For those following the saga of Oculudentavis (the beautiful tiny dinosaur preserved in amber that turned out to be a lizard), three more things.

Xing et al. 2020, Extended Data Fig. 2. Computed tomography scan of HPG-15-3 in palatal view, with the mandibles removed, and an isolated quadrate. a, Full palatal view. Dashed square box in a indicates the region enlarged in b [not shown]. bp, basipterygoid process; bs, basisphenoid plate; bsr, basisphenoid rostrum; ch, choana; dt, developing tooth; pt, pterygoid; pp, papillae; pmc, medial contact of the palatal processes of the premaxillae.

First, I’ve updated the timeline in Friday’s post to include several more events, kindly pointed out by commenters Pallas1773 and Ian Corfe. Check back there to better understand the increasingly confusing sequence of events.

Second, David Marjanovic provided an excellent summary of the ICZN issues in a message on the Dinosaur Mailing List. (Summary: you can’t invalidate a name by retracting the paper in which it was erected.) David knows the details of the code as well as anyone, so his analysis is well worth reading.

Finally — and annoyingly, I can’t remember who put me on to this — an interesting Chinese-language article was published two days ago about the retraction [link] [Google translation]. (Apparently the word translated “oolong” should be “mistake”.) It contains a statement from Xing Lida, lead author of the original paper, on the reason for the retraction:

The reporter found that the key to retracting the manuscript was “research progress has been made on a new specimen with a more complete preservation of the same origin discovered by the author team.” The team realized that the skull of the new specimen was very similar to HPG-15-3, but the skeleton behind the head showed a typical squamosaurus form and should be classified as squamosaurus. This indicates that HPG-15-3 is likely to belong to the squamatosaurus, which is different from the initial conclusion.

But the article goes on to note that “there are many loopholes in this withdrawal statement”. It contains some illuminating analysis from Oliver Rauhut and Per Ahlberg, including this from Rauhut: “The main problem of the paper is that the author basically preconceived that the specimen was a bird and analyzed it under this premise (this is not necessarily intentional)“. And it claims:

As early as the evening of March 19, the corresponding author of the paper said in an interview with Caixin Mail, “She recognized the questioner’s conclusion-this is more likely to be a lizard than a bird.”

And this of course was nearly three months before the same author (Jingmai O’Connor) lead-authored the preprint reasserting the avian identity of Oculudentavis.

The more I read about all this, the stranger it seems.

Update (22 August 2020)

A new paper at Zoosystema (Dubois 2020) summarises the nomenclatural situation, citing SV-POW! in passing, and concludes that the name remains nomenclaturally valid despite the retraction of the paper in which is was named — quite rightly.

References

 

Since we wrote about the putative tiny bird Oculudentavis (Xing et al. 2020) last time, things have become rather weirder. I want to discuss two things here: how we got to where we are, and what happens to the zoological name Oculudentavis khaungraae.

Xing et al. 2020, Extended Data Fig. 1. Close-up photographs of HPG-15-3. Part a, Entire skull in left lateral view. The black arrows indicate decay products from the soft tissue of the dorsal surface of the skull and the original position of skull, which drifted before the resin hardened. Scale bars, 2 mm.

First, how we got here. The timeline is a little confused but it seems to go like this:

  • 11 March: Xing et al. (2020) name Oculudentavis khaungraae, describing it as a bird. [link]
  • 11 March: In a Facebook thread on the day the paper is published, Tracey Ford claims that at least some of the authors were told at a symposium by lizard workers that their specimen was a lizard.
  • 12 March: Mickey Mortimer (very quick work!) publishes a blog-post titled “Oculudentavis is not a theropod”, making a solid argument. [link]; see also the followup post [link]
  • 13 March: Andrea Cau, working independently, publishes a blog post in Italian titled “Doubts about the dinosaurian (and avian) state of Oculudentavis” (translated), also making a solid case [link]
  • 13 March: Wang Wei et al. (the same authorship team as in the next entry) publish a detailed, technical Chinese-language article arguing that Oculudentavis is a squamate. [link] [Google translation]
  • 18 March: Li et al. (2020), in a BioRxiv preprint, formally dispute the identity of Oculudentavis, suggesting it is a squamate. [link].
  • 3 May: at the monthly meeting of the Southern California Paleontological Society, where Jingmai O’Connor gives the talk on “The evolution of dinosaurian flight and the rise of birds” she is allegedy “quite upfront about Oculudentavis being a lizard” [link]
  • 29 May: a note is added to the online version of Xing et al. 2020 stating “Editor’s Note: Readers are alerted that doubts have been expressed about the phylogenetic placement of the fossil described in this paper. We are investigating and appropriate editorial action will be taken once this matter is resolved.” [link]. (Steven Zhang later says on Facebook, “I’ve been reliably told by one of the coauthors of the Li et al. commentary piece, Nature rejected the comment from publication but then flagged up the matter as an Editor’s Note.”)
  • 14 June: O’Connor et al. (2020) (mostly the same authors as of the original description) reassert the avian identity of Oculudentavis. [link]
  • 22 July 2020: the original article (Xing et al. 2020) is retracted, with the reason given as “We, the authors, are retracting this Article to prevent inaccurate information from remaining in the literature. Although the description of Oculudentavis khaungraae remains accurate, a new unpublished specimen casts doubts upon our hypothesis regarding the phylogenetic position of HPG-15-3.” [link]

