I think we’ve all had enough of the Impact Factor as a way of measuring the quality of journals. From Ginny Barbour’s forensic account of negotiating PLoS Medicine’s IF back in 2006, via Stephen Curry’s measured rant back in 2012 (“if you use impact factors you are statistically illiterate”) and Björn Brembs’ survey of how very widespread IF negotations are in 2016, to all the recent negotiations with Clarivate about which journals should even have IFs, it’s become increasingly obvious that the Impact Factor is not a metric, it’s a negotiation.
And of course this means that the reason any journal has the particular IF it has is competely opaque.
The world needs a much more transparent metric of journal quality, and I am here to offer it! The Objective Quality Factor (QOF) is assigned in a wholly straightforward way that anyone can understand:
Your journal obtains an OQF of x by paying me x pounds.
That’s it. As soon as I acknowledge your payment, you have the right to display your OQF on the journal home page and in marketing materials.
If another journal in your field obtains a higher OQF than yours, and you need to regain your journal’s position at the top of the totem pole, all you need do is send me more money.
Payments via PayPal to ebay@miketaylor.org.uk please!
The SV-POW! Patreon adds a tier
February 18, 2020
I swear I’m not making this up: I was recently contacted by one of our patrons, who said he’d like to support us at the SV-POW! Patreon at $10/month. We didn’t have that tier at the time, only $1/mo. and $5/mo. So to accommodate him, and any others who theoretically might like to support us at that level, we created a $10 tier. There’s a new reward to go with this tier: in addition to being acknowledged in any papers that get written as a result of a trip that you help to fund, at $10/month you’ll also get an 8×10 art print once a year, either one of my skull drawings or a photograph, signed or unsigned. Here’s the link.
Our support is up to $57/mo. That might not sound like much, but $7/mo. is $84/yr., which is what we wanted when Mike launched the Patreon so we could get rid of ads on the site. The other $50/mo. is $600/yr., which is roughly the cost of a trans-Atlantic plane ticket. So that’s already one Matt-and-Mike get-together a year to do research and write papers, in addition to any others we were going to do anyway.
What would we do with more support? More research, and more writing. I get small grants now and then, and I get a yearly travel budget from my department, but grant-writing takes time away from research and paper-writing, and the departmental travel money doesn’t cover all the things I’d like to do. For example, I skipped SVPCA in 2018 so I could visit the Carnegie last spring. That’s a tough choice, a whole conference worth of ideas and conversations that I missed out on. And Mike is basically self-funded. We’re pretty good at converting travel money into new ideas and new data, and we’re going to start doing writing retreats where we hole up someplace cheap, far from museums, field sites, and other distractions, and just write. So if you like the stuff we do, please consider supporting us–we promise not to waste your donation.
Many thanks to everyone who supports our work, and to everyone else for sitting through this post. In the spirit of giving you more than you asked for, up top is the cervicodorsal transition in Giraffatitan brancai, MB.R.2181, in my favorite, inconvenient portrait orientation. And here’s a version with the centrum lengths and posterior widths given in cm. From Janensch (1950: figs. 49 and 50).
Reference
Janensch, Werner. 1950. Die Wirbelsaule von Brachiosaurus brancai. Palaeontographica (Suppl. 7) 3: 27-93.
It’s a bit shocking to find that SV-POW! is going on for twelve years old. (Our very first post was on 1st October 2007, so we’re about fifty days short of that anniversary.)
It’s cost us almost nothing to run the blog in that time — in financial terms, at least. We pay $18 a year for the domain svpow.com (as opposed to svpow.wordpress.com), and that’s it. We’ve been happy to pay out of our own pockets, because not taking any money from anyone means we don’t owe anyone anything and we can write what we like, on whatever subject we like, as often or as infrequently as we like. It’s a great way to do things.
But there are a couple more things we’d like to do.
One is to get rid of the adverts that infest the site. I wasn’t aware of them until recently, when I looked at the site on a new phone. They’re pretty intrusive, and I remember reading somewhere that they’ve got a lot worse recently. We can do that for $7 a month, which comes to $84 per year. That’s enough that I can’t just shrug like I do with the $18 and say “Ah, that’s the price of a round of drinks, just pay it.”
But more excitingly, Matt and I would like to get together more often for scientific trips like the 2016 Sauropocalypse and this year’s visit to the Carnegie museum. These trips are amazingly productive and generate a ton of observations, photos and videos, which we’re then able to turn into science, which in turn becomes papers. But because Matt and I are inconveniently located 5,000 miles and eight timezones apart, it’s logistically difficult and expensive for us to get together. That’s why we had a three-year gap between the Utah and Carnegie trips, and we’d like — if we can — to do something like this every year.
Here I am, in the collections of the Carnegie Museum, Pittsburgh, earlier this year. I’m documenting the re-articulated centrum, neural arch and cervical ribs of C6 of the sub-adult apatosaurine CM 555, probably Brontosaurus parvus.
