For some bizarre reason, I have only today discovered Sauropoda Central — a sauropod blog written by someone who goes only by the name “Davidow”, but whose introductory post reveals that he is occasional SV-POW! commenter Vahe Demirjian.

It’s a solid blog full of meaty, sauropodolicious nourishment. There are 26 posts to catch up on, going back 2013, but the posting rate has recently picked up.

(I find the background image very distracting — for one thing, it makes it look like the blog’s title is Argentinosaurus huinculensis — but we can look past that.)

Today sees the publication of a special issue of Acta Palaeontologica Polonica in honor of my mentor, Rich Cifelli, who took me under his wing when I was in high school and advised me in my undergraduate and Master’s thesis research. Fellow Cifelli lab alums and guest editors Brian Davis and Brooke Haiar and I were fortunate to get a great set of papers from Rich’s friends and colleagues around the globe. The papers reflect the diversity of Rich’s own interests and those of the students he’s mentored, covering everything from trilobites and salamanders to Miocene ungulates and screenwashing techniques, with the lion’s share of the works dealing with Rich’s favorite topic, early mammals. I’m particularly pleased to have a contribution from another of my mentors in the volume: Kevin Padian’s thoughtful paper on the function of tyrannosaur forelimbs. 

A whole cabal of former Cifelli students hatched the idea of the festschrift back in April of 2020, before Rich retired in the fall of that year, and before we knew just how much the pandemic would impact our lives and professional productivity. We originally hoped to have the volume out last summer, but…you’ve been on Earth for the past two years, same as the rest of us, so you know how that went. It’s finally done and out, and we couldn’t be happier.

Rich in the Morrison Formation of eastern Utah, in June of 2017. Photo by Brian Davis, from the preface to the special issue.

As icing on the cake, this morning Brian Davis lured Rich into a Zoom meeting that was ostensibly to talk about research, but actually was a sort of virtual surprise party with Brooke and me. The three of us got to watch in real time as Rich opened the link to the somehow-against-all-odds-still-secret special issue. It might be the first time in 31 years that I’ve seen Rich, with his quicksilver wit and infinite store of puns and quips, actually speechless. (For something less than a minute, I think. But still!)

Many thanks to all who contributed. Thanks also to the editors at APP, who were enthusiastically in support of the festschrift from the moment we proposed it, and who worked hard to bring the special issue to fruition. A big, heartfelt thank you to Brooke Haiar and especially Brian Davis for keeping the project moving forward and taking on more of the work than anticipated when life events kept me out of the game for most of last year. Like everything in APP, this special issue is open access, free to the world, so go read up on all kinds of weird and wonderful things. Here’s the link.

Rich at Stovall’s Quarry 5 at Black Mesa in the Oklahoma Panhandle, in March of 2016. Photo by Matt Wedel.

Finally, to Rich: thank you, for taking on an enthusiastic but untrained high school student all those years ago; for teaching me what it means to be professional, by instruction and by example; for launching my career (including the timely application of boot to backside a few times!); and for continuing to be a sounding board, colleague, coauthor, and above all a friend. I’ve always been proud to be your student, and I always will be.

It is said that, some time around 1590 AD, Galileo Galilei dropped two spheres of different masses from the Leaning Tower of Pisa[1], thereby demonstrating that they fell at the same rate. This was a big deal because it contradicted Aristotle’s theory of gravity, in which objects are supposed to fall at a speed proportional to their mass.

Aristotle lived from 384–322 BC, which means his observably incorrect theory had been scientific orthodoxy for more than 1,900 years before being overturned[2].

How did this happen? For nearly two millennia, every scientist had it in his power to hold a little stone in one hand and a rock in the other, drop them both, and see with his own eyes that they fell at the same speed. Aristotle’s theory was obviously wrong, yet that obviously wrong theory remained orthodox for eighty generations.

My take is that it happened because people — even scientists — have a strong tendency to trust respected predecessors, and not even to look to see whether their observations and theories are correct. I am guessing that in that 1,900 years, plenty of scientists did indeed do the stone-and-rock experiment, but discounted their own observations because they had too much respect for Aristotle.

But even truly great scientists can be wrong.

Now, here is the same story, told on a much much smaller scale.