(Note: Facebook always seems very ephemeral, so here is a screenshot of the conversation in question:

I am aware that this is only hearsay, and rather vague: what symposium, what lizard workers? But I’ll leave it here as it does seem to be part of the story — judge it as you will.)

The unambiguously strange thing here is the O’Conner et al. preprint, published after O’Connor had seemingly accepted the squamate identity of Oculudentavis, but arguing for an avian identity. The O’Connor et al. rebuttal of Li et al. is pretty clear on its position, stating at the bottom of page 2:

Our parsimony-based phylogenetic analysis run using TNT placed Oculudentavis in Aves … Forcing a relationship with squamates required 10 additional steps.

But it also contains the rather extraordinary statement “Although in the future new information may prove we are incorrect in our original interpretation … this is in no way due to gross negligence” (p3).

I think we have to assume that O’Connor changed her mind between 11 March (the original publication) and 3 May (the SoCal meeting), then changed it back again by 14 June (the rebuttal of Li et al.), and finally accepted her first change of mind had been correct by 22 July (the retraction). But other interpretations are possible.

And of course the key question here lingers: why was the paper retracted, rather than merely corrected? And why does the journal say the authors retracted it, when the lead author says that the journal did it against their will?

Anyway, enough of the past. What of the future of the name Oculudentavis khaungraae?

The first thing we can all agree on is that (assuming Oculudentavis does turn out to be a squamate), the fact that the generic name misidentifies the phylogenetic position of the taxon is neither here nor there. Zoological nomenclature is full of such misnomers: they are not, and never have been, a reason to remove a name from the record.

But the retraction of the article in which the name was published is another matter. Does it mean, as some have argued, that the name is now nomenclaturally void?

I would strongly argue that no, it does not. There are several lines of reasoning.

First, the International Code of Zoological Nomenclature does not mention retractions at all — from which the simplest conclusion to draw is that it does not recognise them, and considers a paper once published to be published forever.

Second, the wording of the code pertains to the act of publication, not to ongoing status. In Article 8 (What constitutes published work), section 8.1 (Criteria to be met) says “A work must … be issued for the purpose of providing a public and permanent scientific record”. And the Oculudentavis paper certainly was issued for that purpose.

Third, the paper is still out there and always will be: even though electronic copies now bear the warning “This article was retracted on 22 July 2020”, there are thousands of copies of Nature 579 in libraries around the world. They can’t all be amended. What’s written is written. Quod scripsi, scripsi.

And this leads us to the final and most fundamental point: you can’t rewrite history: not one line. The simple and unavoidable reality is that the paper was published. That happened. A retraction can’t undo that — all it really amounts to is an expression of regret.

So the paper was published, and still is published, and the name established in it remains, and is forever tied to the type specimen HPG-15-3. If someone describes the “new unpublished specimen” referred to above, they have no choice but to use the established name Oculudentavis khaungraae: they don’t have the option of naming it (say) Oculudentosaurus instead.

At least, that’s how it seems to me. The International Commission on Zoological Nomenclature has been informally invited on Twitter to state a position, but has not responded at the time of writing — but then it’s not tweeted at all since April, so who knows what (if anything) is going on there? I heard somewhere that Oculudentavis is not being discussed on the ICZN mailing list, but I can’t remember where.

Now would be a good time for them to issue some guidance regarding retractions. And hey, ICZN? If you want to use any of my points above, feel free!

References

 

Back in March, Nature published “Hummingbird-sized dinosaur from the Cretaceous period of Myanmar” by Xing et al. (2020), which described and named a tiny putative bird that was preserved in amber from Myanmar (formerly Burma). It’s a pretty spectacular find.