Why are these trips important to do? Because we’ve found that when both of us look at bones together, we see much more than twice as much as either of us would see alone. There seems to be a subtle alchemy at play here, like the way Lennon and McCartney achieved so much more when they were working together than they did after the Beatles split(*). Somehow, there is a sparking that happens, as each of us amplifies and re-interprets the other’s observations. (Probably the same thing happens for any two palaeontologists looking at bones together, but Matt and I have got into the habit of working together.)
To do more of this, we need more money: Matt’s travel funds are limited; mine are literally non-existent, and I have to fund all my own work out of money that I earn by the sweat of my brow (and burn up precious vacation days from my real job).
That’s why we’ve finally created a Patreon page where anyone who wants to can sign up to support the work we do here. We have no idea whether this will work out, but whatever money might accumulate, we will spend first on the basic running costs of the site ($18 + $84 = $102 per year), and then on research trips. The big-ticket items are travel (including a transatlantic flight for one of us) and accomodation. After that, it’s just food and drink, which we pay for ourselves since we’d be eating and drinking anyway.
What do you get in return for your money? Absolutely nothing. This is really important. It goes back to what I said earlier about how valuable it’s been to us that we are free to write what we want, when we want. We’re not going to sacrifice that freedom for money, and in fact the value of that freedom is exactly why we’ve never solicited any kind of donation before. We want to be 100% clear that basic-level subscribers get nothing for their money. No early access, no extra content, no physical rewards. Just the knowledge that you’re supporting a blog that you like and helping to make sauropod science happen. It will only take nine of you to subscribe at the base $1-per-month level to pay our WordPress fees.
But for anyone who chooses to support the SV-POW! research trips at the level of $5 per month or higher, there is one small reward: we’ll then consider you as a research funder, and will formally mention you as such in the acknowledgements of the first paper that comes out of the first research trip we do after you sign up. That’s a place — admittedly a small one — in the permanent scientific record. Plus of course you get our gratitude!
UPDATE Feb. 2020: We added a $10/month tier, with a small additional reward.
For those who don’t sign up, absolutely nothing will change. We’ll continue our usual erratic schedule of posting whatever happens to occur to us, when it occurs to us. You’ll still get immediate access to everything we write for the blog, just like those who do sign up.
So: if you would like to help finance the scientific mission of SV-POW!, get yourself over to https://www.patreon.com/svpow
Note
(*) “But Mike”, you say, “After the first few years, the Lennon-McCartney partnership was in name only, and they hardly contributed to each other’s songs”. And you’re right: while We Can Work It Out was a true 50-50 collaboration, lots of the later songs were essentially solo compositions. But here’s the thing: even then, the mere presence of the other partner pushed them to up their game. John Lennon may have made no concrete contribution to Hey Jude (beyond telling Paul that he should keep his placeholder lyric “The movement you need is on your shoulder”), but McCartney only landed that song as perfectly as he did because Lennon was around. If you want proof, look at his post-Beatles songwriting output. There are plenty of good songs, but almost no great ones: Maybe I’m Amazed would be the strongest contender, and it turns out (I just this moment looked it up on Wikipedia) that he wrote that before the Beatles broke up. In a similar way, I wrote all but a couple of paragraphs of the actual prose in our in-progress vertebral orientation manuscript, but it all emerged from discussion between us, and could never have happened without Matt. He’s my John Lennon. But he lives on a different continent. Dammit.
How much does “typesetting” cost?
June 11, 2015
We as a community often ask ourselves how much it should cost to publish an open-access paper. (We know how much it does cost, roughly: typically $3000 with a legacy publisher, or an average of $900 with a born-open publisher, or nothing at all for many journals.)
We know that peer-review is essentially free to publishers, being donated free by scholars. We know that most handling editors also work for free or for peanuts. We know that hosting things on the Web is cheap (“publishing [in this sense] is just a button“).
Publishers have costs associated with rejecting manuscripts — checking that they’re by real people at real institutions, scanning for obvious pseudo-scholarship, etc. But let’s ignore those costs for now, as being primarily for the benefit of the publishers rather than the author. (When I pay a publisher an APC, they’re not serving me directly by running plagiarism checks.)
The tendency of many discussions I’ve been involved with has been that the main technical contribution of publishers is the process that is still, for historical reasons, known as “typesetting” — that is, the transformation of the manuscript from from an opaque form like an MS-Word file (or indeed a stack of hand-written sheets) into a semantically rich representation such as JATS XML. From there, actual typesetting into HTML or a pretty PDF can be largely automated.
So: what does it cost to typeset a manuscript?
First data point: I have heard that Kaveh Bazargan’s River Valley Technologies (the typesetter that PeerJ and many more mainstream publishers use) charges between £3.50 and £9 per page, including XML, graphics, PDF generation and proof correction.
