September 25, 2013
This beauty is by Bryan Riolo, aka Algoroth on DeviantART, who also let me use his giant space Cthulhu for my Collect Call of Cthulhu over on Echo Station 5-7. Update: and here, belatedly, is a link to the piece on DA, with Bryan’s thoughts on it.
I love the sense of scale here, with paralititans striding through the surf, the chiaroscuro, and the sheer amount of stuff going on. It reminds me of William Stout’s murals, and lots of atmospheric classic paintings. Sure, there’s a theropod getting his guts rearranged, which I’m always up for, but that’s literally just a sidelight (or sidedark?) in this epic image. In short, I’m diggin’ the art in this paleoart.
For more sauropods stomping theropods, see:
- Genesis of an instant paleo-art classic
- Sauropods stomping theropods: a much neglected theme in palaeo-art
- Sauropods stomping theropods redux
- Brian Engh: Stomp time!
And if your definition of ‘stomping’ encompasses pooping on, vomiting at, and blowing away with sheer awesomeness, you may also enjoy:
September 17, 2013
I liked it, but I thought it could use some color, so I hacked a crude version in GIMP and sent it to Mark with a, “Hey, please put this on a t-shirt so I can throw money at you” plea. Lo and behold, he did just that.
You can get your own from Mark’s Zazzle store. And apparently he will have more sauropod-themed merch coming soon.
September 16, 2013
Because “here’s that Brian Engh sketch of a sauropod literally stomping the guts out of a theropod you ordered” was a bit ungainly for a post title.
Here we have Futalognkosaurus sporting some speculative soft tissues, smooshing some very non-speculative soft tissues out of SeriouslywhogivesacrapwhatitisImjustgladitsdyingvenator. If you just look at the theropod’s face and not the…other stuff, you can imagine that maybe it is laughing. “Oh, ha-ha, you found my tickle spot! Hahaha, stop it! HAHAHA TOO MUCH AAIIIIEEEE–” Schploorrchtbp!!
Futalognkosaurus is clearly saying, “…and I thought they smelled bad on the outside.”
Brian drew this just because we’ve been living up to our mandate lately and posting pictures of sauropod vertebrae. So clearly we gotta do more of that.
For more posts with Brian’s art, go here.
April 8, 2013
Last night London and I spent the night in the Natural History Museum of Los Angeles County (LACM), as part of the Camp Dino overnight adventure. So we got lots of time to roam the exhibit halls when they were–very atypically–almost empty. Above are the museum’s mounted Triceratops–or one of them, anyway–and mounted cast of the Mamenchisaurus hochuanensis holotype, presented in glorious not-stygian-darkness (if you went through the old dino hall, pre-renovation, you know what I mean).
We got there early and had time to roam around the museum grounds in Exposition Park. The darned-near-life-size bronze dinos out front are a minor LA landmark.
The rose garden was already closed, but we walked by anyway, and caught this rainbow in the big fountain.
After we checked in we had a little time to roam the museum on our own. I’ve been meaning to blog about how much I love the renovated dinosaur halls. The bases are cleverly designed to prohibit people touching the skeletons without putting railings or more than minimal glass in the way, and you can walk all the way around the mounted skeletons and look down on them from the mezzanine–none of that People’s Gloriously Efficient Cattle Chute of Compulsory Dinosaur Appreciation business. Signage is discreet and informative, and so are the handful of interactive gizmos. London and I spent a few minutes using a big touch-screen with a slider that controlled continental drift from the Triassic to the present–a nice example of using technology to add value to an exhibit without taking away from the real stuff that’s on display. There are even a few places to sit and just take it all in. That’s pretty much everything I want in a dinosaur hall.
Also, check out the jumbotron on the left in the above photo. It was running a (blessedly) narration-free video on how fossils are found, collected, prepared, mounted, and studied, on about a five-minute loop. Lots of pretty pictures. Including this next one.
There are a couple of levels of perspective distortion going on here, both in the original photo and in my photo of that photo projected on the jumbotron.
