tornado debris

Hey, look, there goes my future!

One thing that always bemuses me is the near-absolute serendipity of the academic job market. To get into research careers takes at least a decade of very deliberate, directed work, and then at the end you basically toss your diploma into a whirlwind and see where it lands. After all of that careful planning, almost all of us end up where we do based on the random (to us) set of jobs available in the narrow window in which we’re searching.

Did you dream of being curator at Museum X, or professor at University Y? Well, tough, those jobs went to Dr. Graduated-Two-Years-Sooner and Lucky Nature Paper, PhD, and they’re not retiring for three or four decades. Or maybe your dream job comes open right after you, your spouse, and your kids get settled in at your new acceptable-but-not-quite-dream job. Uproot or stay the course? Or what would be your dream job finally comes open but they’re looking for new junior faculty and you just got tenure at Tolerable State U.

This drastic mismatch between carefulness of preparation and randomness of outcome was present even pre-2008. The craptastic academic job market since then has only whetted the central irony’s keen edge. Getting grants and getting jobs is now basically a lottery. I’m not saying that good jobs don’t go to good people – they almost always do – but there are a lot of good people in jobs they never imagined having. And, sadly, plenty of good people who are now working outside of the field they prepared for because of the vicissitudes of the job market. A handful of years sooner or later and they might be sitting pretty.

This is on my mind because I recently had lunch with a physician friend from work and he was talking about applying for jobs as a doctor. “The first thing everyone tells you,” he said, “is decide what part of the country you want to live in first, then apply for the jobs that are there.” Doctors can do that because there are more than 800,000 of them active in the US. Paleontologists are mighty rarified by comparison – it’s hard to say how many of us there are, but probably not more than 2000 active in vert paleo. So the usual advice for budding biologists and paleontologists is exactly opposite that for physicians: “Forget about living where you want. Go wherever the job is and make the best of it.”

Oddly enough, I don’t remember this ever coming up in grad school. It’s something Vicki and I figured out at the end, as we started the process of applying for positions. There are alternate universes where we are at Marshall (they offered us both jobs, but not as attractive as UC Merced at the time), or at Northern Arizona (which is bittersweet because we have totally fallen in love with Flagstaff just in the past three years), or other places. If I were choosing a job site based on everything other than the institution, I’d spring for somewhere in Arizona or the intermountain west in a heartbeat.


But with all that said, we are happy here. It’s funny, when we got the job offers down here I thought, “LA? Crap, there goes the outdoor part of my life.” But Claremont has lots of parks, it’s tucked up against the San Gabriels and I can get into the mountains in 30 minutes, or out to the desert in 90. I’m spending more time outdoors than I have since I was a kid growing up in rural Oklahoma.

So I’m not complaining about my personal situation. Vicki and I both landed on our feet – and the fact that we both managed to stick the landing at the same institution is little short of miraculous. But we still had to step into the job market hurricane to get here.

If you’re a grad student and you’re reading this, I didn’t write it to freak you out. Just to let you know that it’s coming, and there are things you can do to improve your chances. Be aggressively curious. Write. Publish. Give good talks (and give lots of talks so you can become good at it). Broaden your skill set – if you’re going into paleo, knowing how to teach human anatomy probably doubles or triples the number of available jobs at any one time, even if many of them are not the jobs you’ve been dreaming of.

Then, at the end, pour yourself one stiff drink and cast your fortune to the winds.

Good luck.


In my recent preprint on the incompleteness and distortion of sauropod neck specimens, I discuss three well-known sauropod specimens in detail, and show that they are not as well known as we think they are. One of them is the Giraffatitan brancai lectotype MB.R.2181 (more widely known by its older designation HMN SII), the specimen that provides the bulk of the mighty mounted skeleton in Berlin.

Giraffatitan c8 epipophyses

That photo is from this post, which is why it’s disfigured by red arrows pointing at its epipophyses. But the vertebra in question — the eighth cervical of MB.R.2181 — is a very old friend: in fact, it was the subject of the first ever SV-POW! post, back in 2007.

In the reprint, to help make the point that this specimen was found extremely disarticulated, I reproduce Heinrich (1999:figure 16), which is Wolf-Dieter Heinrich’s redrawing of Janensch’s original sketch map of Quarry S, made in 1909 or 1910. Here it is again:

Taylor 2015: Figure 5. Quarry map of Tendaguru Site S, Tanzania, showing incomplete and jumbled skeletons of Giraffatitan brancai specimens MB.R.2180 (the lectotype, formerly HMN SI) and MB.R.2181 (the paralectotype, formerly HMN SII). Anatomical identifications of SII are underlined. Elements of SI could not be identified with certainty. From Heinrich (1999: figure 16), redrawn from an original field sketch by Werner Janensch.

Taylor 2015: Figure 5. Quarry map of Tendaguru Site S, Tanzania, showing incomplete and jumbled skeletons of Giraffatitan brancai specimens MB.R.2180 (the lectotype, formerly HMN SI) and MB.R.2181 (the paralectotype, formerly HMN SII). Anatomical identifications of SII are underlined. Elements of SI could not be identified with certainty. From Heinrich (1999: figure 16), redrawn from an original field sketch by Werner Janensch.

