Last time we looked at the humeri in the Field Museum’s mounted Brachiosaurus skeleton — especially the right humerus, which is a cast from the holotype, while the left is a sculpture. But Matt’s and my photos of that mount are all pretty much useless scientifically — partly because we were terrible photographers back then, but also partly because the very light background of sky tended to put the skeleton into silhouette and lose a lot of detail.

But fortunately there’s another Brachiosaurus in Chicago!


(We’ve featured this mount once before.)

This in fact the original Brachiosaurus mount that was erected in the Field Museum’s main hall in 1993. When a certain vulgar, over-studied theropod was installed in that hall in 2000, the surprising decision was made to remove the Brachiosaurus to “make room” for it (even though it’s objectively tiny). The mount was not built to be exposed to the elements, so it couldn’t just be moved outdoors. Instead, a new one was made from more suitable materials for the picnic area, and the original mount was moved to O’Hare Airport.

[Aside: what the heck were the museum thinking when they booted Brachiosaurus out of the main hall? However much you love T. rex, and I admit I do, Sue makes a feeble centrepiece compared with a brachiosaur. I can only assume there was some subtle political motivation for reducing their main hall's Awesome Quotient so dramatically. The poor thing was only there seven years.]

Anyway, the original mount is now at Terminal 1 at O’Hare Airport, where it can be photographed less inadequately than outdoors. Here are those contrasting humeri again: the real cast on the right side of the animal (left side of photo) and the sculpture on the left (right side of photo):


And a zoom into the relevant section:


As it happens, I flew into a different terminal at O’Hare. But I knew that this mount was in Terminal 1, so before I get the transit to my hotel, I dragged my luggage across to Terminal 1 and begged the ticket clerk to let me through into the departure area so I could look at it. I don’t now remember exactly what the sequence of events was, but I do recall that phone-calls were made and supervisors were consulted. In the end, someone on staff gave me a platform ticket, and I was able to go and spend a quality hour with this glorious object.

It also meant I got to watch nearly every single traveller amble straight past Brachiosaurus giving it literally not even a single glance — see the first photo for an example. Truly depressing.

Anyway, I was able to get some slightly better photos of this cast humerus than I subsequently got of the outdoor mount. Though not very many, because — stop me if you’ve heard this — I was young and stupid then.

Anyway, here is the humerus in anterior view. Or as close to anterior as I could manage. By holding the camera above my head, I could get it nearly level with the distal margin of the mounted bone, so what we have here is really more like anterodistal:


And here is that some bone in lateral view (again, really laterodistal). From this angle, you can really see how shapeless parts of the lateral border of the cast are — which is off, because there are sharp lips on the actual fossil.


In terms of general appreciation of the bone, this next one, in anterolaterodistal view,  is probably best — the light caught it in an informative way. Unfortunately, I cut off the distal margin. Sorry.


As you can see, the level of detail in the cast is mostly pretty good. For example, you can clearly make out the broken-off base of the deltopectoral crest (the tall light-coloured oval about a quarter of the way down and a third of the way across the bone). That makes the lumpenness of the distal part of the lateral aspect all the more mysterious.

Finally, here are both humeri, more or less from the left, so that the real cast is in something approaching medial view.


From this angle, you can see that the humerus is noticeably less anteroposteriorly deep than its transverse width. We’ll see this theme cropping up again with brachiosaur limb bones — stay tuned for future posts!

Also of interest: the very nice sculpted humerus on the left side has a complete deltopectoral crest — modelled, I imagine, after those of the various Giraffatitan humeri. It also has a finished distal end which is much broader than that of the cast humerus. In this, it’s probably right, as the real bone suffered from some decay.

And that, I am afraid, is all: stupidly, I neglected to photograph the humerus in posterior aspect, or any of the diagonals other than anterolateral.

Next time: exciting news about the relative breadth of humerus and femur in brachiosaurs!

As we noted yesterday, the humerus of the Brachiosaurus altithorax holotype FMNH P25107 is inconveniently embedded in a plaster jacket — but it wasn’t always. That’s very strange. I have an idea about that which I’ll come to later.

Anyway, although the humerus is now half in a jacket and fully inside a cabinet, we can see it from all angles thanks to the cast that’s part of the mounted skeleton outside the Field Museum. (I can definitively state that this is the greatest picnic area in the universe).