Still, I feel confident positing that that is one goldurned big ilium. I’m not going to claim it’s the biggest bone I’ve ever seen–that rarely ends well–but sheesh, it’s gotta be pretty freakin’ big. And apparently a brachiosaurid, or close to it. Never mind, it’s almost certainly an upside-down Triceratops skull. Thanks to Adam Yates for the catch. I will now diminish, and go into the West.
Triceratops, Styracosaurus, and Einiosaurus–collect the whole set!
Of course, the centerpiece of the second dinosaur hall–and how great is it that there are two!?–is the T. rex trio: baby, juvenile (out of frame to the right), and subadult. Yes, subadult: the “big” one is not as big as the really big rexes, and from the second floor you can see unfused neural arches in some of the caudal vertebrae (many thanks to Ashley Fragomeni for pointing those out to me on a previous visit).
Awwwww! C’mere, little fella!
Still, this ain’t Vulgar Overstudied Theropod Picture of the Week. Here are some sweet pneumatic diplodocid caudals in the big wall o’ fossils (visible behind Mamenchisaurus in the overhead photo above). The greenish color is legit–in the Dino Lab on the second floor, they’re prepping a bunch of sauropod elements that look like they were carved out of jade.
Sudden violent topic shift, the reason for which will be become clear shortly: London and I have been sculpting weapons of mass predation in our spare time. In some of the photos you may be able to see his necklace, which has a shark tooth he sculpted himself. Here are a couple of allosaur claws I made–more on those another time.
The point is, enthusiasm for DIY fossils is running very high at Casa Wedel, so London’s favorite activity of the evening was molding and casting. Everyone got to make a press mold using a small theropod tooth, a trilobite, or a Velociraptor claw. Most of the kids I overheard opted for the tooth, but London went straight for the claw.
Ready for plaster! Everyone got to pick up their cast at breakfast this morning, with instructions to let them cure until this evening. All went well, so I’ll spare you a photo of this same shape in reverse.
We were split into three tribes of maybe 30-40 people each, and each tribe bedded down in a different hall. The T. rex and Raptor tribes got the North American wildlife halls, but our Triceratops tribe got the African wildlife hall, which as a place to sleep is about 900 times cooler. Someone had already claimed the lions when we got there, so London picked hyenas as our totem animals.
Lights out was at 10:30 PM, and the lights came back on at 7:00 this morning. Breakfast was out from 7:15 to 8:00, and then we had the museum to ourselves until the public came in at 9:30. So I got a lot of uncluttered photos of stuff I don’t usually get to photograph, like this ammonite. Everyone should have one of these.
London’s favorite dino in the museum is Carnotaurus. It’s sufficiently weird that I can respect that choice.
Not that there’s anything wrong with the old standards, especially when they’re presented as cleanly and innovatively as they are here.
Finally, the LACM has a no tripod policy, and if they see you trying to carry one in they will make you take it back to your car. At least during normal business hours. But no one searched my backpack when we went in last night, and I put that sucker to some good use. Including getting my first non-bigfoot picture of the cast Argentinosaurus dorsal. It was a little deja-vu-ey after just spending so much time with the giant Oklahoma Apatosaurus–elements of the two animals really are very comparable in size.
If you’re in the LA area and interested in spending a night at the museum–or at the tar pits!–check out the “Overnight Adventures” page on the museum’s website. Cost is $50 per person for members or $55 for non-members, and worth every penny IMHO. It’s one of those things I wish we’d done years ago.
March 28, 2013
March 21, 2013
As evidence, here is as gallery of titanosaur cervicals featured previously on SV-POW!.
1. From Whassup with your segmented lamina, Uberabatitan ribeiroi?, an anterior cervical of that very animal, from Salgado and Carvalho (2008: fig. 5). As well as the titular segmented lamina, note the ridiculous ventral positioning of the cervical rib. It’s like it’s trying to be Apatosaurus, but it just doesn’t have the chops.
