Arm lizard

December 16, 2019

Reconstructed right forelimb of Brachiosaurus at Dinosaur Journey in Fruita, Colorado, with me for scale, photo by Yara Haridy. The humerus is a cast of the element from the holotype skeleton, FMNH P25107, the coracoid looks like a sculpt to match the coracoid from the holotype (which is a left), and the other elements are either cast or sculpted from Giraffatitan. But it’s all approximately correct. The actual humerus is 204cm long, but the distal end is eroded and it was probably 10-12cm longer in life. I don’t know how big this cast is, but I know that casts are inherently untrustworthy so I suspect it’s a few cm shorter than it oughta be. For reference, I’m 188cm, but I’m standing a bit forward of the mount so I’m an imperfect scale bar (like all scale bars!). For another view of the same mount from five years ago, see this post.

So I guess the moral is that even thought this reconstructed forelimb looks impressive, the humerus was several inches longer, even before we account for any shrinkage in the molding and casting process, and the gaps between the bones for joint cartilage should probably be much wider, so the actual shoulder height of this individual might have been something like a foot taller than this mount. A mount, by the way, that is about as good as it could practically be, and which I love — I’m including all the caveats and such partly because I’m an arch-pedant, and partly because it’s genuinely useful to know all the ways in which a museum mount might be subtly warping the truth, especially if you’re interested in the biggest of the big.

All of which is a long walk to the conclusion that brachiosaurs are pretty awesome. More on that real soon now. Stay tuned.

The Man Himself, taking notes on what look like Giraffatitan caudals.

Here’s how I got my start in research. Through a mentorship program, I started volunteering at the Oklahoma Museum of Natural History in the spring of 1992, when I was a junior in high school. I’d been dinosaur-obsessed from the age of three, but I’d never had an anatomy course and didn’t really know what I was doing. Which is natural! I had no way of knowing what I was doing because I lacked training. Fortunately for me, Rich Cifelli took me under his wing and showed me the ropes. I started going out on digs, learned the basics of curatorial work, how to mold and cast fossils, how to screenwash matrix and then pick microfossils out of the concentrate under a dissecting microscope, and—perhaps most importantly—how to make a rough ID of an unidentified bone by going through the comparative element collection until I found the closest match.

All set, right? Ignition, liftoff, straight path from there to here, my destiny unrolling before me like a red carpet.

No.

It could have gone that way, but it didn’t. I had no discipline. I was a high-achieving high school student, but it was all to satisfy my parents. When I got to college, I didn’t have them around to push me anymore, and I’d never learned to push myself. I went off the rails pretty quickly. Never quite managed to lose my scholarships, without which I could not have afforded to be in college, period, but I skimmed just above the threshold of disaster and racked up a slate of mediocre grades in courses from calculus to chemistry. I even managed to earn a C in comparative anatomy, a fact which I am now so good at blocking out that I can go years at a time without consciously recalling it.

After three years of this, I had the most important conversation of my life. Because I was a zoology major I’d been assigned a random Zoology Dept. faculty member as an undergrad advisor. I was given to Trish Schwagmeyer, not because we got on well (we did, but that was beside the point) or had similar scientific interests, just luck of the draw. And it was lucky for me, because in the spring of 1996 Trish looked at my grades from the previous semester, looked me in the eye, and said, “You’re blowing it.” She then spent the next five minutes explaining in honest and excruciating detail just how badly I was wrecking my future prospects. I’ve told this story before, in this post, but it bears repeating, because that short, direct, brutal-but-effective intervention became the fulcrum for my entire intellectual life and future career.

The holotype specimen of Sauroposeidon coming out of the ground in 1994.

Roughly an hour later I had the second most important conversation of my life, with Rich Cifelli. While I’d been lost in the wilderness my museum volunteering had petered out to zero, and Rich would have been completely justified in telling me to get lost. Not only did he not do that, he welcomed me back into the fold, in a terrifyingly precise recapitulation of the Biblical parable of the prodigal son. When I asked Rich if I could do an independent study with him in the next semester, he thought for a minute and said, “Well, we have these big dinosaur vertebrae from the Antlers Formation that need to be identified.” Which is how, at the age of 21, with a rubble pile of an academic transcript and no real accomplishments to stand on, I got assigned to work on OMNH 53062, the future holotype of Sauroposeidon proteles.

I was fortunate in four important ways beyond the forgiveness, patience, and generosity of Richard Lawrence Cifelli:

  • OMNH 53062 was woefully incomplete, just three and a half middle cervical vertebrae, which meant that the project was small enough in concept to be tractable as an independent study for an undergrad. Rich and I both figured that I’d work on the vertebrae for one semester, come up with a family-level identification, and maybe we’d write a two-pager for Oklahoma Geology Notes documenting the first occurrence of Brachiosauridae (or whatever it might turn out to be) in the vertebrate fauna of the Antlers Formation.
  • Because the specimen was so incomplete, no-one suspected that it might be a new taxon, otherwise there’s no way such an important project would have been assigned to an undergrad with a spotty-to-nonexistent track record.
  • Despite the incompleteness, because the specimen consisted of sauropod vertebrae, it held enough characters to be identifiable–and eventually, diagnosable. Neither of those facts were known to me at the time.
  • All of Rich’s graduate students were already busy with their own projects, and nobody else was about to blow months of time and effort on what looked like an unpromising specimen.