As noted in the previous post, Matt and I were idiots back when we visited Chicago, so our photos are mostly useless. We have lots that show the mounted skeleton as art, but very few that are scientifically useful. But what you can make out from the photo above (especially if you click through) is that the textures of the two humeri are very different.

You can see it more clearly from in front:


(There I am, microscopic and easily overlooked, on the left.)

Here’s a close-up of the humeri from that photo, sharpened and contrast/brightness-balanced so you can more easily see what’s going on:


Contrast the scarred, pitted surface of the right humerus (on the left of the picture) with the much cleaner and bone-like texture of the left one (on the right of the picture). What’s going on here is that the right humerus of the mounted skeleton is a cast of the original element (bad preservation and all) whereas the left humerus is a sculpture. (Or possibly a cast of one of the Giraffatitan humeri, but I doubt that — it’s a bit too clean and seems more robust than those bones.) The real humerus is very distinctive, especially in the progressive flaking away on the lateral side of the distal end.

Of course you can walk all around the cast humerus and photograph it from every angle — both the posterior that is apparent in the jacket, and the anterior that’s face down and inaccessible.

You can walk all around the cast humerus and photograph it from every angle. But we didn’t. Because, as noted here and yesterday (and previously, come to think of it) we used to be idiots back then. As Matt has pithily observed:

“About every three or four months I realize that I’ve spent my entire life up until now being a dumbass; the problem is that ‘now’ keeps moving and every time I think I’ve finally got everything figured out, I later determine that I was/am still a moron.  I distinctly remember having this feeling for the first time in third grade, age of eight, and I keep hoping it will eventually go away, but that hope seems increasingly unfounded.”

That is a hauntingly familiar feeling.

It seems that this cast-right, sculped-left humerus combo is common in Brachiosaurus mounts — I guess because they’re all cloned from the Field Museum’s original. Here, for example (from this post) is the mount at BYU the North American Museum of Ancient Life:

Utah 2008 07 Matt in lift

Once you’ve seen that humerus mismatch, you can’t miss it.

Finally, then — what about this historical oddity that the humerus was once out of its jacket but is now back in? That doesn’t make a lot of sense to me. I can’t really imagine why you’d do that.

So maybe that never happened? We’ve been taking it for granted that the humerus in the old Field-Museum photo is real, but maybe it’s not. Maybe it was a cast, and that cast is still somewhere in the museum (or indeed incorporated into the mount). Maybe when the fossil humerus was brought back from the field, the jacket was removed from the anterior face and that was cast; then this face was rejacketed, the bone was flipped, the posterior face was exposed (as it still is today) and that was cast. Then the two casts were joined together to make an apparently whole humerus.

If that speculation is right, then it should be possible to detect a join running down the lateral and medial faces of the cast humerus that’s in the mount (and apparently in all other mounts). That’s something I’ll look closely for the next time I’m lucky enough to be in Chicago.

I wish it was possible to know this kind of thing. I’d love it if every time a museum mounted a skeleton they published an account of how it was done, as Janensch (1950b) did for the original Giraffatitan mount in Berlin, and Remes (2011) did for the recent remount. Unfortunately I’ve never heard of such a paper regarding the Chicago mount, and I don’t even know how long ago it was done (or if anyone who was involved is still alive). The Wikipedia page says the mount went up in 1993, but gives no reference for that and doesn’t say who did it. Does anyone know?

Update (11:38pm)

Thanks to Ben (no surname given), whose comment below points to a useful 1993 Chicago Tribune article, “Brach To The Future“. This confirms the date of the mount as 1993, unveiled on Saturday 3rd July. The mount is the work of PAST (Prehistoric Animal Structures, Inc.), who bizarrely don’t seem to have a web-site. PAST president Gilles Danis was involved in the process, so he’d be the person to contact about how it was done.

Oh, and here’s another relevant Tribune article: “Out Of The Past“. Steven Godfrey is the key player in this account, so he’s someone else to track down.


  • Janensch, Werner. 1950b. Die Skelettrekonstruktion von Brachiosaurus brancai. Palaeontographica (Supplement 7) 3:97-103, and plates VI-VIII.
  • Remes, Kristian, David. M. Unwin, Nicole. Klein, Wolf-Dieter Heinrich, and Oliver Hampe. 2011. Skeletal reconstruction of Brachiosaurus brancai in the Museum für Naturkunde, Berlin: summarizing 70 years of sauropod research. pp. 305-316 in: Nicole Klein, Kristian Remes, Carole T. Gee, and P. Martin Sander (eds.), Biology of the Sauropod Dinosaurs: Understanding the Life of Giants. Indiana University Press, Bloomington and Indianapolis.