2. From Mystery of the missing Malawisaurus vertebra, this alleged vertebra of that taxon from Jacobs et al. (1993:fig. 1), which completely fails to resemble all the other cervicals subsequently described from Malawisaurus (see the earlier post for details). Note the crazy sail-like neural spine and super-fat parapophyseal stump.
3. From Futalognkosaurus was one big-ass sauropod, this completely insane posterior cervical vertebra of Futalognkosaurus in right anterolateral view, with Juan Porfiri (175 cm) for scale. It’s super-tall — much taller than it is wide, and seemingly taller than it is long.
4. From Ch-ch-ch-changes, cervical 11 of Rapetosaurus, from Curry Rogers (2009:fig. 5). Notice how tiny the centrum is compared with the tall superstructure, and how the neural spine has such a distinct peak. Weird.
5. From Talking about sauropods on The Twenty-First Floor, cervical 9 of the same Rapetosaurus individual, from Curry Rogers (2009:fig. 9). The neural spine is a completely different shape from that of C11, but that is presumably mostly due to damage. One of the interesting things here is the apparent lack of pneumatic foramina in the centrum. They’re there somewhere: Curry Rogers (2009:1054) writes “In cervical vertebrae 9, 11, and 12, the centrum bears an elongate shallow pneumatic fossa with two anterior pneumatic foramina surrounded by sharp, lip-like boundaries.” But they are hard to make out!
The meta-oddity here is that the cervicals of the four titanosaur genera pictures here are all so different from each other. What does this mean?
Probably only that Titanosauria is a huge, disparate, long-lived clade that encompasses far more morphological variation than (say) Diplodocidae. It’s a truism that we don’t, even now, really have a handle on titanosaur phylogeny — every new study that comes out seems to recover a dramatically different topology — so our perception of the clade is really as a big undifferentiated blob. In contrast, the division of Diplodocoidea into Rebbachisaurids, Dicraeosaurids and Diplodocids (plus some odds and ends) is nicely established and easy to think about.
So. Lots of work to be done on titanosaurs.
- Curry Rogers, K. 2009. The postcranial osteology of Rapetosaurus krausei (Sauropoda: Titanosauria) from the Late Cretaceous of Madagascar. Journal of Vertebrate Paleontology 29(4):1046-1086.
- Jacobs, L.L., Winkler, D.A., and Downs, W.R., and Gomani, E.M. 1993. New material of an Early Cretaceous titanosaurid sauropod dinosaur from Malawi. Palaeontology 36:523-534.
- Salgado, L. & Carvalho, I. S. 2008. Uberabatitan riberoi, a new titanosaur from the Marília Formation (Bauru Group, Upper Cretaceous), Minas Gerais, Brazil. Palaeontology 51:881-901.
March 20, 2013
Next week I’m going to visit the Perot Museum of Nature and Science in Dallas, Texas, to see their big Alamosaurus (these photos were kindly provided by Ron Tykoski of the Perot Museum, with permission to post). See that sweet string of cervical vertebrae in front of the mounted skeleton? A photo of those same vertebrae when they were still in the ground was featured in the post “How big was Alamosaurus?” three and a half years ago. Happily now they are out of the ground, prepped, and on display, and Tony Fiorillo and Ron Tykoski are working on getting them and some other new Alamosaurus material described.
Here’s another view of that mount. You may be wondering, first, how legit is it, and second, how big is it? Happily, I have answers for you. In email messages with permission to cite, Ron Tykoski wrote,
The Alamosaurus skeletal mount by RCI in the photos is based upon scaling the Smithsonian and UT Austin material to match the size of our cervicals here in Dallas. There were enough overlapping parts between the pieces at the three institutions to get the proportions pretty nicely supported.