NB: this guy is not a prodigy.

There is a risk here, in that I come off looking like some kind of kid genius for grasping the importance of OMNH 53062, and Rich’s other students look like fools for not seeing it themselves. It ain’t like that. The whole point is that nobody grasped the importance of the specimen back then. It would take Rich and me a whole semester of concentrated study just to come to the realization that OMNH 53062 might be distinct enough to be diagnosable as a new taxon, and a further three years of descriptive and comparative work to turn that ‘maybe’ into a paper. People with established research programs can’t afford to shut down everything else and invest six months of study into every incomplete, garbage-looking specimen that comes down the pike, on the off chance that it might be something new. Having the good judgment to not pour your time down a rat-hole is a prerequisite for being a productive researcher. But coming up with a tentative ID of an incomplete, garbage-looking specimen is a pretty good goal for a student project: the student learns some basic comparative anatomy and research skills, the specimen gets identified, no existing projects get derailed, and no-one established wastes their time on what is most likely nothing special. If the specimen does turn out to be important, that’s gravy.

So there’s me at the start of the fall of 1996: with a specimen to identify and juuuust enough museum experience, from my high school mentorship, to not be completely useless. I knew that one identified a fossil by comparing it to known things and looking for characters in common, but I didn’t know anything about sauropods or their vertebrae. Rich got me started with a few things from his academic library, I found a lot more in OU’s geology library, and what I couldn’t find on campus I could usually get through interlibrary loan. I spent a lot of time that fall standing at a photocopier, making copies of the classic sauropod monographs by Osborn, Hatcher, Gilmore, Janensch, and others, assembling the raw material to teach myself sauropod anatomy.

The sauropod monographs live within arm’s reach of my office chair to this day.

In addition to studying sauropods, I also started going to class, religiously, and my grades rose accordingly. At first I was only keeping up with my courses so that I would be allowed to continue doing research; research was the carrot that compelled me to become a better student. There was nothing immediate or miraculous about my recovery, and Rich would have to give me a few well-deserved figurative ass-kickings over the next few years when I’d occasionally wander off course again. But the point was that I had a course. After a few months I learned—or remembered—to take pride in my coursework. I realized that I had never stopped defining myself in part by my performance, and that when I’d been adrift academically I’d also been depressed. It felt like crawling out of a hole.

(Aside: I realize that for many people, depression is the cause of academic difficulty, not the reverse, and that no amount of “just working harder” can offset the genuine biochemical imbalances that underlie clinical depression. I sympathize, and I wish we lived in a world where everyone could get the evaluation and care that they need without fear, stigma, crushing financial penalties, or all of the above. I’m also not describing any case here other than my own.)

What fresh hell is this? (Apatosaur dorsal from Gilmore 1936)

Out of one hole, into another. The biggest problem I faced back then is that if you are unfamiliar with sauropod vertebrae they can be forbiddingly complex. The papers I was struggling through referred to a pandemonium of laminae, an ascending catalog of horrors that ran from horizontal laminae and prespinal laminae through infraprezygapophyseal laminae and spinopostzygapophyseal laminae. Often these features were not labeled in the plates and figures, the authors had just assumed that any idiot would know what a postcentrodiapophyseal lamina was because, duh, it’s right there in the name. But that was the whole problem: I didn’t know how to decode the names. I had no map. SV-POW! tutorials didn’t exist. Jeff Wilson’s excellent and still-eminently-useful 1999 paper codifying the terminology for sauropod vertebral laminae was still years in the future.

Then I found this, on page 35 of Werner Janensch’s 1950 monograph on the vertebrae of what was then called Brachiosaurus brancai (now Giraffatitan):

It was in German, but it was a map! I redrew it by hand in my very first research notebook, and as I was copying down the names of the features the lightbulb switched on over my head. “Diapophyse” meant “diapophysis”, and it was the more dorsal of the two rib attachments. “Präzygapophyse” was “prezygapophysis”, and it was one of the paired articular bits sticking out the front of the neural arch. And, crucially, “Präzygodiapophysealleiste” had to be the prezygodiapophyseal lamina, which connected the two. And so on, for all of the weird bits that make up a sauropod vertebra.