Second data point: in a Scholarly Kitchen post that Kent Anderson intended as a criticism of PubMed Central but which in fact makes a great case for what good value it provides, he quotes an email from Kent A. Smith, a former Deputy Director of the NLM:
Under the % basis I am using here $47 per article. John [Mullican, a program analyst at NCBI] and I looked at this yesterday and based the number on a sampling of a few months billings. It consists on the average of about $34-35 per tagged article plus $10-11 for Q/A plus administrative fees of $2-3, where applicable.
Using the quoted figure of $47 per PMC article and the £6.25 midpoint of River Valley’s range of per-page prices (= $9.68 per page), that would be consistent with typical PMC articles being a bit under five pages long. The true figure is probably somewhat higher — maybe twice as long or more — but this seems to be at least in the same ballpark.
Third data point: Charles H. E. Ault, in a comment on that Scholarly Kitchen post, wrote:
As a production director at a small-to-middling university press that publishes no journals, I’m a bit reluctant to jump into this fray. But I must say that I am astonished at how much PMC is paying for XML tagging. Most vendors looking for the small amount of business my press can offer (say, maybe 10,000 pages a year at most) charge considerably less than $0.50 per page for XML tagging. Assuming a journal article is about 30 pages long, it should cost no more than $15 for XML tagging. Add another few bucks for quality assurance, and you might cross the $20 threshold. Does PMC have to pay a federally mandated minimum rate, like bridge construction projects? Where can I submit a bid?
I find the idea of 50-cent-per-page typesetting hard to swallow — it’s more than an order of magnitude cheaper than the River Valley/PMC level, and I’d like to know more about Ault’s operation. Is what they’re doing really comparable with what the others are doing?
Are there other estimates out there?
How is it possible that Elsevier are still charging for copies of open-access articles?
March 11, 2014
I hate to keep flogging a dead horse, but since this issue won’t go away I guess I can’t, either.
1. Two years ago, I wrote about how you have to pay to download Elsevier’s “open access” articles. I showed how their open-access articles claimed “all rights reserved”, and how when you use the site’s facilities to ask about giving one electronic copy to a student, the price is £10.88. As I summarised at the time: “Free” means “we take the author’s copyright, all rights are reserved, but you can buy downloads at a 45% discount from what they would otherwise cost.” No-one from Elsevier commented.
2. Eight months ago, Peter Murray-Rust explained that Elsevier charges to read #openaccess articles. He showed how all three of the randomly selected open-access articles he looked at had download fees of $31.50. No-one from Elsevier commented (although see below).
3. A couple of days ago, Peter revisited this issue, and found that Elsevier are still charging THOUSANDS of pounds for CC-BY articles. IMMORAL, UNETHICAL , maybe even ILLEGAL.This time he picked another Elsevier OA article at random, and was quoted £8000 for permission to print 100 copies. The one he looked at says “Open Access” in gold at the top and “All rights reserved” at the bottom. Its “Get rights and content” link takes me to RightsLink, where I was quoted £1.66 to supply a single electronic copy to a student on a course at the University of Bristol:
(Why was I quoted a wildly different price from Peter? I don’t know. Could be to do with the different university, or because he proposed printing copies instead of using an electronic one.)
On Peter’s last article, an Elsevier representative commented:
Alicia Wise says:
March 10, 2014 at 4:20 pm
Hi Peter,As noted in the comment thread to your blog back in August we are improving the clarity of our OA license labelling (eg on ScienceDirect) and metadata feeds (eg to Rightslink). This is work in progress and should be completed by summer. I am working with the internal team to get a more clear understanding of the detailed plan and key milestones, and will tweet about these in due course.
With kind wishes,
Alicia
Dr Alicia Wise
Director of Access and Policy
Elsevier
@wisealic
(Oddly, I don’t see the referenced comment in the August blog-entry, but perhaps it was on a different article.)
Now here is my problem with this.
First of all, either this is deliberate fraud on Elsevier’s part — charging for the use of something that is free to use — or it’s a bug. Following Hanlon’s razor, I prefer the latter explanation. But assuming it’s a bug, why has it taken two years to address? And why is it still not fixed?
Elsevier, remember, are a company with an annual revenue exceeding £2bn. That’s £2,000,000,000. (Rather pathetically, their site’s link to the most recent annual report is broken, but that’s a different bug for a different day.) Is it unreasonable to expect that two years should be long enough for them to fix a trivial bug?
All that’s necessary is to change the “All rights reserved” message and the “Get rights and content” link to say “This is an open-access article, and is free to re-use”. We know that the necessary metadata is there because of the “Open Access” caption at the top of the article. So speaking from my perspective as a professional software developer of more than thirty years’ standing, this seems like a ten-line fix that should take maybe a man-hour; at most a man-day. A man-day of programmer time would cost Elsevier maybe £500 — that is, 0.000025% of the revenue they’ve taken since this bug was reported two years ago. Is it really too much to ask?
