May 7, 2015
This post is a response to Copyright from the lens of a lawyer (and poet), posted a couple of days ago by Elsevier’s General Counsel, Mark Seeley. Yes, I am a slave to SIWOTI syndrome. No, I shouldn’t be wasting my time responding to this. Yes, I ought to be working on that exciting new manuscript that we SV-POW!er Rangers have up and running. But but but … I can’t just let this go.
Copyright from the lens of a lawyer (and poet) is a defence of Elsevier’s practice of having copyright encumber scientific publishing. I tried to read it in the name of fairness. It didn’t go well. The very first sentence is wrong:
It is often said that copyright law is about a balance of interests and communities, creators and users, and ultimately society as a whole.
No. Copyright is not a balance between competing interests; it’s a bargain that society makes. We, the people, give up some rights in exchange for incentivising creative people to make new work, because that new work is of value to society. To quote the US constitution’s helpful clause, copyrights exist “To promote the Progress of Science and useful Arts” — not for authors, but for wider society. And certainly not of publishers who coerce authors to donate copyright!
(To be fair to Seeley, he did hedge by writing “It is often said that copyright law is about a balance”. That is technically true. It is often said; it’s just wrong.)
Well, that’s three paragraphs on the first sentence of Elsevier’s defence of copyright. I suppose I’d better move on.
The STM journal publishing sector is constantly adjusting to find the right balance between researcher needs and the journal business model, as refracted through copyright.
Wrong wrong wrong. We don’t look for a balance between researchers needs (i.e. science) and the journal business model. Journals are there to serve science. That’s what they’re for.
Then we have the quote from Mark Fischer:
I submit that society benefits when the best creative spirits can be full-time creators and not part-timers doing whatever else (other than writing, composing, painting, etc.) they have to do to pay the rent.
This may be true. But it is totally irrelevant to scholarly copyright. That should hardly need pointing out, but here it is for those hard of thinking. Scholars make no money from the copyright in the work they do, because (under the Elsevier model) they hand that copyright over to the publisher. Their living comes in the form of grants and salaries, not royalties.
Ready for the next one?
The alternatives to a copyright-based market for published works and other creative works are based on near-medieval concepts of patronage, government subsidy […]
Woah! Governments subsidising research and publication is “near-medieval”? And there we were thinking it was by far the most widespread model. Silly us. We were all near-medieval all this time.
Someone please tell me this is a joke.
Moving swiftly on …
Loud advocates for “copyright reform” suggest that the copyright industries have too much power […] My comparatively contrarian view is that this ignores the enormous creative efforts and societal benefits that arise from authoring and producing the original creative work in the first place: works that identify and enable key scientific discoveries, medical treatments, profound insights, and emotionally powerful narratives and musical experiences.
Wait, wait. Are we now saying that … uh, the only reason we get scientific discoveries and medical treatment because … er … because of copyright? Is that it? That can’t be it. Can it?
Copyright has no role in enabling this. None.
In fact, it’s worse than that. The only role of copyright in modern scholarly publishing is to prevent societal benefits arising from scientific and medical research.
The article then wanders off into an (admittedly interesting) history of Seeley’s background as a poet, and as a publisher of literary magazines. The conclusion of this section is:
Of course creators and scientists want visibility […] At the very least, they’d like to see some benefit and support from their work. Copyright law is a way of helping make that happen.
This article continues to baffle. The argument, if you want to dignify it with that name, seems to be:
- poets like copyright
- => we copyright other people’s science
- => … profit!
Well, that was incoherent. But never mind: finally we come to part of the article that makes sense:
- There is the “idea-expression” dichotomy — that copyright protects expression but not the fundamental ideas expressed in a copyright work.
This is correct, of course. That shouldn’t be cause for comment, coming from a copyright lawyer, but the point needs to be made because the last time an Elsevier lawyer blogged, she confused plagiarism with copyright violation. So in that respect, this new blog is a step forward.
But then the article takes a sudden left turn:
The question of the appropriateness of copyright, or “authors’ rights,” in the academic field, particularly with respect to research journal articles, is sometimes controversial. In a way quite similar to poets, avant-garde literary writers and, for that matter, legal scholars, research academics do not rely directly on income from their journal article publishing.
Er, wait, what? So you admit that scholarly authors do not benefit from copyright in their articles? We all agree, then, do we? Then … what was the first half of the article supposed to be about?
