Copyright: promoting the Progress of Science and useful Arts by preventing access to 105-year-old quarry maps
October 11, 2015
In my recent preprint on the incompleteness and distortion of sauropod neck specimens, I discuss three well-known sauropod specimens in detail, and show that they are not as well known as we think they are. One of them is the Giraffatitan brancai lectotype MB.R.2181 (more widely known by its older designation HMN SII), the specimen that provides the bulk of the mighty mounted skeleton in Berlin.
That photo is from this post, which is why it’s disfigured by red arrows pointing at its epipophyses. But the vertebra in question — the eighth cervical of MB.R.2181 — is a very old friend: in fact, it was the subject of the first ever SV-POW! post, back in 2007.
In the reprint, to help make the point that this specimen was found extremely disarticulated, I reproduce Heinrich (1999:figure 16), which is Wolf-Dieter Heinrich’s redrawing of Janensch’s original sketch map of Quarry S, made in 1909 or 1910. Here it is again:
For the preprint, as for this blog-post (and indeed the previous one), I just went right ahead and included it. But the formal version of the paper (assuming it passes peer-review) will by very explicitly under a CC By licence, so the right thing to do is get formal permission to include it under those terms. So I’ve been trying to get that permission.
What a stupid, stupid waste of time.
Heinrich’s paper appeared in the somewhat cumbersomely titled Mitteilungen aus dem Museum fur Naturkunde in Berlin, Geowissenschaftliche Reihe, published as a subscription journal by Wiley. Happily, that journal is now open access, published by Pensoft as The Fossil Record. So I wrote to the Fossil Record editors to request permission. They wrote back, saying:
We are not the right persons for your question. The Wiley Company holds the copyright and should therefore be asked. Unfortunately, I do not know who is the correct person.
Thank you for your enquiry.
We are currently experiencing a large volume of email traffic and will deal with your request within the next 15 working days.
We are pleased to advise that permission for the majority of our journal content, and for an increasing number of book publications, may be cleared more quickly by using the RightsLink service via Wiley’s websites http://onlinelibrary.wiley.com and www.wiley.com.
Within the next fifteen working days? That is, in the next three weeks? How can it possibly take that long? Are they engraving their response on a corundum block?
So, OK, let’s follow the automated suggestion and try RightsLink. I went to the Wiley Online Library, and searched for journals whose names contain “naturkunde”. Only one comes up, and it’s not the right one. So Wiley doesn’t admit the existence of the journal.
Well, there’s lots to enjoy here, isn’t there? First, and most important, it doesn’t actually work: “Permission to reproduce this content cannot be granted via the RightsLink service.” Then there’s that cute little registered-trademark symbol “®” on the name RightsLink, because it’s important to remind me not to accidentally set up my own rights-management service with the same name. In the same vein, there’s the “Copyright © 2015 Copyright Clearance Center, Inc. All Rights Reserved” notice at the bottom — copyright not on the content that I want to reuse, but on the RightsLink popup itself. (Which I guess means I am in violation for including the screenshot above.) Oh, and there’s the misrendering of “Museum für Naturkunde” as “Museum fÃ¼r Naturkunde”.
All of this gets me precisely nowhere. As far as I can tell, my only recourse now is to wait three weeks for Wiley to get in touch with me, and hope that they turn out to be in favour of science.
It’s Sunday afternoon. I could be watching Ireland play France in the Rugby World Cup. I could be out at Staverton, seeing (and hearing) the world’s last flying Avro Vulcan overfly Gloucester Airport for the last time. I could be watching Return of the Jedi with the boys, in preparation for the forthcoming Episode VII. Instead, here I am, wrestling with copyright.
How absolutely pointless. What a terrible waste of my life.
Is this what we want researchers to be spending their time on?
Update (13 October 2015): a happy outcome (this time)
I was delighted, on logging in this morning, to find I had email from RIGHTS-and-LICENCES@wiley-vch.de with the subject “Permission to reproduce Heinrich (1999:fig. 16) under CC By licence” — a full thirteen working days earlier than expected. They were apologetic and helpful. Here is key part of what they said:
We are of course happy to handle your request directly from our office – please find the requested permission here:We hereby grant permission for the requested use expected that due credit is given to the original source.If material appears within our work with credit to another source, authorisation from that source must be obtained.Credit must include the following components:– Journals: Author(s) Name(s): Title of the Article. Name of the Journal. Publication year. Volume. Page(s). Copyright Wiley-VCH Verlag GmbH & Co. KGaA. Reproduced with permission.
