September 25, 2013
This beauty is by Bryan Riolo, aka Algoroth on DeviantART, who also let me use his giant space Cthulhu for my Collect Call of Cthulhu over on Echo Station 5-7. Update: and here, belatedly, is a link to the piece on DA, with Bryan’s thoughts on it.
I love the sense of scale here, with paralititans striding through the surf, the chiaroscuro, and the sheer amount of stuff going on. It reminds me of William Stout’s murals, and lots of atmospheric classic paintings. Sure, there’s a theropod getting his guts rearranged, which I’m always up for, but that’s literally just a sidelight (or sidedark?) in this epic image. In short, I’m diggin’ the art in this paleoart.
For more sauropods stomping theropods, see:
- Genesis of an instant paleo-art classic
- Sauropods stomping theropods: a much neglected theme in palaeo-art
- Sauropods stomping theropods redux
- Brian Engh: Stomp time!
And if your definition of ‘stomping’ encompasses pooping on, vomiting at, and blowing away with sheer awesomeness, you may also enjoy:
September 17, 2013
I liked it, but I thought it could use some color, so I hacked a crude version in GIMP and sent it to Mark with a, “Hey, please put this on a t-shirt so I can throw money at you” plea. Lo and behold, he did just that.
You can get your own from Mark’s Zazzle store. And apparently he will have more sauropod-themed merch coming soon.
September 16, 2013
Because “here’s that Brian Engh sketch of a sauropod literally stomping the guts out of a theropod you ordered” was a bit ungainly for a post title.
Here we have Futalognkosaurus sporting some speculative soft tissues, smooshing some very non-speculative soft tissues out of SeriouslywhogivesacrapwhatitisImjustgladitsdyingvenator. If you just look at the theropod’s face and not the…other stuff, you can imagine that maybe it is laughing. “Oh, ha-ha, you found my tickle spot! Hahaha, stop it! HAHAHA TOO MUCH AAIIIIEEEE–” Schploorrchtbp!!
Futalognkosaurus is clearly saying, “…and I thought they smelled bad on the outside.”
Brian drew this just because we’ve been living up to our mandate lately and posting pictures of sauropod vertebrae. So clearly we gotta do more of that.
For more posts with Brian’s art, go here.
April 8, 2013
Last night London and I spent the night in the Natural History Museum of Los Angeles County (LACM), as part of the Camp Dino overnight adventure. So we got lots of time to roam the exhibit halls when they were–very atypically–almost empty. Above are the museum’s mounted Triceratops–or one of them, anyway–and mounted cast of the Mamenchisaurus hochuanensis holotype, presented in glorious not-stygian-darkness (if you went through the old dino hall, pre-renovation, you know what I mean).
We got there early and had time to roam around the museum grounds in Exposition Park. The darned-near-life-size bronze dinos out front are a minor LA landmark.
The rose garden was already closed, but we walked by anyway, and caught this rainbow in the big fountain.
After we checked in we had a little time to roam the museum on our own. I’ve been meaning to blog about how much I love the renovated dinosaur halls. The bases are cleverly designed to prohibit people touching the skeletons without putting railings or more than minimal glass in the way, and you can walk all the way around the mounted skeletons and look down on them from the mezzanine–none of that People’s Gloriously Efficient Cattle Chute of Compulsory Dinosaur Appreciation business. Signage is discreet and informative, and so are the handful of interactive gizmos. London and I spent a few minutes using a big touch-screen with a slider that controlled continental drift from the Triassic to the present–a nice example of using technology to add value to an exhibit without taking away from the real stuff that’s on display. There are even a few places to sit and just take it all in. That’s pretty much everything I want in a dinosaur hall.
Also, check out the jumbotron on the left in the above photo. It was running a (blessedly) narration-free video on how fossils are found, collected, prepared, mounted, and studied, on about a five-minute loop. Lots of pretty pictures. Including this next one.
There are a couple of levels of perspective distortion going on here, both in the original photo and in my photo of that photo projected on the jumbotron.
Still, I feel confident positing that that is one goldurned big ilium. I’m not going to claim it’s the biggest bone I’ve ever seen–that rarely ends well–but sheesh, it’s gotta be pretty freakin’ big. And apparently a brachiosaurid, or close to it. Never mind, it’s almost certainly an upside-down Triceratops skull. Thanks to Adam Yates for the catch. I will now diminish, and go into the West.
Triceratops, Styracosaurus, and Einiosaurus–collect the whole set!
