Can we distinguish taphonomic distortion and (paleo)pathology from normal biological variation?
February 12, 2021

Taylor 2015: Figure 8. Cervical vertebrae 4 (left) and 6 (right) of Giraffatitan brancai lectotype MB.R.2180 (previously HMN SI), in posterior view. Note the dramatically different aspect ratios of their cotyles, indicating that extensive and unpredictable crushing has taken place. Photographs by author.
Here are cervicals 4 and 8 from MB.R.2180, the big mounted Giraffatitan in Berlin. Even though this is one of the better sauropod necks in the world, the vertebrae have enough taphonomic distortion that trying to determine what neutral, uncrushed shape they started from is not easy.

Wedel and Taylor 2013b: Figure 3. The caudal vertebrae of ostriches are highly pneumatic. This mid-caudal vertebra of an ostrich (Struthio camelus), LACM Bj342, is shown in dorsal view (top), anterior, left lateral, and posterior views (middle, left to right), and ventral view (bottom). The vertebra is approximately 5cm wide across the transverse processes. Note the pneumatic foramina on the dorsal, ventral, and lateral sides of the vertebra.
Here’s one of the free caudal vertebrae of an ostrich, Struthio camelus, LACM Ornithology Bj342. It’s a bit asymmetric–the two halves of the neural spine are aimed in slightly different directions, and one transverse process is angled just slightly differently than the other–but the asymmetry is pretty subtle and the rest of the vertebral column looks normal, so I don’t think this rises to the level of pathology. It looks like the kind of minor variation that is present in all kinds of animals, especially large-bodied ones.
This is a dorsal vertebra of a rhea, Rhea americana, LACM Ornithology 97479, in posteroventral view. Ink pen for scale. I took this photo to document the pneumatic foramina and related bone remodeling on the dorsal roof of the neural canal, but I’m showing it here because in technical terms this vert is horked. It’s not subtly asymmetric, it’s grossly so, with virtually every feature–the postzygapophyses, diapophyses, parapophyses, and even the posterior articular surface of the centrum–showing fairly pronounced differences from left to right.
That rhea dorsal looks pretty bad for dry bone from a recently-dead extant animal, but if it was from the Morrison Formation it would be phenomenal. If I found a sauropod vertebra that looked that good, I’d think, “Hey, this thing’s in pretty good shape! Only a little distorted.” The roughed-up surface of the right transverse process might give me pause, and I’d want to take a close look at those postzygs, but most of this asymmetry is consistent with what I’d expect from taphonomic distortion.
Which brings me to my titular question, which I am asking out of genuine ignorance and not in a rhetorical or leading way: can we tell these things apart? And if so, with what degree of confidence? I know there has been a lot of work on 3D retrodeformation over the past decade and a half at least, but I don’t know whether this specific question has been addressed.
Corollary question: up above I wrote, “It looks like the kind of minor variation that is present in all kinds of animals, especially large-bodied ones”. My anecdotal experience is that the vertebrae of large extant animals tend to be more asymmetric than those of small extant animals, but I don’t know if that’s a real biological phenomenon–bone is bone but big animals have larger forces working on their skeletons, and they typically live longer, giving the skeleton more time to respond to those forces–OR if the asymmetry is the same in large and small animals and it’s just easier to see in the big ones.
If either of those questions has been addressed, I’d be grateful for pointers in the comments, and thanks in advance. If one or both have not been addressed, I think they’re interesting but Mike and I have plenty of other things to be getting on with and we’re not planning to work on either one, hence the “Hey, you! Want a project?” tag.
References
- Taylor, Michael P. 2015. Almost all known sauropod necks are incomplete and distorted. PeerJ Preprints 3:e1767. doi:10.7287/peerj.preprints.1418v1
- Wedel, Mathew J., and Michael P. Taylor. 2013. Caudal pneumaticity and pneumatic hiatuses in the sauropod dinosaurs Giraffatitan and Apatosaurus.PLOS ONE 8(10):e78213. 14 pages. doi:10.1371/journal.pone.0078213 [PDF]
My favorite t-shirt
February 1, 2021
If you’ve been around SV-POW! for long, you’ve seen me in this shirt:

“Retro Brontosaurus Dinosaur T-shirt” by Dinosaur Tees, modeled by Matt Wedel, cast right forelimb of Brachiosaurus for scale.