(One can hardly help comparing this performance with that of PeerJ, who have maybe a ten-thousandth of Elsevier’s income and resources. When I reported three bugs to them in a course of a couple of days, they fixed them all with an average report-to-fix time of less than 21 hours.)
Now here’s where it turns sinister.
The PeerJ bugs I mentioned above cost them — not money, directly, but a certain amount of reputation. By fixing them quickly, they fixed that reputation damage (and indeed gained reputation by responding so quickly). By contrast, the Elsevier bug we’re discussing here doesn’t cost them anything. It makes them money, by misleading people into paying for permissions that they already have. In short, not fixing this bug is making money for Elsevier. It’s hard not to wonder: would it have remained unfixed for two years if it was costing them money?
But instead of a rush to fix the bug, we have this kind of thing:
I find that very hard to accept. However complex your publishing platform is, however many different modules interoperate, however much legacy code there is — it’s not that hard to take the conditional that emits “Open Access” in gold at the top of the article, and make the same test in the other relevant places.
As John Mark Ockerbloom observes:
Come on, Elsevier. You’re better than this. Step up. Get this done.
Update (21st March 2014)
Ten days layer, Elsevier have finally responded. To give credit where it’s due, it’s actually pretty good: it notes how many customers made payments they needn’t have made (about 50), how much they paid in total (about $4000) and says that they are actively refunding these payments.
It would be have been nice, mind you, had this statement contained an actual apology: the words “sorry”, “regret” and “apologise” are all notably absent.
And I remain baffled that the answer to “So when will this all be reliable?” is “by the summer of 2014”. As noted above, the pages in question already have the information that the articles are open access, as noted in the gold “Open Access” text at top right of the pages. Why it’s going to take several more months to use that information elsewhere in the same pages is a mystery to me.
Update 2 (24th March 2014)
As noted by Alicia in a comment below, Elsevier employee Chris Shillum has posted a long comment on Elsevier’s response, explaining in more detail what the technical issues are. Unfortunately there seems to be no way to link directly to the comment, but it’s the fifth one.
If Harry Potter was an academic work
February 3, 2014
From the files of J. K. Rowling.
Publisher #1
Dear Ms. Rowling,
Thank you for submitting your manuscript Harry Potter and the Half-Blood Prince. We will be happy to consider it for publication. However we have some concerns about the excessive length of this manuscript. We usually handle works of 5-20 pages, sometimes as much as 30 pages. Your 1337-page manuscript exceeds these limits, and requires some trimming.
We suggest that this rather wide-ranging work could usefully be split into a number of smaller, more tightly focussed, papers. In particular, we feel that the “magic” theme is not appropriate for our venue, and should be excised from the current submission.
Assuming you are happy to make these changes, we will be pleased to work with you on this project.
Correspondence ends.
Publisher #2
Esteemed Joenne Kay Rowling,
We are delightful to recieve your manuscript Harry Potter and the Half-Blood Prince and we look forword to publish it in our highly prestigious International Journal of Story Peer Reviewed which in 2013 is awarded an impact factor of 0.024.
Before we can progression this mutually benefit work, we require you to send a cheque for $5,000 US Dollars to the above address.
Correspondence ends.
Publisher #3
Dear J.R.R. Rowling,
We are in receipt of your manuscript Harry Potter and the Half-Blood Prince. Unfortunately, after a discussion with the editorial board, we concluded that it is insufficiently novel to warrant publication in our journal, which is one of the leading venues in its field. Although your work is well executed, it does not represent a significant advance in scholarship.
That is not to say that minor studies such as yours are of no value, however! Have you considered one of the smaller society journals?
Correspondence ends.
Publisher #4
Dear Dr. Rowling
Your submission Harry Potter and the Half-Blood Prince has passed initial editorial checks and will now be sent to two peer-reviewers. We will contact you when we have their reports and are able to make a decision.
Dear Dr. Rowling
Re: Harry Potter and the Half-Blood Prince.
We agree that eighteen months is too long for a manuscript to spend in review. On making inquiries, we find that we are unfortunately no longer able to contact the editor who was handling your submission.
We have appointed a new handling editor, who will send your submission to two new reviewers. We will contact you as soon as the new editor has made a decision.
Dear Dr. Rowling
Re: Harry Potter and the Half-Blood Prince.
Your complaint is quite justified. We will chase the reviewers.
Dear Dr. Rowling
I am pleased to say that the reviewers have returned their reports on your submission Harry Potter and the Half-Blood Prince and we are able to make an editiorial decision, which is ACCEPT WITH MAJOR REVISION.
Reviewer 1 felt that the core point of your contribution could be made much more succinctly, and recommended that you remove the characters of Ron, Hermione, Draco, Hagrid and Snape. I concur with his assessment that the final version will be tighter and stronger for these cuts, and am confident that you can make them in a way that does not compromise the plot.