And in light of this, what on earth are we to make of this:
There is sometimes a simplistic “repugnance” about the core publishing concept that journal publishers request rights from authors and in return sell or license those rights to journal subscribers or article purchasers.
Seeley got that much right! (Apart from the mystifyingly snide use of “simplistic” and the inexplicable scare-quotes.) The question is why he considers this remotely surprising. Why would anyone not find such a system repugnant? (That was a rhetorical question, but here’s the answer anyway: because they make a massive profit from it. That is the only reason.)
Well, we’re into the final stretch. The last paragraph
Some of the criticism of the involvement of commercial publishing and academic research is simply prejudice, in my view;
Yes. Some of us are irrationally prejudiced against a system where, having laboriously created new knowledge, it’s then locked up behind a paywall. It’s like the irrational prejudice some coal-miners have against the idea of the coal they dig up being immediately buried again.
And finally, this:
Some members of the academic community […] base their criticism on idealism.
Isn’t that odd? I have never understood why some people consider “idealism” to be a criticism. I accept it as high praise. People who are not idealists have nothing to base their pragmatism on. They are pragmatic, sure, but to what end?
So what are we left with? What is Seeley’s article actually about? It’s very hard to pick out a coherent thread. If there is one, it seems to be this: copyright is helpful for some artists, so it follows that scholarly authors should donate their copyright to for-profit publishers. That is a consequence that, to my mind, does not follow particularly naturally from the hypothesis.
April 1, 2015
This abomination — a proposal for a “UK National Licence” for open-access papers, making them available only in the UK, is not an April Fool joke. It’s a serious proposal, put forward by HEPI, the Higher Education Policy Institute, which styles itself “the UK’s only independent think tank devoted to higher education” (though I note without comment that they routinely partner with Elsevier).
It’s desperately disappointing that British academics should propose something as small-minded and xenophobic as this, which I can only refer to as the UKIP Licence. Let’s start counting some of the ways this is a terrible, terrible idea.
1. It’s not open access by any existing definition of the term. For example, the Budapest Open Access Initiative, which first coined the term, describes OA as “free availability on the public internet” (i.e. not a subnet), “permitting any users” (i.e. not just British users) “without financial, legal, or technical barriers” (i.e. no filtering on IP addresses).
2. It positions the UK as the one country in the world willing to poison the open-access well, prepared to destroy value for 199 countries in the hope of increasing it for one. This makes it a classic prisoner’s-dilemma “defect” strategy — an approach which has been shown by multi-algorithm tournaments to reliably downgrade the defector’s outcome.
3. British people gain more when 200 countries are working on advances in health, education, etc., than when only one is. This tiny-minded licence, if adopted, would hobble British innovation, health and education, as well as that of the rest of the world.
4. Most important, it’s mean. We have to be better than this. Publishing research about diseases that kill millions in third-world countries, then preventing scientists in those countries from reading that research is not just stupid, it’s despicable. It’s hard to imagine behaviour more unrepresentative of the values that we like to imagine the UK embodies.
Oh, and 5. it won’t work, of course. Barring access by IP address is a notoriously flawed approach, which hides content from Brits abroad while allowing access to anyone anywhere who knows how to use a Web proxy.
Putting it all together, this is about the most misguided proposal imaginable. I would like to see its authors, both of them senior at UCL, withdraw it with all possible haste, and with an appropriate apology.
[I would have left this comment on HEPI’s blog-post announcing their proposal, but comments are turned off — perhaps not surprisingly. I did leave a version of it on the Times Higher Education article about this.]
Update the next day: see also David Kernohan’s post A local licence for Henbury.
Update 9th April: this post, lightly modified, is published as a letter in today’s Times Higher Education. More importantly, you should all go and read Stephen Curry’s much more dispassionate, but equally critical, analysis of the National Licence proposal.
As recently noted, it was my pleasure and privilege on 25 June to give a talk at the ESOF2014 conference in Copenhagen (the EuroScience Open Forum). My talk was one of four, followed by a panel discussion, in a session on the subject “Should science always be open?“.
I had just ten minutes to lay out the background and the problem, so it was perhaps a bit rushed. But you can judge for yourself, because the whole session was recorded on video. The image is not the greatest (it’s hard to make out the slides) and the audio is also not all it could be (the crowd noise is rather loud). But it’s not too bad, and I’ve embedded it below. (I hope the conference organisers will eventually put out a better version, cleaned up by video professionals.)