Xing et al. (2020: figure 1). a, Photograph of the amber piece with skull ventrolaterally exposed. b, c, Scan (b) and drawing (c), left lateral view. d, e, Scan (d) and drawing (e), rostral view. f, g, Scan (f) and drawing (g), occipital view. h, i, Scan (h) and drawing (i), dorsal view. de, dentary; fr, frontal; hy, hyoid bone (or bones); jg, jugal; la, lacrimal; mx, maxilla; pa, parietal; pm, premaxilla; po, postorbital; qd, quadrate; sc, scleral ossicle; so, supraoccipital; sq, squamosal; th, teeth. Scale bars, 5 mm; longer scale bar below b applies to bi.

Today, though, that paper is retracted.

That’s a very rare occurrence for a palaeontology paper. And it raises a lot of questions. The retraction notice reads, in full:

We, the authors, are retracting this Article to prevent inaccurate information from remaining in the literature. Although the description of Oculudentavis khaungraae remains accurate, a new unpublished specimen casts doubts upon our hypothesis regarding the phylogenetic position of HPG-15-3.

But we constantly see papers whose phylogenetic hypotheses are overturned by new specimens. We usually deal with this by writing a new paper. Why, in this case, is there a retraction? Something smells wrong here.

And the plot thickens in Retraction Watch’s account: corresponding author Jingmai O’Connor told them:

I don’t agree with the retraction but there is no point in fighting it, so we all signed it.

I cannot say why Nature chose to retract, I cannot hypothesize on their inner machinations. […] It is also not that unusual for paleontologists to misidentify things and for new information to correct previous hypotheses. However, Nature chose not to publish the Matter’s Arising and instead retracts our paper – they must have their reasons.

This doesn’t add up. The retraction notice explictly states that the authors retracted the original paper — yet the corresponding author says that the journal did it, more or less against the authors’ will.

I don’t know what’s going on here. I agree with O’Connor that “It’s unfortunate because this way science can’t simply correct itself (as it is supposed to do)”. If, as Li et al. (2000) argue, Oculudentavis is actually a squamate (lizard), well, fine: they can publish their conclusion, and the community will arrive at a consensus as to which identification is correct. That’s how it works, right? So why the retraction?

And there’s more: what does this mean for zoological nomenclature? Is the name Oculudentavis khaungraae still nomenclaturally valid? Opinions on this seem to vary (see the Dinosaur Mailing List thread beginning with Ben Creisler’s announcement of the retraction.)

I lean to the interpretation that, since the International Code on Zoological Nomenclature does not mention retractions, it implicitly takes the position that a paper once published is published forever. On that basis, the name Oculudentavis remains valid and attached to the holoype specimen — even if that name, with its -avis suffix, proves to have been poorly chosen in pertaining to a non-bird. (After all, there is plenty of precedent for misleading names staying in place: the whale Basilosaurus is not a saurian, and the clade of “false crocodiles” Pseudosuchia includes the true crocodiles.)

This doesn’t seem to be what Springer Nature wants: in a Facebook exchange forwarded to me by a friend who I will leave anonymous unless he or she chooses to out him or herself, Henry Gee comments “The retraction means the paper is erased from the record, and this includes the name”.

I think this is simply incorrect. But I am no expert: I await comments from those more versed in the intricacies of the ICZN.

At any rate, I can’t help but suspect that something is going on here that’s not being clearly stated. Could it be to do with the fact that Myanmar amber is itself controversial, due to the human rights record of the Myanmar regime? Is it even possible that one or more or the authors of the original Oculudentavis colluded in describing it as a bird when they knew it was something else? I don’t know (and to be 100% clear, I am not accusing anyone of anything). But I do know that Nature‘s vague and possibly misleading retraction notice is not helping, and is not in the spirit of transparency that we aim to cultivate in the sciences.

I’m pretty sure we don’t yet know the full story.

References

 

Daniel Vidal et al.’s new paper in Scientific Reports (Vidal et al. 2020) has been out for a couple of days now. Dealing as it does with sauropod neck posture, it’s obviously of interest to me, and to Matt. (See our earlier relevant papers Taylor et al. 2009, Taylor and Wedel 2013 and Taylor 2014.)

Overview

To brutally over-summarise Vidal et al.’s paper, it comes down to this: they digitized the beautifully preserved and nearly complete skeleton of Spinophorosaurus, and digitally articulated the scans of the bones to make a virtual skeletal mount. In doing this, they were careful to consider the neutral pose of consecutive vertebrae in isolation, looking at only one pair at a time, so as to avoid any unconscious biases as to how the articulated column “should” look.

Then they took the resulting pose, objectively arrived at — shown above in their figure 1 — and looked to see what it told them. And as you can well see, it showed a dramatically different pose from that of the original reconstruction.