For the preprint, as for this blog-post (and indeed the previous one), I just went right ahead and included it. But the formal version of the paper (assuming it passes peer-review) will by very explicitly under a CC By licence, so the right thing to do is get formal permission to include it under those terms. So I’ve been trying to get that permission.

What a stupid, stupid waste of time.

Heinrich’s paper appeared in the somewhat cumbersomely titled Mitteilungen aus dem Museum fur Naturkunde in Berlin, Geowissenschaftliche Reihe, published as a subscription journal by Wiley. Happily, that journal is now open access, published by Pensoft as The Fossil Record. So I wrote to the Fossil Record editors to request permission. They wrote back, saying:

We are not the right persons for your question. The Wiley Company holds the copyright and should therefore be asked. Unfortunately, I do not know who is the correct person.

I didn’t know who to ask, either, so I tweeted a question, and copyright guru Charles Oppenheim suggested that I email I did, only to get the following automated reply:

Dear Customer,

Thank you for your enquiry.

We are currently experiencing a large volume of email traffic and will deal with your request within the next 15 working days.

We are pleased to advise that permission for the majority of our journal content, and for an increasing number of book publications, may be cleared more quickly by using the RightsLink service via Wiley’s websites and

Within the next fifteen working days? That is, in the next three weeks? How can it possibly take that long? Are they engraving their response on a corundum block?

So, OK, let’s follow the automated suggestion and try RightsLink. I went to the Wiley Online Library, and searched for journals whose names contain “naturkunde”. Only one comes up, and it’s not the right one. So Wiley doesn’t admit the existence of the journal.

Despite this, Google finds the article easily enough with a simple title search. From the article’s page, I can just click on the “Request Permissions”  link on the right, and …


Well, there’s lots to enjoy here, isn’t there? First, and most important, it doesn’t actually work: “Permission to reproduce this content cannot be granted via the RightsLink service.” Then there’s that cute little registered-trademark symbol “®” on the name RightsLink, because it’s important to remind me not to accidentally set up my own rights-management service with the same name. In the same vein, there’s the “Copyright © 2015 Copyright Clearance Center, Inc. All Rights Reserved” notice at the bottom — copyright not on the content that I want to reuse, but on the RightsLink popup itself. (Which I guess means I am in violation for including the screenshot above.) Oh, and there’s the misrendering of “Museum für Naturkunde” as “Museum für Naturkunde”.

All of this gets me precisely nowhere. As far as I can tell, my only recourse now is to wait three weeks for Wiley to get in touch with me, and hope that they turn out to be in favour of science.


It’s Sunday afternoon. I could be watching Ireland play France in the Rugby World Cup. I could be out at Staverton, seeing (and hearing) the world’s last flying Avro Vulcan overfly Gloucester Airport for the last time. I could be watching Return of the Jedi with the boys, in preparation for the forthcoming Episode VII. Instead, here I am, wrestling with copyright.

How absolutely pointless. What a terrible waste of my life.

Is this what we want researchers to be spending their time on?

Promoting the Progress of Science and useful Arts, indeed.

Update (13 October 2015): a happy outcome (this time)

I was delighted, on logging in this morning, to find I had email from with the subject “Permission to reproduce Heinrich (1999:fig. 16) under CC By licence” — a full thirteen working days earlier than expected. They were apologetic and helpful. Here is key part of what they said:

We are of course happy to handle your request directly from our office – please find the requested permission here:
We hereby grant permission for the requested use expected that due credit is given to the original source.
If material appears within our work with credit to another source, authorisation from that source must be obtained.
Credit must include the following components:
– Journals: Author(s) Name(s): Title of the Article. Name of the Journal. Publication  year. Volume. Page(s). Copyright Wiley-VCH Verlag GmbH & Co. KGaA. Reproduced with permission.

So this is excellent. I would of course have included all those elements in the attribution anyway, with the exception that it might not have occurred to me to state who the copyright holder is. But there is no reason to object to that.

So, two cheers for Wiley on this occasion. I had to waste some time, but at least none of it was due to deliberate obstructiveness, and most importantly they are happy for their figure to be reproduced under CC By.


  • Heinrich, Wolf-Dieter. 1999. The taphonomy of dinosaurs from the Upper Jurassic of Tendaguru, Tanzania (East Africa), based on field sketches of the German Tendaguru expedition (1909-1913). Mitteilungen aus dem Museum fur Naturkunde in Berlin, Geowissenschaftliche Reihe 2:25-61.

THIS POST IS RETRACTED. The reasons are explained in the next post. I wish I had never posted this, but you can’t undo what is done, especially on the Internet, so I am not deleting it but marking it as retracted. I suggest you don’t bother reading on, but it’s here if you want to.



There were some surprises in the the contents of the SVPCA programme this year. Sauropods were woefully under-represented with only two talks (mine on apatosaur neck combat and Daniel Vidal’s on the range of movement of the tail of Spinophorosaurus). In fact non-avian dinosaurs as a whole got short shrift, with two theropod talks, three ornithischian talks and one on dinosaur diversity. This is partly, of course, because so many dinosaur workers among the SVPCA mainstays were absent for one reason or another: Matt Wedel, Paul Upchurch, Paul Barrett, Richard Butler, Roger Benson, Steve Brusatte, David Norman, the list goes on.