I ran across your SV-POW thread on ‘How big was Alamosaurus?’ back when you first posted it in ‘09. You ought to be pleased to know that you came remarkably close to the eventual size of the skeleton we wound up with. The full skeleton RCI generated (again, based off scaling to the Dallas verts) is 84ft long, about 16ft at the shoulder (I dropped a tape measure from the 1st dorsal neural spine to the floor during skeleton construction and got 480cm-490cm), and a neck + head of about 25ft. The overall length and neck length were provided by RCI after fabrication and assembly. That shoulder height is a bit suspect though based on the positioning of the pectoral girdle in the mount, relative to the ribcage and vert column. I think the head currently is posed about 25ft or so off the floor, but I can’t verify that (I didn’t get into the scissor-lift to check that at the time). This skeleton actually played a role in determining the size of the hall in which it is installed. We decided early in the planning phase for the building that this skeleton would be the centerpiece for the hall. As a result, the ceilings for this floor had to be made extra-high, and the mid-room support pillars designed out to accommodate the skeleton and still clear all the HVAC, sprinkler heads, and other necessities.
That’s all pretty fantastic–both that we have enough of Alamosaurus to do a pretty rigorous full skeletal mount, and that the beast was legitimately pretty darned big. Ron goes on:
One correction to the story on SV-POW, the Dallas cervical series consists of only 9 verts, not 10. There may have been frags or something that made folks think there was a 10th at the anterior end of the series when first found, but I’ve never seen evidence of it in our collection. This may be supported by the fact that the verts were given letter designations in the field (that we still use), and are identified as verts B through J, from anterior to posterior.
I later learned from Tony Fiorillo that the vertebrae were labelled B through J in the field in case anything anterior to B turned up, but nothing did, so the ‘A’ placeholder went unused. That reminds me of the search in the mid-1800s for the hypothetical planet Vulcan (not the one you’re thinking of) between Mercury and the Sun, which I bring up for no reasons other than that hypothetical planets are cool, and if you’re exploring, it’s worth keeping an open mind about what might yet turn up.
There’s more to say about the size of Alamosaurus–we haven’t even covered the big material described by Fowler and Sullivan (2011) yet–but I’m not going to say a whole lot right now, since I’m going to see the Big Bend material in Dallas in just a few days. Watch this space.
This post is just an excuse for me to show off Brian Engh’s entry for the All Yesterdays contest (book here, contest–now closed–here). The title is a reference to this post, by virtue of which I fancy myself at least a spear-carrier in what I will grandly refer to as the All Yesterdays Movement.
Oddly enough, I don’t have a ton to say about this; I think Brian has already explained the thinking behind the piece sufficiently on his own blog. In the brave new world of integumentarily enhanced ornithodirans, these diamantinasaurs are certainly interesting but not particularly outlandish (Brian’s already done outlandish). And it’s pretty darned hard to argue that sauropods never went into caves, although I can’t off the top of my head think of any previous spelunking sauropods (I’m not counting Baylene in Disney’s Dinosaur; feel free to refresh my memory of others in the comments). The glowworms are not proven, but biogeographically and stratigraphically plausible, which is probably as good as we’re going to get given the fossilization potential of bioluminescence.
I’m much more excited about this as a piece of art. I got to see a lot of the in-progress sketches and they were wonderful, with some very tight, detailed pencil-work. The danger in investing that kind of effort is that then you’re tempted to show it off, and if I had any worry about the finished piece, it was that it would be over-lit to show off all the details. But it isn’t. I can tell you from seeing the pencil sketches that the detail went all the way down, but Brian was brave enough to let some of that go, especially on the animals’ legs, to get the lighting effect right. My favorite touches are the reflections in the water, and the fallen pillar in the foreground–toppled by a previous visitor, perhaps–with new mineral deposits already forming on it.
All in all, it takes me back to the best paleoart from my childhood, which made me think, “Wow, these were not monsters or aliens, they were real animals, as real, and as mundane in their own worlds, as deer and coyotes and jackrabbits.” * **
And that’s pretty cool. What do you think?
* Okay, maybe not in those exact words. I am translating a feeling I had when I was nine through 28 years of subsequent experience and vocabulary expansion.