In the comments on Matt’s post about the giant new Argentine titanosaur specimens, Ian Corfe wondered why Benson et al. (2014) estimated the circumference of the humerus of Brachiosaurus altithorax instead of just measuring it. (Aside: I can’t find that data in their paper. Where is it?)

I replied:

Yes, the humerus is half-encased in a jacket, face down (we should post photos some time), which would make the circumference impossible to measure directly. But the mounted Brachiosaurus skeleton right outside the Field Museum (and the identical one at O’Hare Airport) have casts of that humerus, so measuring the circumference shouldn’t require any equipment more exotic than a stepladder. Maybe the anterior aspect was sculpted — but I doubt it, as there certainly was a time when the humerus was out of its jacket and mounted vertically.

Here is the evidence that the humerus wasn’t always in that jacket (from Getty Images):

Femur of Apatosaurus and right humerus Brachiosaurus altithorax holotype on wooden pedestal (exhibit) with labels and 6 foot ruler for scale, Geology specimen, Field Columbian Museum, 1905. (Photo by Charles Carpenter/Field Museum Library/Getty Images)

Femur of Apatosaurus and right humerus Brachiosaurus altithorax holotype on wooden pedestal (exhibit) with labels and 6 foot ruler for scale, Geology specimen, Field Columbian Museum, 1905. (Photo by Charles Carpenter/Field Museum Library/Getty Images)

I have no idea why it was put back in a plaster jacket: does anyone?

Back in 2005, when Matt and I visited the Field Museum, the staff were amazingly, almost embarrassingly, helpful. They mounted a whole elaborate project to remove the humerus jacket from the cabinet that held it, so we could get a better look:


Unfortunately, Matt and I were doofuses back in the day: terrible photographers who knew embarrassingly little about appendicular material. So nearly all of our photos are worthless. Here is a rare nice one, showing the humerus in posterodistal aspect. You can see how layers have flaked away towards this end:


Here is the humerus in proximal view — something that’s relevant to my interests, as at tells us about the area of articular cartilage where it connected to the shoulder:


And finally — because it would be rude not to — here is Matt, going the Full Jensen with the humerus:


Next time: what we can learn about the humerus from the mounted skeleton outside the museum!


Benson Roger B. J., Nicolás E. Campione, Matthew T. Carrano, Philip D. Mannion, Corwin Sullivan, Paul Upchurch, and David C. Evans. (2014) Rates of Dinosaur Body Mass Evolution Indicate 170 Million Years of Sustained Ecological Innovation on the Avian Stem Lineage. PLoS Biology 12(5):e1001853. doi:10.1371/journal.pbio.1001853

My camera had a possibly-fatal accident in the field at the end of the day on Saturday, so I didn’t take any photos on Sunday or Monday. From here on out, you’re either getting my slides, or photos taken by other people.

Powell Museum sauropod humerus

On Sunday we were at the John Wesley Powell River History Museum in Green River, Utah, for the Cretaceous talks. There were some fossils on display downstairs, including mounted skeletons of Falcarius and one or two ornithischians,* and this sauropod humerus from the Cedar Mountain Formation (many thanks to Marc Jones for the photo).

* A ceratopsian and Animantarx, maybe? They were in the same room as the sauropod humerus, so it’s no surprise that I passed them by with barely a glance.

There were loads of great talks in the Cretaceous symposium on Sunday, and I learned a lot, about everything from clam shrimp biostratigraphy to ankylosaur phylogeny to Canadian sauropod trackways. But I can’t show you any slides from those talks, so the rest of this post is the abstact from Darren’s and my talk, illustrated by a few select slides.

Wedel Naish 2014 Sauroposeidon and kin - slide 1 title

Sauroposeidon is a giant titanosauriform from the Early Cretaceous of North America. The holotype is OMNH 53062, a series of four articulated cervical vertebrae from the Antlers Formation (Aptian-Albian) of Oklahoma. According to recent analyses, Paluxysaurus from the Twin Mountain Formation of Texas is the sister taxon of OMNH 53062 and may be a junior synonym of Sauroposeidon. Titanosauriform material from the Cloverly Formation of Wyoming may also pertain to Paluxysaurus/Sauroposeidon. The proposed synonymy is based on referred material of both taxa, however, so it is not as secure as it might be.

