The Man Himself, taking notes on what look like Giraffatitan caudals.

Here’s how I got my start in research. Through a mentorship program, I started volunteering at the Oklahoma Museum of Natural History in the spring of 1992, when I was a junior in high school. I’d been dinosaur-obsessed from the age of three, but I’d never had an anatomy course and didn’t really know what I was doing. Which is natural! I had no way of knowing what I was doing because I lacked training. Fortunately for me, Rich Cifelli took me under his wing and showed me the ropes. I started going out on digs, learned the basics of curatorial work, how to mold and cast fossils, how to screenwash matrix and then pick microfossils out of the concentrate under a dissecting microscope, and—perhaps most importantly—how to make a rough ID of an unidentified bone by going through the comparative element collection until I found the closest match.

All set, right? Ignition, liftoff, straight path from there to here, my destiny unrolling before me like a red carpet.


It could have gone that way, but it didn’t. I had no discipline. I was a high-achieving high school student, but it was all to satisfy my parents. When I got to college, I didn’t have them around to push me anymore, and I’d never learned to push myself. I went off the rails pretty quickly. Never quite managed to lose my scholarships, without which I could not have afforded to be in college, period, but I skimmed just above the threshold of disaster and racked up a slate of mediocre grades in courses from calculus to chemistry. I even managed to earn a C in comparative anatomy, a fact which I am now so good at blocking out that I can go years at a time without consciously recalling it.

After three years of this, I had the most important conversation of my life. Because I was a zoology major I’d been assigned a random Zoology Dept. faculty member as an undergrad advisor. I was given to Trish Schwagmeyer, not because we got on well (we did, but that was beside the point) or had similar scientific interests, just luck of the draw. And it was lucky for me, because in the spring of 1996 Trish looked at my grades from the previous semester, looked me in the eye, and said, “You’re blowing it.” She then spent the next five minutes explaining in honest and excruciating detail just how badly I was wrecking my future prospects. I’ve told this story before, in this post, but it bears repeating, because that short, direct, brutal-but-effective intervention became the fulcrum for my entire intellectual life and future career.

The holotype specimen of Sauroposeidon coming out of the ground in 1994.

Roughly an hour later I had the second most important conversation of my life, with Rich Cifelli. While I’d been lost in the wilderness my museum volunteering had petered out to zero, and Rich would have been completely justified in telling me to get lost. Not only did he not do that, he welcomed me back into the fold, in a terrifyingly precise recapitulation of the Biblical parable of the prodigal son. When I asked Rich if I could do an independent study with him in the next semester, he thought for a minute and said, “Well, we have these big dinosaur vertebrae from the Antlers Formation that need to be identified.” Which is how, at the age of 21, with a rubble pile of an academic transcript and no real accomplishments to stand on, I got assigned to work on OMNH 53062, the future holotype of Sauroposeidon proteles.

I was fortunate in four important ways beyond the forgiveness, patience, and generosity of Richard Lawrence Cifelli:

  • OMNH 53062 was woefully incomplete, just three and a half middle cervical vertebrae, which meant that the project was small enough in concept to be tractable as an independent study for an undergrad. Rich and I both figured that I’d work on the vertebrae for one semester, come up with a family-level identification, and maybe we’d write a two-pager for Oklahoma Geology Notes documenting the first occurrence of Brachiosauridae (or whatever it might turn out to be) in the vertebrate fauna of the Antlers Formation.
  • Because the specimen was so incomplete, no-one suspected that it might be a new taxon, otherwise there’s no way such an important project would have been assigned to an undergrad with a spotty-to-nonexistent track record.
  • Despite the incompleteness, because the specimen consisted of sauropod vertebrae, it held enough characters to be identifiable–and eventually, diagnosable. Neither of those facts were known to me at the time.
  • All of Rich’s graduate students were already busy with their own projects, and nobody else was about to blow months of time and effort on what looked like an unpromising specimen.

NB: this guy is not a prodigy.

There is a risk here, in that I come off looking like some kind of kid genius for grasping the importance of OMNH 53062, and Rich’s other students look like fools for not seeing it themselves. It ain’t like that. The whole point is that nobody grasped the importance of the specimen back then. It would take Rich and me a whole semester of concentrated study just to come to the realization that OMNH 53062 might be distinct enough to be diagnosable as a new taxon, and a further three years of descriptive and comparative work to turn that ‘maybe’ into a paper. People with established research programs can’t afford to shut down everything else and invest six months of study into every incomplete, garbage-looking specimen that comes down the pike, on the off chance that it might be something new. Having the good judgment to not pour your time down a rat-hole is a prerequisite for being a productive researcher. But coming up with a tentative ID of an incomplete, garbage-looking specimen is a pretty good goal for a student project: the student learns some basic comparative anatomy and research skills, the specimen gets identified, no existing projects get derailed, and no-one established wastes their time on what is most likely nothing special. If the specimen does turn out to be important, that’s gravy.