Original skeletal reconstruction of Spinophorosaurus nigerensis (Remes et al. 2009:figure 5, reversed for ease of comparison). Dimensions are based on GCP-CV-4229/NMB-1699-R, elements that are not represented are shaded. Scale bar = 1 m.

In particular, they found that as the sacrum is distinctly “wedged” (i.e. its anteroposterior length is greater ventrally than it is dorsally, giving it a functionally trapezoidal shape, shown in their figure 1A), so that the column of the torso is inclined 20 degrees dorsally relative to that of the tail. They also found lesser but still significant wedging in the last two dorsal vertebrae (figure 1B) and apparently some slight wedging in the first dorsal (figure 1C) and last cervical (figure 1D).

The upshot of all this is that their new reconstruction of Spinophorosaurus has a strongly inclined dorsal column, and consequently an strongly inclined cervical column in neutral pose.

Vidal et al. also note that all eusauropods have wedged sacra to a greater or lesser extent, and conclude that to varying degrees all eusauropods had a more inclined torso and neck than we have been used to reconstructing them with.

Response

I have to be careful about this paper, because its results flatter my preconceptions. I have always been a raised-neck advocate, and there is a temptation to leap onto any paper that reaches the same conclusion and see it as corroboration of my position.

The first thing to say is that the core observation is absolutely right, — and it’s one of those things that once it’s pointed out it’s so obvious that you wonder why you never made anything of it yourself. Yes, it’s true that sauropod sacra are wedged. It’s often difficult to see in lateral view because the ilia are usually fused to the sacral ribs, but when you see them in three dimensions it’s obvious. Occasionally you find a sacrum without its ilium, and then the wedging can hardly be missed … yet somehow, we’ve all been missing its implications for a century and a half.

Sacrum of Diplodocus AMNH 516 in left lateral and (for our purposes irrelevant) ventral views. (Osborn 1904 figure 3)

Of course this means that, other thing being equal, the tail and torso will not be parallel with each other, but will project in such a way that the angle between them, measured dorsally, is less than 180 degrees. And to be fair, Greg Paul has long been illustrating diplodocids with an upward kink to the tail, and some other palaeoartists have picked up on this — notably Scott Hartman with his very uncomfortable-looking Mamenchisaurus.

But I do have three important caveats that mean I can’t just take the conclusions of the Vidal et al. paper at face value.

1. Intervertebral cartilage

I know that we have rather banged on about this (Taylor and Wedel 2013, Taylor 2014) but it remains true that bones alone can tell us almost nothing about how vertebrae articulated. Unless we incorporate intervertebral cartilage into our models, they can only mislead us. To their credit, Vidal et al. are aware of this — though you wouldn’t know it from the actual paper, whose single mention of cartilage is in respect of a hypothesised cartilaginous suprascapula. But buried away the supplementary information is this rather despairing paragraph:

Cartilaginous Neutral Pose (CNP): the term was coined by Taylor for “the pose found when intervertebral cartilage [that separates the centra of adjacent vertebrae] is included”. Since the amount of inter-vertebral space cannot be certainly known for most fossil vertebrate taxa, true CNP will likely remain unknown for most taxa or always based on estimates.

Now this is true, so far as it goes: it’s usually impossible to know how much cartilage there was, and what shape it took, as only very unusual preservational conditions give us this information. But I don’t think that lets us out from the duty of recognising how crucial that cartilage is. It’s not enough just to say “It’s too hard to measure” and assume it didn’t exist. We need to be saying “Here are the results if we assume zero-thickness cartilage, here’s what we get if we assume cartilage thickness equal to 5% centrum length, and here’s what we get if we assume 10%”.

I really don’t think it’s good enough in 2020 to say “We know there was some intervertebral cartilage, but since we don’t know exactly how much we’re going to assume there was none at all”.

The thing about incorporating cartilage into articulating models is that we would, quite possibly, get crazy results. I refer you to the disturbing figure 4 in my 2014 paper:

Figure 4. Effect of adding cartilage to the neutral pose of the neck of Diplodocus carnegii CM 84. Images of vertebra from Hatcher (1901:plate III). At the bottom, the vertebrae are composed in a horizontal posture. Superimposed, the same vertebrae are shown inclined by the additional extension angles indicated in Table 2.

I imagine that taking cartilage into account for the Spinophorosaurus reconstruction might have given rise to equally crazy “neutral” postures. I can see why Vidal et al. might have been reluctant to open that can of worms; but the thing is, it’s a can that really needs opening.