Wedel Naish 2014 Sauroposeidon and kin - slide 34 Sauroposeidon characters

Top row, vertebrae of Paluxysaurus. From left to right, the centrum lengths of the vertebrae are 72cm, 65cm, and 45cm. Main image, the largest and most complete vertebra of the holotype of Sauroposeidon. Labels call out features that are present in every Sauroposeidon vertebra where they can be assessed, but consistently absent in Paluxysaurus. Evaluating the proposed synonymy of Paluxysaurus and Sauroposeidon is left as an exercise for the reader.

MIWG.7306 is a cervical vertebra of a large titanosauriform from the Wessex Formation (Barremian) of the Isle of Wight. The specimen shares several derived characters with the holotype of Sauroposeidon: an elongate cervical centrum, expanded lateral pneumatic fossae, and large, plate-like posterior centroparapophyseal laminae. In all of these characters, the morphology of MIWG.7306 is intermediate between Brachiosaurus and Giraffatitan on one hand, and Sauroposeidon on the other. MIWG.7306 also shares several previously unreported features of its internal morphology with Sauroposeidon: reduced lateral chambers (“pleurocoels”), camellate internal structure, ‘inflated’ laminae filled with pneumatic chambers rather than solid bone, and a high Air Space Proportion (ASP). ASPs for Sauroposeidon, MIWG.7306, and other isolated vertebrae from the Wessex Formation are all between 0.74 and 0.89, meaning that air spaces occupied 74-89% of the volume of the vertebrae in life. The vertebrae of these animals were therefore lighter than those of brachiosaurids (ASPs between 0.65 and 0.75) and other sauropods (average ASPs less than 0.65).

Wedel Naish 2014 Sauroposeidon and kin - slide 64 Mannion phylogeny

Check this out: according to at least some versions of the Mannion et al. (2013) tree, Sauroposeidon and Paluxysaurus are part of a global radiation of andesaurids in the Early and middle Cretaceous. Cool!

Sauroposeidon and MIWG.7306 were originally referred to Brachiosauridae. However, most recent phylogenetic analyses find Sauroposeidon to be a basal somphospondyl, whether Paluxysaurus and the Cloverly material are included or not. Given the large number of characters it shares with Sauroposeidon, MIWG.7306 is probably a basal somphospondyl as well. But genuine brachiosaurids also persisted and possibly even radiated in the Early Cretaceous of North America; these include Abydosaurus, Cedarosaurus, Venenosaurus, and possibly an as-yet-undescribed Cloverly form. The vertebrae of Abydosaurus have conservative proportions and solid laminae and the bony floor of the centrum is relatively thick. In these characters, Abydosaurus is more similar to Brachiosaurus and Giraffatitan than to Sauroposeidon or MIWG.7306. So not all Early Cretaceous titanosauriforms were alike, and whatever selective pressures led Sauroposeidon and MIWG.7306 to evolve longer and lighter necks, they didn’t prevent Giraffatitan-like brachiosaurs such as Abydosaurus and Cedarosaurus from persisting well into the Cretaceous.

Wedel Naish 2014 Sauroposeidon and kin - slide 65 Cloverly sauropods

The evolutionary dynamics of sauropods in the North American mid-Mesozoic are still mysterious. In the Morrison Formation, sauropods as a whole are both diverse and abundant, but Camarasaurus and an efflorescence of diplodocoids account for most of that abundance and diversity, and titanosauriforms, represented by Brachiosaurus, are comparatively scarce. During the Early Cretaceous, North American titanosauriforms seem to have radiated, possibly to fill some of the ecospace vacated by the regional extinction of basal macronarians (Camarasaurus) and diplodocoids. However, despite a flood of new discoveries in the past two decades, sauropods still do not seem to have been particularly abundant in the Early Cretaceous of North America, in contrast to sauropod-dominated faunas of the Morrison and of other continents during the Early Cretaceous.

Wedel Naish 2014 Sauroposeidon and kin - slide 66 acknowledgments

That final slide deserves some explanation. On the way back from the field on Saturday–the night before my talk–a group of us stopped at a burger joint in Hanksville. Sharon McMullen got a kid’s meal, and it came in this bag. We took it as a good omen that Sauroposeidon was the first dinosaur listed in the quiz.

For the full program and abstracts from both days of talks, please download the field conference guidebook here.