So there’s me at the start of the fall of 1996: with a specimen to identify and juuuust enough museum experience, from my high school mentorship, to not be completely useless. I knew that one identified a fossil by comparing it to known things and looking for characters in common, but I didn’t know anything about sauropods or their vertebrae. Rich got me started with a few things from his academic library, I found a lot more in OU’s geology library, and what I couldn’t find on campus I could usually get through interlibrary loan. I spent a lot of time that fall standing at a photocopier, making copies of the classic sauropod monographs by Osborn, Hatcher, Gilmore, Janensch, and others, assembling the raw material to teach myself sauropod anatomy.

The sauropod monographs live within arm’s reach of my office chair to this day.

In addition to studying sauropods, I also started going to class, religiously, and my grades rose accordingly. At first I was only keeping up with my courses so that I would be allowed to continue doing research; research was the carrot that compelled me to become a better student. There was nothing immediate or miraculous about my recovery, and Rich would have to give me a few well-deserved figurative ass-kickings over the next few years when I’d occasionally wander off course again. But the point was that I had a course. After a few months I learned—or remembered—to take pride in my coursework. I realized that I had never stopped defining myself in part by my performance, and that when I’d been adrift academically I’d also been depressed. It felt like crawling out of a hole.

(Aside: I realize that for many people, depression is the cause of academic difficulty, not the reverse, and that no amount of “just working harder” can offset the genuine biochemical imbalances that underlie clinical depression. I sympathize, and I wish we lived in a world where everyone could get the evaluation and care that they need without fear, stigma, crushing financial penalties, or all of the above. I’m also not describing any case here other than my own.)

What fresh hell is this? (Apatosaur dorsal from Gilmore 1936)

Out of one hole, into another. The biggest problem I faced back then is that if you are unfamiliar with sauropod vertebrae they can be forbiddingly complex. The papers I was struggling through referred to a pandemonium of laminae, an ascending catalog of horrors that ran from horizontal laminae and prespinal laminae through infraprezygapophyseal laminae and spinopostzygapophyseal laminae. Often these features were not labeled in the plates and figures, the authors had just assumed that any idiot would know what a postcentrodiapophyseal lamina was because, duh, it’s right there in the name. But that was the whole problem: I didn’t know how to decode the names. I had no map. SV-POW! tutorials didn’t exist. Jeff Wilson’s excellent and still-eminently-useful 1999 paper codifying the terminology for sauropod vertebral laminae was still years in the future.

Then I found this, on page 35 of Werner Janensch’s 1950 monograph on the vertebrae of what was then called Brachiosaurus brancai (now Giraffatitan):

It was in German, but it was a map! I redrew it by hand in my very first research notebook, and as I was copying down the names of the features the lightbulb switched on over my head. “Diapophyse” meant “diapophysis”, and it was the more dorsal of the two rib attachments. “Präzygapophyse” was “prezygapophysis”, and it was one of the paired articular bits sticking out the front of the neural arch. And, crucially, “Präzygodiapophysealleiste” had to be the prezygodiapophyseal lamina, which connected the two. And so on, for all of the weird bits that make up a sauropod vertebra.

It’s been 22 years and I still remember that moment of discovery, my pencil flying across the page as I made my own English translations of the German anatomical terms, my mind buzzing with the realization that I was now on the other side. Initiated. Empowered. I felt like I had pulled the sword from the stone, found Archimedes’ lever that could move the world. In the following weeks I’d go back through all of my photocopied sauropod monographs with my notebook open to the side, reading the descriptions of the vertebrae for the second or third times but understanding them for the first time, drawing the vertebrae over and over again until I could call up their basic outlines from memory. This process spilled over from the fall of 1996 into the spring of 1997, as Rich and I realized that OMNH 53062 would require more than one semester of investigation.

Interlude with a left femur of the Oklahoma apatosaurine (but not the largest individual).