But that’s OK. I’ve often found, to my surprise, that the dinosaur talks aren’t always my favourites anyway. (Oddly enough, fish talks can quite often catch my imagination; and pterosaurs are always good for a laugh.)

A more surprising development was the complete absence of any finite element analysis this year — a technique that was crazy trendy a couple of years ago, but seems to have to the end of its fashion cycle.

Instead, I felt that the talks were strongly dominated by one technique: principal component analysis (PCA). As a technique, I have mixed feelings about it: I don’t go as far as John Conway, who as far as I can tell thinks it’s almost literally meaningless. But I have strong reservations about the plug-and-play way it seems to get used for pretty much everything at the moment, and how very tenuous some of the inferences are that people derive from their morphospace plots. It’s difficult to be specific without criticising individuals, which I’d like to avoid doing. But I do think think that when we draw sweeping and heterodox conclusions about an animal’s lifestyle from a PCA of a single facet of a single bone, the validity of that conclusion is, to put it politely, open to question.

In fact an awful lot of the projects presented in this year’s talks seemed to follow the same template. In an idle (and, yes, unnecessarily snide) moment, I sketched an Automatic Masters Project Generator for lazy supervisors. You just throw four dice, then pick your technique name, body-part, period and taxon from these tables:

Table 1: roll 1d6 for a technique

  1. 2d landmark analysis
  2. principal component analysis
  3. geometric morphometrics
  4. morphospace analysis
  5. finite element analysis
  6. ecomorphological diversity analysis

Table 2: roll 1d6 for a body part

  1. quadrate
  2. mandible
  3. sacrum
  4. pelvis
  5. ulna
  6. astragalus

Table 3: roll 1d6 for a period

  1. Permian
  2. Mesozoic
  3. Jurassic
  4. Late Cretaceous
  5. Eocene
  6. Miocene

Table 4: roll 1d6 for a taxon

  1. lamnid sharks
  2. sauropterygians
  3. ornithopods
  4. corvids
  5. mustelids
  6. golden moles

Try it yourself! Morphospace analysis of the ulna in Miocene mustelids! Ready, steady, go! Your Masters degree will be ready as soon as you can talk reasonably coherently about this combination for fifteen minutes and leap to an obvious but weakly supported conclusion based on vague shapes drawn on a PC1-vs.-PC2 plot that captures only 32.6% of the variation!

(To be clear: I am not saying that PCA is intrinsically worthless. As I found myself repeatedly arguing in pubs with John and others, it’s evidently a very powerful tool for discovering correlations. For me, it goes wrong when very weak results pop out, but are given a veneer of respectability and objectivity because a computer was involved in the process.)

As the week went on, I found myself worrying increasingly about these projects. It’s not just that they are (with a few creditable exceptions) samey to listen to and uninteresting in their results. I worry more that these projects kill the interest of the people who take them on. I may be reading my own biases back into my observations here, but it seemed to me that I detected a distinct lack of enthusiasm in several of the speakers, and my hunch is that for a lot of them this will be their first and last SVPCA. They presumably went into palaeo because they loved some specific extinct taxon; instead, they found themselves spending a year staring at a hundred almost identical photographs of moodily lit tubes of toothpaste. And really, if anything is going to kill the passion of a pterosaur lover stone dead, it’s taking measurements of the distal articular facets of the ulnae of a 154 Miocene mustelids.

So I found myself longing for more talks about taxa, and about ideas, rather than techniques. Most obviously, there was very little pure descriptive palaeontology to be seen this year. But also, our own talk aside, very little of what I would think of as exploratory work — thinking about structures, chewing through their implications, considering alternatives. In short: the fun stuff. I would hate palaeontology to be reduced to a process of harvesting data from specimens (looking only at the aspects needed to fill in the matrix), pouring that data into a sausage machine, and turning the handle until something statistically significant comes out.

We have to be able to offer grad-students more than that. We are, and I say this with all due objectivity, in the most exciting science in the world. People go into palaeo because they love it. I wouldn’t like to think they go straight back out of it, as soon as they have their higher degree, hating it. We need to get students looking at and thinking about and discussing actual specimens — proposing ideas, arguing about them, running into reasons why they might be wrong, figuring out why they might be right after all, putting together an argument. Not sitting in front of computers full time running T-tests.

Of course there is a role, and an important one, for numerical methods. But they have to be the means, not the end. We have to have a more interesting goal than finding a statistically significant correlation. Otherwise we’re going to lose people.

This post is a response to Copyright from the lens of a lawyer (and poet), posted a couple of days ago by Elsevier’s General Counsel, Mark Seeley. Yes, I am a slave to SIWOTI syndrome. No, I shouldn’t be wasting my time responding to this. Yes, I ought to be working on that exciting new manuscript that we SV-POW!er Rangers have up and running. But but but … I can’t just let this go.


Copyright from the lens of a lawyer (and poet) is a defence of Elsevier’s practice of having copyright encumber scientific publishing. I tried to read it in the name of fairness. It didn’t go well. The very first sentence is wrong:

It is often said that copyright law is about a balance of interests and communities, creators and users, and ultimately society as a whole.

No. Copyright is not a balance between competing interests; it’s a bargain that society makes. We, the people, give up some rights in exchange for incentivising creative people to make new work, because that new work is of value to society. To quote the US constitution’s helpful clause, copyrights exist “To promote the Progress of Science and useful Arts” — not for authors, but for wider society. And certainly not of publishers who coerce authors to donate copyright!