Actually we had the Jurassic talks today, but I can’t show you any of the slides*, so instead you’re getting some brief, sauropod-centric highlighs from the museum.

* I had originally written that the technical content of the talks is embargoed, but that’s not true–as ReBecca Hunt-Foster pointed out in a comment, the conference guidebook with all of the abstracts is freely available online here.


Like this Camarasaurus that greets visitors at the entrance.


And this Apatosaurus ilium with bite marks on the distal end, indicating that a big Morrison theropod literally ate the butt of this dead apatosaur. Gnaw, dude, just gnaw.


And the shrine to Elmer S. Riggs.


One of Elmer’s field assistants apparently napping next to the humerus of the Brachiosaurus alithorax holotype. This may be the earliest photographic evidence of someone “pulling a Jensen“.

Cary and Matt with Brachiosaurus forelimb

Here’s the reconstructed forelimb of B. altithorax, with Cary Woodruff and me for scale. The humerus and coracoid (and maybe the sternal?) are cast from the B.a. holotype, the rest of the bits are either sculpted or filled in from Giraffatitan. The scap is very obviously Giraffatitan.

Matt with MWC Apatosaurus femur

Cary took this photo of me playing with a fiberglass 100% original bone Apatosaurus femur upstairs in the museum office, and he totally passed up the opportunity to push me down the stairs afterward. I kid, I kid–actually Cary and I get along just fine. It’s no secret that we disagree about some things, but we do so respectfully. Each of us expects to be vindicated by better data in the future, but there’s no reason we can’t hang out and jaw about sauropods in the meantime.

Finally, in the museum gift shop (which is quite lovely), I found this:

Dammit Nova

You had one job, Nova. ONE JOB!

So, this is a grossly inadequate post that barely scratches the surface of the flarkjillion or so cool exhibits at the museum. I only got about halfway through the sauropods, fer cryin’ out loud. If you ever get a chance to come, do it–you won’t be disappointed.

Order up!

Sauroposeidon OMNH 53062 articulated right lateral composite with giraffe

Sauroposeidon is stitched together from orthographic views of the 3D photogrammetric models rendered in MeshLab. Greyed out bits of the vertebrae are actually missing–I used C8 to patch C7, C7 to patch C6, and so on forward. The cervical ribs as reconstructed here were all recovered and they are in collections, but they’re in several jackets and boxes and therefore not easily photographed.

The meter bars are both one meter as advertised. The giraffe neck is FMNH 34426 (from this post), which is actually 1.7 meters long, but I scaled it up to 2.4 meters to match that of the tallest known giraffe. I think it’s cool that a world-record giraffe neck is roughly as long as two vertebrae from the middle of the neck of Sauroposeidon.

There are loads of little morphological details in the Sauroposeidon vertebrae that are clearer now than they were in our old photographs, but those will be stories for other posts.

Sauroposeidon in 3D

April 18, 2014

Sauroposeidon meet Sauroposeidon

I was in Oklahoma and Texas last week, seeing Sauroposeidon, Paluxysaurus, Astrophocaudia, and Alamosaurus, at the Sam Noble Oklahoma Museum of Natural History, the Fort Worth Museum of Science and History, the Shuler Museum of Paleontology at SMU, and the Perot Museum of Nature and Science, respectively. I have a ton of interesting things from that trip that I could blog about, but unfortunately I have no time. Ten days from now, I’m off to Colorado and Utah for the Mid-Mesozoic conference and field trip, and between now and then I need to finish up my bits on three collaborative papers, get my summer anatomy lectures posted for internal peer review here at WesternU, and–oh yeah–actually write my conference talk. Fun times.

BUT after being subjected to the horror of the Yale Brontosaurus skull, I figured you all deserved a little awesome.

Photographing Sauroposeidon 2014-04-07

So here’s me getting one of 351 photos of the most posterior and largest of the Sauroposeidon jackets (this is not the awesome, BTW, just a stop along the way). This jacket holds what I once inferred to be the back half of C7 and all of C8. Now that Sauroposeidon may be a somphospondyl rather than a brachiosaur, who knows what verts these are–basal somphospondyls have up to 17 cervicals to brachiosaurids’ probable 13 (for a hypothetical view of an even-longer-necked Sauroposeidon, see this probably-prophetic post by Mike). The vertically-mounted skeleton in the background is Cotylorhynchus. Cotylorhynchus got a lot bigger than that–up to maybe 6 meters long and 2 or 3 tons–and was probably the largest land animal that had ever existed back in the Early Permian. Photo by OU grad student Andrew Thomas, whom you’ll be hearing about more here in the future.