Reviewer 2 was positive over all, but did not like being surprised by the ending, and felt that it should have been outlined in the abstract. She also felt that citation of earlier works including Lewis (1950, 1951, 1952, 1953, 1954, 1955, 1956) and Pullman (1995, 1997, 2000) would be appropriate, and noted an over-use of constructions such as “… said Hermione, warningly”.
Dear Dr. Rowling
Thank you for your revised manuscript of Harry Potter and the Half-Blood Prince, which it is our pleasure to accept. We now ask you to sign the attached copyright transfer form, so we can proceed with publication.
Dear Dr. Rowling
I am sorry that you are unhappy about this, but transfer of copyright is our standard procedure, and we must insist on it as a prerequisite for publication. None of our other authors have complained.
Dear Dr. Rowling
Thank you for the signed copyright transfer form.
In answer to your query, no, we do not pay royalties.
Dear Dr. Rowling
Sadly, no, we are unable to make an exception in the matter of royalties.
Dear Dr. Rowling
Your book has now been formatted. We attach a proof PDF. Please read this very carefully as this is the last chance to spot errors.
You will readily appreciate that publishing is an expensive business. In order to remain competitive we have had to reduce costs, and as a result we are no longer able to offer proof-reading or copy-editing. Therefore you are responsible for ensuring the copy is clean.
At this stage, changes should be kept as small as possible, otherwise a charge may be incurred for re-typesetting.
Dear Dr. Rowling
Many thanks for returning the corrected proofs of Harry Potter and the Half-Blood Prince. We will proceed with publication.
Now that the final length of your contribution is known, we are able to assess page charges. At 607 pages, this work exceeds our standard twenty free pages by 587. At $140 US per page, this comes to $82,180. We would be grateful if you would forward us a cheque for this amount at your convenience.
Dear Dr. Rowling
Thank you for you prompt payment of the page charges. We agree that these are regrettable, but sadly they are part of the reality of the publishing business.
We are delighted to inform you that Harry Potter and the Half-Blood Prince is now published online, and has been assigned the DOI 10.123.45678.
We thank you for working on this fine contribution with us, and hope you will consider us for your future publications.
Dear Dr. Rowling
You are correct, your book is not freely downloadable. As we explained earlier in this correspondence, publishing is an expensive business. We recover our substantial costs by means of subscriptions and paid downloads.
In our experience, those with the most need to read your book will probably have institutional access. As for those who do not: if your readers are as keen as you say, they will no doubt find the customary download fee of $37.95 more than reasonable. Alternatively, readers can rent online access at the convenient price of $9.95 per 24 hours.
Dear Dr. Rowling
I am sorry that you feel the need to take that tone. I must reiterate, as already stated, that the revenues from download charges are not sufficient for us to be able to pay royalties. The $37.95 goes to cover our own costs.
If you wish for your book to be available as “open access”, then you may take advantage of our Freedom Through Slavery option. This will attract a further charge of $3,000, which can be paid by cheque as previously.
Dr. Rowling
Your attitude is really quite difficult to understand. All of this was quite clearly set out on our web-site, and should have been understood by you before you made your submission.
As stated in the copyright transfer form that you signed, you do not retain the right to post freely downloadable copies of your work, since you are no longer the copyright holder.
Dr. Rowling
We must ask you not to contact your handling editor directly. He was quite shaken by your latest outburst. If you feel you must write to us again, we must ask you to moderate your language, which is quite unsuitable for a lady. Meanwhile, we remind you that our publishing agreement follows industry best practice. It’s too late to complain about it now.
Correspondence ends.
IP Lawyer #1
Dear Pyramid Web-Hosting,
Copyright claim
We write on behalf of our client, Ancient Monolith Scholarly Publishing, who we assert are the copyright holders of Harry Potter and the Half-Blood Prince. It has come to our attention that a copy of this copyrighted work has been posted on a site hosted by you at the URL below.
This letter is official notification under the provisions of Section 512(c) of the Digital Millennium Copyright Act (“DMCA”) to effect removal of the above-reported infringement. We request that you immediately issue a cancellation message as specified in RFC 1036 for the specified posting and prevent the infringer, Ms. J. K. Rowling, from posting the infringing material to your servers in the future. Please be advised that law requires you, as a service provider, to “expeditiously remove or disable access to” the infringing material upon receiving this notice. Noncompliance may result in a loss of immunity for liability under the DMCA.
Please send us at the address above a prompt response indicating the actions you have taken to resolve this matter.
Correspondence ends.
Historical Note
Examination of Ms. Rowling’s personal effects established that she had written most of a seventh book, Harry Potter and the Deathly Hallows. However, Rowling never sought to publish this final book in the series.