(To be fair to Seeley, he did hedge by writing “It is often said that copyright law is about a balance”. That is technically true. It is often said; it’s just wrong.)

Well, that’s three paragraphs on the first sentence of Elsevier’s defence of copyright. I suppose I’d better move on.

The STM journal publishing sector is constantly adjusting to find the right balance between researcher needs and the journal business model, as refracted through copyright.

Wrong wrong wrong. We don’t look for a balance between researchers needs (i.e. science) and the journal business model. Journals are there to serve science. That’s what they’re for.

Then we have the quote from Mark Fischer:

I submit that society benefits when the best creative spirits can be full-time creators and not part-timers doing whatever else (other than writing, composing, painting, etc.) they have to do to pay the rent.

This may be true. But it is totally irrelevant to scholarly copyright. That should hardly need pointing out, but here it is for those hard of thinking. Scholars make no money from the copyright in the work they do, because (under the Elsevier model) they hand that copyright over to the publisher. Their living comes in the form of grants and salaries, not royalties.

Ready for the next one?

The alternatives to a copyright-based market for published works and other creative works are based on near-medieval concepts of patronage, government subsidy […]

Woah! Governments subsidising research and publication is “near-medieval”? And there we were thinking it was by far the most widespread model. Silly us. We were all near-medieval all this time.

Someone please tell me this is a joke.

Moving swiftly on …

Loud advocates for “copyright reform” suggest that the copyright industries have too much power […] My comparatively contrarian view is that this ignores the enormous creative efforts and societal benefits that arise from authoring and producing the original creative work in the first place: works that identify and enable key scientific discoveries, medical treatments, profound insights, and emotionally powerful narratives and musical experiences.

Wait, wait. Are we now saying that … uh, the only reason we get scientific discoveries and medical treatment because … er … because of copyright? Is that it? That can’t be it. Can it?

Copyright has no role in enabling this. None.

In fact, it’s worse than that. The only role of copyright in modern scholarly publishing is to prevent societal benefits arising from scientific and medical research.

The article then wanders off into an (admittedly interesting) history of Seeley’s background as a poet, and as a publisher of literary magazines. The conclusion of this section is:

Of course creators and scientists want visibility […] At the very least, they’d like to see some benefit and support from their work. Copyright law is a way of helping make that happen.

This article continues to baffle. The argument, if you want to dignify it with that name, seems to be:

  • poets like copyright
  • => we copyright other people’s science
  • => … profit!

Well, that was incoherent. But never mind: finally we come to part of the article that makes sense:

  • There is the “idea-expression” dichotomy — that copyright protects expression but not the fundamental ideas expressed in a copyright work.

This is correct, of course. That shouldn’t be cause for comment, coming from a copyright lawyer, but the point needs to be made because the last time an Elsevier lawyer blogged, she confused plagiarism with copyright violation. So in that respect, this new blog is a step forward.

But then the article takes a sudden left turn:

The question of the appropriateness of copyright, or “authors’ rights,” in the academic field, particularly with respect to research journal articles, is sometimes controversial. In a way quite similar to poets, avant-garde literary writers and, for that matter, legal scholars, research academics do not rely directly on income from their journal article publishing.

Er, wait, what? So you admit that scholarly authors do not benefit from copyright in their articles? We all agree, then, do we? Then … what was the first half of the article supposed to be about?

And in light of this, what on earth are we to make of this:

There is sometimes a simplistic “repugnance” about the core publishing concept that journal publishers request rights from authors and in return sell or license those rights to journal subscribers or article purchasers.

Seeley got that much right! (Apart from the mystifyingly snide use of “simplistic” and the inexplicable scare-quotes.) The question is why he considers this remotely surprising. Why would anyone not find such a system repugnant? (That was a rhetorical question, but here’s the answer anyway: because they make a massive profit from it. That is the only reason.)

Well, we’re into the final stretch. The last paragraph

Some of the criticism of the involvement of commercial publishing and academic research is simply prejudice, in my view;

Yes. Some of us are irrationally prejudiced against a system where, having laboriously created new knowledge, it’s then locked up behind a paywall. It’s like the irrational prejudice some coal-miners have against the idea of the coal they dig up being immediately buried again.

And finally, this:

Some members of the academic community […] base their criticism on idealism.

Isn’t that odd? I have never understood why some people consider “idealism” to be a criticism. I accept it as high praise. People who are not idealists have nothing to base their pragmatism on. They are pragmatic, sure, but to what end?

So what are we left with? What is Seeley’s article actually about? It’s very hard to pick out a coherent thread. If there is one, it seems to be this: copyright is helpful for some artists, so it follows that scholarly authors should donate their copyright to for-profit publishers. That is a consequence that, to my mind, does not follow particularly naturally from the hypothesis.

This abomination — a proposal for a “UK National Licence” for open-access papers, making them available only in the UK, is not an April Fool joke. It’s a serious proposal, put forward by HEPI, the Higher Education Policy Institute, which styles itself “the UK’s only independent think tank devoted to higher education” (though I note without comment that they routinely partner with Elsevier).