2. Sacrum orientation

As Vidal et al.’s figure 1A clearly shows, the sacrum of Spinophorosaurus is indeed wedge-shaped, with the anterior articular surface of the first sacral forming an angle of 20 degrees relative to the posterior articular surface of the last:

But I don’t see why it follows that “the coalesced sacrum is situated so that the posterior face of the last sacral centrum is sub-vertical. This makes the presacral series to slope dorsally and the tail to be subhorizontal (Figs. 1 and 4S)”. Vidal et al. justify this with the claim by saying:

Since a subhorizontal tail has been known to be present in the majority of known sauropods[27, 28, 29], the [osteologically induced curvature] of the tail of Spinophorosaurus is therefore compatible with this condition.

But those three numbered references are to Gilmore 1932, Coombs 1975 and Bakker 1968 — three venerable papers, all over fifty years old, dating from a period long before the current understanding of sauropod posture. What’s more, each of those three was about disproving the previously widespread assumption of tail-dragging in sauropods, but the wedged sacrum of Spinophorosaurus if anything suggests the opposite posture.

So my question is, given that the dorsal and caudal portions of the vertebral column are at some specific angle to each other, how do we decide which (if either) is horizontal, and which is inclined?

Three interpretations of the wedged sacrum of Spinophorosaurus, in right lateral view. In all three, the green line represents the trajectory of the dorsal column in the torso, and the red line that of the caudal column. At the top, the tail is horizontal (as favoured by Vidal et al. 2020) resulting in an inclined torso; at the bottom, the torso is horizontal, resulting in a dorsally inclined tail; in the middle, an intermediate posture shows both the torso and the tail slightly inclined.

I am not convinced that the evidence presented by Vidal et al. persuasively favours any of these possibilities over the others. (They restore the forequarters of Spinophorosaurus with a very vertical and ventrally positioned scapula in order to enable the forefeet to reach the ground; this may be correct or it may not, but it’s by no means certain — especially as the humeri are cross-scaled from a referred specimen and the radius, ulna and manus completely unknown.)

3. Distortion

Finally, we should mention the problem of distortion. This is not really a criticism of the paper, just a warning that sacra as preserved should not be taken as gospel. I have no statistics or even systematic observations to back up this assertion, but the impression I have, from having looked closely at quite a lot of sauropod vertebra, is the sacra are perhaps more prone to distortion than most vertebrae. So, for example, the very extreme almost 30-degree wedging that Vidal et al. observed in the sacrum of the Brachiosaurus altithorax holotype FMNH PR 25107 should perhaps not be taken at face value.

Now what?

Vidal el al. are obviously onto something. Sauropod sacra are screwy, and I’m glad they have drawn attention in a systematic way to something that had only been alluded to in passing previously, and often in a way that made it seems as though the wedging they describe was unique to a few special specimens. So it’s good that this paper is out there.

But we really do need to see it as only a beginning. Some of the things I want to see:

  • Taking cartilage into account. If this results in silly postures, we need to understand why that is the case, not just pretend the problem doesn’t exist.
  • Comparison of sauropod sacra with those of other animals — most important, extant animals whose actual posture we can observe. This might be able to tell us whether wedging really has the implications for posture that we’re assuming.
  • Better justification of the claim that the torso rather than the tail was inclined.
  • An emerging consensus on sauropod shoulder articulation, since this also bears on torso orientation. (I don’t really have a position on this, but I think Matt does.)
  • The digital Spinophorosaurus model used in this study. (The paper says “The digital fossils used to build the virtual skeleton are deposited and accessioned at the Museo Paleontológico de Elche” but there is no link, I can’t easily find them on the website and they really should be published alongside the paper.)

Anyway, this is a good beginning. Onward and upward!