My memories of those early days of my sauropod research are strongly shaped by the places and circumstances in which I was doing the work. Vicki and I had gotten married in the summer of 1996 and moved into a two-bedroom duplex apartment on the north side of Norman. The upstairs had a long, narrow bathroom with two sinks which opened at either end onto the two upstairs bedrooms, the one in which we slept and the one we used as a home office. In the mornings I could get showered and dressed in no time, and while Vicki was getting ready for work or school I’d go into the office to read sauropod papers and take notes. Vicki has always preferred to have music on while she completes her morning rituals, so I listened to a lot of Top 40 hits floating in from the other upstairs rooms while I puzzled out the fine details of sauropod vertebral anatomy.

Two songs in particular could always be counted on to play in any given hour of pop radio in the early spring of 1997: Wannabe by the Spice Girls, and Lovefool by the Cardigans. I am surely the only human in history to have this particular Pavlovian reaction, but to this day when I hear either song I am transported back to that little bedroom office where I spent many a morning poring over sauropod monographs, with my working space illuminated by the light of the morning sun pouring through the window, and my mind illuminated by Werner Janensch, who had the foresight and good grace to give his readers a map.

Figure 5 from my undergraduate thesis: OMNH 53062 in right lateral view.

If you want to know what I thought about OMNH 53062 back in 1997, you can read my undergraduate thesis—it’s a free download here. Looking back now, the most surprising thing to me about that thesis is how few mentions there are of pneumaticity. I met Brooks Britt in the summer of 1997 and had another epochal conversation, in which he suggested that I CT scan OMNH 53062 to look at the air spaces inside the vertebrae. I filed my undergrad thesis in December of 1997, and the first session CT scanning OMNH 53062 took place in January, 1998. So in late 1997 I was still a pneumaticity n00b, with no idea of the voyage I was about to embark upon.

In 2010, after I was settled in as an anatomist at Western University of Health Sciences, I wrote a long thank-you to Trish Schwagmeyer. It had been 14 years since that pivotal conversation, but when she wrote back to wish me well, she still remembered that I’d gotten a C in comparative anatomy. I’d have a chance to make amends for that glaringly anomalous grade later the same year. At ICVM in Punta del Este, Uruguay, I caught up with Edie Marsh-Matthews, who had taught my comparative anatomy course back when. I apologized for having squandered the opportunity to learn from her, and she graciously (and to my relief) shifted the conversation to actual comparative anatomy, the common thread that connected us in the past and the present.

If the story has a moral, it’s that I owe my career in large part to people who went out of their way to help me when I was floundering. And, perhaps, that the gentle approach is not always the best one. I needed to have my head thumped a few times, verbally, to get my ass in gear, when less confrontational tactics had failed. I slid easily through the classrooms of dozens of professors who watched me get subpar grades and didn’t try to stop me (counterpoint: professors are too overworked to invest in every academic disaster that comes through the door, just like paleontologists can’t study every garbage specimen). If Trish Schwagmeyer and Rich Cifelli had not decided that I was worth salvaging, and if they not had the grit to call me out on my BS, I wouldn’t be here. As an educator myself now, that thought haunts me. I hope that I will be perceptive enough to know when a student is struggling not because of a lack of ability but through a lack of application, wise enough to know when to deploy the “you’re blowing it” speech, and strong enough to follow through.


  • Gilmore Charles W. 1936. Osteology of Apatosaurus, with special reference to specimens in the Carnegie Museum. Memoirs of the Carnegie Museum 11:175–300 and plates XXI–XXXIV.
  • Janensch, Werner.  1950.  Die Wirbelsaule von Brachiosaurus brancai.  Palaeontographica (Suppl. 7) 3: 27-93.
  • Wedel, M.J. 1997. A new sauropod from the Early Cretaceous of Oklahoma. Undergraduate honor thesis, Department of Zoology, University of Oklahoma, Norman, OK. 43pp.
  • Wilson, J.A. 1999. A nomenclature for vertebral laminae in sauropods and other saurischian dinosaurs. Journal of Vertebrate Paleontology 19: 639-653.

Matt with big Apato dorsal 2000

Final bonus image so when I post this to Facebook, it won’t grab the next image in line and crop it horribly to make a preview. This is me with OMNH 1670, in 2003 or 2004, photo by Andrew Lee.

Okay, so here on the Best Coast it’s not technically my birthday for another 3 hours, but SV-POW! runs on England time, and at the SV-POW! global headquarters bunker it’s already June 3. Oh, and tomorrow Brian and I are driving to New Mexico to look for Cretaceous monsters with Andrew McDonald and crew, and I won’t be advantageously situated for blogging. So here’s my Favorite. Card. EVAR:

This one.