Of course, the centerpiece of the second dinosaur hall–and how great is it that there are two!?–is the T. rex trio: baby, juvenile (out of frame to the right), and subadult. Yes, subadult: the “big” one is not as big as the really big rexes, and from the second floor you can see unfused neural arches in some of the caudal vertebrae (many thanks to Ashley Fragomeni for pointing those out to me on a previous visit).
Awwwww! C’mere, little fella!
Still, this ain’t Vulgar Overstudied Theropod Picture of the Week. Here are some sweet pneumatic diplodocid caudals in the big wall o’ fossils (visible behind Mamenchisaurus in the overhead photo above). The greenish color is legit–in the Dino Lab on the second floor, they’re prepping a bunch of sauropod elements that look like they were carved out of jade.
Sudden violent topic shift, the reason for which will be become clear shortly: London and I have been sculpting weapons of mass predation in our spare time. In some of the photos you may be able to see his necklace, which has a shark tooth he sculpted himself. Here are a couple of allosaur claws I made–more on those another time.
The point is, enthusiasm for DIY fossils is running very high at Casa Wedel, so London’s favorite activity of the evening was molding and casting. Everyone got to make a press mold using a small theropod tooth, a trilobite, or a Velociraptor claw. Most of the kids I overheard opted for the tooth, but London went straight for the claw.
Ready for plaster! Everyone got to pick up their cast at breakfast this morning, with instructions to let them cure until this evening. All went well, so I’ll spare you a photo of this same shape in reverse.
We were split into three tribes of maybe 30-40 people each, and each tribe bedded down in a different hall. The T. rex and Raptor tribes got the North American wildlife halls, but our Triceratops tribe got the African wildlife hall, which as a place to sleep is about 900 times cooler. Someone had already claimed the lions when we got there, so London picked hyenas as our totem animals.
Lights out was at 10:30 PM, and the lights came back on at 7:00 this morning. Breakfast was out from 7:15 to 8:00, and then we had the museum to ourselves until the public came in at 9:30. So I got a lot of uncluttered photos of stuff I don’t usually get to photograph, like this ammonite. Everyone should have one of these.
London’s favorite dino in the museum is Carnotaurus. It’s sufficiently weird that I can respect that choice.
Not that there’s anything wrong with the old standards, especially when they’re presented as cleanly and innovatively as they are here.
Finally, the LACM has a no tripod policy, and if they see you trying to carry one in they will make you take it back to your car. At least during normal business hours. But no one searched my backpack when we went in last night, and I put that sucker to some good use. Including getting my first non-bigfoot picture of the cast Argentinosaurus dorsal. It was a little deja-vu-ey after just spending so much time with the giant Oklahoma Apatosaurus–elements of the two animals really are very comparable in size.
If you’re in the LA area and interested in spending a night at the museum–or at the tar pits!–check out the “Overnight Adventures” page on the museum’s website. Cost is $50 per person for members or $55 for non-members, and worth every penny IMHO. It’s one of those things I wish we’d done years ago.
March 28, 2013
March 21, 2013
As evidence, here is as gallery of titanosaur cervicals featured previously on SV-POW!.
1. From Whassup with your segmented lamina, Uberabatitan ribeiroi?, an anterior cervical of that very animal, from Salgado and Carvalho (2008: fig. 5). As well as the titular segmented lamina, note the ridiculous ventral positioning of the cervical rib. It’s like it’s trying to be Apatosaurus, but it just doesn’t have the chops.
2. From Mystery of the missing Malawisaurus vertebra, this alleged vertebra of that taxon from Jacobs et al. (1993:fig. 1), which completely fails to resemble all the other cervicals subsequently described from Malawisaurus (see the earlier post for details). Note the crazy sail-like neural spine and super-fat parapophyseal stump.
3. From Futalognkosaurus was one big-ass sauropod, this completely insane posterior cervical vertebra of Futalognkosaurus in right anterolateral view, with Juan Porfiri (175 cm) for scale. It’s super-tall — much taller than it is wide, and seemingly taller than it is long.
4. From Ch-ch-ch-changes, cervical 11 of Rapetosaurus, from Curry Rogers (2009:fig. 5). Notice how tiny the centrum is compared with the tall superstructure, and how the neural spine has such a distinct peak. Weird.
5. From Talking about sauropods on The Twenty-First Floor, cervical 9 of the same Rapetosaurus individual, from Curry Rogers (2009:fig. 9). The neural spine is a completely different shape from that of C11, but that is presumably mostly due to damage. One of the interesting things here is the apparent lack of pneumatic foramina in the centrum. They’re there somewhere: Curry Rogers (2009:1054) writes “In cervical vertebrae 9, 11, and 12, the centrum bears an elongate shallow pneumatic fossa with two anterior pneumatic foramina surrounded by sharp, lip-like boundaries.” But they are hard to make out!