Plagiarism is nothing to do with copyright
September 20, 2013
I was astonished yesterday to read Understanding and addressing research misconduct, written by Linda Lavelle, Elsevier’s General Counsel, and apparently a specialist in publication ethics:
While uncredited text constitutes copyright infringement (plagiarism) in most cases, it is not copyright infringement to use the ideas of another. The amount of text that constitutes plagiarism versus ‘fair use’ is also uncertain — under the copyright law, this is a multi-prong test.
So here (right in the first paragraph of Lavelle’s article) we see copyright infringement equated with plagiarism. And then, for good measure, the confusion is hammered home by the depiction of fair use (a defence against accusations of copyright violation) depicted as a defence against accusations of plagiarism.
This is flatly wrong. Plagiarism and copyright violation are not the same thing. Not even close.
First, plagiarism is a violation of academic norms but not illegal; copyright violation is illegal, but in truth pretty ubiquitous in academia. (Where did you get that PDF?)
Second, plagiarism is an offence against the author, while copyright violation is an offence against the copyright holder. In traditional academic publishing, they are usually not the same person, due to the ubiquity of copyright transfer agreements (CTAs).
Third, plagiarism applies when ideas are copied, whereas copyright violation occurs only when a specific fixed expression (e.g. sequence of words) is copied.
Fourth, avoiding plagiarism is about properly apportioning intellectual credit, whereas copyright is about maintaining revenue streams.
Let’s consider four cases (with good outcomes in green and bad ones in red):
- I copy big chunks of Jeff Wilson’s (2002) sauropod phylogeny paper (which is copyright the Linnean Society of London) and paste it into my own new paper without attribution. This is both plagiarism against Wilson and copyright violation against the Linnean Society.
- I copy big chunks of Wilson’s paper and paste it into mine, attributing it to him. This is not plagiarism, but copyright violation against the Linnean Society.
- I copy big chunks of Rigg’s (1904) Brachiosaurus monograph (which is out of copyright and in the public domain) into my own new paper without attribution. This is plagiarism against Riggs, but not copyright violation.
- I copy big chunks of Rigg’s paper and paste it into mine with attribution. This is neither plagiarism nor copyright violation.
Plagiarism is about the failure to properly attribute the authorship of copied material (whether copies of ideas or of text or images). Copyright violation is about failure to pay for the use of the material.
Which of the two issues you care more about will depend on whether you’re in a situation where intellectual credit or money is more important — in other words, whether you’re an author or a copyright holder. For this reason, researchers tend to care deeply when someone plagiarises their work but to be perfectly happy for people to violate copyright by distributing copies of their papers. Whereas publishers, who have no authorship contribution to defend, care deeply about copyright violation.
One of the great things about the Creative Commons Attribution Licence (CC By) is that it effectively makes plagiarism illegal. It requires that attribution be maintained as a condition of the licence; so if attribution is absent, the licence does not pertain; which means the plagiariser’s use of the work is not covered by it. And that means it’s copyright violation. It’s a neat bit of legal ju-jitsu.
References
- Riggs, Elmer S. 1904. Structure and relationships of opisthocoelian dinosaurs. Part II, the Brachiosauridae. Field Columbian Museum, Geological Series 2:229-247, plus plates LXXI-LXXV.
- Wilson, Jeffrey A. 2002. Sauropod dinosaur phylogeny: critique and cladistic analysis. Zoological Journal of the Linnean Society 136:217-276.
Do you really need a scan of my passport?
June 26, 2013
In the last few weeks, it’s been my pleasure and privilege to give invited talks on open access to both UCL and the University of Ulster. (Both of them went well, thanks for asking.)
Now they come to process expenses, and both universities have asked for scans of my passport. I explained to UCL that I was only expecting expenses, not a fee, and they backed down; but Ulster are very kindly giving me a fee, and contact there insists that “our Finance Office will insist on receiving this [passport scan] before they will process payment”.
That seems bizarre to me.
Has anyone else run into this?
Has anyone else been reluctant to comply? To me it seems like a strange intrusion, and a completely unnecessary violation of privacy. Either they want to pay me or they don’t — either is fine (I didn’t accept the Ulster invitation for the money). But I don’t see what my passport has to do with anything.
Am I being unreasonable? Or are they?
What should I do?
Check your calculations. Submit your data. Replicate.
April 20, 2013
It’s well worth reading this story about Thomas Herndon, a graduate student who as part of his training set out to replicate a well-known study in his field.
The work he chose, Growth in a Time of Debt by Reinhart and Rogoff, claims to show that “median growth rates for countries with public debt over roughly 90 percent of GDP are about one percent lower than otherwise; average (mean) growth rates are several percent lower.” It has been influential in guiding the economic policy of several countries, reaffirming an austerity-based approach.
So here is Lesson zero, for policy makers: correllation is not causation.
To skip ahead to the punchline, it turned out that Reinhart and Rogoff made a trivial but important mechanical mistake in their working: they meant to average values from 19 rows of their spreadsheet, but got the formula wrong and missed out the last five. Those five included three countries which had experienced high growth while deep in debt, and which if included would have undermined the conclusions.