I found it on Amazon. Well, actually the first one I found was this rather dapper plesiosaur:
One of the things I like best about the recent movies in Legendary Pictures’ MonsterVerse — Godzilla (2014), Kong: Skull Island, Godzilla: King of the Monsters, and the upcoming Godzilla vs Kong — is Monarch, the shadowy organization tasked with finding and studying giant monsters. By the time of King of the Monsters, Monarch is basically SHIELD, with bases scattered around the globe and a giant flying carrier-aircraft, the USS Argo.
I prefer the scrappier, always-on-the-verge-of-being-shut-down Monarch from the 1973-set Kong: Skull Island. And, as you’ve probably guessed by now, I was instantly taken with that plesiosaur t-shirt because in my headcanon it was the official garb of Monarch’s Loch Ness division in the 1970s. I had to go with the sauropod version, though, for obvious reasons — maybe Monarch has a Mokele-mbembe division (not so far out since old M-M shows up as a dot on a map in King of the Monsters).
I have zero stake in Dinosaur Tees, mind. I just dig their retro dinosaur shirts. Find them here.
And as for Monarch — at least in its early incarnation, as a ragtag group of underfunded folks from wildly differing backgrounds that goes to remote places to search for monsters — I flatter myself that I have a not-entirely-different job.
What a dream I had!
January 31, 2021
Oh, hey, so you know how the most tedious thing you can ever hear is someone recounting one of their dreams? I want to tell you about a dream I had last night.
Brian Curtice’s grandfather was in a position of authority to express condemnation of a group of people who had lost the electronic archives of the Daily Telegraph, but declined to do so. So I became part of a woke mob that went to Curtice’s house to express our displeasure to him. I got distracted by an outbuilding when we arrived, went in, and found that it contained the Sonorosaurus type material, which for some reason included two really nice scapulocoracoids. At that point my Index Data colleague Wayne (also part of the woke mob) wandered in and I expressed to him that I was having second thoughts about this whole protest and that my first concern now was protecting the holotype against the more indiscriminate members of the mob. But I kept thinking to myself “Why is this material even here? If anything, it should be in an outbuilding at Kevin Ratkevic’s house.” Then Wayne and I spotted a bunch of computer monitors running software that Curtice had written earlier in his life, and it became apparent that he was the creator of a Commodore 64 adventure game called Pilgrim for which the publishers had ripped off an 8×8 old-English-style character set that I had used in a game I’d published with them.

Ratkevic (1988:figure 4).Lower hind limb including tibia, fibula, and nearly complete left pes of Sonorasaurus thompsoni holotype ASDM 500. Elements found associated but not articulated. Entire assembled length 137 cm. Photo by Jeanne Broome.
So. I never remember dreams in this kind of detail. The fact that I did on this on occasion is strange to me — but then, these are strange times. A quick run-down of what is and isn’t true:
- So far as I know, the Daily Telegraph archives have not been lost.
- Brian Curtice is a sauropod palaeontologist, maybe best known for his work reassessing Jensen’s Dry Mesa sauropods (e.g. Curtice et al. 1996, Curtice and Stadtman 2001); I have no idea if he has a grandfather and whether he has any involvement with archives.
- I do not know where Brian lives, or whether he has any fossils at his house. I highly doubt he has holotypes.
- The holotype of Sonorasaurus does not include any shoulder-girdle material, but it was indeed described by Ratkevich (1988) — but Ron, not Kevin.
- There really was a Commodore 64 adventure game called Pilgrim, published by CRL, and they really did re-use — without my permission — the character set I had defined in The Causes of Chaos, which I had published with them not long before.