The meta-oddity here is that the cervicals of the four titanosaur genera pictures here are all so different from each other. What does this mean?
Probably only that Titanosauria is a huge, disparate, long-lived clade that encompasses far more morphological variation than (say) Diplodocidae. It’s a truism that we don’t, even now, really have a handle on titanosaur phylogeny — every new study that comes out seems to recover a dramatically different topology — so our perception of the clade is really as a big undifferentiated blob. In contrast, the division of Diplodocoidea into Rebbachisaurids, Dicraeosaurids and Diplodocids (plus some odds and ends) is nicely established and easy to think about.
So. Lots of work to be done on titanosaurs.
- Curry Rogers, K. 2009. The postcranial osteology of Rapetosaurus krausei (Sauropoda: Titanosauria) from the Late Cretaceous of Madagascar. Journal of Vertebrate Paleontology 29(4):1046-1086.
- Jacobs, L.L., Winkler, D.A., and Downs, W.R., and Gomani, E.M. 1993. New material of an Early Cretaceous titanosaurid sauropod dinosaur from Malawi. Palaeontology 36:523-534.
- Salgado, L. & Carvalho, I. S. 2008. Uberabatitan riberoi, a new titanosaur from the Marília Formation (Bauru Group, Upper Cretaceous), Minas Gerais, Brazil. Palaeontology 51:881-901.
March 20, 2013
Next week I’m going to visit the Perot Museum of Nature and Science in Dallas, Texas, to see their big Alamosaurus (these photos were kindly provided by Ron Tykoski of the Perot Museum, with permission to post). See that sweet string of cervical vertebrae in front of the mounted skeleton? A photo of those same vertebrae when they were still in the ground was featured in the post “How big was Alamosaurus?” three and a half years ago. Happily now they are out of the ground, prepped, and on display, and Tony Fiorillo and Ron Tykoski are working on getting them and some other new Alamosaurus material described.
Here’s another view of that mount. You may be wondering, first, how legit is it, and second, how big is it? Happily, I have answers for you. In email messages with permission to cite, Ron Tykoski wrote,
The Alamosaurus skeletal mount by RCI in the photos is based upon scaling the Smithsonian and UT Austin material to match the size of our cervicals here in Dallas. There were enough overlapping parts between the pieces at the three institutions to get the proportions pretty nicely supported.
I ran across your SV-POW thread on ‘How big was Alamosaurus?’ back when you first posted it in ‘09. You ought to be pleased to know that you came remarkably close to the eventual size of the skeleton we wound up with. The full skeleton RCI generated (again, based off scaling to the Dallas verts) is 84ft long, about 16ft at the shoulder (I dropped a tape measure from the 1st dorsal neural spine to the floor during skeleton construction and got 480cm-490cm), and a neck + head of about 25ft. The overall length and neck length were provided by RCI after fabrication and assembly. That shoulder height is a bit suspect though based on the positioning of the pectoral girdle in the mount, relative to the ribcage and vert column. I think the head currently is posed about 25ft or so off the floor, but I can’t verify that (I didn’t get into the scissor-lift to check that at the time). This skeleton actually played a role in determining the size of the hall in which it is installed. We decided early in the planning phase for the building that this skeleton would be the centerpiece for the hall. As a result, the ceilings for this floor had to be made extra-high, and the mid-room support pillars designed out to accommodate the skeleton and still clear all the HVAC, sprinkler heads, and other necessities.
That’s all pretty fantastic–both that we have enough of Alamosaurus to do a pretty rigorous full skeletal mount, and that the beast was legitimately pretty darned big. Ron goes on:
One correction to the story on SV-POW, the Dallas cervical series consists of only 9 verts, not 10. There may have been frags or something that made folks think there was a 10th at the anterior end of the series when first found, but I’ve never seen evidence of it in our collection. This may be supported by the fact that the verts were given letter designations in the field (that we still use), and are identified as verts B through J, from anterior to posterior.
I later learned from Tony Fiorillo that the vertebrae were labelled B through J in the field in case anything anterior to B turned up, but nothing did, so the ‘A’ placeholder went unused. That reminds me of the search in the mid-1800s for the hypothetical planet Vulcan (not the one you’re thinking of) between Mercury and the Sun, which I bring up for no reasons other than that hypothetical planets are cool, and if you’re exploring, it’s worth keeping an open mind about what might yet turn up.
There’s more to say about the size of Alamosaurus–we haven’t even covered the big material described by Fowler and Sullivan (2011) yet–but I’m not going to say a whole lot right now, since I’m going to see the Big Bend material in Dallas in just a few days. Watch this space.