After P.A.S.T president Gilles Danis commented on our post about the Chicago airport Brachiosaurus mount, I got into an interesting email conversation with him. Here, posted with his kind permission and only lightly edited, are his thoughts on the Brachiosaurus mount.
The story of this mount (s) is chequered. The casts of real material include the sacrum, the caudal, a number of dorsals, some rib fragments, one femur, a very badly eroded humerus and a coracoid. [Update: also the right ilium, as Gilles subsequently confirmed by email.]
On the mount that was in the museum and later was moved to the airport, we had a peculiar situation to deal with. Because museums like to have people walking under the rib cage of high sauropods, this becomes a safety hazard for two reasons. The first is that it cannot be allowed to fall on the people (obviously) and even though the cast was of light plastic, the engineers insisted in overbuilding the support (namely the legs and arms). Also because while in the Field Museum, it stood in the path of a fire exit, we had to have a certain amount of distance between the front and hind limbs (I forget the exact measurement). The only way that we could achieve that was to add two vertebrae for a total of 12 dorsals. We chose to duplicate two of real vertebrae at the lower end of the dorsal section.
The funny thing is only one person figured that one out and that was Bill Simpson the collections manager. Also to support this structure, we were asked to used way oversized steel in the limbs which meant that we had to “inflate” the real humerus and femur to accommodate the material. This is why the cast is so bad; it is half stuffing.
It is interested to see how a lie perpetuates itself. The following year, the Hayashibara museum ordered a mount of the same skeleton and they were very interested in getting the distance between the feet and manus. So we, again, had to make a Brachiosaurus limoensis.
Not satisfied with this silly situation, Disney came to us in 1996 and ordered that very same skeleton again with the stretch limo factor for another dinosaur that you walk under for the Wild Animal Kingdom park in Orlando. Up to that point, only Bill Simpson had realized the error. But I had just had it up to there with these stretch dinosaurs and revealed the problem. After that, in 1999, we replaced the skeleton in Stanley Field Hall with one on the terrace to make room for Sue the T. rex. On this Brachiosaurus, we have the normal 10 dorsals. The last Brachiosaurus we mounted is in the North American Museum of Ancient Life (N.A.M.A.L.) at Thanksgiving Point, Lehi, Utah, again a normal skeleton.
If this was not enough we restored Seismosaurus halli (now Diplodocus hallorum). This project was sponsored by a Japanese company who was to get the first mount. They took Gillette’s publication and read that the skeleton would have been 150′ long or 50 meters. We soon realized that there was a mistake, that the tail was not missing a huge section but had simply drifted away from the sacrum and the skeleton would not be even close to the predicted length. The Japanese would have none of it. After months of negotiations, we arrived at a compromise and we made the skeleton 40 meters long, 133’+ by adding some whiplash vertebrae until it was that long. By then I had had enough and threw in the towel but not before mounting another Seismosaurus for the museum is Albuquerque which is correct.
As for the Berlin brachiosaur: I spent some time in Berlin measuring, photographing and drawing (Donna Sloan did the drawing) the original material there, but they would not allow us to mould it. What I found interesting is that in 1992 when I was there, most of the skeleton of the mount was not original but it was not cast either. It was sculpted wood.
I have many more tails (pun, ha,ha) about sauropods. I should write them down sometime.
Many thanks to Gilles for allowing us to reproduce this important information.
Gilles’ list of real material that was cast for the mount includes very nearly all of the holotype FMNH P25107 — assuming that “a number of dorsals” means seven, the number that Riggs excavated and had prepared. The only fossil elements not apparently appearing are the fragmentary first caudal and the right ilium. But it seems to me from some of my photos of the airport mount (see the image at the top) that a cast of the right ilium was used. [Update: yes, Gilles confirmed by email that the right ilium was indeed cast from real material.]
Regarding the number of dorsal vertebrae: it may have been circumstances that forced P.A.S.T to give the mount 12 dorsals, but Migeod’s pre-description of the NHM’s Tendaguru brachiosaur gives good reason to think this is likely the correct count.
Similarly, although the torso was therefore longer than Gilles had intended, it might have ended up correct, as careful comparison of the lengths of the Brachiosaurus and Giraffatitan dorsals suggests that the torso of the former was about 23% longer.
