We don’t post on pterosaurs very often, but I’m making an exception for Caelestiventus. Mostly because I had the unusual experience of holding a life-size 3D print of its skull a few days before it was published. Brooks Britt and George Engelmann are both attending Flugsaurier 2018 in Los Angeles, and Brooks gave a talk on the new pterosaur on Friday. It’s from the Upper Triassic Saints & Sinners Quarry in far northeastern Utah, which has also produced theropods, sphenosuchian crocs (like 80 individuals to date, no exaggeration), drepanosaurs (I’ve seen the material and that paper is going to be mind-blowing whenever it arrives), and other assorted hellasaurs. Some of that material is figured in the Britt et al. (2016) paper on the Saints & Sinners Quarry (a free download from the link below). As far as I know, the Caelestiventus paper is the second big volley on the Saints & Sinners material, out of what will probably be a long stream of important papers.

Anyway, since we’ve just been discussing the utility of 3D printing in paleontology (1, 2), I thought you’d like to see this. Brooks did caution us that the 3D model was a work in progress, and he now thinks that Caelestiventus had a more convex dorsal skull margin, with the downward forehead dip in the version that got printed being less prominent or absent. You can see a slightly different version in the skull recon drawn by second author Fabio M. Dalla Vecchia, which he kindly released into the public domain here.

Otherwise the 3D print is pretty good. The big plate below the orbit is weird and from what I gather not present in other dimorphodontids. Because the Saints & Sinners material was buried in sand, which is relatively incompressible compared to mud and clay, it’s all preserved in three dimensions with essentially no crushing. Caelestiventus therefore yields new information about Dimorphodon micronyx, which has been known since 1859 but mostly from pancaked material.

Stay tuned (in general, not here necessarily) for more on the remarkable tetrapods of the Sants & Sinners Quarry – the next few years are going to be very exciting. And since this may be my first and last Flugsaurier post, many thanks to the organizers for making it such an engaging and enjoyable experience, especially Mike Habib, Liz Martin-Silverstone, and Dave Hone.



I was back in Utah the week before last, looking for monsters with Brian Engh and Jessie Atterholt. It was a successful hunt – more about that another time.

We made a run to Fruita, Colorado, to visit Dinosaur Journey. I was just there in May, picking up Haplocanthosaurus caudals for CT scanning (and other fun things). We picked up another specimen this time, for a different project – more on that in another post, too.

Not this one, but like this one. An apatosaurine middle caudal vertebra, MWC 5742, in left lateral view.

There’s a nice ceratopsian exhibit up at Dinosaur Journey right now, with cast skulls from many of the new ceratopsians that have been described in the past couple of decades. My near-favorites were Zuniceratops and Diabloceratops, both of which are small enough that they must have been adorable in life (think pony-sized and big-horse-sized, respectively).

My absolute favorite, of course, was this little thing:

I can tell you exactly how Aquilops came to be on display there. Julia McHugh printed a copy of the holotype, because it’s freely available to the world. And she used Brian’s Aquilops head recon in the signage (correctly, with attribution), because it’s also freely available to the world. In fact, I’ve seen Aquilops on display at several museums now for just those reasons. So, folks, if you want your critters to be seen, make them open. Hiring a paleoartist to do some awesome artwork that can be released under a CC-BY license (because you paid them, not because you asked them to give their art away for “exposure”) is a huge help.

We had to geek out a little about unexpectedly finding ‘our’ dinosaur on display:

But of course it is not our dinosaur anymore – that’s the whole point. Aquilops belongs to the world.

For more on our trip, see Jessie’s posts herehere, and here.

Ripple rock. Not from the Morrison, but from the overlying Dakota – Lower Cretaceous.

Now this is from the Morrison. My son, London, spotted this tiny tooth of a Jurassic croc while working in the quarry. That’s my thumb and London’s index finger for scale.

London’s index finger again, pointing at a different Morrison tooth. This one’s from a theropod, still exposed in a sandstone block in one of Stovall’s old quarries from the 1930s.

