This one.

No time for a long post today, but there are a couple of cool developments I wanted to let you know about. The folks at the Barnes & Noble Settlers Ridge store in Pittsburgh got in touch and asked if I’d give a short talk and do a book signing while I’m in town. That will be this coming Sunday, March 10, at 1:00 PM, in the children’s section at that store, which is located at 800 Settlers Ridge Center Drive. They’ll have copies of my big sauropod book with Mark Hallett, and my kid’s book that came out last fall. Come on out if you’re in the area and interested.

And this one.

In other news, the excellent Medlife Crisis channel on YouTube recently did a video on the recurrent laryngeal nerve and gave a nice shout-out to my 2012 paper. The video is five minutes long and — in my heavily biased opinion — well worth a watch:

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In a move that will surprise no-one who’s been paying attention, my and Matt’s presentation of vertebral orientation at the 1st Palaeo Virtual Congress is now up as a PeerJ preprint. Sadly, with the end of the conference period on 15th December, the page for my talk has been deleted, along with some interesting comments. But here at SV-POW!, we have no truck with ephemerality, hence this more permanent manifestation of our work.

Matt’s preprint consists of the abstract, and has the slide deck as a supplementary data file. That’s what he submitted to the conference, with attendees invited to page through it. By contrast, I recorded a video of my talk. I am trying to get that attached to my preprint, but as things stand it’s not there because it’s too big (at 65 Mb).

Meanwhile — and indeed in perpetuity — you can just watch it on YouTube, where I also uploaded it. In the end, that may be a more practical way of making video available anyway, but I do want the preservational benefit of lodging it with a preprint.

Remember, we’re working on the paper in the open. We’d love to get input from you all, and especially from anyone who’s run into this problem before with other taxa. Please, if you have fifteen minutes spare, watch the talk and leave any comments you have: here, on the preprint, on the YouTube page, or as issues in the GitHub tracker!

Reference

If you were curious about the Wedel et al. presentation on the Snowmass Haplocanthosaurus at the 1st Palaeo Virtual Congress but didn’t attend the event, it is now preserved for posterity and freely available to the world as a PeerJ Preprint (as promised). Here’s the link.

I’ll have much more to say about this going forward, but for now here are slides 20 and 21 on the intervertebral joint spaces. This is obviously just the same vert cloned three times and articulated with itself. With the digital rearticulation of the reconstructed and retrodeformed caudal series still in progress, we cloned caudal 3, the only vertebra that preserves both sets of zygapophyses, to get a rough estimate of the sizes and shapes of the soft tissues that filled the intervertebral spaces and neural canal.

The reconstructed intervertebral discs (in blue) are very crude and diagrammatic. The reason I’m putting these particular slides up is to get the cited references out in the open on the blog, to start correcting the misapprehension that all non-mammalian amniotes have exclusively synovial intervertebral joints (see the discussion in the comments on this post). In the list below I’m including Banerji (1957), which is not cited in the presentation but which I did cite in that comment thread; it’s an important source and at least for now it is a free download. These refs are just the tip of a very big iceberg. One of my goals for 2019 is to do a series of posts reviewing the extensive literature on amphiarthrodial (fibrocartilaginous) intervertebral joints in living lepidosaurs and birds. Stay tuned!

And please go have a look at the presentation if you are at all interested or curious. As we said in the next to last slide, “this research is ongoing, and we welcome your input. If there are facts or hypotheses we haven’t considered but should, please let us know!”

References

The 1st Palaeontological Virtual Congress is underway now, and will run through December 15. Mike and I have two presentations up:

“What do we mean by the directions ‘cranial’ and ‘caudal’ on a vertebra?” by Mike and me, which consists of a video Mike made presenting a slide show that he put together. The presentation sums up our thinking following the series of vertebral orientation posts here earlier this summer and fall, which are all available here.

