post-Publication
- Sal Robinson: John Bohannon’s Open Access sting paper annoys many, scares the easily scared, accomplishes relatively little
- Peerage of Science: It’s gotta sting
- Peter Murray-Rust: The Bohannon “Sting”; Can we trust AAAS/Science or is this PRISM reemerging from the grave?
- Heather Morrison: Bohannon and Science: bogus articles and PR spin instead of peer review
- Barbara Fister (Inside Higher Ed): The Sting
- Jon Tennant (guesting at SciLogs): Peer Review Quality is Independent of Open Access
- Stuart Shieber: Lessons from the faux journal investigation
- DOAJ: Second response to the Bohannon article 2013-10-18
- Andreas Thoss: Peer review: how to distinguish the good from the bad?
September 5, 2013
Remember at the start of the year, Matt and I had a contest to design a cover for a random book in half an hour? I came up with this:
Well, today I saw that my wife is reading Abraham Vergese’s novel Cutting for Stone (which, for what it’s worth, she says is very good). Here’s the cover:
You can’t tell me that‘s a coincidence.