Well into the 2010s, it was well known that in sauropods, caudal vertebrae past the first handful are pneumatized only in diplodocines and in saltasaurine titanosaurs. As a bright young sauropod researcher, for example, I knew this from the codings in important and respected phylogenetic analysis such as those of Wilson (2002) and Upchurch et al. (2004).

Until the day I visited the Museum für Naturkunde Berlin and actually, you know, looked at the big mounted Giraffatitan skeleton in the atrium. And this is what I saw:

That’s caudal vertebrae 24–26 in left lateral view, and you could not wish to see a nicer, clearer pneumatic feature than the double foramen in caudal 25.

That observation led directly to Matt’s and my 2013 paper on caudal pneumaticity in Giraffatitan and Apatosaurus (Wedel and Taylor 2013) and clued us into how much more common pneumatic hiatuses are then we’d realised. It also birthed the notion of “cryptic diverticula” — those whose traces are not directly recorded in the fossils, but whose presence can be inferred by traces on other vertebrae. And that led to our most recent paper on pneumatic variation in sauropods (Taylor and Wedel 2021) — from which you might recognise the photo above, since a cleaned-up version of it appears there as Figure 5.

The moral

Just because “everyone knows” something is true, it doesn’t necessarily mean that it actually is true. Verify. Use your own eyes. Even Aristotle can be wrong about gravity. Even Jeff Wilson and Paul Upchurch can be wrong about caudal pneumaticity in non-diplodocines. That shouldn’t in any way undermine the rightly excellent reputations they have built. But we sometimes need to look past reputations, however well earned, to see what’s right in front of us.

Go and look at fossils. Does what you see contradict what “everyone knows”? Good! You’ve discovered something!

 

References

Notes

1. There is some skepticism about whether Galileo’s experiment really took place, or was merely a thought experiment. But since the experiment was described by Galileo’s pupil Vincenzo Viviani in a biography written in 1654, I am inclined to trust the contemporary account ahead of the unfounded scepticism of moderns. Also, Viviani’s wording, translated as “Galileo showed this by repeated experiments made from the height of the Leaning Tower of Pisa in the presence of other professors and all the students” reads like a documentary account rather than a romanticization. And a thought experiment, with no observable result, would not have demonstrated anything.

2. Earlier experiments had similarly shown that Aristotle’s gravitational theory was wrong, including in the works of John Philoponus in the sixth century — but Aristotle’s orthodoxy nevertheless survived until Galileo.

 

Figure 3. BIBE 45854, articulated series of nine mid and posterior cervical vertebrae of a large, osteologically mature Alamosaurus sanjuanensis. Series is estimated to represent the sixth to fourteenth cervical vertebrae. A, composite photo-mosaic of the cervical series in right lateral view; identification of each vertebra indicated by C6 to C14, respectively. B, line drawing based on the photo-mosaic in A. C, line drawing in B with labels shown and vertebral fossae indicated by solid grey fill; cross-hatching represents broken bone surfaces and reconstructive material. Abbreviations: C, cervical vertebra; cdf, centrodiapophyseal fossa; clf, centrum lateral fossa; pocdf, postzygapophyseal centrodiapophyseal fossa; prcdf, prezygapophyseal centrodiapophyseal fossa; prcdf1, dorsal prezygapophyseal centrodiapophyseal fossa; prcdf2, ventral prezygapophyseal centrodiapophyseal fossa; sdf, spinodiapophyseal fossa; spof, spinopostzygapophyseal fossa; sprf, spinoprezygapophyseal fossa. (Tykoski and Fiorillo 2016)

Have you been reading Justin Tweet’s series, “Your Friends the Titanosaurs“, at his awesomely-named blog, Equatorial Minnesota? If not, get on it. He’s been running the series since June, 2018, so this notice is only somewhat grotesquely overdue. The latest installment, on Alamosaurus from Texas and Mexico, is phenomenal. I have never seen another summary or review that pulled together so much of the relevant literature and explained it all so well. Seriously, that blog post deserves to be a review paper; it could be submitted pretty much as-is, although it would be even better with his two other Alamosaurus posts integrated (this one, and this one). It’s great work, is what I’m saying, and it needs to be acknowledged.