To my shame, I’d not realised that the Brachiosaurus at the airport has two more dorsals than the one in the Field Museum picnic area, despite Matt having posted a ventral-view photo of the airport mount that clearly shows the twelve dorsals and a lateral-view photo of the museum mount that clearly shows ten.
When Gilles says “most of the skeleton of the [Berlin] mount was not original but it was not cast either”, I assume he’s referring to the presacral vertebrae, which as Janensch explained in his 1950 paper about that mount were too heavy and fragile to mount. The sculptures in Janensch’s mount were not particularly good, but they have been replaced by much better ones in the remount.
May 23, 2014
Continuing with what seems to have turned out to be Brachiosaur Humerus Week here on SV-POW! (part 1, part 2, part 3), let’s consider the oft-stated idea that brachiosaurs have the most slender humeri of any sauropod. For example, Taylor (2009:796) wrote that:
Discarding a single outlier, the ratio of proximodistal length to minimum transverse width (Gracility Index or GI) in humeri of B. brancai [i.e. Giraffatitan] varies between 7.86 for the right humerus HMN F2 and 9.19 for the left humerus HMN J12, with the type specimen’s right humerus scoring 8.69, slightly more gracile than the middle of the range [...] For the B. altithorax type specimen, the GI is 8.50, based on the length of 204 cm and the minimum transverse width of 24 cm reported by Riggs (1904:241). However, the B. altithorax humerus looks rather less gracile to the naked eye than that of B. brancai, and careful measurement from Riggs’s plate LXXIV yields a GI of 7.12, indicating that the true value of the minimum transverse width is closer to 28.5 cm. As noted by Riggs (1903:300-301), the surface of the distal end of this humerus has flaked away in the process of weathering. Careful comparison of the humeral proportions with those of other sauropods (Taylor and Wedel, in prep.) indicates that the missing portion of this bone would have extended approximately a further 12 cm, extending the total length to 216 cm and so increasing the GI to 7.53 – still less gracile than any B. brancai humerus except the outlier, but more gracile than any other sauropod species except Lusotitan atalaiensis (8.91), and much more gracile than the humerus of any non-brachiosaurid sauropod (e.g., Diplodocus Marsh, 1878 sp., 6.76; Malawisaurus dixeyi Jacobs, Winkler, Downs and Gomani, 1993, 6.20; Mamenchisaurus constructus Young, 1958, 5.54; Camarasaurus supremus Cope, 1877, 5.12; Opisthocoelicaudia skarzynskii Borsuk-Bialynicka, 1977, 5.00 – see Taylor and Wedel, in prep.)
Implicit in this (though not spelled out, I admit) is that the humeri of brachiosaurs are slender proportional to their femora. So let’s take a look at the humerus and femur of Giraffatitan, as illustrated in Janensch’s beautiful 1961 monograph of the limbs and girdles of Tendaguru sauropods:
The first thing you’ll notice is that the humerus is way longer than the femur. That’s because Janensch’s Beilage A illustrates the right humerus of SII (now properly known as MB R.2181) while his Beilage J illustrates the right femur of the rather smaller referred individual St 291. He did this because the right femur of SII was never recovered and the left femur was broken, missing a section in the middle that had to be reconstructed in plaster.
(What’s a Beilage? It’s a German word that seems to literally mean something like “supplement”, but in Janensch’s paper it means a plate (full-page illustration) that occurs in the main body of the text, as opposed to the more traditional plates that come at the end, and which are numbered from XV to XXIII.)
How long would the intact SII femur have been? Janensch (1950b:99) wrote “Since the shaft of the right femur is missing for the most part, it was restored to a length of 196 cm, calculated from other finds” (translation by Gerhard Maier). Janensch confused the left and right femora here, but assuming his length estimate is good, we can upscale his illustration of St 291 so that it’s to SII scale, and matches the humerus. Here’s how that looks:
Much more reasonable! The humerus is still a little longer, as we’d expect, but not disturbingly so.
Measuring from this image, the midshaft widths of the femur and humerus are 315 and 207 pixels respectively, corresponding to absolute transverse widths of 353 and 232 mm — so the femur is broader by a factor of 1.52. That’s why I expressed surprise on learning that Benson et al (2014) gave Giraffatitan a CF:CH ratio (circumference of femur to circumference of humerus) of only 1.12.
Anyone who would like to see every published view of the humeri and femora of these beasts is referred to Taylor (2009:fig. 5). In fact, here it is — go crazy.
