We’ve noted many times over the years how inconsistent pneumatic features are in sauropod vertebra. Fossae and formamina vary between individuals of the same species, and along the spinal column, and even between the sides of individual vertebrae. Here’s an example that we touched on in Wedel and Taylor (2013), but which is seen in all its glory here:

Taylor and Wedel (2021: Figure 5). Giraffatitan brancai tail MB.R.5000, part of the mounted skeleton at the Museum für Naturkunde Berlin. Caudal vertebrae 24–26 in left lateral view. While caudal 26 has no pneumatic features, caudal 25 has two distinct pneumatic fossae, likely excavated around two distinct vascular foramina carrying an artery and a vein. Caudal 24 is more shallowly excavated than 25, but may also exhibit two separate fossae.

But bone is usually the least variable material in the vertebrate body. Muscles vary more, nerves more again, and blood vessels most of all. So why are the vertebrae of sauropods so much more variable than other bones?

Our new paper, published today (Taylor and Wedel 2021) proposes an answer! Please read it for the details, but here’s the summary:

  • Early in ontogenly, the blood supply to vertebrae comes from arteries that initially served the spinal cord, penetrating the bone of the neural canal.
  • Later in ontegeny, additional arteries penetrate the centra, leaving vascular foramina (small holes carrying blood vessels).
  • This hand-off does not always run to completion, due to the variability of blood vessels.
  • In extant birds, when pneumatic diverticula enter the bone they do so via vascular foramina, alongside blood vessels.
  • The same was probaby true in sauropods.
  • So in vertebrae that got all their blood supply from vascular foramina in the neural canal, diverticula were unable to enter the centra from the outside.
  • So those centra were never pneumatized from the outside, and no externally visible pneumatic cavities were formed.

Somehow that pretty straightforward argument ended up running to eleven pages. I guess that’s what you get when you reference your thoughts thoroughly, illustrate them in detail, and discuss the implications. But the heart of the paper is that little bullet-list.

Taylor and Wedel (2021: Figure 6). Domestic duck Anas platyrhynchos, dorsal vertebrae 2–7 in left lateral view. Note that the two anteriormost vertebrae (D2 and D3) each have a shallow pneumatic fossa penetrated by numerous small foramina.

(What is the relevance of these duck dorsals? You will need to read the discussion in the paper to find out!)

Our choice of publication venue

The world moves fast. It’s strange to think that only eleven years ago my Brachiosaurus revision (Taylor 2009) was in the Journal of Vertebrate Palaeontology, a journal that now feels very retro. Since then, Matt and I have both published several times in PeerJ, which we love. More recently, we’ve been posting preprints of our papers — and indeed I have three papers stalled in peer-review revisions that are all available as preprints (two Taylor and Wedels and a single sole-authored one). But this time we’re pushing on even further into the Shiny Digital Future.

We’ve published at Qeios. (It’s pronounced “chaos”, but the site doesn’t tell you that; I discovered it on Twitter.) If you’ve not heard of it — I was only very vaguely aware of it myself until this evening — it runs on the same model as the better known F1000 Research, with this very important difference: it’s free. Also, it looks rather slicker.

That model is: publish first, then filter. This is the opposite of the traditional scholarly publishing flow where you filter first — by peer reviewers erecting a series of obstacles to getting your work out — and only after negotiating that course to do get to see your work published. At Qeios, you go right ahead and publish: it’s available right off the bat, but clearly marked as awaiting peer-review:

And then it undergoes review. Who reviews it? Anyone! Ideally, of course, people with some expertise in the relevant fields. We can then post any number of revised versions in response to the reviews — each revision having its own DOI and being fixed and permanent.

How will this work out? We don’t know. It is, in part, an experiment. What will make it work — what will impute credibility to our paper — is good, solid reviews. So if you have any relevant expertise, we do invite you to get over there and write a review.

And finally …

Matt noted that I first sent him the link to the Qeios site at 7:44 pm my time. I think that was the first time he’d heard of it. He and I had plenty of back and forth on where to publish this paper before I pushed on and did it at Qeios. And I tweeted that our paper was available for review at 8:44 — one hour exactly after Matt learned that the venue existed. Now here we are at 12:04 my time, three hours and 20 minutes later, and it’s already been viewed 126 times and downloaded 60 times. I think that’s pretty awesome.


