December 21, 2016
I’m back in Oklahoma for the holidays, and anytime I’m near Norman I pop in to the OMNH to see old friends, both living and fossil. Here’s the Aquilops display in the hall of ancient life, which has been up for a while now. I got some pictures of it when I was here back in March, just never got around to posting them.
Aquilops close up. You can’t see it well in this pic, but on the upper right is a cast of the Aquilops cranium with a prosthesis that shows what the missing bits would have looked like. That prosthesis was sculpted by – who else? – Kyle Davies, the OMNH head preparator and general sculpting/molding/casting sorceror. You’ve seen his work on the baby apatosaur in this post. I have casts of everything shown here – original fossil, fossil-plus-prosthesis, and reconstructed 3D skull – and I should post on them. Something to do in the new year.
The Aquilops display is set just opposite the Antlers Formation exhibit, which has a family of Tenontosaurus being menaced by two Deinonychus, and at the transition between Early and Late Cretaceous. The one mount in the Late Cretaceous area is the big Pentaceratops, which is one of the best things in this or any museum.
Evidence in support of that assertion. Standing directly in front of this monster is a breathtaking experience, which I highly recommend to everyone.
It’s just perfect that you can see the smallest and earliest (at least for now) North American ceratopsian adjacent to one of the largest and latest. Evolution, baby!
I didn’t only look at dinosaurs – the life-size bronze mammoth in the south rotunda is always worth a visit, especially in holiday regalia.
No holiday post about the OMNH would be complete without a shot of “Santaposeidon” (previously seen here). I will never get tired of this!
The chances that I’ll get anything else posted in 2016 hover near zero, so I hope you all have a safe and happy holiday season and a wonderful New Year.
February 27, 2016
Here’s the “Clash of the Titans” exhibit at the Sam Noble Oklahoma Museum of Natural History, featuring the reconstructed skeletons of the giant Oklahoma Apatosaurus – which I guess should now be called the giant Oklahoma apatosaurine until someone sorts out its phylogenetic position – and the darn-near-T. rex-sized Saurophaganax maximus, which may be Allosaurus maximus depending on who you’re reading.
Now, I love this exhibit in both concept and execution. But one thing that is more obvious in this view from the upper level balcony is that despite its impressive weaponry, a lone 3-to-5 ton Saurophaganax had an Arctic ice cap’s chance in the Anthropocene of taking down a healthy 30-meter, 40-50 ton apatosaur (which is to say, none). I like to imagine that in the photo above, the apatosaur is laughing at the pathetically tiny theropod and its delusions of grandeur.
In this shot from behind, you get a better look at the baby apatosaur standing under the big one, and it hints at a far more likely target for Saurophaganax and other large Morrison theropods: sauropods that were not fully-grown, which was almost all of them. I am hip to the fact that golden eagles kill deer, and some lions will attack elephants – as Cookie Monster says, “Sometime food, not anytime food” – but not only were smaller sauropods easier prey, they were far more numerous given the inevitable population structure of animals that started reproducing at a young age and made more eggs the bigger they got (as essentially all egg-laying animals do).
In fact, as discussed in our recent paper on dinosaur ontogeny (Hone et al. 2016), there may have been times when the number of fully-grown sauropods in a given population was zero, and the species was maintained by reproducing juveniles. The giant Oklahoma apatosaurine is a unique specimen today – by far the largest apatosaurine we have fossils of – but it may also have been an anomaly in its own time, the rare individual that made it through the survivorship gauntlet to something approaching full size.
Amazingly enough, there is evidence that even it was not fully mature, but that’s a discussion for another day. Parting shot:
April 18, 2014
I was in Oklahoma and Texas last week, seeing Sauroposeidon, Paluxysaurus, Astrophocaudia, and Alamosaurus, at the Sam Noble Oklahoma Museum of Natural History, the Fort Worth Museum of Science and History, the Shuler Museum of Paleontology at SMU, and the Perot Museum of Nature and Science, respectively. I have a ton of interesting things from that trip that I could blog about, but unfortunately I have no time. Ten days from now, I’m off to Colorado and Utah for the Mid-Mesozoic conference and field trip, and between now and then I need to finish up my bits on three collaborative papers, get my summer anatomy lectures posted for internal peer review here at WesternU, and–oh yeah–actually write my conference talk. Fun times.
BUT after being subjected to the horror of the Yale Brontosaurus skull, I figured you all deserved a little awesome.
So here’s me getting one of 351 photos of the most posterior and largest of the Sauroposeidon jackets (this is not the awesome, BTW, just a stop along the way). This jacket holds what I once inferred to be the back half of C7 and all of C8. Now that Sauroposeidon may be a somphospondyl rather than a brachiosaur, who knows what verts these are–basal somphospondyls have up to 17 cervicals to brachiosaurids’ probable 13 (for a hypothetical view of an even-longer-necked Sauroposeidon, see this probably-prophetic post by Mike). The vertically-mounted skeleton in the background is Cotylorhynchus. Cotylorhynchus got a lot bigger than that–up to maybe 6 meters long and 2 or 3 tons–and was probably the largest land animal that had ever existed back in the Early Permian. Photo by OU grad student Andrew Thomas, whom you’ll be hearing about more here in the future.
I couldn’t crank the model myself on the road, thanks to the pathetic lack of processing power in my 6-year-old laptop (which will be replaced RSN). Andy Farke volunteered to do the photogrammetricizing with Agisoft Photoscan, if only I’d DropBox him the pictures. Here’s a screenshot from MeshLab showing the result:
And my best taken-from-overhead quasi-lateral photograph:
If you’re curious, the meter stick at the top is actually one meter long, it just has the English measurement side showing. The giant caliper at the bottom is also marked off in inches, and it is open to 36.0 inches (it didn’t go to 1 meter, or I would have used that). You can tell that there is some perspective distortion involved here since 36 inches on the caliper is 1380 pixels, whereas the 39.4-inch meter stick is only 1341 pixels. Man, I hate scale bars. But they make good calibration targets.
Incidentally, after playing around with the model in orthographic mode in MeshLab, the distortions in the photos of the vertebrae themselves just scream at me. Finally, finally, I can escape the tyranny of perspective. Compare the ends of the big wooden beam at the top of the jacket to get a feel for how much the two views differ.
Working on Sauroposeidon again after all this time made me seriously nostalgic. I love that beast. I don’t think I’m exaggerating when I say that those vertebrae are the most gorgeous physical objects in the universe. Also, an appropriately huge thank-you to preparator Kyle Davies (of apatosaur-sculpting fame), collections manager Jen Larsen, and Andrew Thomas again for help with wrassling those verts around, and for sharing their thoughts and advice. Thanks also to curators Rich Cifelli and Nick Czaplewski for their hospitality and for the go-ahead to undertake this work, and to Andy Farke for generating the model.
I’ll have a lot more to say about this stuff in the future. I didn’t go to all this work just for giggles. For a long time I’ve had a hankering to do a paper on the detailed anatomy of Sauroposeidon, based on all of the things that I’ve noticed in the last decade that didn’t make it into any of the early papers. And now there’s the proposed synonymy of Paluxysaurus with Sauroposeidon. And “Angloposeidon” needs some attention–Darren and I have been thinking about writing “Angloposeidon II” for years now. And…well, plenty more.
So, loads more to come, but not for the next few weeks. Eventually I’ll be publishing all of this–the photos, the 3D models, the whole works. Stay tuned.
UPDATE a few days later
Man, I am frazzled, because I forgot to include the moral of the story: if I can do this, you can do this. There are good, free photogrammetry programs out there–Peter Falkingham published a whole paper on free photogrammetry in 2012, and posted a guide to an even better program, VisualSFM, on Academia.edu. Even Agisoft Photoscan is not prohibitively expensive–under $200 for an educational license. MeshLab is free and has hordes of good free tutorials. For the photography itself, you basically just build a virtual dome of photos around an object. If you need more instructions than that, Heinrich has written a whole series of tutorials. It doesn’t take a fancy camera–I used a point-and-shoot for the Sauroposeidon work shown here (a Canon S100 operating at 6 megapixels, if anyone is curious). What are you waiting for?