It’s desperately disappointing that British academics should propose something as small-minded and xenophobic as this, which I can only refer to as the UKIP Licence.  Let’s start counting some of the ways this is a terrible, terrible idea.

1. It’s not open access by any existing definition of the term. For example, the Budapest Open Access Initiative, which first coined the term, describes OA as “free availability on the public internet” (i.e. not a subnet), “permitting any users” (i.e. not just British users) “without financial, legal, or technical barriers” (i.e. no filtering on IP addresses).

2. It positions the UK as the one country in the world willing to poison the open-access well, prepared to destroy value for 199 countries in the hope of increasing it for one. This makes it a classic prisoner’s-dilemma “defect” strategy — an approach which has been shown by multi-algorithm tournaments to reliably downgrade the defector’s outcome.

3. British people gain more when 200 countries are working on advances in health, education, etc., than when only one is. This tiny-minded licence, if adopted, would hobble British innovation, health and education, as well as that of the rest of the world.

4. Most important, it’s mean. We have to be better than this. Publishing research about diseases that kill millions in third-world countries, then preventing scientists in those countries from reading that research is not just stupid, it’s despicable. It’s hard to imagine behaviour more unrepresentative of the values that we like to imagine the UK embodies.

Oh, and 5. it won’t work, of course. Barring access by IP address is a notoriously flawed approach, which hides content from Brits abroad while allowing access to anyone anywhere who knows how to use a Web proxy.

Putting it all together, this is about the most misguided proposal imaginable. I would like to see its authors, both of them senior at UCL, withdraw it with all possible haste, and with an appropriate apology.

[I would have left this comment on HEPI’s blog-post announcing their proposal,  but comments are turned off — perhaps not surprisingly. I did leave a version of it on the Times Higher Education article about this.]

Update the next day: see also David Kernohan’s post A local licence for Henbury.

Update 9th April: this post, lightly modified, is published as a letter in today’s Times Higher Education. More importantly, you should all go and read Stephen Curry’s much more dispassionate, but equally critical, analysis of the National Licence proposal.

Last night, I did a Twitter interview with Open Access Nigeria (@OpenAccessNG). To make it easy to follow in real time, I created a list whose only members were me and OA Nigeria. But because Twitter lists posts in reverse order, and because each individual tweet is encumbered with so much chrome, it’s rather an awkward way to read a sustained argument.

So here is a transcript of those tweets, only lightly edited. They are in bold; I am in regular font. Enjoy!

So @MikeTaylor Good evening and welcome. Twitterville wants to meet you briefly. Who is Mike Taylor?

In real life, I’m a computer programmer with Index Data, a tiny software house that does a lot of open-source programming. But I’m also a researching scientist — a vertebrate palaeontologist, working on sauropods: the biggest and best of the dinosaurs. Somehow I fit that second career into my evenings and weekends, thanks to a very understanding wife (Hi, Fiona!) …

As of a few years ago, I publish all my dinosaur research open access, and I regret ever having let any of my work go behind paywalls. You can find all my papers online, and read much more about them on the blog that I co-write with Matt Wedel. That blog is called Sauropod Vertebra Picture of the Week, or SV-POW! for short, and it is itself open access (CC By)

Sorry for the long answer, I will try to be more concise with the next question!

Ok @MikeTaylor That’s just great! There’s been so much noise around twitter, the orange colour featuring prominently. What’s that about?

Actually, to be honest, I’m not really up to speed with open-access week (which I think is what the orange is all about). I found a while back that I just can’t be properly on Twitter, otherwise it eats all my time. So these days, rather selfishly, I mostly only use Twitter to say things and get into conversations, rather than to monitor the zeitgeist.

That said, orange got established as the colour of open access a long time ago, and is enshrined in the logo:


In the end I suppose open-access week doesn’t hit my buttons too strongly because I am trying to lead a whole open-access life.

… uh, but thanks for inviting me to do this interview, anyway! :-)

You’re welcome @MikeTaylor. So what is open access?

Open Access, or OA, is the term describing a concept so simple and obvious and naturally right that you’d hardly think it needs a name. It just means making the results of research freely available on the Internet for anyone to read, remix and otherwise use.

You might reasonably ask, why is there any other kind of published research other than open access? And the only answer is, historical inertia. For reasons that seemed to make some kind of sense at the time, the whole research ecosystem has got itself locked into this crazy equilibrium where most published research is locked up where almost no-one can see it, and where even the tiny proportion of people who can read published works aren’t allowed to make much use of them.

So to answer the question: the open-access movement is an attempt to undo this damage, and to make the research world sane.

Are there factors perpetuating this inertia you talked about?

Oh, so many factors perpetuting the inertia. Let me list a few …

  1. Old-school researchers who grew up when it was hard to find papers, and don’t see why young whippersnappers should have it easier
  2. Old-school publishers who have got used to making profits of 30-40% turnover (they get content donated to them, then charge subscriptions)
  3. University administrators who make hiring/promotion/tenure decisions based on which old-school journals a researcher’s papers are in.
  4. Feeble politicians who think it’s important to keep the publishing sector profitable, even at the expense of crippling research.

I’m sure there are plenty of others who I’ve overlooked for the moment. I always say regarding this that there’s plenty of blame to go round.

(This, by the way, is why I called the current situation an equilibrium. It’s stable. Won’t fix itself, and needs to be disturbed.)