In particular, I was struck by the note by Anonymous in 1941 on the discovery of a cervical vertebra 1.2 meters long. I’d never heard of that ref, and I’ve never seen that vert, but at 120cm it would be in the top 7 longest cervical vertebrae on the planet (see the latest version of the list in this post), narrowly beating out the 118-cm cervical of Puertasaurus. In fairness, the preserved cervical of Puertasaurus is probably a posterior one, and more anterior cervicals might have been longer. Then again, in the big Alamosaurus neck the longest verts are pretty darned posterior, so…we need more Puertasaurus.

EDIT a few hours later: Thanks to the kind offices of Justin Tweet, I’ve now seen Anonymous (1941), and the exact wording is, “A single vertebra, or neck joint bone, is three feet across, only two inches less than four feet long, and in its present fossilized state weighs 600 pounds.” ‘Two inches less than four feet long’ is 46 inches or a hair under 117cm, which puts the supposed giant cervical just behind Puertasaurus after all, but still firmly in the top 10. And depending on how one interprets the passage in Anonymous (1941), it might not have been any bigger than BIBE 45854–see this comment for details.

Big cervical showdown. From the top left: BYU 9024, originally referred to Supersaurus but more likely representing a giant Barosaurus (137cm); the single available cervical of Puertasaurus (118cm); a world-record giraffe neck (2.4m); Alamosaurus referred cervical series BIBE 45854, longest centra are ~81cm; Sauroposeidon holotype OMNH 53062, longest centrum is 125cm. This image makes it very clear that whatever Sauroposeidon was doing, it was a way different thing from Alamosaurus.

Crucially, the longest vertebrae in the BIBE 45854 series are about 80 or 81 cm long, which means that a 1.2-meter cervical would be half again as large. That is a pretty staggering thought, and that individual of Alamosaurus–assuming it was the same taxon as BIBE 45854, and not some other, longer-necked critter–would definitely be a contender for the largest sauropod of all time.

Illustrations here are of the big Alamosaurus cervical series from Big Bend, which was comprehensively described by Ron Tykoski and Tony Fiorillo in 2016, and which we have covered in these previous posts:

References

  • Anonymous. 1941. Find dinosaur neck bone nearly four feet long. The Science News-Letter 39(1):6–7.
  • Tykoski, R.S. and Fiorillo, A.R. 2016. An articulated cervical series of Alamosaurus sanjuanensis Gilmore, 1922 (Dinosauria, Sauropoda) from Texas: new perspective on the relationships of North America’s last giant sauropod. Journal of Systematic Palaeontology 15(5):339-364.

Here’s an odd thing. Over and over again, when a researcher is mistreated by a journal or publisher, we see them telling their story but redacting the name of the journal or publisher involved. Here are a couple of recent examples.

First, Daniel A. González-Padilla’s experience with a journal engaging in flagrant citation-pumping, but which he declines to name:

Interesting highlight after rejecting a paper I submitted.
Is this even legal/ethical?
EDITOR-IN-CHIEF’S COMMENT REGARDING THE INCLUSION OF REFERENCES TO ARTICLES IN [REDACTED]
Please note that if you wish to submit a manuscript to [REDACTED] in future, we would prefer that you cite at least TWO articles published in our journal WITHIN THE LAST TWO YEARS. This is a polict adopted by several journals in the urology field. Your current article contains only ONE reference to recent articles in [REDACTED].

We know from a subsequent tweet that the journal is published by Springer Nature, but we don’t know the name of the journal itself.

And here is Waheed Imran’s experience of editorial dereliction:

I submitted my manuscript to a journal back in September 2017, and it is rejected by the journal on September 6, 2020. The reason of rejection is “reviewers declined to review”, they just told me this after 3 years, this is how we live with rejections. @AcademicChatter
@PhDForum

My, my question is, why in such situations do we protect the journals in question? In this case, I wrote to Waheed urging him to name the journal, and he replied saying that he will do so once an investigation is complete. But I find myself wondering why we have this tendency to protect guilty journals in the first place?

Thing is, I’ve done this myself. For example, back in 2012, I wrote about having a paper rejected from “a mid-to-low ranked palaeo journal” for what I considered (and still consider) spurious reasons. Why didn’t I name the journal? I’m not really sure. (It was Palaeontologia Electronica, BTW.)

In cases like my unhelpful peer-review, it’s not really a big deal either way. In cases like those mentioned in the tweets above, it’s a much bigger issue, because those (unlike PE) are journals to avoid. Whichever journal sat on a submission for three years before rejecting it because it couldn’t find reviewers is not one that other researchers should waste their time on in the future — but how can they avoid it if they don’t know what journal it is?