Notice that the femur of Giraffatitan, while transversely pretty broad, is freakishly narrow anteroposteriorly. The same is true of the femur of Brachiosaurus, although it’s never been shown in a published paper — I observed it in the mounted casts in Chicago.
So let’s take a wild stab at recalculating the mass of Giraffatitan using the Benson et al. formula. First, measuring the midshaft transverse:anteroposterior widths of the long bones gives eccentricity ratios of 2.39 for the femur and 1.54 for the humerus (I am not including the anterior prejection of the deltopectoral crest in the anteroposterior width of the humerus) . Dividing the absolute transverse widths above by these ratios gives us anteroposterior widths of 148 for the femur and 150 mm for the humerus. So they are almost exactly the same in this dimension.
If we simplify by treating these bones as elliptical in cross section, we can approximate their midshaft circumference. It turns out that the formula for the circumference is incredibly complicated and involves summing an infinite series:
But since we’re hand-waving so much anyway, we can use the approximation C = 2π sqrt((a²+b²)/2). where a and b are the major and minor radii (not diameters). For the femur, these measurements are 176 and 74 mm, so C = 848 mm; and for the humerus, 116 and 75 mm yields 614 mm. (This compares with FC=730 and HC=654 in the data-set of Benson et al., so we have found the femur to be bigger and the humerus smaller than they did.)
So the CF:CH ratio is 1.38 — rather a lot more than the 1.12 reported by Benson et al. (Of course, if they measured the actual bones rather than messing about with illustrations, then their numbers are better than mine!)
And so to the mass formula, which Campione and Evans (2012) gave as their equation 2:
log BM = 2.754 log (CH+CF) − 1.097
Which I understand to use base-10 logs, circumferences measured in millimeters, and yield a mass in grams, though Campione and Evans are shockingly cavalier about this. CH+CF is 1462; log(1462) = 3.165. That gives us a log BM of 7.619, so BM = 41,616,453 g = 41,616 kg.
Comparison with Benson et al. (2014)
|SV-POW!||Benson et al.|
|Mass estimate (kg)||41,616||34,000|
My new mass estimate of 41,616 kg is is a lot more than the 34,000 kg found by Benson et al. This seems to be mostly attributable to the much broader femur in my measurement: by contrast, the humerus measurements are very similar (varying by about 3% for both diameters). That leaves me wondering whether Benson et al. just looked at a different femur — or perhaps used St 291 without scaling it to SII size. Hopefully one of the authors will pass by and comment.
More to come on this mass estimate real soon!
- Campione, Nicolás E, and David C. Evans. 2012. A universal scaling relationship between body mass and proximal limb bone dimensions in quadrupedal terrestrial tetrapods. BMC Biology 10:1–21. doi:10.1186/1741-7007-10-60
- Benson Roger B. J., Nicolás E. Campione, Matthew T. Carrano, Philip D. Mannion, Corwin Sullivan, Paul Upchurch, and David C. Evans. (2014) Rates of Dinosaur Body Mass Evolution Indicate 170 Million Years of Sustained Ecological Innovation on the Avian Stem Lineage. PLoS Biology 12(5):e1001853. doi:10.1371/journal.pbio.1001853
- Janensch, Werner. 1950b. Die Skelettrekonstruktion von Brachiosaurus brancai. Palaeontographica (Supplement 7) 3:97-103, and plates VI-VIII.
- Janensch, Werner. 1961. Die Gliedmaszen und Gliedmaszengurtel der Sauropoden der Tendaguru-Schichten. Palaeontographica, suppl. 7 (1), teil 3, lief. 4:177-235.
- Taylor, Michael P. 2009. A re-evaluation of Brachiosaurus altithorax Riggs 1903 (Dinosauria, Sauropoda) and its generic separation from Giraffatitan brancai (Janensch 1914). Journal of Vertebrate Paleontology 29(3):787-806.
- Taylor and Wedel, in prep. Hmm, I wonder where that’s got to? Matt, we really ought to warm this up and get it done. Why, yes I am using the bibliography of a blog-post to communicate with a co-author, thanks for asking.
Last time we looked at the humeri in the Field Museum’s mounted Brachiosaurus skeleton — especially the right humerus, which is a cast from the holotype, while the left is a sculpture. But Matt’s and my photos of that mount are all pretty much useless scientifically — partly because we were terrible photographers back then, but also partly because the very light background of sky tended to put the skeleton into silhouette and lose a lot of detail.