So these publishers who put scholarly articles behind paywalls online, do they pay the researchers for publishing their work?


Oh, sorry, please excuse me while I wipe the tears of mirth from my eyes. An academic publisher? Paying an author? Hahahahaha! No.

Not only do academic publishers never pay authors, in many cases they also levy page charges — that is, they charge the authors. So they get paid once by the author, in page-charges, then again by all the libraries that subscribe to read the paywalled papers. Which of course is why, even with their gross inefficiencies, they’re able to make these 30-40% profit margins.

So @MikeTaylor why do many researchers continue to take their work to these restricted access publishers and what can we do about it?

There are a few reasons that play into this together …

Part of it is just habit, especially among more senior researchers who’ve been using the same journals for 20 or 30 years.

But what’s more pernicious is the tendency of academics — and even worse, academic administrators — to evaluate research not by its inherent quality, but by the prestige of the journal that publishes it. It’s just horrifyingly easy for administrators to say “He got three papers out that year, but they were in journals with low Impact Factors.”

Which is wrong-headed on so many levels.

First of all, they should be looking at the work itself, and making an assessment of how well it was done: rigour, clarity, reproducibility. But it’s much easier just to count citations, and say “Oh, this has been cited 50 times, it must be good!” But of course papers are not always cited because they’re good. Sometimes they’re cited precisely because they’re so bad! For example, no doubt the profoundly flawed Arsenic Life paper has been cited many times — by people pointing out its numerous problems.

But wait, it’s much worse than that! Lazy or impatient administrators won’t count how many times a paper has been cited. Instead they will use a surrogate: the Impact Factor (IF), which is a measure not of papers but of journals.

Roughly, the IF measures the average number of citations received by papers that are published in the journal. So at best it’s a measure of journal quality (and a terrible measure of that, too, but let’s not get into that). The real damage is done when the IF is used to evaluate not journals, but the papers that appear in them.

And because that’s so widespread, researchers are often desperate to get their work into journals that have high IFs, even if they’re not OA. So we have an idiot situation where a selfish, rational researcher is best able to advance her career by doing the worst thing for science.

(And BTW, counter-intuitively, the number of citations an individual paper receives is NOT correlated significantly with the journal’s IF. Bjorn Brembs has discussed this extensively, and also shows that IF is correlated with retraction rate. So in many respects the high-IF journals are actually the worst ones you can possibly publish your work in. Yet people feel obliged to.)

*pant* *pant* *pant* OK, I had better stop answering this question, and move on to the next. Sorry to go on so long. (But really! :-) )

This is actually all so enlightening. You just criticised Citation Index along with Impact Factor but OA advocates tend to hold up a higher Citation Index as a reason to publish Open Access. What do you think regarding this?

I think that’s realpolitik. To be honest, I am also kind of pleased that the PLOS journals have pretty good Impact Factors: not because I think the IFs mean anything, but because they make those journals attractive to old-school researchers.

In the same way, it is a well-established fact that open-access articles tend to be cited more than paywalled ones — a lot more, in fact. So in trying to bring people across into the OA world, it makes sense to use helpful facts like these. But they’re not where the focus is.

But the last thing to say about this is that even though raw citation-count is a bad measure of a paper’s quality, it is at least badly measuring the right thing. Evaluating a paper by its journal’s IF is like judging someone by the label of their clothes

So @MikeTaylor Institutions need to stop evaluating research papers based on where they are published? Do you know of any doing it right?

I’m afraid I really don’t know. I’m not privy to how individual institution do things.

All I know is, in some countries (e.g. France) abuse of IF is much more strongly institutionalised. It’s tough for French researchers

What are the various ways researchers can make their work available for free online?

Brilliant, very practical question! There are three main answers. (Sorry, this might go on a bit …)

First, you can post your papers on preprint servers. The best known one is arXiv, which now accepts papers from quite a broad subject range. For example, a preprint of one of the papers I co-wrote with Matt Wedel is freely available on arXiv. There are various preprint servers, including arXiv for physical sciences, bioRxiv, PeerJ Preprints, and SSRN (Social Science Research Network).

You can put your work on a preprint server whatever your subsequent plans are for it — even if (for some reason) it’s going to a paywall. There are only a very few journals left that follow the “Ingelfinger rule” and refuse to publish papers that have been preprinted.

So preprints are option #1. Number 2 is Gold Open Access: publishing in an open-access journal such as PLOS ONE, a BMC journal or eLife. As a matter of principle, I now publish all my own work in open-access journals, and I know lots of other people who do the same — ranging from amateurs like me, via early-career researchers like Erin McKiernan, to lab-leading senior researchers like Michael Eisen.

There are two potential downsides to publishing in an OA journal. One, we already discussed: the OA journals in your field may not be be the most prestigious, so depending on how stupid your administrators are you could be penalised for using an OA journal, even though your work gets cited more than it would have done in a paywalled journal.

The other potential reason some people might want to avoid using an OA journal is because of Article Processing Charges (APC). Because OA publishers have no subscription revenue, one common business model is to charge authors an APC for publishing services instead. APCs can vary wildly, from $0 up to $5000 in the most extreme case (a not-very-open journal run by the AAAS), so they can be offputting.

There are three things to say about APCs.