So what’s going on? Why do we have this widespread tendency to protect the guilty?

Update (13 September 2021)

One year later, Waheed confirms that the journal in question not only did not satisfactorily resolve his complaint, it didn’t even respond to his message. At this stage, there really is no point in protecting the journal that has behaved so badly, so Waheed outed it: it’s Scientia Iranica. Avoid.

No, not his new Brachiosaurus humerus — his photograph of the Chicago Brachiosaurus mount, which he cut out and cleaned up seven years ago:

This image has been on quite a journey. Since Matt published this cleaned-up photo, and furnished it under the Creative Commons Attribution (CC By) licence, it has been adopted as the lead image of Wikipedia’s Brachiosaurus page [archvied]:

Consequently (I assume) it has now become Google’s top hit for brachiosaurus skeleton:

Last Saturday, Fiona and I went to Birdland, a birds-only zoo in the Cotswolds, about an hour away from where we live. The admission price also includes “Jurassic Journey”, a walking tour of a dozen or so not-very-good dinosaur models. In an interpretive centre in this area, I found this Brachiosaurus skeletal reconstruction stencilled on the wall:

I immediately knew it was the Chicago mount due to the combination of Giraffatitan anterior dorsals and Brachiosaurus posterior dorsals; but I found it more hauntingly familiar than that. A quick hunt turned up Matt’s seven-year-old post, and when I told Matt about my discovery he filled me in on its use in Wikipedia.

So this is 99% of a good story: we’re delighted that this work is out there, and has resulted in a much better Brachiosaurus image at Birdland than the rather sad-looking Stegosaurus next to it. The only slight disappointment is that I couldn’t find any sign of credit, which they really should have included given that Matt put the image out under CC By rather than in the public domain.

But as Matt said: “Even though I didn’t get credited, I’m always chuffed to see my stuff out in the world.” So true.

 

When I was nine, a copy of Don Glut’s The New Dinosaur Dictionary turned up in my local Waldenbooks. It wasn’t my first dinosaur book, by far – I’d been a dinosaurophile since the age of three. But The New Dinosaur Dictionary was different.

Up to that point, I had subsisted on a heavy diet of kids’ dino books and the occasional article in National Geographic and Ranger Rick. The kids’ books were aimed at kids and the magazine articles were pitched at an engagingly popular level. I didn’t understand every word, but they were clearly written for curious layfolk, not specialists.

A typical spread from The New Dinosaur Dictionary (Glut, 1982). The armored sauropod blew my young mind.

The New Dinosaur Dictionary was something else entirely. It had photos of actual dinosaur bones and illustrations of skeletons with cryptic captions like, “Skeleton of Daspletosaurus torosus. (After Russell)”. Okay, clearly this Russell cove was out there drawing dinosaur skeletons and this book had reproduced some of them. But nobody I knew talked like that, and the books I had access to up to that point held no comparable language.

The New Dinosaur Dictionary (Glut, 1982: p. 271)

Then there was stuff like this: “The so-called Von Hughenden sauropod restored as a brachiosaurid by Mark Hallett”. A chain of fascinating and pleasurable ideas detonated in my brain. “The so-called” – say what now? Nobody even knew what to call this thing? Somehow I had inadvertently sailed right to the edge of human knowledge of dinosaurs, and was peering out into taxa incognita. “Restored as a brachiosaurid” – so this was just one of several possible ways that the animal might have looked. Even the scientists weren’t sure. This was a far cry from the bland assurances and blithely patronizing tones of all my previous dinosaur books.

“By Mark Hallett.” I didn’t know who this Hallett guy was, but his art was all over the book, along with William Stout and some guy named Robert T. Bakker and a host of others who were exploding my conception of what paleo art could even be. Anyway, this Mark Hallett was someone to watch, not only because he got mentioned by name a lot, but because his art had a crisp quality that teetered on some hypercanny ridge between photorealism and scribbling. His sketches looked like they might just walk off the page.

In case that line about scribbling sounds dismissive: I have always preferred sketches by my favorite artists to their finished products. The polished works are frequently inhumanly good. They seem to have descended in a state of completed perfection from some divine realm, unattainable by mere mortals. Whereas sketches give us a look under the hood, and show how a good artist can conjure light, shadow, form, weight, and texture from a few pencil strokes. Put it this way: I am anatomist by temperament first, and by training and occupation second. Of course I want to see how things are put together.