- But Pilgrim was by Rod Pike, and I very highly doubt that Brian Curtice, even if he was a C64 programmer in the early-mid 90s, ever published any games with a UK-based software house.
Matt’s response when I told him about this dream:
Just got to the scapulocoracoids and LLOL
“my first concern now was protecting the holotype against the more indiscriminate members of the mob.” LLOL x infinity
Well, I gotta tell you, that was a ride.
Jurassic-Park-style, through your hindbrain.
It had everything!
Woke mobs, holotypes, old school adventure games, intellectual property (at the start and at the end)lost archivesthis is so specific in so many weirdly-specialized areas that whole schools may spring up to interpret it. You might accidentally found a new religion.
All right, folks: interpret for me!
References
- Curtice, Brian D., Kenneth L. Stadtman and Linda J. Curtice. 1996. A reassessment of Ultrasauros macintoshi (Jensen, 1985). The continental Jurassic (M. Morales, ed.): Museum of Northern Arizona Bulletin 60:87–95.
- Curtice, Brian D. and Kenneth L. Stadtman. 2001. The demise of Dystylosaurus edwini and a revision of Supersaurus vivianae. Western Association of Vertebrate Paleontologists and Mesa Southwest Museum and Southwest Paleontologists Symposium, Bulletin 8:33–40.
- Ratkevich, Ron. 1998. New Cretaceous brachiosaurid dinosaur, Sonorasaurus thompsoni gen et sp. nov, from Arizona. Journal of the Arizona-Nevada Academy of Science 31:71–82.
Accidental anaglyphs
October 16, 2020
Everyone knows that the very first thing you should do to improve your specimen photography is to use a tripod: it eliminates hand-shake and gives you much crisper photos. In most respects, my photographs have got much, much better since I’ve been habitually using a tripod.
But it has meant I’ve not been able to benefit from happy accidents like the one that gave me this 3D anaglyph of the Archbishop‘s Cervical S in dorsal view:
(Do you have red-cyan glasses? Yes? Good! You will be able to appreciate all the delicious morphological information in this photo. No? Go and order some right now — they cost literally a dollar.)
The reason I was able to make this very useful image is because back in the old pre-tripod days I would sometimes accidentally move a little bit between taking two more-or-less identical photographs. Here are the two images that I was able to composite into the anaglyph above:
Each of them is pretty uninformative alone: who can tell one nondescript area of brown bone from another? But when combined, they are extraordinarily more informative. If you don’t have 3D glasses then (A) get some! and (B) you can get some idea of how helpful the 3D information is from the crude wigglegram below, which simply switches back and forth between the two images.
And I can’t overstate how enormously helpful I have found these accidentally sourced anaglyphs as I write the descriptive part of the Archbishop manuscript. Even at this level of crudity, they have shown me several important points of morphology that I would certainly have missed if I’d been working only from my orthogonal-view photos, and saved me from more than one misinterpretation.
The moral is twofold:
- When taking specimen photographs, use a tripod — but deliberately get some pairs of shots where the camera is moved to the side by about 7 cm (the distance between the pupils in an average human).
- If you don’t have any red-cyan glasses, get some!
Hey, Mike! Why haven’t you been blogging much lately?
October 14, 2020
Well, one reason is the utterly rancid “block editor” that WordPress has started imposing with increasing insistence on its poor users. If there is one thing that world really doesn’t need, it’s a completely new way of writing text. Seriously, WordPress, that was a solved problem in 1984. As Henry Spencer very nearly said back in the eighties, “thy creativity is better used in solving problems than in creating beautiful new impediments to productivity“.
But enough pointless whining: instead, check out this bad boy:

Taylor (in prep. for 2020: Figure V). NHMUK PV R5937, “The Archbishop”, cervical vertebra V (most anterior preserved cervical vertebra, probably C6), left side still encased in plaster. A. Reconstruction of right lateral view with neural spine, prezygapophysis, diapophysis, condyle, cotyle and cervical rib restored. The prezygapophysis from the succeeding vertebra that has adhered to this element is shown in red. B. Dorsal view with anterior to the right. C. Posterior view. D. Right lateral view. E. Anterior view. F. Ventral view with anterior to the right. Scale bar 20 cm.