But fortunately there’s another Brachiosaurus in Chicago!
(We’ve featured this mount once before.)
This in fact the original Brachiosaurus mount that was erected in the Field Museum’s main hall in 1993. When a certain vulgar, over-studied theropod was installed in that hall in 2000, the surprising decision was made to remove the Brachiosaurus to “make room” for it (even though it’s objectively tiny). The mount was not built to be exposed to the elements, so it couldn’t just be moved outdoors. Instead, a new one was made from more suitable materials for the picnic area, and the original mount was moved to O’Hare Airport.
[Aside: what the heck were the museum thinking when they booted Brachiosaurus out of the main hall? However much you love T. rex, and I admit I do, Sue makes a feeble centrepiece compared with a brachiosaur. I can only assume there was some subtle political motivation for reducing their main hall's Awesome Quotient so dramatically. The poor thing was only there seven years.]
Anyway, the original mount is now at Terminal 1 at O’Hare Airport, where it can be photographed less inadequately than outdoors. Here are those contrasting humeri again: the real cast on the right side of the animal (left side of photo) and the sculpture on the left (right side of photo):
And a zoom into the relevant section:
As it happens, I flew into a different terminal at O’Hare. But I knew that this mount was in Terminal 1, so before I get the transit to my hotel, I dragged my luggage across to Terminal 1 and begged the ticket clerk to let me through into the departure area so I could look at it. I don’t now remember exactly what the sequence of events was, but I do recall that phone-calls were made and supervisors were consulted. In the end, someone on staff gave me a platform ticket, and I was able to go and spend a quality hour with this glorious object.
It also meant I got to watch nearly every single traveller amble straight past Brachiosaurus giving it literally not even a single glance — see the first photo for an example. Truly depressing.
Anyway, I was able to get some slightly better photos of this cast humerus than I subsequently got of the outdoor mount. Though not very many, because — stop me if you’ve heard this — I was young and stupid then.
Anyway, here is the humerus in anterior view. Or as close to anterior as I could manage. By holding the camera above my head, I could get it nearly level with the distal margin of the mounted bone, so what we have here is really more like anterodistal:
And here is that some bone in lateral view (again, really laterodistal). From this angle, you can really see how shapeless parts of the lateral border of the cast are — which is off, because there are sharp lips on the actual fossil.
In terms of general appreciation of the bone, this next one, in anterolaterodistal view, is probably best — the light caught it in an informative way. Unfortunately, I cut off the distal margin. Sorry.
As you can see, the level of detail in the cast is mostly pretty good. For example, you can clearly make out the broken-off base of the deltopectoral crest (the tall light-coloured oval about a quarter of the way down and a third of the way across the bone). That makes the lumpenness of the distal part of the lateral aspect all the more mysterious.
Finally, here are both humeri, more or less from the left, so that the real cast is in something approaching medial view.
From this angle, you can see that the humerus is noticeably less anteroposteriorly deep than its transverse width. We’ll see this theme cropping up again with brachiosaur limb bones — stay tuned for future posts!
Also of interest: the very nice sculpted humerus on the left side has a complete deltopectoral crest — modelled, I imagine, after those of the various Giraffatitan humeri. It also has a finished distal end which is much broader than that of the cast humerus. In this, it’s probably right, as the real bone suffered from some decay.
And that, I am afraid, is all: stupidly, I neglected to photograph the humerus in posterior aspect, or any of the diagonals other than anterolateral.
Next time: exciting news about the relative breadth of humerus and femur in brachiosaurs!
As we noted yesterday, the humerus of the Brachiosaurus altithorax holotype FMNH P25107 is inconveniently embedded in a plaster jacket — but it wasn’t always. That’s very strange. I have an idea about that which I’ll come to later.
Anyway, although the humerus is now half in a jacket and fully inside a cabinet, we can see it from all angles thanks to the cast that’s part of the mounted skeleton outside the Field Museum. (I can definitively state that this is the greatest picnic area in the universe).
As noted in the previous post, Matt and I were idiots back when we visited Chicago, so our photos are mostly useless. We have lots that show the mounted skeleton as art, but very few that are scientifically useful. But what you can make out from the photo above (especially if you click through) is that the textures of the two humeri are very different.