First, remember that lots of paywalled journals demand page charges, which can cost more!

But second, please know that more than half of all OA journals actually charge no APC at all. They run on different models. For example in my own field, Acta Palaeontologica Polonica and Palaeontologia Electronica are well respected OA journals that charge no APC.

And the third thing is APC waivers. These are very common. Most OA publishers have it as a stated goal that no-one should be prevented from publishing with them by lack of funds for APCs. So for example PLOS will nearly always give a waiver when requested. Likewise Ubiquity, and others.

So there are lots of ways to have your work appear in an OA journal without paying for it to be there.

Anyway, all that was about the second way to make your work open access. #1 was preprints, #2 is “Gold OA” in OA journals …

And #3 is “Green OA”, which means publishing in a paywalled journal, but depositing a copy of the paper in an open repository. The details of how this works can be a bit complicated: different paywall-based publishers allow you to do different things, e.g. it’s common to say “you can deposit your peer-reviewed, accepted but unformatted manuscript, but only after 12 months“.

Opinions vary as to how fair or enforceable such rules are. Some OA advocates prefer Green. Others (including me) prefer Gold. Both are good.

See this SV-POW! post on the practicalities of negotiating Green OA if you’re publishing behind a paywall.

So to summarise:

  1. Deposit preprints
  2. Publish in an OA journal (getting a fee waiver if needed)
  3. Deposit postprints

I’ve written absolutely shedloads on these subjects over the last few years, including this introductory batch. If you only read one of my pieces about OA, make it this one: The parable of the farmers & the Teleporting Duplicator.

Last question – Do restricted access publishers pay remuneration to peer reviewers?

I know of no publisher that pays peer reviewers. But actually I am happy with that. Peer-review is a service to the community. As soon as you encumber it with direct financial incentives, things get more complicated and there’s more potential for Conflict of interest. What I do is, I only perform peer-reviews for open-access journals. And I am happy to put that time/effort in knowing the world will benefit.

And so we bring this edition to a close. We say a big thanks to our special guest @MikeTaylor who’s been totally awesome and instructive.

Thanks, it’s been a privilege.

As recently noted, it was my pleasure and privilege on 25 June to give a talk at the ESOF2014 conference in Copenhagen (the EuroScience Open Forum). My talk was one of four, followed by a panel discussion, in a session on the subject “Should science always be open?“.


I had just ten minutes to lay out the background and the problem, so it was perhaps a bit rushed. But you can judge for yourself, because the whole session was recorded on video. The image is not the greatest (it’s hard to make out the slides) and the audio is also not all it could be (the crowd noise is rather loud). But it’s not too bad, and I’ve embedded it below. (I hope the conference organisers will eventually put out a better version, cleaned up by video professionals.)

Subbiah Arunachalam (from Arun, Chennai, India) asked me whether the full text of the talk was available — the echoey audio is difficult for non-native English speakers. It wasn’t but I’ve sinced typed out a transcript of what I said (editing only to remove “er”s and “um”s), and that is below. Finally, you may wish to follow the slides rather than the video: if so, they’re available in PowerPoint format and as a PDF.


It’s very gracious of you all to hold this conference in English; I deeply appreciate it.

“Should science always be open?” is our question, and I’d like to open with one of the greatest scientists there’s ever been, Isaac Newton, who humility didn’t come naturally to. But he did manage to say this brilliant humble thing: “If I have seen further, it’s by standing on the shoulders of giants.”

And the reason I love this quote is not just because it’s insightful in itself, but because he stole it from something John of Salisbury said right back in 1159. “Bernard of Chartres used to say that we were like dwarfs seated on the shoulders of giants. If we see more and further than they, it is not due to our own clear eyes or tall bodies, but because we are raised on high and upborne by their gigantic bigness.”

Well, so Newton — I say he stole this quote, but of course he did more than that: he improved it. The original is long-winded, it goes around the houses. But Newton took that, and from that he made something better and more memorable. So in doing that, he was in fact standing on the shoulders of giants, and seeing further.

And this is consistently where progress comes from. It’s very rare that someone who’s locked in a room on his own thinking about something will have great insights. It’s always about free exchange of ideas. And we see this happening in lots of different fields.

Over the last ten or fifteen years, enormous advances in the kinds of things computers working in networks can do. And that’s come from the culture of openness in APIs and protocols, in Silicon Valley and elsewhere, where these things are designed.

Going back further and in a completely different field, the Impressionist painters of Paris lived in a community where they were constantly — not exactly working together, but certainly nicking each other’s ideas, improving each other’s techniques, feeding back into this developing sense of what could be done. Resulting in this fantastic art.

And looking back yet further, Florence in the Renaissance was a seat of all sorts of advances in the arts and the sciences. And again, because of this culture of many minds working together, and yielding insights and creativity that would not have been possible with any one of them alone.

And this is because of network effects; or Metcalfe’s Law expresses this by saying that the value of a network is proportional to the square of the number of nodes in that network. So in terms of scientific reasearch, what that means is that if you have a corpus of published research output, of papers, then the value of that goes — it doesn’t just increase with the number of papers, it goes up with the square of the number of papers. Because the value isn’t so much in the individual bits of research, but in the connections between them. That’s where great ideas come from. One researcher will read one paper from here and one from here, and see where the connection or the contradiction is; and from that comes the new idea.