No time for a long post today, but there are a couple of cool developments I wanted to let you know about. The folks at the Barnes & Noble Settlers Ridge store in Pittsburgh got in touch and asked if I’d give a short talk and do a book signing while I’m in town. That will be this coming Sunday, March 10, at 1:00 PM, in the children’s section at that store, which is located at 800 Settlers Ridge Center Drive. They’ll have copies of my big sauropod book with Mark Hallett, and my kid’s book that came out last fall. Come on out if you’re in the area and interested.

And this one.

In other news, the excellent Medlife Crisis channel on YouTube recently did a video on the recurrent laryngeal nerve and gave a nice shout-out to my 2012 paper. The video is five minutes long and — in my heavily biased opinion — well worth a watch:

Late last year I got tapped by the good folks at Capstone Press to write a dinosaur book for their Mind Benders series for intermediate readers. Now it’s out. (In fact, it’s been out for a couple of months now, I’ve just been too busy with other things to get this post up.) Covers all the major groups and some of the minor ones, includes a timeline and evolutionary tree, 112 pages, $6.95 in paperback. Despite the short, punchy, 2-3 facts per critter format, I tried to pack in as many new findings and as much weird trivia as possible, so hopefully it won’t all be old news (facts chosen for the cover notwithstanding). Suggested age range is grades 1-6 but who knows what that means; one of the best reviews that Mark Hallett and I got for our big semi-technical sauropod tome was written by a 6-year-old. Many thanks to my editors at Capstone, Shelly Lyons and Marissa Bolte, for helping me get it over the finish line and wrangling about a trillion details of art and science along the way.

If you need a gateway drug or stocking stuffer for a curious kid, give it a look. Here’s the Amazon link (and for teachers, librarians, and my future reference, the publisher’s link).

A while back — near the start of the year, in fact — Szymon Górnicki interviewed me by email about palaeontology, alternative career paths, open access, palaeoart, PeerJ, scholarly infrastructure, the wonder of blogging, and how to get started learning about palaeo. He also illustrated it with this caricature of me, nicely illustrating our 2009 paper on neck posture.

For one reason and another, it’s taken a long while for me get around to linking to it — but here we are in October and I’ve finally arrived :-)

With apologies to Szymon for the delay: here is the interview!

By the way, Szymon’s also done interviews with other, more interesting people: Davide Bonadonna, Steve Brusatte, Tim Haines and Phil Currie. Check them out!

Juvenile Tomistoma schlegelii, LACM Herpetology 166483, with me for scale. It wasn’t until I picked up the skull that I realized it was the same specimen I had looked at back when. I was looking at its neck in 2011, and its tail today, for reasons that will be revealed at the dramatically appropriate moment. I was only playing with the skull because it’s cute, an intricate little marvel of natural selection. Photos by Vanessa Graff (2011) and Jessie Atterholt (2018). Many thanks to collections manager Neftali Camacho for his hospitality and assistance both times!

Imposter syndrome revisited

September 13, 2018

My wife Fiona is a musician and composer, and she’s giving a talk at this year’s TetZooCon on “Music for Wildlife Documentaries – A Composer’s Perspective”. (By the way, it looks like some tickets are still available: if you live near or in striking distance of London, you should definitely go! Get your tickets here.)

With less than four weeks to go, she’s starting to get nervous — to feel that she doesn’t know enough about wildlife to talk to the famously knowledgeable and attractive TetZooCon audience. In other words, it’s a classic case of our old friend imposter syndrome.

Wanting to reassure her about how common this is, I posted a Twitter poll:

Question for academics, including grad-students.
(Please RT for better coverage.)

Have you ever experienced Imposter Syndrome?
(And feel free to leave comments with more detail.)

Here are the results at the end of the 24-hour voting period:

Based on a sample of nearly 200 academics, just one in 25 claims not have experienced imposter syndrome; nearly two thirds feel it all the time.

The comments are worth reading, too. For example, Konrad Förstner responded:

Constantly. I would not be astonished if at some point a person from the administration knocks at my door and tells me that my work was just occupational therapy to keep me busy but that my healthcare insurance will not pay this any longer.

What does this mean? Only this: you are not alone. Outside of a tiny proportion of people, everyone else you know and work with sometimes feels that way. Most of them always feel that way. And yet, think about the work they do. It’s pretty good, isn’t it? Despite how they feel? From the outside, you can see that they’re not imposters.

Guess what? They can see that you‘re not an imposter, either.