It’s been 22 years and I still remember that moment of discovery, my pencil flying across the page as I made my own English translations of the German anatomical terms, my mind buzzing with the realization that I was now on the other side. Initiated. Empowered. I felt like I had pulled the sword from the stone, found Archimedes’ lever that could move the world. In the following weeks I’d go back through all of my photocopied sauropod monographs with my notebook open to the side, reading the descriptions of the vertebrae for the second or third times but understanding them for the first time, drawing the vertebrae over and over again until I could call up their basic outlines from memory. This process spilled over from the fall of 1996 into the spring of 1997, as Rich and I realized that OMNH 53062 would require more than one semester of investigation.

Interlude with a left femur of the Oklahoma apatosaurine (but not the largest individual).

My memories of those early days of my sauropod research are strongly shaped by the places and circumstances in which I was doing the work. Vicki and I had gotten married in the summer of 1996 and moved into a two-bedroom duplex apartment on the north side of Norman. The upstairs had a long, narrow bathroom with two sinks which opened at either end onto the two upstairs bedrooms, the one in which we slept and the one we used as a home office. In the mornings I could get showered and dressed in no time, and while Vicki was getting ready for work or school I’d go into the office to read sauropod papers and take notes. Vicki has always preferred to have music on while she completes her morning rituals, so I listened to a lot of Top 40 hits floating in from the other upstairs rooms while I puzzled out the fine details of sauropod vertebral anatomy.

Two songs in particular could always be counted on to play in any given hour of pop radio in the early spring of 1997: Wannabe by the Spice Girls, and Lovefool by the Cardigans. I am surely the only human in history to have this particular Pavlovian reaction, but to this day when I hear either song I am transported back to that little bedroom office where I spent many a morning poring over sauropod monographs, with my working space illuminated by the light of the morning sun pouring through the window, and my mind illuminated by Werner Janensch, who had the foresight and good grace to give his readers a map.

Figure 5 from my undergraduate thesis: OMNH 53062 in right lateral view.

If you want to know what I thought about OMNH 53062 back in 1997, you can read my undergraduate thesis—it’s a free download here. Looking back now, the most surprising thing to me about that thesis is how few mentions there are of pneumaticity. I met Brooks Britt in the summer of 1997 and had another epochal conversation, in which he suggested that I CT scan OMNH 53062 to look at the air spaces inside the vertebrae. I filed my undergrad thesis in December of 1997, and the first session CT scanning OMNH 53062 took place in January, 1998. So in late 1997 I was still a pneumaticity n00b, with no idea of the voyage I was about to embark upon.

In 2010, after I was settled in as an anatomist at Western University of Health Sciences, I wrote a long thank-you to Trish Schwagmeyer. It had been 14 years since that pivotal conversation, but when she wrote back to wish me well, she still remembered that I’d gotten a C in comparative anatomy. I’d have a chance to make amends for that glaringly anomalous grade later the same year. At ICVM in Punta del Este, Uruguay, I caught up with Edie Marsh-Matthews, who had taught my comparative anatomy course back when. I apologized for having squandered the opportunity to learn from her, and she graciously (and to my relief) shifted the conversation to actual comparative anatomy, the common thread that connected us in the past and the present.

If the story has a moral, it’s that I owe my career in large part to people who went out of their way to help me when I was floundering. And, perhaps, that the gentle approach is not always the best one. I needed to have my head thumped a few times, verbally, to get my ass in gear, when less confrontational tactics had failed. I slid easily through the classrooms of dozens of professors who watched me get subpar grades and didn’t try to stop me (counterpoint: professors are too overworked to invest in every academic disaster that comes through the door, just like paleontologists can’t study every garbage specimen). If Trish Schwagmeyer and Rich Cifelli had not decided that I was worth salvaging, and if they not had the grit to call me out on my BS, I wouldn’t be here. As an educator myself now, that thought haunts me. I hope that I will be perceptive enough to know when a student is struggling not because of a lack of ability but through a lack of application, wise enough to know when to deploy the “you’re blowing it” speech, and strong enough to follow through.

References

  • Gilmore Charles W. 1936. Osteology of Apatosaurus, with special reference to specimens in the Carnegie Museum. Memoirs of the Carnegie Museum 11:175–300 and plates XXI–XXXIV.
  • Janensch, Werner.  1950.  Die Wirbelsaule von Brachiosaurus brancai.  Palaeontographica (Suppl. 7) 3: 27-93.
  • Wedel, M.J. 1997. A new sauropod from the Early Cretaceous of Oklahoma. Undergraduate honor thesis, Department of Zoology, University of Oklahoma, Norman, OK. 43pp.
  • Wilson, J.A. 1999. A nomenclature for vertebral laminae in sauropods and other saurischian dinosaurs. Journal of Vertebrate Paleontology 19: 639-653.

Matt with big Apato dorsal 2000

Final bonus image so when I post this to Facebook, it won’t grab the next image in line and crop it horribly to make a preview. This is me with OMNH 1670, in 2003 or 2004, photo by Andrew Lee.

A life-size silhouette of the Snowmass Haplocanthosaurus, with Thierra Nalley, me, and Jessie Atterholt for scale. Photo by Jeremiah Scott.