On a completely different hillside, I spotted this skull, of a modern rodent. Vole, maybe? Not my bailiwick, but if you know who this belongs to, let me know in the comments.

Moonrise – and the end of this post. Catch you in the future.

I’ve known who Peter Doson was since I was nine years old. A copy of The Dinosaurs by William Stout and William Service, with scientific content by Peter, showed up at my local Waldenbooks around the same time as the New Dinosaur Dictionary – much more on The Dinosaurs another time. Then when I started doing research as an undergrad at the University of Oklahoma, Peter’s chapter on sauropod paleobiology in The Dinosauria (Dodson 1990) was one of the first things I read. At the SVP banquet in 2000, I ran into Peter and he shook my hand and said, “Sauroposeidon rocks!” I managed not to swoon – barely.

When I was in Philadelphia this March, Peter invited me to the UPenn vet school for an afternoon. He gave me a tour of the building with its beautiful lecture halls and veterinary dissection lab, and then we spent a couple of hours rummaging around in his office. That was one of the highlights of the trip, because it turns out that Peter and I are both comparative anatomy junkies. He’s been at it for longer, and he has more regular access to dead critters and more space to display them, so his collection puts mine to shame. But he kindly let me play with study whatever I wanted.


In fact, he went farther than that: he quizzed me. A lot. I take it that it’s a right of passage for people coming through Peter’s office. It was an enjoyable challenge, and I got photos of a few quiz items so you can play, too. This transversely-sectioned skull was one of the first mystery specimens. I figured it out pretty quickly, for reasons I’ll reveal in a future post. Can you? Post your IDs in the comments.

I don’t remember all of the quiz items. One of them was the dark skull lying upside down behind the ratite skeleton in the photo up top. I had to figure that one out without picking it up, so you have about as much information as I did. We’ll call that one quiz item #2. Embiggenate for all the clues you’ll need.

This wasn’t a quiz item, just something cool: the skull of a large dog with the top of the cranium removed. In the paired cavities at the top, we’re looking down through the frontal sinuses to see the respiratory turbinates in the nasal cavities. The single large space behind is the braincase. At the very front, in the shadowed recess, you can see the cribriform plate of the ethmoid bone, perforated with dozens of holes to let the olfactory nerve endings through from the back of the nasal cavities. We have the same thing on a smaller scale a centimeter or two behind our brows, and oriented horizontally. But what really drew my attention were the linear arrays of paired foramina arcing across the floor of the braincase – holes to let cranial nerves and the internal jugular veins out of the skull, and the internal carotid arteries in. We have the same structures in our heads, of course, but the layout isn’t as neat – our big brains, bent forward at such a sharp angle from the spinal cord, have squished things around a bit.

Here are more skulls, garnished with a human femur and a ratite pelvis and synsacrum. Peter quizzed me on the Archaeoceratops (front) and Auroraceratops (back) skulls on the far right. I IDed them correctly, but only because I spent some quality time with the Alf Museum’s casts when I was reconstructing the skull of Aquilops. On the far left is an alligator skull with injected arteries, which is definitely worth a closer look.

Here’s a dorsal view of the injected alligator skull. The arteries have been injected with red resin, and then all of the soft tissue has been macerated away, leaving just the bone and the internal cast of the arterial tree. Some of the midline bone has been removed here to reveal the courses of the cerebral, ethmoid, and nasal arteries. Also note the artery looping around in the left supratemporal fenestra.

Here’s a look into the right side of the back of the skull, where the lateral wall of the braincase has been Dremeled away to show the course of the internal carotid artery. It’s a very cool demonstration of a bit of anatomy that I had never seen before. For more on cranial blood vessels in crocs, check out the obscenely well-illustrated recent paper by Porter et al. (2016).