** My major discovery in the last two decades is that deer and coyotes and jackrabbits are just as exotic as dinosaurs, if only you learn to really see them. And before Mike jumps me for saying that, I said ‘just as exotic’, not ‘just as awesome‘.
UPDATE the next day
That’s game, set, and match on the glowworm issue.
February 24, 2013
I was cruising the monographs the other night, looking for new ideas, when the humerus of Opisthocoelicaudia stopped me dead in my tracks. I think you’ll agree it is an arresting sight:
I’d seen it before, but somehow I had never grokked its grotesque fatness. I mean, damn, Opisthocoelicaudia, you really let yourself go. Especially compared to the slenderness and grace of this juvenile Alamosaurus humerus:
Now, I realize that part of the slenderness of this Alamosaurus humerus might be because it’s a juvenile–other alamosaur humeri are a bit more robust–but it’s still a striking contrast. I couldn’t help but superimpose them, scaled to the same midshaft width:
I flipped the Alamosaurus humerus left-to-right to match that astonishing lump of Opisthocoelicaudia. The result reminds me of one of Abrell and Thompson’s Actual Facts:
If you put Woodrow Wilson inside William Howard Taft, he would have stuck out by a good 18 inches.
None of that probably signifies anything more than that I am easily amused. And also, Opisthocoelicaudia is Just Plain Wrong. You hear me, Opisthocoelicaudia? Don’t make me make you cry mayonnaise!
- Borsuk-Bialynicka, M. 1977. A new camarasaurid sauropod Opisthocoelicaudia skarzynskii, gen. n., sp. n. from the Upper Cretaceous of Mongolia. Palaeontologia Polonica 37: 5-64.
- Lehman, Thomas M. and Alan B. Coulson. 2002. A juvenile specimen of the sauropod dinosaur Alamosaurus sanjuanensis from the Upper Cretaceous of Big Bend National Park, Texas. Journal of Paleontology 76(1): 156-172.
January 31, 2013
You may remember this:
…which I used to make this:
…and then this:
The middle image is just the skeleton from the top photo cut out from the background and dropped to black using ‘Levels’ in GIMP, with the chevrons scooted up to close the gap imposed by the mounting bar.
The bottom image is the same thing tweaked a bit to repose the skeleton and get rid of some perspective distortion on the limbs. The limb posture is an attempt to reproduce an elephant step cycle from Muybridge.
That neck is wacky. Maybe not as wrong as Omeisaurus, but pretty darned wrong. As I mentioned in the previous Rapetosaurus skeleton post, the cervicals are taller than the dorsals, which is opposite the condition in every other sauropod I’ve seen. All in all, I find the reposed Rapetosaurus disturbingly horse-like. And oddly slender through the torso, dorsoventrally at least. The dorsal ribs look short in these lateral views because they’re mounted at a very odd, laterally-projecting angle that I think is probably not correct. But the ventral body profile still had to meet the distal ends of the pubes and ischia, which really can’t go anywhere without disarticulating the ilia from the sacrum (and cranking the pubes down would only force the distal ends of the ilia up, even closer to the tail–the animal still had to run its digestive and urogenital pipes through there!). So the torso was deeper than these ribs suggest, but it was still not super-deep. Contrast this with Opisthocoelicaudia, where the pubes stick down past the knees–now that was a tubby sauropod. Then again, Alamosaurus has been reconstructed with a similarly compact torso compared to its limbs–see the sketched-in ventral body profile in the skeletal recon from Lehman and Coulson (2002: figure 11).
I intend to post more photos of the mount, including some close-ups and some from different angles, and talk more about how the animal was shaped in life. And hopefully soon, because history has shown that if I don’t strike while the iron is hot, it might be a while before I get back to it. For example, I originally intended this post to follow the last Rapetosaurus skeleton post by about a week. So much for that!
Like everything else we post, these images are CC BY, so feel free to take them and use them. If you use them for the basis of anything cool, like a muscle reconstruction or life restoration, let us know and we’ll probably blog it.