September 9, 2013
I was at the Oklahoma Museum of Natural History in March to look at their Apatosaurus material, so I got to see the newly-mounted baby apatosaur in the “Clash of the Titans” exhibit (more photos of that exhibit in this post). How much of this is real (i.e., cast from real bones, rather than sculpted)? Most of the vertebral centra, a few of the neural arches, some of the limb girdle bones, and most of the long bones of the limbs. All of the missing elements–skull, neural arches, ribs, appendicular bits–were sculpted by the OMNH head preparator, Kyle Davies. Kyle is one of those frighteningly talented people who, if they don’t have what they need, will just freaking build it from scratch. Over the years he has helped me out a LOT with the OMNH sauropod material–including building a clamshell storage jacket for the referred scapula of Brontomerus so we could photograph it from the lateral side–so it’s about time I gave him some props.
Case in point: this sweet atlas-axis complex that Kyle sculpted for the juvenile Apatosaurus mount.
Most fish, amphibians, and other non-amniote tetrapods only have a single specialized vertebra for attaching to the skull. But amniotes have two: a ring- or doughnut-shaped first cervical vertebra (the atlas) that articulates with the occipital condyle(s) of the skull, and a second cervical vertebra (the axis) that articulates with the atlas and sometimes with the skull as well. Mammals have paired occipital condyles on the backs or bottoms of our skulls, so our skulls rock up and down on the atlas (nodding “yes” motion), and our skull+atlas rotates around a peg of bone on the axis called the odontoid process or dens epistrophei (shaking head “no” motion). As shown in the photos and diagrams below, the dens of the axis is actually part of the atlas that fuses to the second vertebra instead of the first. Also, reptiles, including dinosaurs and birds, tend to have a single ball-shaped occipital condyle that fits into the round socket formed by the atlas, so their “yes” and “no” motions are less segregated by location.
Anyway, the whole shebang is often referred to as the atlas-axis complex, and that’s the reconstructed setup for a baby Apatosaurus in the photo above. In addition to making a dull-colored one for the mount, Kyle made this festive version for the vert paleo teaching collection. Why so polychromatic?
Because in fact he built two: the fully assembled one two photos above, and a completely disassembled one, some of which is shown in this photo (I had to move the bigger bits out of the tray so they wouldn’t block the key card at the back). I originally composed this post as a tutorial. But frankly, since Kyle did all of the heavy lifting of (a) making the thing in the first place, (2) making a color-coded key to it, and (d) giving me permission to post these photos, it would be redundant to walk through every element. So think of this as a self-study rather than a tutorial.
Oh, all right, here’s a labeled version. Note that normally in an adult animal the single piece of bone called the atlas would consist of the paired atlas neural arches (na1) and single atlas intercentrum (ic1), and would probably have a pair of fused cervical ribs (r1). Everything else would be fused together to form the axis, including the atlas pleurocentrum (c1), which forms the odontoid process or dens epistrophei (etymologically the “tooth” of the axis).
Here’s the complete Romer (1956) figure from the key card, with a mammalian atlas-axis complex for comparison. Incidentally, the entire book this is drawn from, Osteology of the Reptiles, is freely available online.
And here’s the complete Gilmore (1936) figure. Sorry for the craptastic scan–amazingly, this one is NOT freely available online as far as I can tell, and Mike and I have been trying to get good scans of the plates for years. Getting back on topic, single-headed atlantal cervical ribs have been found in several sauropods, especially Camarasaurus where several examples are known, so they were probably a regular feature, even though they aren’t always preserved.
Also, as noted in this post, it is odd that in this specimen of Apatosaurus the cervical ribs had not fused to the first two vertebrae, even though they normally do, and despite the fact that the vertebrae had fused to each other, even though they normally don’t. Further demonstration, if any were needed, that sauropod skeletal fusions were wacky.