So it’s very important to increase the size of the network of what’s available. And that’s why we have a very natural tendency, I think among scientists particularly, but I think we can say researchers in other areas as well, have a natural tendency to share.

Now until recently, the big difficulty we’ve had with sharing has been logistical. It was just difficult to make and distribute copies of pieces of research. So this [picture of a printing press] is how we made copies, this [picture of stacks of paper] was what we stored them on, and this was how we transmitted them from one researcher to another.

And they were not the most efficient means, or at least not as efficient as what we now have available. And because of that, and because of the importance of communication and the links between research, I would argue that maybe the most important invention of the last hundred years is the Internet in general and the World Wide Web in particular. And the purpose of the Web, as it was initially articulated in the first public post that Tim Berners-Lee made in 1991 — he explained not just what the Web was but what it was for, and he said: “The project started with the philosophy that much academic information should be freely available to anyone. It aims to allow information sharing within internationally dispersed teams, and the dissemination of information by support groups.”

So that’s what the Web is for; and here’s why it’s important. I’m quoting here from Cameron Neylon, who’s great at this kind of thing. And again it comes down to connections, and I’m just going to read out loud from his blog: “Like all developments of new communication networks, SMS, fixed telephones, the telegraph, the railways, and writing itself, the internet doesn’t just change how well we can do things, it qualitatively changes what we can do.” And then later on in the same post: “At network scale the system ensures that resources get used in unexpected ways. At scale you can have serendipity by design, not by blind luck.”

Now that’s a paradox; it’s almost a contradiction, isn’t it? Serendipity by definition is what you get by blind luck. But the point is, when you have enough connections — enough papers floating around the same open ecosystem — all the collisions happening between them, it’s inevitable that you’re going to get interesting things coming out. And that’s what we’re aiming towards.

And of course it’s never been more important, with health crises, new diseases, the diminishing effectiveness of antibiotics, the difficulties of feeding a world of many billions of people, and the results of climate change. It’s not as though we’re short of significant problems to deal with.

So I love this Jon Foley quote. He said, “Your job” — as a researcher — “Your job is not to get tenure! Your job is to change the world”. Tenure is a means to an end, it’s not what you’re there for.

So this is the importance of publishing. Of course the word “publish” comes from the same root as the word “public”: to publish a piece of research means to make that piece of research public. And the purpose of publishing is to open research up to the world, and so open up the world itself.

And that’s why it’s so tragic when we run into this [picture of a paywalled paper]. I think we’ve all seen this at various times. You go to read a piece of research that’s valuable, that’s relevant to either the research you’re doing, or the job you’re doing in your company, or whatever it might be. And you run into this paywall. Thirty five dollars and 95 cents to read this paper. It’s a disaster. Because what’s happened is we’ve got a whole industry whose existence is to make things public, and who because of accidents of history have found themselves doing the exact opposite. Now no-one goes into publishing with the intent of doing this. But this is the unfortunate outcome.

So what we end up with is a situation where we’re re-imposing on the research community barriers that were necessarily imposed by the inadequate technology of 20 or 30 years ago, but which we’ve now transcended in technological terms but we’re still strugging with for, frankly, commercial reasons. This is why we’re struggling with this.

And I don’t like to be critical, but I think we have to just face the fact that there is a real problem when organisations, for many years have been making extremely high profits — these [36%, 32%, 34%, 42%] are the profit margins of the “big four” academic publishers which together hugely dominate the scholarly publishing market — and as you can see they’re in the range 32% to 42% of revenue, is sheer profit. So every time your university library spends a dollar on subscriptions, 40% of that goes straight out of the system to nowhere.

And it’s not surprising that these companies are hanging on desperately to the business model that allows them to do that.

Now the problem we have in advocating for open access is that when we stand against publishers who have an existing very profitable business model, they can complain to governments and say, “Look, we have a market that’s economically significant, it’s worth somewhere in the region of 10-15 billion US dollars a year.” And they will say to governments, “You shouldn’t do anything that might damage this.” And that sounds effective. And we struggle to argue against that because we’re talking about an opportunity cost, which is so much harder to measure.

You know, I can stand here — as I have done — and wave my hands around, and talk about innovation and opportunity, and networks and connections, but it’s very hard to quantify in a way that can be persuasive to people in a numeric way. Say, they have a 15 billion dollar business, we’re talking about saving three trillion’s worth of economic value (and I pulled that number out of thin air). So I would love, if we can, when we get to the discussions, to brainstorm some way to quantify the opportunity cost of not being open. But this is what it looks like [picture of flooding due to climate change]. Economically I don’t know what it’s worth. But in terms of the world we live in, it’s just essential.

So we’ve got to remember the mission that we’re on. We’re not just trying to save costs by going to open access publishing. We’re trying to transform what research is, and what it’s for.

So should science always be open? Of course, the name of the session should have been “Of course science should always be open”.

Belated update (24 September 2015)

I should have noted this long before, but the live-drawn poster that summarised all the talks in the session was scanned, and is available on the Zenodo respository. Here is the direct link to the JPEG (12912 by 3455 pixels).

My present Twitter avatar is based on the caricature of me in this poster.


Get every new post delivered to your Inbox.

Join 3,492 other followers