Tiny Titan, a temporary exhibit about the Snowmass Haplocanthosaurus project, opened at the Western Science Center in Hemet, California, last night. How? Why? Read on.

Things have been quieter this year on the Haplo front than they were in 2018, for many reasons. My attention was pulled away by a lot of teaching and other day-job work–we’re launching a new curriculum at the med school, and that’s eaten an immense amount of time–and by some very exciting news from the field that I can’t tell you about quite yet (but watch this space). Things are still moving, and there will be a paper redescribing MWC 8028 and all the weird and cool things we’ve learned about it, but there are a few more timely things ahead of it in the queue.

One of the things going on behind the scenes this year is that Jessie Atterholt, Thierra Nalley, and I have been working with Alton Dooley, the director of the Western Science Center, on this exhibit. Alton has had a gleam in his eye for a long time of using the WSC’s temporary exhibit space to promote the work of local scientists, and we had the honor of being his first example. He also was not fazed by the fact that the project isn’t done–he wants to show the public the process of science in all of its serendipitous and non-linear glory, and not just the polished results that get communicated at the end.

Everything’s better cut in half. Photo by Jessie Atterholt.

Which is not to say that the exhibit isn’t polished. On the contrary, it looks phenomenal. Thanks to a loan from Julia McHugh at Dinosaur Journey in Colorado, most of the real fossils are on display. We’re only missing the ribs and most of the sacrum, which is too fragmentary and fragile to come out of its jacket. As you can see from the photo up top, there is a life-size vinyl silhouette of the Snowmass Haplo, with 3D prints of the vertebrae in approximate life position. Other 3D prints show the vertebrae before and after the process of sculpting, rescanning, and retrodeformation, as described in our presentation for the 1st Palaeontological Virtual Congress last year (that slideshow is a PeerJ Preprint, here). The exhibit also includes panels on “What is Haplocanthosaurus” and its relationships, on pneumaticity in sauropods, on the process of CT scanning and 3D modeling, and on the unusual anatomical features of the Snowmass specimen. The awesome display shown above, with the possibly-bumpy spinal cord and giant intervertebral discs reconstructed, was all Alton–he did the modeling, printing, and assembly himself.

Haplo vs Bronto. Thierra usually works on the evolution and development of the vertebral column in primates, so I had to show her how awesome vertebrae can be when they’re done right. Photo by Brittney Stoneburg.

My favorite thing in the exhibit is this striking comparison of one the Snowmass Haplo caudals with a proximal caudal from the big Oklahoma apatosaurine. This was Alton’s idea. He asked me if I had any photos of caudal vertebrae from really big sauropods that we could print at life size to compare to MWC 8028, and my mind went immediately to OMNH 1331, which is probably the second-largest-diameter vertebra of anything from all of North America (see the list here). It was also Alton’s idea to fill in the missing bits using one of Marsh’s plates of Brontosaurus excelsus from Como Bluff in Wyoming. It’s a pretty amazing display, and it turns out to have been a vehicle for discovery, too–I didn’t realize until I saw the verts side-by-side that the neural canal of the Snowmass Haplo caudal is almost as big as the neural canal from the giant apatosaurine caudal. It’s not a perfect comparison, because the OMNH fossil doesn’t preserve the neural canal, and the Como specimen isn’t that big, but proportionally, the Snowmass Haplo seems to have big honkin’ neural canals, not just at the midpoint (which we already knew), but all the way through. Looks like I have some measuring and comparing to do.

(Oh, about the title: we don’t know if the Snowmass Haplo was fully grown or not, but not all haplocanthosaurs were small. The mounted H. delfsi in Cleveland is huge, getting into Apatosaurus and Diplodocus territory. Everything we can assess in the Snowmass Haplo is fused, for what that’s worth. We have some rib chunks and Jessie will be doing histo on them to see if we can get ontogenetic information. I’ll keep you posted.)

Brian’s new Haplocanthosaurus restoration, along with some stinkin’ mammals. Photo by Jessie Atterholt.

Brian Engh contributed a fantastic life restoration of Haplocanthosaurus pro bono, thanks to this conversation, which took place in John Foster’s and ReBecca Hunt-Foster’s dining room about a month ago:

Brian: What are you drawing?

Me: Haplocanthosaurus.

Brian: Is that for the exhibit?

Me: Yup.

Brian (intense): Dude, I will draw you a Haplocanthosaurus.

Me: I know, but you’re a pro, and pros get paid, and we didn’t include a budget for paleoart.

Brian (fired up): I’m offended that you didn’t just ask me to draw you a Haplocanthosaurus.

Then he went to the Fosters’ couch, sat down with his sketchbook, and drew a Haplocanthosaurus. Not only is it a stunning piece on display in the exhibit, there are black-and-white printouts for kids to take and color (or for adults to take to their favorite tattoo artists, just sayin’). [Obligatory: this is not how things are supposed to work. We should all support original paleoart by supporting the artists who create it. But Brian just makes so damn many monsters that occasionally he has to kick one out for the heck of it. Also, I support him on Patreon, and you can, too, so at a stretch you could consider this the mother of all backer rewards.]