Subbiah Arunachalam (from Arun, Chennai, India) asked me whether the full text of the talk was available — the echoey audio is difficult for non-native English speakers. It wasn’t but I’ve sinced typed out a transcript of what I said (editing only to remove “er”s and “um”s), and that is below. Finally, you may wish to follow the slides rather than the video: if so, they’re available in PowerPoint format and as a PDF.
It’s very gracious of you all to hold this conference in English; I deeply appreciate it.
“Should science always be open?” is our question, and I’d like to open with one of the greatest scientists there’s ever been, Isaac Newton, who humility didn’t come naturally to. But he did manage to say this brilliant humble thing: “If I have seen further, it’s by standing on the shoulders of giants.”
And the reason I love this quote is not just because it’s insightful in itself, but because he stole it from something John of Salisbury said right back in 1159. “Bernard of Chartres used to say that we were like dwarfs seated on the shoulders of giants. If we see more and further than they, it is not due to our own clear eyes or tall bodies, but because we are raised on high and upborne by their gigantic bigness.”
Well, so Newton — I say he stole this quote, but of course he did more than that: he improved it. The original is long-winded, it goes around the houses. But Newton took that, and from that he made something better and more memorable. So in doing that, he was in fact standing on the shoulders of giants, and seeing further.
And this is consistently where progress comes from. It’s very rare that someone who’s locked in a room on his own thinking about something will have great insights. It’s always about free exchange of ideas. And we see this happening in lots of different fields.
Over the last ten or fifteen years, enormous advances in the kinds of things computers working in networks can do. And that’s come from the culture of openness in APIs and protocols, in Silicon Valley and elsewhere, where these things are designed.
Going back further and in a completely different field, the Impressionist painters of Paris lived in a community where they were constantly — not exactly working together, but certainly nicking each other’s ideas, improving each other’s techniques, feeding back into this developing sense of what could be done. Resulting in this fantastic art.
And looking back yet further, Florence in the Renaissance was a seat of all sorts of advances in the arts and the sciences. And again, because of this culture of many minds working together, and yielding insights and creativity that would not have been possible with any one of them alone.
And this is because of network effects; or Metcalfe’s Law expresses this by saying that the value of a network is proportional to the square of the number of nodes in that network. So in terms of scientific reasearch, what that means is that if you have a corpus of published research output, of papers, then the value of that goes — it doesn’t just increase with the number of papers, it goes up with the square of the number of papers. Because the value isn’t so much in the individual bits of research, but in the connections between them. That’s where great ideas come from. One researcher will read one paper from here and one from here, and see where the connection or the contradiction is; and from that comes the new idea.
So it’s very important to increase the size of the network of what’s available. And that’s why we have a very natural tendency, I think among scientists particularly, but I think we can say researchers in other areas as well, have a natural tendency to share.
Now until recently, the big difficulty we’ve had with sharing has been logistical. It was just difficult to make and distribute copies of pieces of research. So this [picture of a printing press] is how we made copies, this [picture of stacks of paper] was what we stored them on, and this was how we transmitted them from one researcher to another.
And they were not the most efficient means, or at least not as efficient as what we now have available. And because of that, and because of the importance of communication and the links between research, I would argue that maybe the most important invention of the last hundred years is the Internet in general and the World Wide Web in particular. And the purpose of the Web, as it was initially articulated in the first public post that Tim Berners-Lee made in 1991 — he explained not just what the Web was but what it was for, and he said: “The project started with the philosophy that much academic information should be freely available to anyone. It aims to allow information sharing within internationally dispersed teams, and the dissemination of information by support groups.”
So that’s what the Web is for; and here’s why it’s important. I’m quoting here from Cameron Neylon, who’s great at this kind of thing. And again it comes down to connections, and I’m just going to read out loud from his blog: “Like all developments of new communication networks, SMS, fixed telephones, the telegraph, the railways, and writing itself, the internet doesn’t just change how well we can do things, it qualitatively changes what we can do.” And then later on in the same post: “At network scale the system ensures that resources get used in unexpected ways. At scale you can have serendipity by design, not by blind luck.”
Now that’s a paradox; it’s almost a contradiction, isn’t it? Serendipity by definition is what you get by blind luck. But the point is, when you have enough connections — enough papers floating around the same open ecosystem — all the collisions happening between them, it’s inevitable that you’re going to get interesting things coming out. And that’s what we’re aiming towards.