You can see it more clearly from in front:
(There I am, microscopic and easily overlooked, on the left.)
Here’s a close-up of the humeri from that photo, sharpened and contrast/brightness-balanced so you can more easily see what’s going on:
Contrast the scarred, pitted surface of the right humerus (on the left of the picture) with the much cleaner and bone-like texture of the left one (on the right of the picture). What’s going on here is that the right humerus of the mounted skeleton is a cast of the original element (bad preservation and all) whereas the left humerus is a sculpture. (Or possibly a cast of one of the Giraffatitan humeri, but I doubt that — it’s a bit too clean and seems more robust than those bones.) The real humerus is very distinctive, especially in the progressive flaking away on the lateral side of the distal end.
Of course you can walk all around the cast humerus and photograph it from every angle — both the posterior that is apparent in the jacket, and the anterior that’s face down and inaccessible.
You can walk all around the cast humerus and photograph it from every angle. But we didn’t. Because, as noted here and yesterday (and previously, come to think of it) we used to be idiots back then. As Matt has pithily observed:
“About every three or four months I realize that I’ve spent my entire life up until now being a dumbass; the problem is that ‘now’ keeps moving and every time I think I’ve finally got everything figured out, I later determine that I was/am still a moron. I distinctly remember having this feeling for the first time in third grade, age of eight, and I keep hoping it will eventually go away, but that hope seems increasingly unfounded.”
That is a hauntingly familiar feeling.
It seems that this cast-right, sculped-left humerus combo is common in Brachiosaurus mounts — I guess because they’re all cloned from the Field Museum’s original. Here, for example (from this post) is the mount at
BYU the North American Museum of Ancient Life:
Once you’ve seen that humerus mismatch, you can’t miss it.
Finally, then — what about this historical oddity that the humerus was once out of its jacket but is now back in? That doesn’t make a lot of sense to me. I can’t really imagine why you’d do that.
So maybe that never happened? We’ve been taking it for granted that the humerus in the old Field-Museum photo is real, but maybe it’s not. Maybe it was a cast, and that cast is still somewhere in the museum (or indeed incorporated into the mount). Maybe when the fossil humerus was brought back from the field, the jacket was removed from the anterior face and that was cast; then this face was rejacketed, the bone was flipped, the posterior face was exposed (as it still is today) and that was cast. Then the two casts were joined together to make an apparently whole humerus.
If that speculation is right, then it should be possible to detect a join running down the lateral and medial faces of the cast humerus that’s in the mount (and apparently in all other mounts). That’s something I’ll look closely for the next time I’m lucky enough to be in Chicago.
I wish it was possible to know this kind of thing. I’d love it if every time a museum mounted a skeleton they published an account of how it was done, as Janensch (1950b) did for the original Giraffatitan mount in Berlin, and Remes (2011) did for the recent remount. Unfortunately I’ve never heard of such a paper regarding the Chicago mount, and I don’t even know how long ago it was done (or if anyone who was involved is still alive). The Wikipedia page says the mount went up in 1993, but gives no reference for that and doesn’t say who did it. Does anyone know?
Thanks to Ben (no surname given), whose comment below points to a useful 1993 Chicago Tribune article, “Brach To The Future“. This confirms the date of the mount as 1993, unveiled on Saturday 3rd July. The mount is the work of PAST (Prehistoric Animal Structures, Inc.), who bizarrely don’t seem to have a web-site. PAST president Gilles Danis was involved in the process, so he’d be the person to contact about how it was done.
Oh, and here’s another relevant Tribune article: “Out Of The Past“. Steven Godfrey is the key player in this account, so he’s someone else to track down.
- Janensch, Werner. 1950b. Die Skelettrekonstruktion von Brachiosaurus brancai. Palaeontographica (Supplement 7) 3:97-103, and plates VI-VIII.
- Remes, Kristian, David. M. Unwin, Nicole. Klein, Wolf-Dieter Heinrich, and Oliver Hampe. 2011. Skeletal reconstruction of Brachiosaurus brancai in the Museum für Naturkunde, Berlin: summarizing 70 years of sauropod research. pp. 305-316 in: Nicole Klein, Kristian Remes, Carole T. Gee, and P. Martin Sander (eds.), Biology of the Sauropod Dinosaurs: Understanding the Life of Giants. Indiana University Press, Bloomington and Indianapolis.