“Reconstructing an unusual specimen of Haplocanthosaurus using a blend of physical and digital techniques” by me and a gang of WesternU-based collaborators, including Jessie Atterholt and Thierra Nalley, both of whom you saw in our recent pig-hemisecting adventures. Almost everything I’ve written on this blog about Haplocanthosaurus in 2018 was part of the run-up to this presentation (except, somewhat ironically, the post about pneumaticity), which also includes quite a bit that I haven’t put on the blog yet. So even if you follow SV-POW!, the 1PVC slideshow should have plenty of stuff you haven’t seen yet.

IF you can see it–you have to be a registered 1PVC ‘attendee’ to log in to the site and see the presentations. So probably you are either already registered and this post is old news, or not registered and this post seems useless. Why would I bother telling you about stuff you can’t see?

The answer is that neither Mike or I intend for our work to disappear when 1PVC comes to an end on December 15. Both of us are planning to put our abstracts and slide decks up as PeerJ Preprints, which is our default move for conference presentations these days (e.g., this, this, and this). I believe Mike is also going to post his video to YouTube. So the work will not only live on after the congress is over, it will jump to a much broader audience. We’re looking forward to letting everyone see what we’ve been up to, and I’m sure we’ll have some more things to say here when that happens.

So, er, go see our stuff if you’re a 1PVC attendee, and if you’re not, hang in there, we’ll have that stuff out to you in a few days. UPDATE: The Haplo presentation is up now (link).

Late last year I got tapped by the good folks at Capstone Press to write a dinosaur book for their Mind Benders series for intermediate readers. Now it’s out. (In fact, it’s been out for a couple of months now, I’ve just been too busy with other things to get this post up.) Covers all the major groups and some of the minor ones, includes a timeline and evolutionary tree, 112 pages, $6.95 in paperback. Despite the short, punchy, 2-3 facts per critter format, I tried to pack in as many new findings and as much weird trivia as possible, so hopefully it won’t all be old news (facts chosen for the cover notwithstanding). Suggested age range is grades 1-6 but who knows what that means; one of the best reviews that Mark Hallett and I got for our big semi-technical sauropod tome was written by a 6-year-old. Many thanks to my editors at Capstone, Shelly Lyons and Marissa Bolte, for helping me get it over the finish line and wrangling about a trillion details of art and science along the way.

If you need a gateway drug or stocking stuffer for a curious kid, give it a look. Here’s the Amazon link (and for teachers, librarians, and my future reference, the publisher’s link).

I did a fieldwork!

This is going to set new records for “almost too late to be worth posting”, but here goes.

First up, this Wednesday evening, Oct. 18, at 6:00 PM (in about 18 hours), while most of the paleontologists in the West are at SVP in Albuquerque, I will giving a public lecture at the Canyonlands Natural History Assocation’s Moab Information Center, at the corner of Main St. and Center in Moab (link). The talk is titled, “Lost worlds of the Jurassic: Diverse dinosaurs and plants in the lower Morrison Formation of south-central Utah”, and it is free to the public. It’s a report on the fieldwork I’ve been doing in the Morrison Formation of southern Utah for the past few summers with John Foster, Brian Engh, and Jessie Atterholt. I promise lots of pretty pictures and probably more yapping about sauropods than anyone really needs. Did I mention it’s free? I hope to see you there.

Second, I will be at SVP myself, for a bit. Basically Friday night and Saturday. Gotta catch up with collaborators and go see Brian Engh pick up his Lanzendorf Paleoart Prize Saturday night. Why do you care? Western University of Health Sciences has an open position for an anatomist, and a lot of paleo folks have anatomy training, so…if you are interested in this position specifically, or if you have general questions about what it’s like to be a paleontologist teaching gross anatomy at a med school (spoiler: mostly awesome), come find me sometime Friday evening or Saturday and chat me up. I’ll probably be roaming the hallways and talking with folks instead of attending talks (sorry, talk-givers–you all rock, I’m just too slammed this year). And if you are on the job market, have some anatomy experience, and aren’t allergic to sun, palm trees, and amazing colleagues, please consider applying for the position. We’re taking applications through October 26, so don’t tarry. Here’s that link again.