To my chagrin, that’s all the good photos I got from Peter’s office – we were too busy passing specimens back and forth and frankly geeking out like a couple of kids. One of my favorite specimens from his office was the mounted foot skeleton of a horse, which Jessie Atterholt had prepared for him when she was his student at UPenn. It’s such a cool preparation that it captured my imagination, and when I got back I warned Jessie that if she didn’t get her own articulated horse foot posted soon, I was going to make something similar for myself and steal her thunder. A couple of months later, her horse foot is up on Instagram – I featured it in this post – and my cow foot is still sitting in pieces, waiting for me to put it together. Here’s a shot of Jessie’s, to hopefully prod me into action:

I didn’t get all of Peter’s quiz questions correct. I knew that the endocast of the pharyngeal pouch in a horse was an endocast, but of what I didn’t know, although I did correctly identify the hyoid apparatus of a horse, mounted separately. And there was a partial cetacean jaw that I misidentified as a shark (in my defense, it was from one of the small, short-faced weirdos). Still, Peter said that I’d done as well as anyone else ever had. That was nice to hear, but I was already happy to have gotten to see and talk about so many cool things with a fellow connoisseur. Thanks, Peter, for a wonderful afternoon, and for permission to post these pictures. I am looking forward to a rematch!


  • Dodson, P. 1990. Sauropod paleoecology. In: D.B. Weishampel, P. Dodson, P., & H. Osmolska, (eds), The Dinosauria, 402-407. University of California Press, Berkeley.
  • Porter, W.R., Sedlmayr, J.C. and Witmer, L.M., 2016. Vascular patterns in the heads of crocodilians: blood vessels and sites of thermal exchange. Journal of Anatomy 229(6): 800-824.
  • Stout, W., Service, W., and Preiss, B. 1984. The Dinosaurs: A Fantastic View of a Lost Era. Bantam Dell Publishing Group, 160pp.

Saw this gem back in the herpetology collections at the Academy of Natural Sciences in Philadelphia and thought, “Someone up and Beauchened a turtle head.” (My inner monologue is a tennis match between an arch language pedant and an unreconstructed hick with a penchant for folksy archaisms.)

What a sweet mount – there should be one of these for every critter in the museum. There should be a Hall of Exploded Skulls, and a Curator of Exploded Skulls. Would that be too much, or not enough? Both hypotheses remain untested. Someone should fix that.

Many, many thanks to Ted Daeschler for showing me all the awesome stuff at the Academy of Natural Sciences – or, if not all, as much as we could cram into two hours.

So, here’s a cool thing that happened at Norwescon. On Saturday afternoon, there was an autograph signing session. Probably to the surprise of no-one, a lot more people were interested in having things signed by the other two guests of honor, Galen Dara and Ken Liu, than by me. But happily I was situated between them so I coasted a bit on the interest they drew. There was quite a bit of downtime in the two-hour session, so I had the chance to chat with both Galen and Ken. That was actually a highlight of the con for me – I was hoping for a chance to get to know my fellow guests of honor a bit, instead of just passing them in the hallways as we all went off to our separate scheduled activities.

Whenever Galen Dara wasn’t signing autographs, she was drawing. Makes sense, right? You probably don’t get to be as professionally successful as she is if making art isn’t compulsive. And it was just my luck that the proximate cool thing around to draw was the skull of Aquilops – I was signing prints of my skull recon, and I had along the reconstructed cast skull that I use for education and outreach. So I had the fairly trippy experience of watching an award-winning artist at the top of her game draw ‘my’ critter.

As you can see from Galen’s Instagram, she draws and paints a lot of skulls, and she spends a lot of time exploring the geometric underpinnings of skulls. She warned me at the outset that her Aquilops skull would be more impressionistic than photo-realistic – her interpretation of Aquilops as organic art. I think it looks pretty great; I have to trace stuff to get the proportions that close on the first go. And as I recently mentioned in another post, it’s always mesmerizing for me to see how a visual artist can conjure form, weight, and texture one pencil-stroke at a time.

Many thanks to Galen for permission to post these pics, and for her interest in my favorite non-sauropod.

If you are within striking distance of Claremont, come watch me cross the streams of my amateur and professional careers as I talk about the intersection of astronomy and paleontology. And if you can’t make it in person, check out the livestream on the Raymond M. Alf Museum page on Facebook. Show starts Saturday, April 14, at 2:30 PM PDT. https://www.facebook.com/AlfMuseum/