In the comments on Matt’s post about the giant new Argentine titanosaur specimens, Ian Corfe wondered why Benson et al. (2014) estimated the circumference of the humerus of Brachiosaurus altithorax instead of just measuring it. (Aside: I can’t find that data in their paper. Where is it?)
Yes, the humerus is half-encased in a jacket, face down (we should post photos some time), which would make the circumference impossible to measure directly. But the mounted Brachiosaurus skeleton right outside the Field Museum (and the identical one at O’Hare Airport) have casts of that humerus, so measuring the circumference shouldn’t require any equipment more exotic than a stepladder. Maybe the anterior aspect was sculpted — but I doubt it, as there certainly was a time when the humerus was out of its jacket and mounted vertically.
Here is the evidence that the humerus wasn’t always in that jacket (from Getty Images):
I have no idea why it was put back in a plaster jacket: does anyone?
Back in 2005, when Matt and I visited the Field Museum, the staff were amazingly, almost embarrassingly, helpful. They mounted a whole elaborate project to remove the humerus jacket from the cabinet that held it, so we could get a better look:
Unfortunately, Matt and I were doofuses back in the day: terrible photographers who knew embarrassingly little about appendicular material. So nearly all of our photos are worthless. Here is a rare nice one, showing the humerus in posterodistal aspect. You can see how layers have flaked away towards this end:
Here is the humerus in proximal view — something that’s relevant to my interests, as at tells us about the area of articular cartilage where it connected to the shoulder:
And finally — because it would be rude not to — here is Matt, going the Full Jensen with the humerus:
Next time: what we can learn about the humerus from the mounted skeleton outside the museum!
Benson Roger B. J., Nicolás E. Campione, Matthew T. Carrano, Philip D. Mannion, Corwin Sullivan, Paul Upchurch, and David C. Evans. (2014) Rates of Dinosaur Body Mass Evolution Indicate 170 Million Years of Sustained Ecological Innovation on the Avian Stem Lineage. PLoS Biology 12(5):e1001853. doi:10.1371/journal.pbio.1001853
My camera had a possibly-fatal accident in the field at the end of the day on Saturday, so I didn’t take any photos on Sunday or Monday. From here on out, you’re either getting my slides, or photos taken by other people.
On Sunday we were at the John Wesley Powell River History Museum in Green River, Utah, for the Cretaceous talks. There were some fossils on display downstairs, including mounted skeletons of Falcarius and one or two ornithischians,* and this sauropod humerus from the Cedar Mountain Formation (many thanks to Marc Jones for the photo).
* A ceratopsian and Animantarx, maybe? They were in the same room as the sauropod humerus, so it’s no surprise that I passed them by with barely a glance.
There were loads of great talks in the Cretaceous symposium on Sunday, and I learned a lot, about everything from clam shrimp biostratigraphy to ankylosaur phylogeny to Canadian sauropod trackways. But I can’t show you any slides from those talks, so the rest of this post is the abstact from Darren’s and my talk, illustrated by a few select slides.
Sauroposeidon is a giant titanosauriform from the Early Cretaceous of North America. The holotype is OMNH 53062, a series of four articulated cervical vertebrae from the Antlers Formation (Aptian-Albian) of Oklahoma. According to recent analyses, Paluxysaurus from the Twin Mountain Formation of Texas is the sister taxon of OMNH 53062 and may be a junior synonym of Sauroposeidon. Titanosauriform material from the Cloverly Formation of Wyoming may also pertain to Paluxysaurus/Sauroposeidon. The proposed synonymy is based on referred material of both taxa, however, so it is not as secure as it might be.
MIWG.7306 is a cervical vertebra of a large titanosauriform from the Wessex Formation (Barremian) of the Isle of Wight. The specimen shares several derived characters with the holotype of Sauroposeidon: an elongate cervical centrum, expanded lateral pneumatic fossae, and large, plate-like posterior centroparapophyseal laminae. In all of these characters, the morphology of MIWG.7306 is intermediate between Brachiosaurus and Giraffatitan on one hand, and Sauroposeidon on the other. MIWG.7306 also shares several previously unreported features of its internal morphology with Sauroposeidon: reduced lateral chambers (“pleurocoels”), camellate internal structure, ‘inflated’ laminae filled with pneumatic chambers rather than solid bone, and a high Air Space Proportion (ASP). ASPs for Sauroposeidon, MIWG.7306, and other isolated vertebrae from the Wessex Formation are all between 0.74 and 0.89, meaning that air spaces occupied 74-89% of the volume of the vertebrae in life. The vertebrae of these animals were therefore lighter than those of brachiosaurids (ASPs between 0.65 and 0.75) and other sauropods (average ASPs less than 0.65).
