Sideshow Collectibles Apatosaurus maquette, Part 7: verdict
December 2, 2011
- Part 1: intro
- Part 2: the head
- Part 3: the neck
- Part 4: body, tail, limbs, base, and skull
- Part 5: posture
- Part 6: texture and color
First, the objective verdict.
The head has the right shape, shows some underlying structure without being shrink-wrapped, has plenty of soft tissue without being a meat bullet, and is nicely detailed. The same comments apply for the rest of the sculpt, except as noted below. There are lots of nice little touches that show careful attention to the evidence we have for the life appearance of sauropods, as detailed in the previous posts. The base is cool.
The problems are few, and most will escape the attention of all but the most hardcore dino anatomy fiends (OTOH, the most hardcore dino anatomy fiends are probably a big chunk of the target market). The lips or marginal scales covering the teeth are not supported by our current understanding of the available evidence. The number of visible bumps for vertebrae does not add up to the correct presacral count for Apatosaurus–it’s off by probably 2, out of a presacral count of 25. The anterior margin of the thigh does not blend with the ilium as it should. The flipped-back forefoot bothers some paleobiologists but not all. The pose is otherwise fairly orthodox–which might be pro or a con, depending on your point of view. The skull accessory is not as detailed as the maquette and suffers from the comparison, but it’s still decent and a good value for the small additional outlay.
I’ve seen a lot of dinosaur sculptures advertised as ‘museum quality’. This one actually is. In fact–and I am being completely honest here, as I have been throughout–I doubt if I’ve ever seen a scale model of a dinosaur in a museum that could compare to this. My compliments to the artists, sculptor Jorge Blanco and painter Steve Riojas, for an amazing job.
I remember when I first saw Jurassic Park thinking, “Okay, that whole pesky restoring T. rex problem is licked. This is what they looked like.” Eighteen years later–can it really be that long?–I still feel that way. Sure, it’s cool to dress up a rex in wattles and feathers and what have you, maybe tack on a fatter tail, but any such bodywork had better start from the chassis of a JP-style rex. Because the JP rex is built on the real bones, especially the skull. I am familiar with those bones and those skulls, from a lifetime of dino-geekery in general, and six years in the Valley Life Sciences Building at Berkeley in particular. So the JP rexes look like T. rex to me, and all other rexes just look less…real.
In the same way that Jurassic Park fixed my idea of what T. rex looked like, this sculpture crystalizes Apatosaurus for me. As far as I’m concerned, and aside from the relatively minor and unintrusive problems listed above, this is what Apatosaurus looked like, and this maquette is the Apatosaurus representation by which all others should be judged.
Have you ever wished you could give yourself a limited memory wipe and see your favorite movie again for the first time? Or read your favorite book? We value that frisson of surprise so much that we have a word for anything that preempts it: spoiler. It would be nice to be able to revisit some of our favorite things again for the first time, unspoiled.
I have been working on sauropods for a decade and a half. I am still blown away when I stand in front of a big mounted skeleton and think about what such an animal must have been like in life. I cannot help but visualize the organs that filled those immense torsos, and the muscles, vessels, and nerves that moved, plumbed, and wired their bodies. That has not ceased to be a moving experience. But I thought was beyond being surprised by the gross form of sauropods, by their bauplan. I am surrounded by sauropod representations, both 2D and 3D, including those made by others and a few that I have generated myself. How could I possibly be surprised anymore?
And yet, when I look at this sculpture, I am forcibly struck by just how friggin’ weird sauropods are. Mostly it’s the long, fat neck and tiny head, which I know are maximally exaggerated in Apatosaurus. But it just looks wrong. Some primitive mammalian circuit in me rebels at the idea that any animal could need such an immense tube of flesh to serve such a ridiculously small head. I think part of it is the faint ribbing created by the cervical ribs; it makes me think of tentacles, leeches, elephant trunks. I have to consciously remind myself that it was the neck–the neck, with vertebrae and muscles and diverticula and the rest–of a real animal, and not something outlandish invented by a sci-fi author, or moviemaker, or other artist.
And then I think, this must be what other people feel like all the time. And probably how I felt when I was four or five and really grokking sauropods for the first time. I didn’t think I’d feel anything like that about sauropods ever again. So it’s hard for me to be objective about this maquette, because it has reconnected me with the great love of my scientific life, in the most delightfully unexpected way.
I love it. I’m keeping it. Go get your own!