So this is excellent. I would of course have included all those elements in the attribution anyway, with the exception that it might not have occurred to me to state who the copyright holder is. But there is no reason to object to that.
So, two cheers for Wiley on this occasion. I had to waste some time, but at least none of it was due to deliberate obstructiveness, and most importantly they are happy for their figure to be reproduced under CC By.
- Heinrich, Wolf-Dieter. 1999. The taphonomy of dinosaurs from the Upper Jurassic of Tendaguru, Tanzania (East Africa), based on field sketches of the German Tendaguru expedition (1909-1913). Mitteilungen aus dem Museum fur Naturkunde in Berlin, Geowissenschaftliche Reihe 2:25-61.
August 11, 2015
Back in 2012, when Matt and I were at the American Museum of Natural History to work on “Apatosaurus” minimus, we also photographed some other sacra for comparative purposes. One of them you’ve already seen — that of the Camarasaurus supremus holotype AMNH 5761. Here is another:
(Click through for glorious 3983 x 4488 resolution.)
This is AMNH 3532, a diplodocid sacrum with the left ilium coalesced and the right ilium helpfully missing, so we can see the structure of the sacral ribs. Top row: dorsal view, with anterior to the left; middle row, left to right: anterior, left lateral and posterior views; bottom row: right lateral view.
As a matter of fact, we’ve seen this sacrum before, too, in a photo from Matt’s much earlier AMNH visit. But only from a left dorsolateral perspective.
When we first saw this, it didn’t even occur to us that it could be anything other than good old Diplodocus. And indeed it’s a pretty good match for the same area in the CM 84/94 cast in the Museum für Naturkunde Berlin (this image extracted from Heinrich Mallison’s beautiful giant composite):
And the general narrowness of the AMNH sacrum says Diplodocus to me. But what is that expectation of narrowness based on? When I compared the AMNH specimen with Hatcher’s (1901) ventral-view illustration in his classic Diplodocus monograph, I had second thoughts:
That is a much wider sacrum than I’d expected from Diplodocus.
So what is going on here? Is Diplodocus a fatter-assed beast than I’d realised? I am guessing not, since my expectation of narrowness has been built up across years of looking at (if not necessarily paying much attention to) Diplodocus sacra.
So could it be that CM 94, the referred specimen that Hatcher used to make up some of the missing parts of the CM 84 mount, is not Diplodocus?
Well. That is certainly now how I expected to finish this post. Funny how blogging leads you down unexpected paths. It’s a big part of why I recommend blogging to pretty much everyone. It forces you to think down pathways that you wouldn’t otherwise wander.
- Hatcher, Jonathan B. 1901. Diplodocus (Marsh): its osteology, taxonomy and probable habits, with a restoration of the skeleton. Memoirs of the Carnegie Museum 1:1-63 and plates I-XIII.
Here at SV-POW! Towers, we’re keenly aware that some of our fans are just here for the hardcore sauropod vertebra action. These folks start to shift in their seats when we put up too many posts in a row on open access or rabbits or…okay, mostly just OA and bunnies. If that’s you – or, heck, even if it isn’t – your good day has come. Saddle up. Let’s ride.
When Brian Engh and I were at the new Natural History Museum of Utah recently, I spotted this cute little juvenile cervical in one of the display cases.
According to this sign, it’s UMNH 21054, and it was found by Frank DeCourten and prepared by Virginia Tidwell.
It shares a display case and a sign with what is probably an anterior dorsal, UMNH 21055.
Now, I don’t mean to brag (okay, maybe a little…) but the number of EKNApod* vertebrae is not large and the number of EKNApod vertebrae I’m not intimately familiar with hovers near zero. This thing was ringing bells – I knew I’d seen it before.
* Early Cretaceous North American sauropod
Here are few more views. Note the light-colored oblong spot on the top of the condyle in the image above – this may be a pneumatic foramen filled with matrix, or a spot where the cortical bone flaked away to reveal one of the internal pneumatic spaces. Also, check out the fragment of extraneous bone (probably cervical rib) stuck sideways across the top of the centrum, just behind the condyle, in the image immediately below. Both of these features will be important later.