Sauroposeidon and MIWG.7306 were originally referred to Brachiosauridae. However, most recent phylogenetic analyses find Sauroposeidon to be a basal somphospondyl, whether Paluxysaurus and the Cloverly material are included or not. Given the large number of characters it shares with Sauroposeidon, MIWG.7306 is probably a basal somphospondyl as well. But genuine brachiosaurids also persisted and possibly even radiated in the Early Cretaceous of North America; these include Abydosaurus, Cedarosaurus, Venenosaurus, and possibly an as-yet-undescribed Cloverly form. The vertebrae of Abydosaurus have conservative proportions and solid laminae and the bony floor of the centrum is relatively thick. In these characters, Abydosaurus is more similar to Brachiosaurus and Giraffatitan than to Sauroposeidon or MIWG.7306. So not all Early Cretaceous titanosauriforms were alike, and whatever selective pressures led Sauroposeidon and MIWG.7306 to evolve longer and lighter necks, they didn’t prevent Giraffatitan-like brachiosaurs such as Abydosaurus and Cedarosaurus from persisting well into the Cretaceous.
The evolutionary dynamics of sauropods in the North American mid-Mesozoic are still mysterious. In the Morrison Formation, sauropods as a whole are both diverse and abundant, but Camarasaurus and an efflorescence of diplodocoids account for most of that abundance and diversity, and titanosauriforms, represented by Brachiosaurus, are comparatively scarce. During the Early Cretaceous, North American titanosauriforms seem to have radiated, possibly to fill some of the ecospace vacated by the regional extinction of basal macronarians (Camarasaurus) and diplodocoids. However, despite a flood of new discoveries in the past two decades, sauropods still do not seem to have been particularly abundant in the Early Cretaceous of North America, in contrast to sauropod-dominated faunas of the Morrison and of other continents during the Early Cretaceous.
That final slide deserves some explanation. On the way back from the field on Saturday–the night before my talk–a group of us stopped at a burger joint in Hanksville. Sharon McMullen got a kid’s meal, and it came in this bag. We took it as a good omen that Sauroposeidon was the first dinosaur listed in the quiz.
For the full program and abstracts from both days of talks, please download the field conference guidebook here.
Actually we had the Jurassic talks today, but I can’t show you any of the slides*, so instead you’re getting some brief, sauropod-centric highlighs from the museum.
* I had originally written that the technical content of the talks is embargoed, but that’s not true–as ReBecca Hunt-Foster pointed out in a comment, the conference guidebook with all of the abstracts is freely available online here.
Like this Camarasaurus that greets visitors at the entrance.
And this Apatosaurus ilium with bite marks on the distal end, indicating that a big Morrison theropod literally ate the butt of this dead apatosaur. Gnaw, dude, just gnaw.
And the shrine to Elmer S. Riggs.
One of Elmer’s field assistants apparently napping next to the humerus of the Brachiosaurus alithorax holotype. This may be the earliest photographic evidence of someone “pulling a Jensen“.
Here’s the reconstructed forelimb of B. altithorax, with Cary Woodruff and me for scale. The humerus and coracoid (and maybe the sternal?) are cast from the B.a. holotype, the rest of the bits are either sculpted or filled in from Giraffatitan. The scap is very obviously Giraffatitan.
Cary took this photo of me playing with a
fiberglass 100% original bone Apatosaurus femur upstairs in the museum office, and he totally passed up the opportunity to push me down the stairs afterward. I kid, I kid–actually Cary and I get along just fine. It’s no secret that we disagree about some things, but we do so respectfully. Each of us expects to be vindicated by better data in the future, but there’s no reason we can’t hang out and jaw about sauropods in the meantime.
Finally, in the museum gift shop (which is quite lovely), I found this:
You had one job, Nova. ONE JOB!
So, this is a grossly inadequate post that barely scratches the surface of the flarkjillion or so cool exhibits at the museum. I only got about halfway through the sauropods, fer cryin’ out loud. If you ever get a chance to come, do it–you won’t be disappointed.