Last night, Fiona and I got back from an exhausting but very satisfying weekend spent at TetZooCon 2018, the conference of the famous Tetrapod Zoology blog run by Darren Naish — the sleeping third partner here at SV-POW!.

What made this particularly special is that Fiona was one of the speakers this time. She’s not a tetrapod zoologist, but a composer with a special interest in wildlife documentaries. She had half an hour on Music for Wildlife Documentaries – A Composer’s Perspective, with examples of her own work. I thought it was superb, but then I would — I’m biased. I’ll hand over to Twitter for a more objective overview:


Darren Naish: Now at #TetZooCon: Fiona Taylor on music in wildlife documentaries. Fiona is a professional composer.

Ellie Mowforth: Next up, it’s “Music for Wildlife Documentaries”. I am SHOCKED to hear that not everyone shares my love for the waddling penguin comedy trombone. #TetZooCon

Nathan Redland: Nature documentaries are entertainment, not just education: and the composer’s budget comes from the studio, not an academic institution #TetZooCon

“If these shows were just a string of facts about animals, most of us wouldn’t watch. That’s why they carve out stories in editing, why they use intense music, and why they recreate the sound effects — because story-telling is what engages us.”
— Simon Cade.

Will Goring: Very effective demonstration; same image, 5 different scores = 5 different interpretations. #TetZooCon

… and here is the relevant segment of video, together with the script that Fiona used:

Picture of wolf

We’re going to play “What kind of wolf is this?” or perhaps a better question is: “what is the music telling us to feel about this wolf?” I written 5 brief musical clips in 5 very different styles I’m hoping will showhow very differently we can be led into feeling about one image.

  1. This wolf is bad, suspense, about to kill something cute.
  2. Preparing to spring into action, attack.
  3. This wolf is sad, it has just lost its pups, if it doesn’t eat soon, it will starve.
  4. This wolf is cute, and cuddly and very playful. You just want to stroke him.
  5. This wolf is noble, kingly, will survive because his race has always survived, with dignity.

Alberta Claw: #TetZooCon Taylor: Provides detailed analysis of musical accompaniment in several documentary clips. Only a few seconds long each, but incredible amount of nuance and thought goes into these decisions.

Dr Caitlin R Kight: I responded exactly as she predicted and would have even without the explanation, but it was more interesting to know why I was feeling what I was, when I was!

Samhain Barnett: At 25 frames a second, a drumbeat has to occur within 2 frames of a nut being cracked, for our brains to accept it as in sync. Computers have made composers lives a lot easier here. #TetZooCon

(I’d like to show the video clip that that last tweet pertains to, but complicated rightsholder issues make that impractical. Sorry.)

Alberta Claw: #TetZooCon Taylor: Given the power of music to influence emotions, documentary composers have responsibility to think about the effects of music. Peer-reviewed research has shown that musical accompaniment can impact motivation of viewers to contribute to shark conservation.

Here are two sketches from Sara Otterstätter, who did this for every talk:

First one: About music in Nature documentaries. Useful or manipulative? #TetZooCon #sketch #sketchbook

Second one: Show documentaries always reality? #TetZooCon #Sketching #sketch

And two final comments …

Filipe Martinho: Quite often the most interesting talks are completely outside my area. Fiona Taylor gave an amazing eye and ear opener on the role of music in nature documentaries and #scicomm. #TetZooCon

Flo: Thanks to Fiona Taylor I will from now on listen more carefully to the music accompanying wildlife docs. #TetZooCon #musicforwildlifedocumentaries


We both had a great time at TetZooCon. As I said in an email to Darren after I got home, “It made me wonder what they heck I’d been thinking, missing the last few”. I don’t plan to repeat that mistake.

Hearing the talks through the ears of someone without much background was an interesting experience. Some of the speakers did a fantastic job of providing just enough background to make their work comprehensible to an intelligent layman: for example, Jennifer Jackson on whales, Robyn Womack on bird circadian rhythms and Albert Chen on crown-bird evolution. There’s a tough line to walk in figuring out what kind of audience to expect at an
event like this, and I take my hat off to those who did it so well.