This was inspired by an email Mike sent a couple of days ago:
Remind yourself of the awesomeness of Giraffatitan:
Now think of this. Its neck is 8.5m long. Knock of one measly meter — for example, by removing one vertebra from the middle of the neck — and you have 7.5 m.
Supersaurus’s neck was probably TWICE that long.
I replied that I was indeed freaked out, and that it had given me an idea for a post, which you are now reading. I didn’t have a Giraffatitan that was sufficiently distortion-free, so I used my old trusty Brachiosaurus. The vertebra you see there next to Mike and next to the neck of Brachiosaurus is BYU 9024, the longest vertebra that has ever been found from anything, ever.
Regarding the neck length of Supersaurus, and how BYU 9024 came to be referred to Supersaurus, here’s the relevant chunk of my dissertation (Wedel 2007: pp. 208-209):
Supersaurus is without question the longest-necked animal with preserved cervical material. Jim Jensen recovered a single cervical vertebra of Supersaurus from Dry Mesa Quarry in western Colorado. The vertebra, BYU 9024, was originally referred to “Ultrasauros”. Later, both the cervical and the holotype dorsal of “Ultrasauros” were shown to belong to a diplodocid, and they were separately referred to Supersaurus by Jensen (1987) and Curtice et al. (1996), respectively.
BYU 9024 has a centrum length of 1378 mm, and a functional length of 1203 mm (Figure 4-3). At 1400 mm, the longest vertebra of Sauroposeidon is marginally longer in total length [see this post for a visual comparison]. However, that length includes the prezygapophyses, which overhang the condyle, and which are missing from BYU 9024. The centrum length of the largest Sauroposeidon vertebra is about 1250 mm, and the functional length is 1190 mm. BYU 9024 therefore has the largest centrum length and functional length of any vertebra that has ever been discovered for any animal. Furthermore, the Supersaurus vertebra is much larger than the Sauroposeidon vertebrae in diameter, and it is a much more massive element overall.
Neck length estimates for Supersaurus vary depending on the taxon chosen for comparison and the serial position assumed for BYU 9024. The vertebra shares many similarities with Barosaurus that are not found in other diplodocines, including a proportionally long centrum, dual posterior centrodiapophyseal laminae, a low neural spine, and ventrolateral flanges that connect to the parapophyses (and thus might be considered posterior centroparapophyseal laminae, similar to those of Sauroposeidon). The neural spine of BYU 9024 is very low and only very slightly bifurcated at its apex. In these characters, it is most similar to C9 of Barosaurus. However, theproportions of the centrum of BYU 9024 are more similar to those of C14 of Barosaurus, which is the longest vertebra of the neck in AMNH 6341. BYU 9024 is 1.6 times as long as C14 of AMNH 6341 and 1.9 times as long as C9. If it was built like that of Barosaurus, the neck of Supersaurus was at least 13.7 meters (44.8 feet) long, and may have been as long as 16.2 meters (53.2 feet).
Based on new material from Wyoming, Lovelace et al. (2005 [published as Lovelace et al. 2008]) noted potential synapomorphies shared by Supersaurus and Apatosaurus. BYU 9024 does not closely resemble any of the cervical vertebrae of Apatosaurus. Instead of trying to assign its serial position based on morphology, I conservatively assume that it is the longest vertebra in the series if it is from an Apatosaurus-like neck. At 2.7 times longer than C11 of CM 3018, BYU 9024 implies an Apatosaurus-like neck about 13.3 meters
(43.6 feet) long.
Bonus comparo: BYU 9024 vs USNM 10865, the mounted Diplodocus longus at the Smithsonian, modified from Gilmore 1932 (plate 6). For this I scaled BYU 9024 against the 1.6-meter femur of this specimen.
If you’d like to gaze upon BYU 9024 without distraction, or put it into a composite of your own, here you go:
- Gilmore, C. W. 1932. On a newly mounted skeleton of Diplodocus in the United States National Museum. Proceedings of the United States National Museum 81, 1-21.
- Lovelace, David M., Scott A. Hartman and William R. Wahl. 2008. Morphology of a specimen of Supersaurus (Dinosauria, Sauropoda) from the Morrison Formation of Wyoming, and a re-evaluation of diplodocid phylogeny. Arquivos do Museu Nacional, Rio de Janeiro, 65 (4): 527-544.
- Wedel, M.J. 2007. Postcranial pneumaticity in dinosaurs and the origin of the avian lung. PhD dissertation, University of California, Berkeley, Department of Integrative Biology, 303 pp.
July 3, 2014
So, this is on the shelves right now. Underage anthropomorphic martial chelonian cargo notwithstanding, the Triceratops on the cover is pretty standard.
The one on the inside is much less so. Or, at least it would have been up until a couple of years ago. Apparently, dinos that are All-Yesterdays-ed out are a pop culture Thing now.