One special perk from the opening last night: Jessica Bramson was able to attend. Who’s that, you ask? Jessica’s son, Mike Gordon, found the first piece of bone from the Snowmass Haplo on their property in Colorado over a decade ago. Jessica and her family spent two years uncovering the fossils and trying to get paleontologists interested. In time she got in touch with John Foster, and the rest is history. Jessica lives in California now, and thanks to John’s efforts we were able to invite her to the exhibit opening to see her dinosaur meet the world. Stupidly, I did not get any photos with her, but I did thank her profusely.

A restored, retrodeformed caudal of the Snowmass Haplocanthosaurus, 3D-printed at life size for the exhibit. Photo swiped from the WSC Facebook page.

I owe a huge thanks to Alton Dooley for taking an interest in our work, and to the whole WSC crew for their hard work creating and promoting the exhibit. You all rock.

The exhibit will run through the end of March, 2020, at least. I deliberately did not show most of it, partly because I was too busy having fun last night to be diligent about taking photos, but mostly because I want you to go see it for yourself (I will do a retrospective post with more info after the exhibit comes down, for people who weren’t able to see it in person). If you make it out to Hemet, I hope you have half as much fun going through the exhibit as we did making it.

 

I had an interesting opportunity when I was in Utah and Colorado a couple of weeks ago. At Dinosaur Journey in Fruita, Colorado, I went looking for a cast of the Potter Creek Brachiosaurus humerus. I found it — more on that another time — and I also found a cast of BYU 4503, the holotype dorsal vertebra of Dystylosaurus (now almost universally regarded as Supersaurus [but then…]), lurking with it in a corner of the collections room.

Dystylosaurus cast, posterior view.

Somehow I had overlooked the Dystylosaurus cast on all of my previous visits to DJ, which is a shame, because the cast is easy to pick up, flip over, and manipulate. Very much unlike the actual fossil, which combines the charming attributes, shared with many other sauropod vertebrae, of weighing hundreds of pounds but still being awfully fragile.

Dystylosaurus cast, anterior view.

So, hey ya, I had a chance to photograph and measure both sides of the vertebra. You’re not supposed to take measurements from casts, but I figured what the heck, no-one was going to lock me up for it, and I could compare the measurements from the cast to the measurements of the real thing when I visited BYU later in the trip. And that’s exactly what I did. It was easy to make sure I took the second set of measurements the same way I had done the first set, because I took them just a few days apart.

The real deal at BYU.

Here’s what I got. For each measurement, the actual value measured from the real fossil at BYU comes first, followed by the same measurement from the cast at Dinosaur Journey, followed by the difference as a percentage of the first (true) measurement.

  • Total Height (as preserved): 1050mm / 1022mm / -2.6%
  • Max Width (as preserved): 905mm / 889mm / -1.8%
  • Anterior Centrum Height: 400mm / 394mm / -1.5%
  • Anterior Centrum Width: 470mm / 454mm / -3.4%
  • Posterior Centrum Height: 365mm / 352mm / -3.5%
  • Posterior Centrum Width: 480mm / 473mm / -1.5%

They’re not the same! On average, the measurements of the cast are 2.4% smaller than the same measurements taken from the actual bone. (Incidentally, you may be wondering how I measured the posterior centrum faces of the BYU vertebra without flipping it. I used a couple of wooden blocks as orthogonators and measured between them, and I did it at several points to make sure they were truly parallel. In essence, I made giant redneck calipers, a method that Mike and I have had to employ many times when measuring huge, weirdly-shaped fossils. Remind me to show you John Foster’s giant caliper setup sometime.)

Dinosaur Journey cast in right lateral view, big doofus for scale.

Anyway, the discrepancy in the measurements should not be surprising. It is a known phenomenon that when an object is molded and cast, there is a little bit of shrinkage. You can see it bedevil Adam Savage in his quest for the ultimate Maltese Falcon replica in this charming video:

So, on one hand, no outright disasters here; all of the cast measurements are within a few percent of the real measurements, so if all you had was a cast, you could get a pretty good sense of the size of the real thing. But precision counts, even among giant sauropods. In a world where the largest vertebra of Argentinosaurus is only 1cm bigger in diameter than the largest vertebra of Patagotitan, differences like I got with Dystylosaurus would be enough to scramble the order of giant vertebrae. So if you’re ever stuck measuring something from a cast, be forthright and say as much, so that no-one mistakes the cast measurements for the real thing.

Here are some more measurements from BYU 4503, the real thing, for you completists. Note that the vertebra is sheared a bit from right postero-ventral to left antero-dorsal, so figuring out how to take the centrum length is not straightforward. I ended up doing it twice, once orthogonal to the posterior centrum face, and once following the slant of the centrum, both at the mid-height of the centrum, as shown in the little diagram from my notebook (above).