I couldn’t crank the model myself on the road, thanks to the pathetic lack of processing power in my 6-year-old laptop (which will be replaced RSN). Andy Farke volunteered to do the photogrammetricizing with Agisoft Photoscan, if only I’d DropBox him the pictures. Here’s a screenshot from MeshLab showing the result:

Sauroposeidon lateral PLY 10 - 6 and 9 blended

And my best taken-from-overhead quasi-lateral photograph:

Sauroposeidon C8 jacket lateral photo 2014-04-07

If you’re curious, the meter stick at the top is actually one meter long, it just has the English measurement side showing. The giant caliper at the bottom is also marked off in inches, and it is open to 36.0 inches (it didn’t go to 1 meter, or I would have used that). You can tell that there is some perspective distortion involved here since 36 inches on the caliper is 1380 pixels, whereas the 39.4-inch meter stick is only 1341 pixels. Man, I hate scale bars. But they make good calibration targets.

Incidentally, after playing around with the model in orthographic mode in MeshLab, the distortions in the photos of the vertebrae themselves just scream at me. Finally, finally, I can escape the tyranny of perspective. Compare the ends of the big wooden beam at the top of the jacket to get a feel for how much the two views differ.

Working on Sauroposeidon again after all this time made me seriously nostalgic. I love that beast. I don’t think I’m exaggerating when I say that those vertebrae are the most gorgeous physical objects in the universe. Also, an appropriately huge thank-you to preparator Kyle Davies (of apatosaur-sculpting fame), collections manager Jen Larsen, and Andrew Thomas again for help with wrassling those verts around, and for sharing their thoughts and advice. Thanks also to curators Rich Cifelli and Nick Czaplewski for their hospitality and for the go-ahead to undertake this work, and to Andy Farke for generating the model.

I’ll have a lot more to say about this stuff in the future. I didn’t go to all this work just for giggles. For a long time I’ve had a hankering to do a paper on the detailed anatomy of Sauroposeidon, based on all of the things that I’ve noticed in the last decade that didn’t make it into any of the early papers. And now there’s the proposed synonymy of Paluxysaurus with Sauroposeidon. And “Angloposeidon” needs some attention–Darren and I have been thinking about writing “Angloposeidon II” for years now. And…well, plenty more.

So, loads more to come, but not for the next few weeks. Eventually I’ll be publishing all of this–the photos, the 3D models, the whole works. Stay tuned.

UPDATE a few days later

Man, I am frazzled, because I forgot to include the moral of the story: if I can do this, you can do this. There are good, free photogrammetry programs out there–Peter Falkingham published a  whole paper on free photogrammetry in 2012, and posted a guide to an even better program, VisualSFM, on Even Agisoft Photoscan is not prohibitively expensive–under $200 for an educational license. MeshLab is free and has hordes of good free tutorials. For the photography itself, you basically just build a virtual dome of photos around an object. If you need more instructions than that, Heinrich has written a whole series of tutorials. It doesn’t take a fancy camera–I used a point-and-shoot for the Sauroposeidon work shown here (a Canon S100 operating at 6 megapixels, if anyone is curious). What are you waiting for?

Illustration talk slide 58

Illustration talk slide 59

Illustration talk slide 60

The rest of the series.


Aitor Ederra drew my attention to this painting by Frederik Spindler:


It’s briefly discussed in a blog-post on changing norms in palaeo-art. (I think the blog is Spindler’s, but I can’t find confirmation — its About page is singularly uninformative.)

As so often when we look at All Yesterdays-style palaeo-art, the initial reaction is “no way!”, but that’s quickly followed by a more thoughtful “… but why not?”

Well, why not? We have bare-skinned African and Asian elephants, but not so long ago we had wooly mammoths. Even assuming that Giraffatitan was as naked as Loxodonta, why would its polar equivalents not have adapted the ancestral dinofuzz into a thick insulating coat?


Illustration talk slide 47

Illustration talk slide 48

Illustration talk slide 49

Illustration talk slide 50

That last one really hurts. Here’s the original image, which should have gone in the paper with the interpretive trace next to it rather than on top of it:

Sauroposeidon C6-C7 scout

The rest of the series.

Papers referenced in these slides:


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