The New Dinosaur Dictionary (Glut, 1982: p. 75)

Anyway, The New Dinosaur Dictionary was something completely new in my experience. It wasn’t aimed at kids and written as if by kids, like lots of kids’ books. It wasn’t even written by adults talking down (deliberately or inadvertently) to kids, or trying to reach a wide audience that might include kids. It was written by an adult, aiming at other adults. And it was admitting in plain language that we didn’t know everything yet, that there were lots of animals trembling on the outer threshold of scientific knowledge. I didn’t understand half of it – I was down in an ontogenetic trench, looking up as these packets of information exploded like fireworks over my head.

In Seeing In the Dark, the best book about why you should go out stargazing for yourself, Timothy Ferris writes about growing up on Florida’s Space Coast in the early 1960s, and watching the first generation of artificial satellites pass overhead:

I felt like an ancient lungfish contemplating the land from the sea. We could get up there.

That’s precisely the effect that The New Dinosaur Dictionary had on me: I could get up there. Maybe not immediately. But there were steps, bodies of knowledge that could be mastered piecemeal, and most of all, mysteries to be resolved. The book itself was like a sketch, showing how from isolated and broken bones and incomplete skeletons, scientists and artists reconstructed the world of the past, one hypothesis at a time. Now I take it for granted, because I’ve been behind the curtain for a couple of decades. But to my 9-year-old self, it was revolutionary.

This has all come roaring back because of something that came in the mail this week. Or rather, something that had been waiting in the mailroom for a while, that I finally picked up this week: a package from Mark Hallett, enclosing a copy of his 2018 dinosaur calendar. And also this:

 

An original sketch, which he gave to me as a Christmas present. The published version appears on one of the final pages of our book, where we discuss the boundaries between the known – the emerging synthesis of sauropod biology that we hoped to bring to a broader audience by writing the book in the first place – and the unknown – the enduring mysteries that Mark and I think will drive research in sauropod paleobiology for the next few decades. Presented without a caption or commentary, the sketch embodies sauropods as we see them: emerging from uncertainty and ignorance one hard-won line at a time, with ever-increasing solidity.

Thank you, Mark, sincerely. That sketch, what it evokes, both for me now and for my inner 9-year-old – you couldn’t have chosen a better gift. And I couldn’t be happier. Except perhaps to someday learn that our book exploded in the mind of a curious kid the way that The New Dinosaur Dictionary did for me 34 years ago, a time that now seems as distant and romantic as the primeval forests of the Mesozoic.

Life restoration of Aquilops by Brian Engh. Farke et al. (2014: fig. 6C). CC-BY.

Life restoration of Aquilops by Brian Engh. Farke et al. (2014: fig. 6C). CC-BY.

Today sees the description of Aquilops americanus (“American eagle face”), a new basal neoceratopsian from the Cloverly Formation of Montana, by Andy Farke, Rich Cifelli, Des Maxwell, and myself, with life restorations by Brian Engh. The paper, which has just been published in PLOS ONE, is open access, so you can download it, read it, share it, repost it, remix it, and in general do any of the vast scope of activities allowed under a CC-BY license, as long as we’re credited. Here’s the link – have fun.

Obviously ceratopsians are much more Andy’s bailiwick than mine, and you should go read his intro post here. In fact, you may well be wondering what the heck a guy who normally works on huge sauropod vertebrae is doing on a paper about a tiny ceratopsian skull. The short, short version is that I’m here because I know people.

OMNH 34557, the holotype of Aquilops

OMNH 34557, the holotype of Aquilops

The slightly longer version is that OMNH 34557, the holotype partial skull of Aquilops, was discovered by Scott Madsen back in 1999, on one of the joint Cloverly expeditions that Rich and Des had going on at the time (update: read Scott’s account of the discovery here). That the OMNH had gotten a good ceratopsian skull out of Cloverly has been one of the worst-kept secrets in paleo. But for various complicated reasons, it was still unpublished when I got to Claremont in 2008. Meanwhile, Andy Farke was starting to really rock out on ceratopsians at around that time.