For comparison to the above images, here is the atlas-axis complex in the synapsid Varanops, from Campione and Reisz (2011: fig. 2C).
Those proatlas thingies are present in some sauropods, but that’s about all I know about them, so I’ll say no more for now.
There is a good overview of the atlas-axis complex with lots of photos of vertebrae of extant animals on this page.
Previous SV-POW! posts dealing with atlantes and axes (that’s right) include:
- A fused atlas and axis in Apatosaurus
- Yet more uninformed noodling on the future of scientific publishing and that kind of thing
- Another mystery: embossed laminae and “unfossae”
- Tutorial 15: the bones of the sauropod skeleton
- Campione, N.E. and Reisz, R.R. 2011. Morphology and evolutionary significance of the atlas−axis complex in varanopid synapsids. Acta Palaeontologica Polonica 56 (4): 739–748.
- Gilmore, C.W. 1936. Osteology of Apatosaurus with special reference to specimens in the Carnegie Museum. Memoirs of the Carnegie Museum 11: 175-300.
- Romer, A.S. 1956. Osteology of the Reptiles. University of Chicago Press, Chicago. 772 pp.
April 19, 2013
Up top there is a commercially obtained
cast sculpture of a thumb claw of Megaraptor. Down below is an unpainted urethane cast of one of my favorite inanimate objects in the universe: OMNH 780, a thumb claw of Saurophaganax. I dunno how much of the Megaraptor claw is real [none, it turns out, but it’s based on a true story]; certainly the cast is faithful enough to record some tool-marks in the rugose part near the base. But I know how much of OMNH 780 is legit, and that is all of it. I would have put in a photo of the actual specimen but irritatingly I forgot to take any during my recent visit, and I didn’t have the Megaraptor claw back then anyway. Hopefully I’ll get back to the OMNH this summer, and then it is ON.
The kaiju-loving fanboys of CarnivoraForum undoubtedly want to know how these two compare. Well, much to my disappointment, the Megaraptor claw is a shade longer (28.7 cm max straight-line distance) than the Saurophaganax claw (26.3 cm). But the Saurophaganax claw is about twice as thick and way more robust, and the flexor tubercle which anchored the tendon that powered the claw’s movement is friggin’ immense. It’s like pitting an NBA forward against an NFL linebacker: one is a little taller, but the other one will pound you like a tent stake.
If anyone’s wondering, these claws are both waaay shorter than those of Therizinosaurus (half a meter and up), which still holds the longest-claws-of-anything-ever title. The problem for fans of excessive violence is that Therizinosaurus probably wasn’t doing terribly exciting things with its claws–grooming its feathers, making veggie kabobs, and scratching its ample behind, most likely.
The same was not true for Saurophaganax, which the unbelievers call Allosaurus maximus, a red-blooded all-American murder machine with a triple PhD in kicking your ass. When it wasn’t drinking camptosaur blood straight from the jugular, it was eating mud-mired diplodocids butt first while they were still alive. And what about those rumors that Saurophaganax was completely feathered in $100 bills, or that it was the direct linear ancestor of Charles Bronson and Steven McQueen? It’s probably too soon to say, since I just made them up, but I’ll bet your mind is blown nonetheless.
How dangerous was Saurophaganax? Let me put it this way: it’s still dangerous. Thanks to the high concentration of heavy elements in Morrison dinosaur bones, you’re supposed to air out the specimen cabinets before you start working so the radon can escape. Otherwise you might breathe in freakin’ radioactive gas and get cancer (in contrast to some “facts” in the previous paragraph, this is actually true). That’s right, Saurophaganax can kill you, just by lying around in a drawer. After 145 million years, it’s still reaping souls for Hades. By god, that’s giving them what for!
In short, the thumb claw of Saurophaganax is the most impressive instrument of dinosaurian destruction I’ve yet laid eyes on. If you want to see it in context, check out the mounted skeleton at the Oklahoma Museum of Natural History in Norman.