  • Centrum Length, left side, orthogonal: 295mm
  • Centrum Length, left side, on the slant: 310mm
  • Centrum Length, right side, orthogonal: 280mm
  • Centrum Length, right side, on the slant: 305mm
  • Max Width across prezygs: 305mm
  • Min gap between prezygs: 19mm
  • Max Width across parapophyses: 620mm
  • Max antero-posterior length of prezyg articular surfaces: 55mm
  • Max antero-posterior depth of hypantrum: 95mm
  • Max antero-posterior depth of fossa between spino-prezyg laminae (SPRLs): 80mm
  • Neural spine cavity, max antero-posterior extent: 40mm
  • Neural spine cavity, max medio-lateral extent: 70mm

Finally, a huge thanks to Julia McHugh at Dinosaur Journey and Brooks Britt and Rod Scheetz at BYU for letting me come play with their huge toys er, hugely important scientific specimens. Rod was particularly helpful, shifting giant things about with a forklift, helping me measure bones that are longer than I am tall, and boxing up loan specimens for me. Mike and I have had really good luck with pro-science curators and collections managers, but the folks at DJ and BYU have always been standouts, and I can’t thank them enough.

Back into the Corner of Shame, artificially tiny Dystylosaurus!

Unworn:

Worn:

Spent some time last week just admiring these things. They’re pretty cool.

EDIT: in answer to Mike’s question in the first comment below, here’s a photo of some more worn teeth, showing that the level of wear in the one shown above is not unusual. Also, all of these worn teeth still had full roots, with no sign of the root resorption that would have preceded shedding of the tooth, so they were evidently going to be used for a while yet, probably a few months at least — BUT see the very useful comment from Jens Kosch below on the likely rapidity of tooth replacement in Camarasaurus.

DINO collections - more worn Camarasaurus teeth

Nothing too serious here, just a fun shot I got while in the collections at BYU this past week. The Brachiosaurus element is metacarpal 1 (thumb column) from BYU 4744, the Potter Creek material. I highlighted my own metacarpal 3. There is a metacarpal 3 from this specimen, but I didn’t see it on the shelf. According to D’Emic and Carrano (2019), the MC3 is 60cm long, vs 57cm for this MC1. So this photo could have been 3cm more impressive!

Oh, ignore the tag on the left that says “radius”. You could be forgiven for thinking that the bone I have my hand on is a radius, but the radius from this individual is 1.34 meters long, or about two-and-a-third times the length of this metacarpal.

Reference

D’Emic, M.D. and Carrano, M.T., 2019. Redescription of Brachiosaurid Sauropod Dinosaur Material From the Upper Jurassic Morrison Formation, Colorado, USA. The Anatomical Record.

This awesome photo was taken in the SVPCA 2019 exhibit area by Dean Lomax (L). On the right, Jessie Atterholt, me, and Mike are checking out some Isle of Wight rebbachisaurid vertebrae prepped by Mick Green, who is juuuust visible behind Dean. Jessie’s holding a biggish (as rebbachisaurids go) dorsal or caudal centrum and partial arch, me a lovely little cervical, and Mike an astonishingly delicate and beautiful dorsal. You can see behind us more tables full of awesome fossils, and there were more still across the way, behind Dean and Mick. I was going to throw this photo into the last post to illustrate the exhibit area, but by the time the caption had hit three lines long, I realized it needed a post of its own.

Photo courtesy of Dean, and used with permission. Mark your calendars: on Sunday, Oct. 13, Dean will be speaking at TEDx Doncaster, with a talk titled, “My unorthodox path to success: how my passion for the past shaped my future”. You can follow the rest of Dean’s gradual conquest of the paleosphere through his website, http://www.deanrlomax.co.uk/.

As usual I came back from SVPCA to a mountain of un-dealt-with day-job work, which is why it’s taken me so long to get this post done and up. I wanted to get it posted as quickly as I could decently arrange, because I had a fantastic time at this year’s meeting and I wanted to document a few reasons why, both to thank this year’s hosts and to perhaps inspire the organizers of future meetings.

A shot from the back of the banquet-hall-turned-lecture-theater during Mike’s talk.

1. Space

This year’s presentation space was unlike any I can remember from previous SVPCAs. Instead of being in a lecture hall, talks were held in a big ballroom, and attendees sat in chairs at big circular banquet tables. This had a LOT of positive effects: no edging along long rows of seats to get in or out between talks, easy discussion around and between the tables at the breaks, the opportunity for a group of people to sit together as a group (vs a line or same-facing block), plenty of space to set notebooks, laptops, papers, pens, drinks, etc. I realize that meeting space is probably one of the things that conference organizers have the least control over, but at least from what I saw this year I’d say the ballroom model works even better than the lecture hall model, so that’s a possible consideration for the future.