For the record, the light bulb did not immediately go off over my head. In fact, it took a little over a year for me to realize, “Hey, I know two people with a ceratopsian that needs describing, and I also know someone who would really like to head that up. I should put these folks together.” So I proposed it to Rich, Des, and Andy in the spring of 2010, and here we are. My role on the paper was basically social glue and go-fer. And I drew the skull reconstruction – more on that in the next post.

One of the world's smallest ceratopsians meets one of the largest: the reconstructed skull of Aquilops with Rich Cifelli and Pentaceratops for scale.

One of the world’s smallest ceratopsians meets one of the largest: the reconstructed skull of Aquilops with Rich Cifelli and Pentaceratops for scale. Copyright Leah Vanderburg, courtesy of the Sam Noble Oklahoma Museum of Natural History.

Anyway, it’s not my meager contribution that you should care about. I am fairly certain that, just as Brontomerus coasted to global fame on the strength of Paco Gasco’s dynamite life restoration, whatever attention Aquilops gets will be due in large part to Brian Engh’s detailed and thoughtful work in bringing it to life – Brian has a nice post about that here. I am very happy to report that the three pieces Brian did for us – the fleshed-out head that appears at the top of this post and as Figure 6C in the paper, the Cloverly environment scene with the marauding Gobiconodon, and the sketch of the woman holding an Aquilops – are also available to world under the CC-BY license. So have fun with those, too.

Finally, I need to thank a couple of people. Steve Henriksen, our Vice President for Research here at Western University of Health Sciences, provided funds to commission the art from Brian. And Gary Wisser in our scientific visualization center used his sweet optical scanner to generate the hi-res 3D model of the skull. That model is also freely available online, as supplementary information with the paper. So if you have access to a 3D printer, you can print your own Aquilops – for research, for teaching, or just for fun.

Cloverly environment with Aquilops and Gobiconodon, by Brian Engh (CC-BY).

Cloverly environment with Aquilops and Gobiconodon, by Brian Engh (CC-BY).

Next time: Aquilöps gets röck döts.

Reference

Farke, A.A., Maxwell, W.D., Cifelli, R.L., and Wedel, M.J. 2014. A ceratopsian dinosaur from the Lower Cretaceous of Western North America, and the biogeography of Neoceratopsia. PLoS ONE 9(12): e112055. doi:10.1371/journal.pone.0112055

Short post today. Go and read this paper: Academic urban legends (Rekdal 2014). It’s open access, and an easy and fascinating read. It unfolds a tale of good intentions gone wrong, a chain of failure, illustrating an important single crucial point of academic behaviour: read what you cite.

References

Rekdal, Ole Bjørn. 2014. Academic urban legends. Social Studies of Science 44(4):638-654. doi: 10.1177/0306312714535679

 

The LSE Impact blog has a new post, Berlin 11 satellite conference encourages students and early stage researchers to influence shift towards Open Access. Thinking about this,  Jon Tennant (@Protohedgehog) just tweeted this important idea:

Would be nice to see a breakdown of OA vs non-OA publications based on career-stage of first author. Might be a wake-up call.

It would be very useful. It makes me think of Zen Faulkes’s important 2011 blog-post, What have you done lately that needed tenure?. We should be seeing the big push towards open access coming from senior academics who are established in their roles don’t need to scrabble around for jobs like early-career researchers. Yet my impression is that in fact early-career researchers are doing a lot of the pro-open heavy lifting.

Is that impression true?

We should find out.

Here’s one possible experimental design: take a random sample of 100 Ph.D students, 100 post-docs, 100 early-career researchers in tenure-track jobs and 100 tenured researchers. For each of them, analyse their last ten years of publications and determine what proportion are paywalled, what proportion are free to read (e,g, on arXiv or in an all-rights-reserved IR), and what proportion are true (BOAI-compliant) open access.

An alternative approach would be to randomly sample 1000 open-access papers (from PLOS and BMC journals, for example), and 1000 paywalled papers (from Elsevier and Springer, say) and find the career-stage of their authors. I’m not sure which approach would be better?

Who is going to do this?

I think it would be a nice, tractable first project for someone who wants to get into academic research but hasn’t previously published. It would be hugely useful, and I’m guessing widely cited. Does anyone fancy it?

Update

Georg Walther has started a hackpad about this nascent project. Since Jon “Protohedgehog” Tennant has now tweeted about it, I assume it’s OK to publicise. If you’re interested, feel free to leap in!