I’m quite taken with this decidedly un-shrink-wrapped T. rex. But then I would be, wouldn’t I? He’s a big guy with a beard who’s interested in turtles–he’s about one spatial dimension away from being me.
So anyway, if you dig on dinos, you might want to pick this one up. Kudos to cover artist David Petersen for rocking it old school, and to interior artist Ross Campbell for going next-gen.
Immediate Update: Arf, about 60 seconds after hitting “publish”, I realized that those rascals at Love in the Time of Chasmosaurs had gotten here first. Go read their much better post, and then kiss your productive time away as you get sucked into whatever cool stuff they’ve been posting on lately. Seriously, be careful over there.
June 27, 2014
June 18, 2014
Check out this beautiful Lego Diplodocus:
(Click through for the full image at full size.)
I particularly like the little touch of having of bunch of Lego Victorian gentleman scientists clustered around it, though they’re probably a bit too big for the skeleton.
This is the work of MolochBaal, and all rights are reserved. You can see five more views of this model in his Flickr gallery. I especially admire how he’s managed to get the vertebral transitions pretty smooth, the careful use of separate radius/ulna and tibia/fibula, and the use of a transparent brick in the skull to represent the antorbital fenestra.
The forefeet are wrong — their toes should not be splayed out — but you can’t blame MolochBaal for that, as he was copying the mounted CM 84/94 cast in the Madrid museum.
June 16, 2014
We feature a lot of Brian Engh’s stuff here–enough that he has his own category. But lately he has really been outdoing himself.
The wave of awesome started last year, when Brian started posting videos showing builds and suit tests for monsters–monster suits, monster puppets, monster you-name-its. Like this monster-sculpting timelapse from last August:
And this suit test from last October:
Brian even wrote a blog post about how he builds monsters.
Things really ramped up this May with the release of “In Mountains”, the first video in a three-part series from Brian’s Earth Beasts Awaken album (which is badass, and available for free here).
If you’re thinking that the Mountain Monster has some Estemmenosuchus in its background, you are correct–that astonishing real-world critter was one of Brian’s inspirations, among many others.
More awesomeness is coming in July, when the next video, “Call to Awaken”, is slated to be released. Here’s a teaser:
I have even more exciting Brian-Engh-related news, but I am not at liberty to discuss that just yet. Hopefully sometime this fall. Stay tuned, true believers.
In recent photo posts on the mounted Brachiosaurus skeleton and its bones in the ground, I’ve lamented that the Field Museum’s online photo archive is so unhelpful: for example, if it has a search facility, I’ve not been able to find it.
But the good news is that there’s a Field Museum Photo Archives tumblr. Its coverage is of course spotty, but it gives us at least some chance of finding useful brachiosaur images. Like this one of the sixth presacral vertebra (i.e. probably D7 in a column of 12 dorsals):
It’s instructive to compare that with Riggs’s (1904: plate LXXII) illustration of the same vertebra in the same aspect, in which he almost literally airbrushed out the jigsaw-puzzle complexity of the preserved bone surface:
More disturbing still, compare that old photograph with my own (terrible) 2005 photo of the same vertebra:
It looks very much as though the vertebra itself — not just Riggs’s illustration — has been “improved” since the older photo was taken exactly a century earlier in 1905. This is a constant problem when dealing with old fossils.
Here are three more interesting photos from the Tumblr. First, the Brachiosaurus fossils in the field:
This is evidently from later in the excavation process than the previous photo of this area, since much of the material is now jacketed. That’s the femur in front of shot, here seen in anteromedial view, with the top towards the right.
Next up, this photo purports to be “Thirteen men including Security Guard unloading dorsal vertebrae of type specimen Brachiosaurus fossil”:
But in fact it’s not Brachiosaurus — the neural spines are too tall and slender. I am pretty sure this is Riggs’s Apatosaurus — the rightmost dorsal has that distinctive notch on the dorsal aspect of the neural spine. And indeed, checking his monograph on that specimen (Riggs 1903: plate XLVI), I see that its dorsals were distorted in this way, and that the front-centre vert is a fine match for its D10.
Finally, there’s this one of the prep room:
On the far left, we have the still-jacketed Brachiosaurus femur; next to it stands Harold W. Menke, who discovered the fossil; and to his right is Elmer S. Riggs, who wrote the description.
Those are all the Brachiosaurus-related images I’ve been able to find on the tumblr. But do let me know if you find any others.
- Riggs, Elmer S. 1903. Structure and relationships of opisthocoelian dinosaurs. Part I: Apatosaurus Marsh. Field Columbian Museum, Geological Series 2:165-196.
- Riggs, Elmer S. 1904. Structure and relationships of opisthocoelian dinosaurs. Part II, the Brachiosauridae. Field Columbian Museum, Geological Series 2:229-247.