The vert belongs to a juvenile sauropod because the neural arch is missing – it didn’t fuse to the centrum before the animal died. But it was a big baby; the centrum is maybe just a hair under 40 cm in length, meaning that a world-record giraffe might just maybe have a couple of cervicals of the same length. But basal titanosauriforms typically have 12-13 cervicals, not the whimpy 7 that almost all mammals must make do with, and all-stars like Euhelopus can have up to 17.
Also, this was not from the middle of the neck. No way. The parapophyses are huge, and the centrum is pretty stubby compared to Sauroposeidon or YPM 5294, the Sauroposeidonesque cervical from Unit VII of the Cloverly (pic here). My guess is we’re looking at something past the middle of the neck, where the cervicals start to get proportionally shorter (but sometimes max out in absolute length), maybe a C9 or C10. In Giraffatitan brancai HM SII/MB.R.2181, C10 has a centrum length of 100 cm and makes up about 12% of the 8.5-meter neck. Assuming similar proportions here, UMNH 21054 came from the roughly 3-meter neck of a sauropod about the size of a really big draft horse or a really small elephant.
But enough noodling about the animal’s size. I knew I’d seen this vert before, but where? Thank goodness for comprehensive signage – I knew the material had been discovered by Frank DeCourten and prepped by Virginia Tidwell. At one of the SVP meetings in Denver, at a reception at the Denver museum, Virginia had invited me into the prep lab to see some EKNApod material from the Long Walk Quarry in Utah. The Long Walk Quarry was Frank DeCourten’s baby – he wrote a couple of papers about it (e.g., DeCourten 1991) and included additional information in his book, Dinosaurs of Utah (1998; second edition in 2013). DeCourten had referred the material to Pleurocoelus because that’s what people did with EKNApods back in the 20th century, but I remembered seeing one cervical that, like Sauroposeidon and YPM 5294, was just too long to match any of the Pleurocoelus material. My ‘Museum Photos’ file has a subfolder titled ‘Denver 2004’ – was the mystery vert in there?
In short, yes. Here’s one of the photos I took back in 1994.
Here’s another, sans flash this time. Check out the white spot on top of the condyle, the bar of float bone stuck sideways across the centrum just behind the spot, and general pattern of breaks – it’s a perfect match for UMNH 21054. Also note the block number on the pink specimen label at the bottom of the image – LWQ8, for Long Walk Quarry.
Three mysteries remain. One, the signage says the vert is from Carbon County, Utah, but the Long Walk Quarry has always been described as being in Emery County. Just a typo, or is there a story there? Two, how much of the animal (or animals) was excavated and prepped? I saw other vertebrae, both larger and smaller, when I was in Denver back on ’04, and DeCourten figured still others that I haven’t yet seen personally. Finally, is anyone working on it? And if not…[cautiously raises hand].
For other posts on the NHMU public galleries, see:
- DeCourten, F.L. 1991. New data on Early Cretaceous dinosaurs from the Long Walk Quarry and tracksite, Emery County, Utah. In: T.C. Chidsey, Jr. (ed) Geology of East-Central Utah. Utah Geological Association Publication 19: 311-325.
- DeCourten, F.L. 1998. Dinosaurs of Utah. University of Utah Press, Salt Lake City, 208pp.
July 8, 2015
Now that, faithful readers, is a monument to evolution and its endless forms most beautiful. I’m talking about the wall of ceratopsian skulls at NHMU, of course, not the back of Brian Engh’s head (bottom center).
If you don’t know them all on sight (yet!), here’s a cheat sheet. I goofed on a couple myself: before I looked at the sheet I figured Coahuilaceratops as Pentaceratops and mistook Kosmoceratops for Vagaceratops. Still, 12 out of 14 isn’t bad for a minor-league ceratopsian scholar such as yours truly.
Here’s the chasmosaurine-centric view from lower right.
And the centrosaurine-centric view from distant left.
The world needs more things like this. Good on ya, NHMU.
For other NHMU posts, see:
July 3, 2015
Brian Engh (bottom left, enthusing about the Ceratosaurus just off-screen) and I are recently returned to civilization after a stint of fieldwork in Utah. On the way home, we made a detour to Salt Lake to visit the new Natural History Museum of Utah.