And of course it’s never been more important, with health crises, new diseases, the diminishing effectiveness of antibiotics, the difficulties of feeding a world of many billions of people, and the results of climate change. It’s not as though we’re short of significant problems to deal with.
So I love this Jon Foley quote. He said, “Your job” — as a researcher — “Your job is not to get tenure! Your job is to change the world”. Tenure is a means to an end, it’s not what you’re there for.
So this is the importance of publishing. Of course the word “publish” comes from the same root as the word “public”: to publish a piece of research means to make that piece of research public. And the purpose of publishing is to open research up to the world, and so open up the world itself.
And that’s why it’s so tragic when we run into this [picture of a paywalled paper]. I think we’ve all seen this at various times. You go to read a piece of research that’s valuable, that’s relevant to either the research you’re doing, or the job you’re doing in your company, or whatever it might be. And you run into this paywall. Thirty five dollars and 95 cents to read this paper. It’s a disaster. Because what’s happened is we’ve got a whole industry whose existence is to make things public, and who because of accidents of history have found themselves doing the exact opposite. Now no-one goes into publishing with the intent of doing this. But this is the unfortunate outcome.
So what we end up with is a situation where we’re re-imposing on the research community barriers that were necessarily imposed by the inadequate technology of 20 or 30 years ago, but which we’ve now transcended in technological terms but we’re still strugging with for, frankly, commercial reasons. This is why we’re struggling with this.
And I don’t like to be critical, but I think we have to just face the fact that there is a real problem when organisations, for many years have been making extremely high profits — these [36%, 32%, 34%, 42%] are the profit margins of the “big four” academic publishers which together hugely dominate the scholarly publishing market — and as you can see they’re in the range 32% to 42% of revenue, is sheer profit. So every time your university library spends a dollar on subscriptions, 40% of that goes straight out of the system to nowhere.
And it’s not surprising that these companies are hanging on desperately to the business model that allows them to do that.
Now the problem we have in advocating for open access is that when we stand against publishers who have an existing very profitable business model, they can complain to governments and say, “Look, we have a market that’s economically significant, it’s worth somewhere in the region of 10-15 billion US dollars a year.” And they will say to governments, “You shouldn’t do anything that might damage this.” And that sounds effective. And we struggle to argue against that because we’re talking about an opportunity cost, which is so much harder to measure.
You know, I can stand here — as I have done — and wave my hands around, and talk about innovation and opportunity, and networks and connections, but it’s very hard to quantify in a way that can be persuasive to people in a numeric way. Say, they have a 15 billion dollar business, we’re talking about saving three trillion’s worth of economic value (and I pulled that number out of thin air). So I would love, if we can, when we get to the discussions, to brainstorm some way to quantify the opportunity cost of not being open. But this is what it looks like [picture of flooding due to climate change]. Economically I don’t know what it’s worth. But in terms of the world we live in, it’s just essential.
So we’ve got to remember the mission that we’re on. We’re not just trying to save costs by going to open access publishing. We’re trying to transform what research is, and what it’s for.
So should science always be open? Of course, the name of the session should have been “Of course science should always be open”.
May 7, 2014
[NOTE: see the updates at the bottom. In summary, there’s nothing to see here and I was mistaken in posting this in the first place.]
Elsevier’s War On Access was stepped up last year when they started contacting individual universities to prevent them from letting the world read their research. Today I got this message from a librarian at my university:
The irony that this was sent from the Library’s “Open Access Team” is not lost on me. Added bonus irony: this takedown notification pertains to an article about how openness combats mistrust and secrecy. Well. You’d almost think NPG wants mistrust and secrecy, wouldn’t you? It’s sometimes been noted that by talking so much about Elsevier on this blog, we can appear to be giving other barrier-based publishers a free ride. If we give that impression, it’s not deliberate. By initiating this takedown, Nature Publishing Group has self-identified itself as yet another so-called academic publisher that is in fact an enemy of science. So what next? Anyone who wants a PDF of this (completely trivial) letter can still get one very easily from my own web-site, so in that sense no damage has been done. But it does leave me wondering what the point of the Institutional Repository is. In practice it seems to be a single point of weakness allowing “publishers” to do the maximum amount of damage with a single attack.