References

  • Bakker, Robert T. 1968. The Superiority of Dinosaurs. Discovery 3:11–22.
  • Coombs, Walter P. 1975. Sauropod habits and habitats. Palaeogeography, Palaeoclimatology, Palaeoecology 17:1-33.
  • Gilmore, Charles W. 1932. On a newly mounted skeleton of Diplodocus in the United States National Museum. Proceedings of the United States National Museum 81:1-21.
  • Hatcher, John Bell. 1901. Diplodocus (Marsh): its osteology, taxonomy, and probable habits, with a restoration of the skeleton. Memoirs of the Carnegie Museum 1:1-63.
  • Osborn, Henry F. 1904. Manus, sacrum and caudals of Sauropoda. Bulletin of the American Museum of Natural History 20:181-190.
  • Taylor, Michael P. 2014. Quantifying the effect of intervertebral cartilage on neutral posture in the necks of sauropod dinosaurs. PeerJ 2:e712. doi:10.7717/peerj.712
  • Taylor, Michael P., and Mathew J. Wedel. 2013c. The effect of intervertebral cartilage on neutral posture and range of motion in the necks of sauropod dinosaurs. PLOS ONE 8(10):e78214. 17 pages. doi:10.1371/journal.pone.0078214
  • Taylor, Michael P., Mathew J. Wedel and Darren Naish. 2009. Head and neck posture in sauropod dinosaurs inferred from extant animals. Acta Palaeontologica Polonica 54(2):213-230.
  • Vidal, Daniel, P Mocho, A. Aberasturi, J. L. Sanz and F. Ortega. 2020. High browsing skeletal adaptations in Spinophorosaurus reveal an evolutionary innovation in sauropod dinosaurs. Scientific Reports 10(6638). Indispensible supplementary information at https://static-content.springer.com/esm/art%3A10.1038%2Fs41598-020-63439-0/MediaObjects/41598_2020_63439_MOESM1_ESM.pdf
    doi:10.1038/s41598-020-63439-0

 

FHPR 17108, a right humerus of Brachiosaurus, with Wes Bartlett and his Clydesdale Molly for scale. Original paleoart by Brian Engh.

Last May I was out in the Salt Wash member of the Morrison Formation with Brian Engh and Thuat Tran, for just a couple of days of prospecting. We’d had crappy weather, with rain and lots of gnats. But temperatures were cooler than usual, and we were able to push farther south in our field area than ever before. We found a small canyon that had bone coming out all over, and as I was logging another specimen in my field book, I heard Brian shout from a few meters away: “Hey Matt, I think you better get over here! If this is what I think it is…”

What Brian had found–and what I couldn’t yet show you when I put up this teaser post last month–was this:

That’s the proximal end of a Brachiosaurus humerus in the foreground, pretty much as it was when Brian found it. Thuat Tran is carefully uncovering the distal end, some distance in the background.

Here’s another view, just a few minutes later:

After uncovering both ends and confirming that the proximal end was thin, therefore a humerus (because of its shape), and therefore a brachiosaur (because of its shape and size together), we were elated, but also concerned. This humerus–one of the largest ever found–was lying in what looked like loose dirt, actually sitting in a little fan of sediment cascading down into the gulch. We knew we needed to get it out before the winter rains came and destroyed it. And for that, we’d need John Foster’s experience with getting big jackets out of inconvenient places. We were also working out there under the auspices of John’s permit, so for many reasons we needed him to see this thing.

We managed to all rendezvous at the site in June: Brian, John, ReBecca Hunt-Foster, their kids Ruby and Harrison, and Thuat. We uncovered the whole bone from stem to stern and put on a coat of glue to conserve it. Any doubts we might have had about the ID were dispelled: it was a right humerus of Brachiosaurus.

While we were waiting for the glue to dry, Brian and Ruby started brushing of a hand-sized bit of bone showing just a few feet away. After about an hour, they had extracted the chunk of bone shown above. This proved to be something particularly exciting: the proximal end of the matching left humerus. We hiked that chunk out, along with more chunks of bone that were tumbled down the wash, which may be pieces of the shaft of the second humerus.

But we still had the intact humerus to deal with. We covered it with a tarp, dirt, and rocks, and started scheming in earnest on when, and more importantly how, to get it out. It weighed hundreds of pounds, and it was halfway down the steep slope of the canyon, a long way over broken ground from even the unmaintained jeep trail that was the closest road. Oh, and there are endangered plants in the area, so we coulnd’t just bulldoze a path to the canyon. We’d have to be more creative.

I told a few close friends about our find over the summer, and my standard line was that it was a very good problem to have, but it was actually still a problem, and one which we needed to solve before the winter rains came.

As it happened, we didn’t get back out to the site until mid-October, which was pushing it a bit. The days were short, and it was cold, but we had sunny weather, and we managed to get the intact humerus uncovered and top-jacketed. Here John Foster and ReBecca Hunt-Foster are working on a tunnel under the bone, to pass strips of plastered canvas through and strengthen the jacket. Tom Howells, a volunteer from the Utah Field House in Vernal, stands over the jacket and assists. Yara Haridy was also heavily involved with the excavation and jacketing, and Brian mixed most of the plaster himself.

John Foster, Brian Engh, Wes and Thayne Bartlett, and Matt Wedel (kneeling). Casey Cordes (blue cap) is in the foreground, working the winch. Photo courtesy of Brian Engh.

Here we go for the flip. The cable and winch were rigged by Brian’s friend, Casey Cordes, who had joined us from California with his girlfriend, teacher and photographer Mallerie Niemann.