After P.A.S.T president Gilles Danis commented on our post about the Chicago airport Brachiosaurus mount, I got into an interesting email conversation with him. Here, posted with his kind permission and only lightly edited, are his thoughts on the Brachiosaurus mount.
The story of this mount (s) is chequered. The casts of real material include the sacrum, the caudal, a number of dorsals, some rib fragments, one femur, a very badly eroded humerus and a coracoid. [Update: also the right ilium, as Gilles subsequently confirmed by email.]
On the mount that was in the museum and later was moved to the airport, we had a peculiar situation to deal with. Because museums like to have people walking under the rib cage of high sauropods, this becomes a safety hazard for two reasons. The first is that it cannot be allowed to fall on the people (obviously) and even though the cast was of light plastic, the engineers insisted in overbuilding the support (namely the legs and arms). Also because while in the Field Museum, it stood in the path of a fire exit, we had to have a certain amount of distance between the front and hind limbs (I forget the exact measurement). The only way that we could achieve that was to add two vertebrae for a total of 12 dorsals. We chose to duplicate two of real vertebrae at the lower end of the dorsal section.
The funny thing is only one person figured that one out and that was Bill Simpson the collections manager. Also to support this structure, we were asked to used way oversized steel in the limbs which meant that we had to “inflate” the real humerus and femur to accommodate the material. This is why the cast is so bad; it is half stuffing.
It is interested to see how a lie perpetuates itself. The following year, the Hayashibara museum ordered a mount of the same skeleton and they were very interested in getting the distance between the feet and manus. So we, again, had to make a Brachiosaurus limoensis.
Not satisfied with this silly situation, Disney came to us in 1996 and ordered that very same skeleton again with the stretch limo factor for another dinosaur that you walk under for the Wild Animal Kingdom park in Orlando. Up to that point, only Bill Simpson had realized the error. But I had just had it up to there with these stretch dinosaurs and revealed the problem. After that, in 1999, we replaced the skeleton in Stanley Field Hall with one on the terrace to make room for Sue the T. rex. On this Brachiosaurus, we have the normal 10 dorsals. The last Brachiosaurus we mounted is in the North American Museum of Ancient Life (N.A.M.A.L.) at Thanksgiving Point, Lehi, Utah, again a normal skeleton.
If this was not enough we restored Seismosaurus halli (now Diplodocus hallorum). This project was sponsored by a Japanese company who was to get the first mount. They took Gillette’s publication and read that the skeleton would have been 150′ long or 50 meters. We soon realized that there was a mistake, that the tail was not missing a huge section but had simply drifted away from the sacrum and the skeleton would not be even close to the predicted length. The Japanese would have none of it. After months of negotiations, we arrived at a compromise and we made the skeleton 40 meters long, 133’+ by adding some whiplash vertebrae until it was that long. By then I had had enough and threw in the towel but not before mounting another Seismosaurus for the museum is Albuquerque which is correct.
As for the Berlin brachiosaur: I spent some time in Berlin measuring, photographing and drawing (Donna Sloan did the drawing) the original material there, but they would not allow us to mould it. What I found interesting is that in 1992 when I was there, most of the skeleton of the mount was not original but it was not cast either. It was sculpted wood.
I have many more tails (pun, ha,ha) about sauropods. I should write them down sometime.
Many thanks to Gilles for allowing us to reproduce this important information.
Gilles’ list of real material that was cast for the mount includes very nearly all of the holotype FMNH P25107 — assuming that “a number of dorsals” means seven, the number that Riggs excavated and had prepared. The only fossil elements not apparently appearing are the fragmentary first caudal and the right ilium. But it seems to me from some of my photos of the airport mount (see the image at the top) that a cast of the right ilium was used. [Update: yes, Gilles confirmed by email that the right ilium was indeed cast from real material.]
Regarding the number of dorsal vertebrae: it may have been circumstances that forced P.A.S.T to give the mount 12 dorsals, but Migeod’s pre-description of the NHM’s Tendaguru brachiosaur gives good reason to think this is likely the correct count.
Similarly, although the torso was therefore longer than Gilles had intended, it might have ended up correct, as careful comparison of the lengths of the Brachiosaurus and Giraffatitan dorsals suggests that the torso of the former was about 23% longer.
To my shame, I’d not realised that the Brachiosaurus at the airport has two more dorsals than the one in the Field Museum picnic area, despite Matt having posted a ventral-view photo of the airport mount that clearly shows the twelve dorsals and a lateral-view photo of the museum mount that clearly shows ten.
When Gilles says “most of the skeleton of the [Berlin] mount was not original but it was not cast either”, I assume he’s referring to the presacral vertebrae, which as Janensch explained in his 1950 paper about that mount were too heavy and fragile to mount. The sculptures in Janensch’s mount were not particularly good, but they have been replaced by much better ones in the remount.