The NHMU is one of the nicest museums I’ve ever had the pleasure of roaming through. They have a ton of stuff on display, including lots of real fossils and quite a few touchable specimens, with an understandably heavy emphasis on Utah’s extensive paleontological record.
The museum is also beautifully laid out – you can walk around almost all of the mounts and see most of them from multiple levels of elevation. The signage hits a new high for being both discreet and informative. Almost everything on display is clearly identified either as a cast or by specimen number (or maybe both), and the real specimens typically list both the discoverer and the preparator. I’ve never seen that before, and I like it a lot.
I suppose I should say a few words about the Barosaurus mount. It’s pretty cool – you can get very close to it, walk all the way around the body, and – crucially for a true sauropod lover – count vertebrae. They gave it 16 cervicals and 9 dorsals, just as hypothesized by McIntosh (2005), and unlike the AMNH Barosaurus, which has the neck cheated out by one extra cervical.
On the left in the photo above is the famous wall of ceratopsian skulls. More about that next time.
McIntosh, J.S. 2005. The genus Barosaurus Marsh (Sauropoda, Diplodocidae); pp. 38-77 in Virginia Tidwell and Ken Carpenter (eds.), Thunder Lizards: the Sauropodomorph Dinosaurs. Indiana University Press, Bloomington, Indiana, 495 pp.
May 23, 2015
A couple of months ago, Darren (the silent partner in the SV-POW! organisation) tweeted this photo …
… describing it as “Skull of the Morrison Formation Brachiosaurus at Denver Museum of Nature & Science”.
As Darren knows well (but didn’t have have space to explain in the tweet), it’s not quite as simple as that. What follows is adapted from Taylor 2009:789.
In 1883, a large sauropod skull (81 cm in length) was found in Felch Quarry 1, Garden Park, Colorado. It was shipped to O. C. Marsh in Yale that year and an illustration of the skull was used in his second attempt at reconstructing the skeleton of Brontosaurus (Marsh, 1891: plate 16).
And here’s that skull in close-up:
This is often described as a “Camarasaurus-type” skull, but it’s not, really. It’s too long and low, and not stupid and ugly enough, to be Camarasaurus.
As we described in a previous post, this skull was also apparently the inspiration for the horrible, horrible sculpted skull that was originally used on the mounted Brontosaurus. (And let me reiterate my praise of the Yale museum for displaying this important historic object in their gallery instead of hiding it away.)
Anyway, the Felch Quarry skull was subsequently transferred to the National Museum of Natural History, where it was accessioned as USNM 5730. McIntosh and Berman (1975:195-198) recognized that whatever the skull was, it wasn’t Brontosaurus, but chickened out a bit by describing it as being “of the general Camarasaurus type” (p. 196). But McIntosh subsequently identified the skull tentatively as Brachiosaurus (Carpenter and Tidwell, 1998:70) and it was later described by Carpenter and Tidwell (1998), who considered it intermediate between the skulls of Camarasaurus and Giraffatitan, and referred it to Brachiosaurus sp.
The skull may be that of Brachiosaurus altithorax, but this is currently impossible to test due to the lack of comparable parts. Near this skull was a 99 cm cervical vertebra, probably of Brachiosaurus, but this was destroyed during attempts to collect it (McIntosh and Berman, 1975:196). Shame there are no photos.
- Carpenter, Kenneth, and Virginia Tidwell. 1998. Preliminary description of a Brachiosaurus skull from Felch Quarry 1, Garden Park, Colorado. Modern Geology 23:69-84.
- Marsh, Othniel Charles. 1891. Restoration of Triceratops. American Journal of Science, Series 3, 41:339-342.
- McIntosh, John S., and David S. Berman. 1975. Description of the palate and lower jaw of the sauropod dinosaur Diplodocus (Reptilia: Saurischia) with remarks on the nature of the skull of Apatosaurus. Journal of Paleontology 49:187-199.
- Taylor, Michael P. 2009. A re-evaluation of Brachiosaurus altithorax Riggs 1903 (Dinosauria, Sauropoda) and its generic separation from Giraffatitan brancai (Janensch 1914). Journal of Vertebrate Paleontology 29(3):787-806.