Therefore, Lesson one, for researchers: check your calculations. (Note to myself and Matt: when we revise the recently submitted Taylor and Wedel paper, we should be careful to check the SUM() and AVG() ranges in our own spreadsheet!)
Herndon was able to discover this mistake only because he repeatedly hassled the authors of the original study for the underlying data. He was ignored several times, but eventually one of the authors did send the spreadsheet. Which is just as well. But of course he should never have had to go chasing the authors for the spreadsheet because it should have been published alongside the paper.
Lesson two, for researchers: submit your data alongside the paper that uses it. (Note to myself and Matt: when we submit the revisions of that paper, submit the spreadsheets as supplementary files.)
Meanwhile, governments around the world were allowing policy to be influenced by the original paper without checking it — policies that affect the disposition of billions of pounds. Yet the paper only got its post-publication review because of an post-grad student’s exercise. That’s insane. It should be standard practice to have someone spend a day or two analysing a paper in detail before letting it have such a profound effect.
And so Lesson three, for policy makers: replicate studies before trusting them.
Ironically, this may be a case where the peer-review system inadvertently did actual harm. It seems that policy makers may have shared the widespread superstition that peer-reviewed publications are “authoritative”, or “quality stamped”, or “trustworthy”. That would certainly explain their allowing it to affect multi-billion-pound policies without further validation. [UPDATE: the paper wasn’t peer-reviewed after all! See the comment below.]
Of course, anyone who’s actually been through peer-review a few times knows how hit-and-miss the process is. Only someone who’s never experienced it directly could retain blind faith in it. (In this respect, it’s a lot like cladistics.)
If a paper has successfully made it through peer-review, we should afford it a bit more respect than one that hasn’t. But that should never translate to blind trust.
In fact, let’s promote that to Lesson four: don’t blindly trust studies just because they’re peer-reviewed.
Thoughts on the Finch Report, part 2
July 12, 2012
More of my thoughts on the Finch Report; you may wish to read part 1 first. As before I will be quoting from the executive summary (11 pages) rather than the full report (140 pages).
Changing culture
Section 4 (What needs to be done, on page 7) begins as follows:
Implementing our recommendations will require changes in policy and practice by all stakeholders. More broadly, what we propose implies cultural change: a fundamental shift in how research is published and disseminated.
This is a crucial point. Cultural change is exactly what’s needed — not just in how research is published, as noted in the report, but even more importantly in how it’s evaluated. In particular, we’re going to have to stop assessing research by what journal it’s published in, and start looking at the value of the actual research.
This is already important — it always has been, because the use of journal reputation as a proxy for research quality has always been appallingly error-prone and misleading. But it’s going to become more and more important as open access grows more prevalent and a greater proportion of research moves into OA megajournals such as PLoS ONE, Sage Open and NPG’s Scientific Reports. These things are just too darned big to have a meaningful reputation. If you try to judge a PLoS ONE paper on the basis of the journal’s impact factor (4.411), you’ll quickly run aground: that’s a weak IF for a medic, but very strong for a palaeontologist. PLoS ONE is increasingly one of the journals of choice for palaeo papers, but it’s looked down on in astronomy. A question like “what’s the quality of PLoS ONE papers” is as about as meaningful as “what’s the price of property in London?” It depends on whether you’re talking about Knightsbridge or Peckham.
This is one of the fringe benefits of the shift towards megajournals: it’s going to make everyone see just how fatuous judgement by impact factor is. We’re going to see the end of comments on Guardian articles that say “my department actively discourages us from publishing in journals with IF less then 6.0”.
Unilateral action by the UK
Well, I seem to have gone off on a bit of a tangent there. Back to the Finch Report, pages 7 and 8:
Key actions: overall policy and funding arrangements
…
v. Renew efforts to sustain and enhance the UK’s role in international discussions on measures to accelerate moves towards open access.
This is also important. I like it that the Finch Report seems generally to advocate that we in the UK should lead the way in open access. But it’s also true that if we push on ahead of other countries, implementing mandatory open access unilaterally, we’ll be at a disadvantage compared with other countries: they will get our research for free, but we won’t get theirs till they follow suit.
And I am fine with that. Obviously it can’t continue indefinitely, but if taking a short-term financial hit is what it takes to get the world onside, that’s cool. Doing science costs money. And you haven’t done science till you’ve published your result. And you haven’t really published it until everyone can get it.
Non-commercial use
Now we come to a part of the report that I am really unhappy with. This is from the list in the section Key actions: publication in open access and hybrid journals, on page 8:
x. Extend the range of open access and hybrid journals, with minimal if any restrictions on rights of use and re-use for non-commercial purposes.