Yes, it’s your friend and mine, The Archbishop! It’s a big titanosauriform sauropod excavated by F. W. H. Migeod for the British Museum (Natural History) back in 1930, from the same Tendaguru Formation that yielded the awesome Giraffatitan specimens in the Museum für Naturkunde Berlin.
Yes, I admit I have been working on the Archbishop for more than sixteen years, and that I gave a talk about it at SVPCA 2005, and that I failed utterly to get it done as part of the Paleo Project Challenge 2010, and that as early as 2011 I was in despair about ever finishing it, and that I promised to do it by SVPCA 2016 but didn’t.
But in 2018 I did something significant, which was to actually start writing the paper in public. Now anyone can follow the progress of the project — and it’s progressing. The manuscript currently runs to about fifty printed pages, although that length is inflated by twenty-odd beautiful illustrations — of which the “Cervical V” image above is just one. (Do click through to see it in all its glory.)
So, yeah. That’s the main reason I am not blogging much. Because I am writing the paper. Finally.
You! Shall not! Pass!
August 22, 2020
Long before Matt and others were CT-scanning sauropod vertebrae to understand their internal structure, Werner Janensch was doing it the old-fashioned way. I’ve been going through old photos that I took at the Museum für Naturkunde Berlin back in 2005, and I stumbled across this dorsal centrum:
You can see a transverse crack running across it, and sure enough the front and back are actually broken apart. Here there are:

The same dorsal vertebral centrum of ?Giraffatitan, bisected transversely in two halves. Left: anterior half in posterior view; right: posterior half in anterior view. I had to balance the anterior half on my shoe to keep it oriented corrrectly for the photo.
This does a beautiful job of showing the large lateral foramina penetrating into the body of the centrum and ramifying further into the bone, leaving only a thin midline septum.
But students of the classics will recognise this bone immediately as the one that Janensch (1947:abb. 2) illustrated the posterior half of in his big pneumaticity paper:
It’s a very strange feeling, when browsing in a collection, to come across a vertebra that you know from the literature. As I’ve remarked to Matt, it’s a bit like running into, say, Cameron Diaz in the corner shop.
Reference
- Janensch, W. 1947. Pneumatizitat bei Wirbeln von Sauropoden
und anderen Saurischien. Palaeontographica, supplement
7:1-25.
The Nanoblock Brachiosaurus
May 2, 2020
My eldest son Dan went out to visit his girlfriend Beth, shortly before the Coronavirus crisis began, during her university placement in Toulouse. While they were there, they bought me this gift:
As you can see, it’s a Lego-like self-assembly kit; but as you can also see from the mug in the background, it’s tiny. As best I can make out, the blocks are half the length and width of Lego blocks, and about third the height. The whole model is about seven or eight inches (18-20 cm) from nose to tail.
Here’s a very quick walk-round, so you can appreciate the 3d shape.
I am properly impressed with this. It has the shape of the ribcage right, and the hips and shoulders, and the proportions are right so that it conveys with absolute conviction the quality of brachiosaurosity. It has a very posable neck that can be placed in a realistic life posture, and there are even hints of scapulae and ilia.
I made only one change from the instructions: I reoriented the forefoot so that we have a vertically oriented arcade of metacarpals rather than a plantigrade forefoot.
It was a very picky build. The instructions recommend using Nanoblock tweezers, sold separately, but I just used my big clumsy fingers, so that ribs and legs and things were constantly falling off. The process was rather like what this video shows, but much slower.
If you want one of your own, you can get it from Amazon UK or from Amazon US. I recommend it for serious sauropod lovers, but would be infuriating for children, and requires patience and precision to assemble.
Oh, and kit came with plenty of spare parts, in case you lose some of them: enough that Dan was able to make a juvenile with the leftovers.