I noticed a spike recently in people tweeting about the post Every attempt to manage academia makes it worse, and it made me wonder how it ranks among the most-viewed posts on this blog. Turns out it’s by far the most viewed. Here’s the top ten:

  1. Every attempt to manage academia makes it worse — 235,051
  2. Elsevier is taking down papers from — 63,245
  3. How big was Amphicoelias fragillimus? I mean, really? — 36,726
  4. SV-POW! showdown: sauropods vs whales — 36,151
  5. Lies, damned lies, and Clash of the Dinosaurs — 34,870
  6. Tutorial 28: how to remember the branches of the internal iliac artery — 33,275
  7. Things to Make and Do, part 1: Pig Skull (off-topic) — 32,706
  8. Brachiosaurus: both bigger and smaller than you think — 30,798
  9. Human anatomy study materials — 27,516
  10. Sauropods held their necks erect … just like rabbits — 27,454

Apart from the fact that our most-viewed post is basically just a link to someone else’s work, I’m pretty happy with this list. It’s a good blend of hard-core sauropod nerd posts, some human anatomy, some open-access advocacy and some DIY — a fair representation of what we do here.

Some time, I should publish a list of our ten least-viewed posts.


As part of a major spring cleaning operation that we started the first week of January, this week I opened the last two boxes left over from when we moved into our current house. One of them had a bundle of framed art. I knew most of what was in there before I opened the box, but I had somehow completely forgotten about this. I must have gotten it framed in late 90s, and it hung on the walls of our apartments in Norman and Santa Cruz. At some point it went into a box, and I forgot it even existed.

This is the first technical drawing I ever attempted of OMNH 53062, which would later become the holotype of Sauroposeidon. I drew it for my poster at the 1997 SVP meeting in Chicago, and it went on to become Figure 5 in my undergraduate thesis (which is preserved for posterity here). I’d do other, better drawings of the specimen in later years, but this one came first.

I know I’m biased, but that second vertebra in the preserved series, which I interpreted as C6 back when, will probably always be the most gorgeous natural object on the planet in my book. I don’t expect anyone else to feel the same. I worked on that specimen for three years – some of it seeped into my soul, and vice versa. Then again, I don’t care how jaded you are about long vertebrae, that one is still a pretty arresting sight.

For a much more recent take on the appearance of the Sauroposeidon vertebrae, see this post.

Computer programmer, essayist and venture capitalist Paul Graham writes:

In most fields, prototypes have traditionally been made out of different materials. Typefaces to be cut in metal were initially designed with a brush on paper. Statues to be cast in bronze were modelled in wax. Patterns to be embroidered on tapestries were drawn on paper with ink wash. Buildings to be constructed from stone were tested on a smaller scale in wood.

What made oil paint so exciting, when it first became popular in the fifteenth century, was that you could actually make the finished work from the prototype. You could make a preliminary drawing if you wanted to, but you weren’t held to it; you could work out all the details, and even make major changes, as you finished the painting.

You can do this in software too. A prototype doesn’t have to be just a model; you can refine it into the finished product. I think you should always do this when you can. It lets you take advantage of new insights you have along the way. But perhaps even more important, it’s good for morale.

– Paul Graham, “Design and Research

Mike and I have long been drawn by the idea that blog posts, like conference talks and posters, could be first drafts of research papers. In practice, we haven’t generated many successful examples. We basically wrote our 2013 neural spine bifurcation paper as a series of blog posts in 2012. And Mike’s 2014 neck cartilage paper grew out of this 2013 blog post, although since he accidentally ended up writing 11 pages I suppose the blog post was more of a seed than a draft.

I should also note that we are far from the first people to do the blog-posts-into-papers routine. The first example I know of in paleo was Darren’s Tet Zoo v1 post on azhdarchid paleobiology, which formed part of the skeleton of Witton and Naish (2008).

Nevertheless, the prospect of blogging as a way to generate research papers remains compelling.

And as long as I’m on about blogging and papers: sometimes people ask if blogging doesn’t get in the way of writing papers. I can’t speak for anyone else, but for me it goes in the opposite direction: I blog most when I am most engaged and most productive, and drops in blogging generally coincide with drops in research productivity. I think that’s because when I’m rolling on a research project, I am constantly finding or noticing little bits that are cool and new, but which aren’t germane to what I’m working on at the moment. I can’t let those findings interfere with my momentum, but I don’t want to throw them away, either. So I blog them. Also the blog gives me a place to burn off energy at the end of the day, when I can still produce words but don’t have the discipline to write technical prose.

– – – – – – – – – – – –

The photo at the top of the post is of Giraffatitan dorsal vertebrae in a case at the MfN Berlin, from Mike’s and my visit with the DfG 533 group back in late 2008. I picked that photo so I could make the following dumb off-topic observation: with its upturned transverse processes, the dorsal on the right looks like it’s being all faux melodramatic, a la: