This was an interesting exercise. It was my first time generating a poster to be delivered at a conference since 2006. Scientific communication has evolved a lot in the intervening decade, which spans a full half of my research career to date. So I had a chance to take the principles that I say that I admire and try to put them into practice.

It helped that I wasn’t working alone. Jann and Brian both provided strong, simple images to help tell the story, and Mike and I were batting ideas back and forth, deciding on what we could safely leave out of our posters. Abstracts were the first to go, literature cited and acknowledgments were next. We both had the ambition of cutting the text down to just figure captions. Mike nailed that goal, but my poster ended up being slightly more narrative. I’m cool with that – it’s hardly text-heavy, especially compared with most of my efforts from back when. Check out the text-zilla I presented at SVP back in 2006, which is available on FigShare here. I am happier to see, looking back, that I’d done an almost purely image-and-caption poster, with no abstract and no lit cited, as early as 1999, with Kent Sanders as coauthor and primary art-generator – that one is also on FigShare.

I took 8.5×11 color printouts of both my poster and Mike’s, and we ended up passing out most of them to people as we had conversations about our work. That turned out to be extremely useful – I had a 30-minute conversation about my poster at a coffee break the day before the posters even went up, precisely because I had a copy of it to hand to someone else. Like Mike, I found that presenting a poster resulted in more and better conversations than giving a talk. And it was the most personally relaxing SVPCA I’ve ever been to, because I wasn’t staying up late every night finishing or practicing my talk.

I have a lot of stuff to say about the conference, the field trip, the citability of abstracts and posters (TL;DR: I’m for it), and so on, but unfortunately no time right now. I’m just popping in to get this posted while it’s still fresh. Like Mike’s poster, this one is now published alongside my team’s abstract on PeerJ PrePrints.

I will hopefully have much more to say about the content in the future. This is a project that Jann, Brian, and I first dreamed up over a decade ago, when we were grad students at Berkeley. Mike provided the impetus for us to get it moving again, and kindly stepped aside when I basically hijacked his related but somewhat different take on ontogeny and serial homology. When my fall teaching is over, I’m hoping that the four of us can take all of this, along with additional examples found by Mike that didn’t make it into this presentation, and shape it into a manuscript. I’ll keep you posted on that. In the meantime, the comment field is open. For some related, previously-published posts, see this one for the baby sauropod verts, this one for CM 555, and this one for Plateosaurus.

Flying over Baffin Island on the way home.

And finally, since I didn’t put them into the poster itself, below are the full bibliographic references. Although we didn’t mention it in the poster, the shell apex theory for inferring the larval habits of snails was first articulated by G. Thorson in 1950, which is referenced in full here.

Literature Cited

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Promoting this to a post of its own, because dang, it deserves it. Frequent commenter Warren just brought to our attention this video, in which legendary* make-up artist Michael Westmore reveals that he based the design of the Klingon foreheads in Star Trek: The Next Generation on dinosaur vertebrae. Lots of discussion on this point between 3:40 and about 5:40 in the video.

*Westmore has won an Oscar and nine Emmys for his make-up work, and made make-up kits for CIA spies. His Wikipedia page is worth a read. If you saw some weirdo in a Trek series between ST:TNG and Enterprise, it was probably Westmore’s design.

Many thanks to Warren for letting us know about this. Fittingly, he put it in a comment on the final post in the Umbaran starfighter saga, in which we hypothesized and then confirmed that the Umbaran starfighters from Star Wars: The Clone Wars were based on cervical vertebrae of Apatosaurus.

I wonder how many other sci-fi universes will be – or already have been! – invaded by dinosaur vertebrae?

Old drawings (of heads)

June 25, 2017

I was organizing my files in DropBox and I found a folder of old drawings I’d almost forgotten about. I drew this back in the late 90s. It was used on a t-shirt by the OU Zoology Department. I got the general idea of making a head out of animals, and the specific idea of using a butterfly wing for the ear, from Wayne Douglas Barlowe’s cover for the novel Wild Seed by Octavia Butler. The snake I stole from ancient Egypt. I think everything else is in there just because I thought it was cool. Note that inverts, fish, herps, birds, and mammals are all represented, with a good balance of aquatic, terrestrial, and volant forms. It looks awfully hippie-dippie from 20 years out, but heck, what doesn’t?

“Solitude” by Mathew Wedel. CC BY-NC 4.0.

Well, this, I suppose.

I drew this about the same time. I was reading The Gnostic Gospels by Elaine Pagels and lots of stuff about ancient monastic traditions and thinking that if the world is an illusion that must be penetrated, then the evidence of one’s senses can only mislead. Also, Vicki was working for the state medical examiner in Oklahoma City and they used wooden dowels to represent the paths of bullets when reconstructing the skulls of those killed by gunfire. So here’s the skull of a monk, with all of the lethal pathways of distraction and temptation clearly marked as such. At last he can contemplate the eternal mysteries in perfect solitude.

Obviously I didn’t get on board the world-is-an-illusion, sensation-is-bad train – skewed pretty hard in the opposite direction, in fact. Possibly because years earlier the Chessmen of Mars by Edgar Rice Burroughs had shown me that pursuing ‘pure’ intellectual and spiritual inquiry would ultimately lead one to a pathetic existence as a disembodied head living in a cave (high culture, meet low culture). Anyway, whatever interest I might have had in that philosophy I exorcised through this drawing. Stripped of any art-making-a-point baggage, I still think it’s pretty bitchin’. I should make t-shirts.

Actually, I probably will make t-shirts of this one if there’s any interest. Hence the CC BY-NC license I put on it, as opposed to the normal CC BY for almost everything else on this site. Look at me, boldly experimenting with new licenses.

This, obviously, is a lot more recent. I was collating all of my scanned drawings and I realized that I’d gone to the trouble of drawing the cranium and lower jaw of Aquilops separately, but I’d never posted the version from before I composited them back into articulation. It is very unlike me to do work and then hide it, so here it is.

It wasn’t until I the post mostly written that I realized that all three drawings are of heads, none of them are saurischians (although the first includes a saurischian, but not the cool kind), and two are stinkin’ mammals (and not the cool kind). I stand ready for your slings and arrows.

For previous posts on my drawings, see:

I floated this idea on Fist Full of Podcasts, and Andrew Stuck gave it a shout-out in the comments, so I’m promoting it to a post.

The idea, briefly, is that sauropods grew fast and had enormous energy demands and even though horsetails and pine needles are surprisingly nutritious (Hummel et al. 2008), they probably suck to eat all the time. Extant herbivores are notoriously carnivorous when no-one is looking, and it’s silly to assume that extinct ones were any different. It seems likely that a big, hungry sauropod, gifted by natural selection with more selfish opportunism than compassion, would probably have viewed a turtle as a quick shot of protein and calcium, and a welcome hors d’oeuvre before stripping yet another conifer or tree fern. Furthermore, said sauropod would have been well-equipped to render the unfortunate chelonian into bite-size chunks, as shown above. The first time might even have been accidental. (Yeah, sure, Shunosaurus, I believe you. [rolls eyes])

Given that sauropods and turtles coexisted over most of the globe for most of the Mesozoic, I’ll bet this happened all the time. I don’t know how to falsify that,* but how could it not have? You’d have to assume that sauropods didn’t run into turtles, or that their mercy outweighed their curiosity and hunger. That’s even more bonkers than turtle nachos.** As Sherlock Holmes almost said, “When you have eliminated the impossible, whatever remains – no matter how stupid/awesome – was probably done by sauropods.”

* “Oh, you found a boatload of turtle shell pieces at your fossil site? How tantalizingly unprecedented – please tell me more!” said no-one ever. Seriously, everyone who works on stuff younger than the Early Jurassic seems to bitch about all of the turtle frags they find, whether they’re looking for Apatosaurus or Australopithecus.

** Not to be all navel-gazey, but that is conservatively the greatest sentence I have ever written.

In conclusion, sauropods stomped on turtles and ate them, because duh. Fight me.

Further Reading

For more sauropods stomping, see:

And for sauropods not eating, but gettin’ et:

Reference

Hummel, J., Gee, C. T., Südekum, K. H., Sander, P. M., Nogge, G., & Clauss, M. (2008). In vitro digestibility of fern and gymnosperm foliage: implications for sauropod feeding ecology and diet selection. Proceedings of the Royal Society of London B: Biological Sciences, 275(1638), 1015-1021.

 

 

Help me find this notebook

January 30, 2017

best-notebook-ever

TL;DR: if you know where I can get a notebook just like this one, or from the same manufacturer and made to the same specs, or have one of your own that I could buy off you (provided it’s mostly unused), please let me know in the comments.

best-notebook-ever-2

Long version:

This is the best notebook I’ve ever used. The cover is 7.25 x 10 inches, made of some kind of dense and probably recycled paper board. It’s twin-loop wire bound, has a button-and-string closure and a separate loop of board inside the back cover to hold a pen or pencil. Heavyweight cream paper. Has a fossil fish, Eoholocentrum macrocephalum, embossed on the cover, with the Linnean binomial properly capitalized and italicized.

I’ve used loads of other notebooks, including several sizes and designs of Moleskine and Rite-in-the-Rain, and this one is by far my favorite. Why? It lies flat when open or folded back on itself, the wire binding has never hung up, torn a page, or otherwise malfunctioned in over four years of travel and heavy use, and the pen holder and button string closure are perfect for my purposes. I’ve never had a notebook with an elastic band that didn’t wear out, and I usually have to build my own pen loops out of tape.

The one I have was a gift from Mark Hallett, who picked it up at SVP some years ago. Neither of us know who made it. But I’d really like to have another one, because mine is almost full. So far all of my searching online and off has failed to turn up a notebook like this, either another original or one with the same features made to the same specs. So if you know something about this, please pass it on!

Frog RLN ventral view - Ecker 1889 plate 1 fig 115 - RLN highlighted

Just posting a few images from my impending talk at SVPCA this Thursday.

I’ve written about the recurrent laryngeal nerve before, in Wedel (2012) and in this post. It’s present in all tetrapods, from frogs and salamanders on up. The frog RLN is shown in ventral view above, and in lateral view below, both from Ecker (1889:plate 1, figures 114 and 115). I’ve highlighted the RLN in red in both. Perhaps not a monument of inefficiency, but still recurrent, and therefore dumb.

Frog RLN lateral view - Ecker 1889 plate 1 fig 114 - RLN highlighted

And in a giraffe – RLN in blue, nerve path to hindfoot phalanges in red. Hollow circles are nerve cell bodies, solid lines are axons.

Giraffe skeleton silhouette 1000 with nerves

And in the elasmosaur Hydrotherosaurus, same color scheme plus the nerve path to the tail in purple, base image from Welles (1943).

Hydrotherosaurus nerve pathways 4 - RLN pathway

That’s all for now!

References

I’ve been lucky enough to acquire another beautiful specimen. It arrived in a box (though not from Amazon, despite what the box itself might suggest):

2016-03-17 15.45.01

What’s inside?

2016-03-17 15.45.48

Can it be? It is!

2016-03-17 15.46.14

Now I’ve wanted a tortoise for a long time, because they are (Darren will back me up here) the freakiest of all tetrapods. Their scapulae and coracoids have somehow migrated inside their rib-cages (which bear the shell), and their dorsal vertebrae are fused to the shell all along its upper midline. Just ridiculous. Look, this is what I’m talking about. Compare with the much saner approach that armadillos use to having a shell.

Here’s my baby in left anterodorsolateral view:

2016-03-17 15.46.27

And in right posteodorsolateral:

2016-03-17 15.46.39

Can anyone tell me what species I have here?

Here he is (or she?) upside down, in left posteroventolateral view.

2016-03-17 15.46.54

Come to think of it, can anyone tell me the sex of my specimen?

Here he or she is in anterior view, looking very stern.

2016-03-17 15.47.25

The problem is — and I can’t quite believe this never occurred to me until I had a tortoise of my own — how on earth do you deflesh such a creature? I have no idea (and obviously no experience). Any hints?