2. Time

Owing to the smaller-than-normal number of abstract submissions — possibly a function of the meeting being on an island rather than the, uh, somewhat larger island of Great Britain — everyone who asked for a talk got one, and the talk slots were long enough for full 15-minute talks and 5 minutes for questions. So the meeting seemed decompressed. No-one really rushed through their talks (although Mike did speak very quickly), and there was usually plenty of time for questions, and the all-important coffee top-up or between-breaks bio-refresh. I know that a fuller conference is in some ways a healthier conference, and I still maintain that if talks have to be trimmed at future meetings, established players like myself should take the hit so students and early-career-researchers can have some runway, but I still appreciated the more relaxed pace of this meeting.

3. Food and drink

Food and drink service was probably the best that I have experienced at a paleo conference, full stop. I wish I had taken a photo of the ranked rows of coffee cups on saucers, because they never ran out. I don’t think we ever ran out of coffee, either. A lunch of sandwiches, crisps, veggies, and hummus (edit: and cheese, lots of beautiful cheese!) was provided on Thursday and Friday all three days of the conference, and from what I saw, the lunches ran down to a bare handful of sandwiches at the very end but didn’t quite run out — and this was after everyone had ample opportunity to go back for more. Simply an outstanding job.

If I had one quibble, it was that the bar at Cowes Yacht Haven opened about five minutes before the start of Don Henderson’s Fox Lecture on Wednesday evening, without warning and after a lot of people (Mike and me included) had brought in drinks from outside, which we were then told we couldn’t drink on the premises. I realize that the opening and closing of the yacht club bar was probably outside the control of the organizers, but it was an annoyance for those of us who wanted to have a drink with the evening lecture.

4. Exhibitors

I admit to being disappointed when I realized that the meeting would be at Cowes rather than near the Dinosaur Isle museum in Sandown. We did get to visit the museum for the Tuesday evening icebreaker, but other than that we were in a different town entirely. The organizers’ clever solution was to bring the fossils to the paleontologists: several local collectors brought fossils for us to pore over on breaks and during poster time. This was particularly great for Mike, Jessie, and me, since so many of the fossils on display were from sauropods. Jessie and I were able to recognize neural canal ridges in the vertebrae of a rebbachisaurid for the first time, and we were able to use a brachiosaur caudal to demonstrate the ridges to Femke Holwerda, who then told us she’d seen them in a cetiosaur caudal. So our research made meaningful advancements because of the specimens on display, and we made useful contacts.

Speaking of Femke, her big Patagosaurus redescription has been accepted for publication at an OA outlet, so look for that most-welcome work in the not-too-distant future.

There were also paleoartists among the exhibitors, including John Sibbick, Mark Witton, and Luis Rey, among others, including some local artists. I picked up a nice print of a hand-drawn sauropod caudal by Trudie Wilson (this Trudie Wilson, not that Trudie Wilson, although I’m sure she’s a wonderful person too), which I need to do a whole post about, and will soon. I can’t remember now who proposed it, but someone remarked in one of the open sessions about how nice it was to have so much paleoart on display, and that maybe that was something that future meetings could lean into, including having paleoartists give talks about their art. That’s not unprecedented — John Conway and Bob Nicholls have both given presentations on paleoart at previous meetings, either in regular sessions or at evening social functions — but it is a great idea, and one I heartily endorse.

5. Proximity to everything else

Mike did sterling work finding an AirBnB house for a bunch of us (Mike, Darren, Mark Evans, Femke Holwerda, Jeff Liston, Mark Witton, Georgia Witton-Maclean, and Vicki and London and me) that was 300 feet from the entrance to Cowes Yacht Haven and about 700 feet from the banquet hall where the talks were held. I don’t think I’ve ever had such a short walk between my lodgings and the talk venue, even when I’ve stayed in the hotel where the conference was being held. There was also a Sainsbury’s grocery store, a bank of ATMs, and a bunch of restaurants within, seriously, a two-minute walk of the venue. I realize that this was also a lucky circumstance, not readily repeatable for other meetings that take place in museums or university lecture halls at some remove from commercial districts, but it sure was nice. If you had ten minutes, you could legit pop out to Sainsbury’s for some crisps or a beer, and be back at your seat with time to spare.

6. Loot

This one is purely personal, and mostly outside the organizers’ control. (Although they did carelessly put those exhibitors right in the path of my wallet, which fortunately was only running at about Category 3 this trip.) I’m only listing it here to guilt me into finishing the post (or posts) about the items I acquired on the trip, but folks, I did all right. More on that later.

So, a huge thank-you to the organizers of this year’s SVPCA for pulling off such a comfortable and enjoyable meeting. It was a gem. For more on what it was like, please see this post by Emma Nicholls, Deputy Keeper of Natural History at London’s Horniman Museum. If you know of other post-SVPCA conference reviews or retrospectives, please post them in the comments.