There’s that non-commercial clause again. This is worrying. If the Finch Report really is about what’s best for the country and for the world, there is no justification for NC. We want businesses to thrive as well as universities. And there are more businesses in the world than publishers! Cameron Neylon said this best in his Finch Report review, Good steps but missed opportunities:
This fudge risks failing to deliver on the minister’s brief, to support innovation and exploitation of UK research. This whole report is embedded in a government innovation strategy that places publicly funded knowledge creation at the heart of an effort to kick start the UK economy. Non-commercial licences can not deliver on this and we should avoid them at all costs.
That’s exactly right.
I will have more to say on this in a future post.
The role of repositories
There is a section headed Key actions: repositories on page 9. Tellingly, it has only two points, compared with 5, 6 and 5 for the other three key actions sections. Here is the second of those points:
xviii. Consider carefully the balance between the aims of, on the one hand, increasing access, and on the other of avoiding undue risks to the sustainability of subscription-based journals during what is likely to be a lengthy transition to open access. Particular care should be taken about rules relating to embargo periods. Where an appropriate level of dedicated funding is not provided to meet the costs of open access publishing, we believe that it would be unreasonable to require embargo periods of less than twelve months.
Who is the “we” that believes a six-month embargo period would be “unreasonable”?
Obviously not Research Councils UK, who recently stated “Ideally, a paper should become Open Access as soon as it is published. However […] the Research Councils will accept a delay of up to six months in the case where no ‘Article Processing Charge’ is paid.”
Obviously not the Wellcome Trust, whose policy states that it: “requires electronic copies of any research papers that have been accepted for publication in a peer-reviewed journal, and are supported in whole or in part by Wellcome Trust funding, to be made available through PubMed Central (PMC) and UK PubMed Central (UKPMC) as soon as possible and in any event within six months of the journal publisher’s official date of final publication”.
No. “We” can only mean the publishers’ lobby. They hate repositories, and were somehow allowed to nobble all references to Green OA in the report. Don’t believe me? Search for the word “green” in the executive summary: zero hits in eleven pages. Try it in the main report? Three hits in 140 pages: one on page 16, parenthetical (“… a version of a publication through a repository (often called green open access)”), one on page 120, a repeat (“… a version of a publication via a repository, often after an embargo period. This strand is often called green open access”) and one on page 130 (an unrelated mention of the HM Treasury Green Book).
This is one of the most disturbing aspects of the report, and I can see why Stevan Harnad is irate.
Let us move on to happier matters.
Transparency and competition
From page 10:
One of the advantages of open access publishing is that it brings greater transparency about the costs, and the price, of publication and dissemination. The measures we recommend will bring greater competition on price as well as the status of the journals in which researchers wish to publish. We therefore expect market competition to intensify, and that universities and funders should be able to use their power as purchasers to bear down on the costs to them both of APCs and of subscriptions.
I think this is a very important and much neglected point, and it makes me want to write a blog on why author-pays is inevitably more economical than reader-pays. (Short version: granularity of transactions is smaller, so the market is efficient and real competition comes into play, as we are seeing with the launch of PeerJ.)
Costs
From page 10:
Our best estimate is that achieving a significant and sustainable increase in access, making best use of all three mechanisms, would require an additional £50-60m a year in expenditure from the HE sector: £38m on publishing in open access journals, £10m on extensions to licences for the HE and health sectors and £3-5m on repositories.
*Cough* *splutter* Hey, what now?
So let’s get this straight. Transitioning from subscription to open access is going to cost us £10M more on licences than we’re already paying? Rather than, say, £10M less, as we start cancelling subscriptions we don’t need?
This seems to be pure fantasy on the part of the publishers.
Not only that, the £38M is based on an “average APC” of … get ready … £1,500. (This is not stated in the executive summary, but it’s on page 61 of the full report.) That number is a frankly ludicrous over-estimate, being nearly double the $1350 =~ £870 charged by PLoS ONE, and nearly three times as much as the $906 =~ £585 found as the average of 100,697 articles in 1,370 journals by Solomon and Björk (2012).
So based on this a more realistic APC, the £38M comes down to £14.8M. Throw out the absurd extra £10M that publishers want for extra subscription licences, and the total cost comes from from “£50-60M per year” to about £19M. Still not chicken-feed, but a lot less painful, even in the short term.
And finally …
The report finishes on an upbeat note (page 10) and so do we:
We believe that the investments necessary to improve the current research communications system will yield significant returns in improving the efficiency of research, and in enhancing its impact for the benefit of everyone in the UK.
Yes. Absolutely right. Even if we only thought about academia, the financial case for open access would be unanswerable. But there is more to the world than academia, and the real benefits will be seen elsewhere.
Epilogue
Anyone who is not yet heartily sick of the Finch Report can read lots more analysis in the articles linked from Bjorn Brembs’s article The Finch Report illustrates the new strategy wars of open access at the LSE’s Impact blog.
Sauropod Vertebra Picture of the Week 