  • Taylor, Michael P. 2009. A re-evaluation of Brachiosaurus altithorax Riggs 1903 (Dinosauria, Sauropoda) and its generic separation from Giraffatitan brancai (Janensch 1914). Journal of Vertebrate Paleontology 29(3):787-806. [PDF]
  • Taylor, Michael P., and Mathew J. Wedel. 2021. Why is vertebral pneumaticity in sauropod dinosaurs so variable? Qeios 1G6J3Q. doi: 10.32388/1G6J3Q [PDF]
  • Wedel, Mathew J., and Michael P. Taylor 2013b. Caudal pneumaticity and pneumatic hiatuses in the sauropod dinosaurs Giraffatitan and Apatosaurus. PLOS ONE 8(10):e78213. 14 pages. doi: 10.1371/journal.pone.0078213 [PDF]

Now that Matt and I have blogged various thoughts about how to orient vertebra (part 1, part 2, relevant digression 1, relevant digression 2, part 3) and presented a talk on the subject at the 1st Palaeontological Virtual Congress, it’s time for us to strike while the iron is hot and write the paper.

Figure A. NHMUK PV R2095, the holotype dorsal vertebra of Xenoposiedon proneneukos in left lateral view. A. In the canonical orientation that has been used in illustrations in published papers (Taylor and Naish 2007, Taylor 2018b, in blog-posts and on posters and mugs. B. Rotated 15° “backwards” (i.e. clockwise, with the dorsal portion displaced caudally), yielding a sub-vertical anterior margin in accordance the recommendation of Mannion (2018b). In both parts, the blue line indicates the horizontal axis, the green line indicates the vertical axis, and the red line indicates the slope of the neural arch as in Taylor (2018b: figure 3B, part 2). In part A, the slope (i.e. the angle between the red and green lines) is 35°; in part B, it is 20°.

We’re doing it totally in the open, on GitHub. You can always see the most recent version of the manuscript at https://github.com/MikeTaylor/palaeo-vo/blob/master/vo-manuscript.md and you can also review the history of its composition if you like — from trivial changes like substituting a true em-dash for a double hyphen, to significant additions like writing the introduction.

More than that, you can contribute! If you think there’s a mistake, or something missing that should be included, or if you just have a suggestion, you can file an issue on the project’s bug-tracker. If you’re feeling confident, you can go further and directly edit the manuscript. The result will be a tracked change that we’ll be notified of, and which we can accept into, or reject from, the master copy.

We hope, by making all this visible online, to demythologise the process of writing a paper. In a sense, there is no magic to it: you just start writing, do a section at a time, revise as you go, and eventually you’re done. It’s much like writing anything else. (Doing the referencing can make it much slower than regular writing, though!)

By the way, you may wonder why the illustration above is “Figure A” rather than “Figure 1”. In all my in-progress manuscripts, I just assign letters to each illustration as I add it, not worrying about ordering. Only when the manuscript is ready to be submitted do I take the order that the illustrations occur in (A, D, G, H, B, I, E, F, for example, with C having been dropped along the way) and replace them with consecutive numbers. So I save myself a lot of tedious and error-prone renumbering every time that, in the process of composition, I insert an illustration anywhere before the last existing one. This is really helpful when there are a lot of illustrations — as there tend to be in our papers, since they’re all in online-only open-access venues with no arbitrary limits. For example, our four co-authored papers from 2013 had a total of 69 illustrations (11 in Taylor and Wedel 2013a, 25 in Wedel and Taylor 2013a, 23 in Taylor and Wedel 2013b and 10 in Wedel and Taylor 2013b).




I know, I know — you never believed this day would come. And who could blame you? Nearly thirteen years after my 2005 SVPCA talkSweet Seventy-Five and Never Been Kissed, I am finally kicking the Archbishop descriptive work into gear. And I’m doing it in the open!

In the past, I’ve written my academic works in LibreOffice, submitted them for peer-review, and only allowed the world to see them after they’ve been revised, accepted and published. More recently, I’ve been using preprints to make my submitted drafts public before peer review. But there’s no compelling reason not to go more open than that, so I’ll be writing this paper out in the open, in a public GitHub repository than anyone can access. That also means anyone can file issues if they thing there’s something wrong or missing, and anyone can submit pull-requests if they have a correction to contribute.

I’ll be writing this paper in GitHub Flavoured Markdown so that it displays correctly right in the browser, and so that patches can be supported. That will make tables a bit more cumbersome, but it should be manageable.

Anyway, feel free to follow progress at https://github.com/MikeTaylor/palaeo-archbishop

The very very skeletal manuscript is at https://github.com/MikeTaylor/palaeo-archbishop/blob/master/archbishop-manuscript.md