In a word, amazingly. After 6 days (counting public galleries last Sunday), 4300 photos, 55 videos, dozens of pages of notes, and hundreds of measurements, we’re tired, happy, and buzzing with new observations and ideas.

We caught up with some old friends. Here Mike is showing an entirely normal and healthy level of excitement about meeting CM 584, a specimen of Camarasaurus from Sheep Creek, Wyoming. You may recognize this view of these dorsals from Figure 9 in our 2013 PeerJ paper.

We spent an inordinate amount of time in the public galleries, checking out the mounted skeletons of Apatosaurus and Diplodocus (and Gilmore’s baby Cam, and the two tyrannosaurs, and, and…).

I had planned a trip to the Carnegie primarily to have another look at the Haplocanthosaurus holotypes, CM 572 and CM 879. I was also happy for the chance to photograph and measure these vertebrae, CM 36034, which I think have never been formally described or referred to Haplocanthosaurus. As far as I know, other than a brief mention in McIntosh (1981) they have not been published on at all. I’m planning on changing that in the near future, as part of the larger Haplocanthosaurus project that now bestrides my career like a colossus.

The real colossus of the trip was CM 555, which we’ve already blogged about a couple of times. Just laying out all of the vertebrae and logging serial changes was hugely useful.

Incidentally, in previous posts and some upcoming videos, we’ve referred to this specimen as Brontosaurus excelsus, because McIntosh (1981) said that it might belong to Apatosaurus excelsus. I was so busy measuring and photographing stuff that it wasn’t until Friday that I realized that McIntosh made that call because CM 555 is from the same locality as CM 563, now UWGM 15556, which was long thought to be Apatosaurus excelsus but which is now (i.e., Tschopp et al. 2015) referred to Brontosaurus parvus. So CM 555 is almost certainly B. parvus, not B. excelsus, and in comparing the specimen to Gilmore’s (1936) plates of CM 563, Mike and I thought they were a very good match.

Finding the tray of CM 555 cervical ribs was a huge moment. It added a ton of work to our to-do lists. First we had to match the ribs to their vertebrae. Most of them had field numbers, but some didn’t. Quite a few were broken and needed to be repaired – that’s what I’m doing in the above photo. Then they all had to be measured and photographed.

It’s amazing how useful it was to be able to reassociate the vertebrae with their ribs. We only did the full reassembly for c6, in part because it was the most complete and perfect of all of the vertebrae, and in part because we simply ran out of time. As Mike observed in his recent post, it was stunning how the apatosaurine identity of the specimen snapped into focus as soon as we could see a whole cervical vertebra put back together with all of its bits.

We also measured and photographed the limb bones, including the bite marks on the radius (above, in two pieces) and ulna (below, one piece). Those will of course go into the description.

And there WILL BE a description. We measured and photographed every element, shot video of many of them, and took pages and pages of notes. Describing even an incomplete sauropod skeleton is a big job, so don’t expect that paper this year, but it will be along in due course. CM 555 may not be the most complete Brontosaurus skeleton in the world, but our ambition is to make it the best-documented.

In the meantime, we hopefully left things better documented than they had been. All of the separate bits of the CM 555 vertebrae – the centra, arches, and cervicals ribs – now have the cervical numbers written on in archival ink (with permission from collections manager Amy Henrici, of course), so the next person to look at them can match them up with less faffing about.

We have people to thank. We had lunch almost every day at Sushi Fuku at 120 Oakland Avenue, just a couple of blocks down Forbes Avenue from the museum. We got to know the manager, Jeremy Gest, and his staff, who were unfailingly friendly and helpful, and who kept us running on top-notch food. So we kept going back. If you find yourself in Pittsburgh, check ’em out. Make time for a sandwich at Primanti Bros., too.

We owe a huge thanks to Calder Dudgeon, who took us up to the skylight catwalk to get the dorsal-view photos of the mounted skeletons (see this post), and especially to Dan Pickering, who moved pallets in collections using the forklift, and moved the lift around the mounted skeletons on Tuesday. Despite about a million ad hoc requests, he never lost patience with us, and in fact he found lots of little ways to help us get our observations and data faster and with less hassle.

Our biggest thanks go to collections manager Amy Henrici, who made the whole week just run smoothly for us. Whatever we needed, she’d find. If we needed something moved, or if we needed to get someplace, she’d figure out how to do it. She was always interested, always cheerful, always helpful. I usually can’t sustain that level of positivity for a whole day, much less a week. So thank you, Amy, sincerely. You have a world-class collection. We’re glad it’s in such good hands.

What’s next? We’ll be posting about stuff we saw and learned in the Carnegie Museum for a long time, probably. And we have manuscripts to get cranking on, some of which were already gestating and just needed the Carnegie visit to push to completion. As always, watch this space.

References

Four huge beasts

March 13, 2019

Left to right: Allosaurus fragilis, Apatosaurus louisae, Homo sapiens, Diplodocus carnegii.