Photo courtesy of Brian Engh.

Jacket-flipping is always a fraught process, but this one went smooth as silk. As we started working down the matrix to slim the jacket, we uncovered a few patches of bone, and they were all in great shape.

So how’d we get this monster out of the field?

From left to right: Wes Bartlett and one of his horses, Matt Wedel, Tom Howells, and Thayne Bartlett. Photo by Brian Engh.

Clydesdales! John had hired the Bartlett family of Naples, Utah–Wes, Resha, and their kids Thayne, Jayleigh, Kaler, and Cobin–who joined us with their horses Molly and Darla. Brian had purchased a wagon with pneumatic tires from Gorilla Carts. Casey took the point on winching the jacket down to the bottom of the wash, where we wrestled it onto the wagon. From there, one of the Clydesdales took it farther down the canyon, to a point where the canyon wall was shallow enough that we could get the wagon up the slope and out. The canyon slope was slickrock, not safe for the horses to pull a load over, so we had to do that stretch with winches and human power, mostly Brian, Tom, and Thayne pushing, me steering, and Casey on the winch.

Easily the most epic and inspiring photo of my butt ever taken. Wes handles horses, Casey coils rope, Thayne pushes the cart, and Kaler looks on. Photo by Brian Engh.

Up top, Wes hooked up the other horse to pull the wagon to the jeep trail, and then both horses to haul the jacket out to the road on a sled. I missed that part–I had gone back to the quarry to grab tools before it got dark–but Brian got the whole thing on video, and it will be coming soon as part of his Jurassic Reimagined documentary series.

There’s one more bit I have to tell, but I have no photos of it: getting the jacket off the sled and onto the trailer that John had brought from the Field House. We tried winching, prybar, you name it. The thing. Just. Did. Not. Want. To. Move. Then Yara, who is originally from Egypt, said, “You know, when my people were building the pyramids, we used round sticks under the big blocks.” As luck would have it, I’d brought about a meter-long chunk of thick dowel from my scrap wood bin. Brian used a big knife to cut down some square posts into roughly-round shapes, and with those rollers, the winch, and the prybar, we finally got the jacket onto the trailer.

The real heroes of the story are Molly and Darla. In general, anything that the horses could help with went waaay faster and more smoothly than we expected, and anything we couldn’t use the horses for was difficult, complex, and terrifying. I’d been around horses before, but I’d never been up close and personal with Clydesdales, and it was awesome. As someone who spends most of his time thinking about big critters, it was deeply satisfying to use two very large animals to pull out a piece of a truly titanic animal.

Back in the prep lab at the Field House in Vernal: Matt Wedel, Brian Engh, Yara Haridy, ReBecca Hunt-Foster, and John Foster.

We’re telling the story now because the humerus is being unveiled for the public today at the Utah Field House of Natural History State Park Museum in Vernal. The event will be at 11:00 AM Mountain Time, and it is open to the public. The humerus, now cataloged as FHPR 17108, will be visible to museum visitors for the rest of its time in the prep lab, before it eventually goes on display at the Field House. We’re also hoping to use the intact right humerus as a Rosetta Stone to interpet and piece back together the shattered chunks of the matching left humerus. There will be a paper along in due time, but obviously some parts of the description will have to wait until the right humerus is fully prepped, and we’ve made whatever progress we can reconstructing the left one.

Why is this find exciting? For a few reasons. Despite its iconic status, in dinosaur books and movies like Jurassic Park, Brachiosaurus is actually a pretty rare sauropod, and as this short video by Brian Engh shows, much of the skeleton is unknown (for an earlier, static image that shows this, see Mike’s 2009 paper on Brachiosaurus and Giraffatitan, here). Camarasaurus is known from over 200 individuals, Apatosaurus and Diplodocus from over 100 individuals apiece, but Brachiosaurus is only known from about 10. So any new specimens are important.

A member of the Riggs field crew in 1900, lying next to the humerus of the holotype specimen of Brachiosaurus. I’m proud to say that I know what this feels like now!

If Brachiosaurus is rare, Brachiosaurus humeri are exceptionally rare. Only two have ever been described. The first one, above, is part of the holotype skeleton of Brachiosaurus, FMNH P25107, which came out of the ground near Fruita, Colorado, in 1900, and was described by Elmer S. Riggs in his 1903 and 1904 papers. The second, in the photo below, is the Potter Creek humerus, which was excavated from western Colorado in 1955 but not described until 1987, by Jim Jensen. That humerus, USNM 21903, resides at the National Museum of Natural History in Washington, D.C.