But part of me thinks the thing to do is take the accepted manuscript and format it myself in the exact same way as Nature did, and post that. Just because I can. Because the bottom line is that typesetting is the only actual service they offered Andy, Matt and me in exchange for our right to show our work to the world, and that is a trivial service.
The other outcome is that this hardens my determination never to send anything to Nature again. Now it’s not like my research program is likely to turn up tabloid-friendly results anyway, so this is a bit of a null resolution. But you never know: if I happen to stumble across sauropod feather impressions in an overlooked Wealden fossil, then that discovery is going straight to PeerJ, PLOS, BMC, F1000 Research, Frontiers or another open-access publisher, just like all my other work.
And that’s sheer self-interest at work there, just as much as it’s a statement. I will not let my best work be hidden from the world. Why would anyone?
Let’s finish with another outing for this meme-ready image.
David Mainwaring (on Twitter) and James Bisset (in the comment below) both pointed out that I’ve not seen an actual takedown request from NPG — just the takedown notification from my own library. I assumed that the library were doing this in response to hassle from NPG
, but of course it’s possible that my own library’s Open Access Team is unilaterally trying to prevent access to the work of its university’s researchers.
I’ve emailed Lyn Duffy to ask for clarification. In the mean time, NPG’s Grace Baynes has tweeted:
So it looks like this may be even more bizarre than I’d realised.
Further bulletins as events warrant.
OK, consensus is that I read this completely wrong. Matt’s comment below says it best:
I have always understood institutional repositories to be repositories for author’s accepted manuscripts, not for publisher’s formatted versions of record. By that understanding, if you upload the latter, you’re breaking the rules, and basically pitting the repository against the publisher.
Which is, at least, not a nice thing to do to the respository.
So the conclusion is: I was wrong, and there’s nothing to see here apart from me being embarrassed. That’s why I’ve struck through much of the text above. (We try not to actually delete things from this blog, to avoid giving a false history.)
My apologies to Lyn Duffy, who was just doing her job.
This just in from Lyn Duffy, confirming that, as David and James guessed, NPG did not send a takedown notice:
This PDF was removed as part of the standard validation work of the Open Access team and was not prompted by communication from Nature Publishing. We validate every full-text document that is uploaded to Pure to make sure that the publisher permits posting of that version in an institutional repository. Only after validation are full-text documents made publicly available.
In this case we were following the regulations as stated in the Nature Publishing policy about confidentiality and pre-publicity. The policy says, ‘The published version — copyedited and in Nature journal format — may not be posted on any website or preprint server’ (http://www.nature.com/authors/policies/confidentiality.html). In the information for authors about ‘Other material published in Nature’ it says, ‘All articles for all sections of Nature are considered according to our usual conditions of publication’ (http://www.nature.com/nature/authors/gta/others.html#correspondence). We took this to mean that material such as correspondence have the same posting restrictions as other material published by Nature Publishing.
If we have made the wrong decision in this case and you do have permission from Nature Publishing to make the PDF of your correspondence publicly available via an institutional repository, we can upload the PDF to the record.
Open Access Team
Here’s the text of the original notification email so search-engines can pick it up. (If you read the screen-grab above, you can ignore this.)
University of Bristol — Pure
Lyn Duffy has added a comment
Sharing: public databases combat mistrust and secrecy
Farke, A. A., Taylor, M. P. & Wedel, M. J. 22 Oct 2009 In : Nature. 461, 7267, p. 1053
Research output: Contribution to journal › Article
Lyn Duffy has added a comment 7/05/14 10:23
Dear Michael, Apologies for the delay in checking your record. It appears that the document you have uploaded alongside this record is the publishers own version/PDF and making this version openly accessible in Pure is prohibited by the publisher, as a result the document has been removed from the record. In this particular instance the publisher would allow you to make accessible the postprint version of the paper, i.e., the article in the form accepted for publication in the journal following the process of peer review. Please upload an acceptable version of the paper if you have one. If you have any questions about this please get back to us, or send an email directly to firstname.lastname@example.org Kind regards, Lyn Duffy Library Open Access Team.
March 20, 2014
In discussion of Samuel Gershman’s rather good piece The Exploitative Economics Of Academic Publishing, I got into this discusson on Twitter with David Mainwaring (who is usually one of the more interesting legacy-publisher representatives on these issues) and Daniel Allingon (who I don’t know at all).
I’ll need to give a bit of background before I reach the key part of that discussion, so here goes. I said that one of David’s comments was a patronising evasion, and that I expected better of him, and also that it was an explicit refusal to engage. David’s response was interesting:
First, to clear up the first half, I wasn’t at all saying that David hasn’t engaged in OA, but that in this instance he’d rejected engagement — and that his previous record of engaging with the issues was why I’d said “I expect better from you” at the outset.
Now with all that he-said-she-said out of the way, here’s the point I want to make.
David’s tweet quoted above makes a very common but insidious assumption: that a “nuanced” argument is intrinsically preferable to a simple one. And we absolutely mustn’t accept that.
We see this idea again and again: open-access advocates are criticised for not being nuanced, with the implication that this equates with not being right. But the right position is not always nuanced. Recruiting Godwin to the cause of a reductio ad absurdum, we can see this by asking the question “was Hitler right to commit genocide?” If you say “no”, then I will agree with you; I won’t criticise your position for lacking nuance. In this argument, nuance is superfluous.
[Tedious but probably necessary disclaimer: no, I am not saying that paywall-encumbered publishing is morally equivalent to genocide. I am saying that the example of genocide shows that nuanced positions are not always correct, and that therefore it’s wrong to assume a priori that a nuanced position regarding paywalls is correct. Maybe a nuanced position is correct: but that is something to be demonstrated, not assumed.]
So when David says “What I do hold to is that a rounded view, nuance, w/ever you call it, is important”, I have to disagree. What matters is to be right, not nuanced. Again, sometimes the right position is nuanced, but there’s no reason to assume that from the get-go.
Here’s why this is dangerous: a nuanced, balanced, rounded position sounds so grown up. And by contrast, a straightforward, black-and-white one sounds so adolescent. You know, a straightforward, black-and-white position like “genocide is bad”. The idea of nuance plays on our desire to be respected. It sounds so flattering.
We mustn’t fall for this. Our job is to figure out what’s true, not what sounds grown-up.
January 3, 2014
The Scholarly Kitchen is the blog of the Society of Scholarly Publishers, and as such discusses lots of issues that are of interest to us. But a while back, I gave up commenting there two reasons. First, it seemed rare that fruitful discussions emerged, rather than mere echo-chamberism; and second, my comments would often be deliberately delayed for several hours “to let others get in first”, and randomly discarded completely for reasons that I found completely opaque.
But since June, when David Crotty took over as Editor-in-Chief from Kent Anderson, I’ve sensed a change in the wind: more thoughtful pieces, less head-in-the-sandism over the inevitable coming changes in scholarly publishing, and even genuinely fruitful back-and-forth in the comments. I was optimistic that the Kitchen could become a genuine hub of cross-fertilisation.
But then, this: The Jack Andraka Story — Uncovering the Hidden Contradictions Behind a Science Folk Hero [cached copy]. Ex-editor Kent Anderson has risen from the grave to give us this attack piece on a fifteen-year-old.
I’m frankly astonished that David Crotty allowed this spiteful piece on the blog he edits. Is Kent Anderson so big that no-one can tell him “no”? Embarrassingly, he is currently president of the SSP, which maybe gives him leverage over the blog. But I’m completely baffled over how Crotty, Anderson or anyone else can think this piece will achieve anything other than to destroy the reputation of the Kitchen.
As Eva Amsen says, “I got as far as the part where he says Jack is not a “layperson” because his parents are middle class. (What?) Then closed tab.” I could do a paragraph-by-paragraph takedown of Anderson’s article, as Michael Eisen did for Jeffrey Beall’s anti-OA coming-out letter; but it really doesn’t deserve that level of attention.
So why am I even mentioning it? Because Jack Andraka doesn’t deserve to be hunted by a troll. I’m not going to be the only one finally giving up on The Scholarly Kitchen if David Crotty doesn’t do something to control his attack dog.
Seriously, David. You’re better than that. You have to be.
Anderson, Kent. 2014. The Jack Andraka Story — Uncovering the Hidden Contradictions Behind a Science Folk Hero. Society of Scholarly Publishers. The Scholarly Kitchen, Society of Scholarly Publishers. URL:http://scholarlykitchen.sspnet.org/2014/01/03/the-jack-andraka-story-uncovering-the-hidden-contradictions-of-an-oa-paragon/. Accessed: 2014-01-03. (Archived by WebCite® at http://www.webcitation.org/6MLiAaC9o)