The Brachiosaurus humerus from Potter Creek, Colorado, on display at the Smithsonian.

For the sake of completeness, I have to mention that there is a humerus on display at the LA County Museum of Natural History that is labeled Brachiosaurus, but it’s not been written up yet, and after showing photos of it to colleagues, I’m not 100% certain that it’s Brachiosaurus (I’m not certain that it isn’t, either, but further study is needed). And there’s at least one humerus with a skeleton that was excavated by the University of Kansas and sold by the quarry owner to a museum in Korea (I had originally misunderstood this; some but not all of the material from that quarry went to KU), that is allegedly Brachiosaurus, but that one seems to have fallen into a scientific black hole. I can’t say anything about its identification because I haven’t seen the material.

Happy and relieved folks the morning after the Brachstraction: Yara Haridy, Matt Wedel, John and Ruby Foster, and the Bartletts: Kaler, Wes, Cobin, Resha, Jayleigh, and Thayne. Jacketed Brachiosaurus humerus for scale. Photo by Brian Engh.

So our pair of humeri from the Salt Wash of Utah are only the 3rd and 4th that I can confidently say are from Brachiosaurus. And they’re big. Both are at least 62cm wide across the proximal end, and the complete one is 201cm long. To put that into context, here’s a list of the longest sauropod humeri ever found:

  1. Brachiosaurus, Potter Creek, Colorado: 213cm
  2. Giraffatitan, MB.R.2181/SII specimen, Tanzania: 213cm
  3. Brachiosaurus, holotype, Colorado: ~213cm (preserved length is 203cm, but the distal end is eroded, and it was probably 213cm when complete)
  4. Giraffatitan, XV3 specimen, Tanzania: 210cm
  5. *** NEW Brachiosaurus, FHPR 17108, Utah: 201cm
  6. Ruyangosaurus (titanosaur from China): ~190cm (estimated from 135cm partial)
  7. Turiasaurus (primitive sauropod from Spain): 179cm
  8. Notocolossus (titanosaur from Argentina): 176cm
  9. Paralititan (titanosaur from Egypt): 169cm
  10. Patagotitan (titanosaur from Argentina): 167.5cm
  11. Dreadnoughtus (titanosaur from Argentina): 160cm
  12. Futalognkosaurus (titanosaur from Argentina): 156cm

As far as we know, our intact humerus is the 5th largest ever found on Earth. It’s also pretty complete. The holotype humerus has an eroded distal end, and was almost certainly a few centimeters longer in life. The Potter Creek humerus was missing the cortical bone from most of the front of the shaft when it was found, and has been heavily restored for display, as you can see in one of the photos above. Ours seems to have both the shaft and the distal end intact. The proximal end has been through some freeze-thaw cycles and was flaking apart when we found it, but the outline is pretty good. Obviously a full accounting will have to wait until the bone is fully prepared, but we might just have the best-preserved Brachiosaurus humerus yet found.

Me with a cast of the Potter Creek humerus in the collections at Dinosaur Journey in Fruita, Colorado. The mold for this was made from the original specimen before it was restored, so it’s missing most of the bone from the front of the shaft. Our new humerus is just a few cm shorter. Photo by Yara Haridy.

Oh, our Brachiosaurus is by far the westernmost occurrence of the genus so far, and the stratigraphically lowest, so it extends our knowledge of Brachiosaurus in both time and space. It’s part of a diverse dinosaur fauna that we’re documenting in the Salt Wash, that minimally also includes Haplocanthosaurus, Camarasaurus, and either Apatosaurus or Brontosaurus, just among sauropods. There are also some exciting non-sauropods in the fauna, which we’ll be revealing very soon.

A chunk of matrix from the brachiosaur quarry. The black bits are fossilized plants.

And that’s not all. Unlike most of the other dinosaur fossils we’ve found in the Salt Wash, including the camarasaur, apatosaur, and haplocanthosaur vertebrae I’ve shown in recent posts, the humeri were not in concrete-like sandstone. Instead, they came out of a sandy clay layer, and the matrix is packed with plant fossils. It was actually kind of a pain during the excavation, because I kept getting distracted by all the plants. We did manage to collect a couple of buckets of the better-looking stuff as we were getting the humerus out, and we’ll be going back for more.

As you can seen in Part 1 of Brian’s Jurassic Reimagined documentary series, we’re not out there headhunting dinosaurs, we’re trying to understand the whole environment: the dinosaurs, the plants, the depositional system, the boom-and-bust cycles of rain and drought–in short, the whole shebang. So the plant fossils are almost as exciting for us as the brachiosaur, because they’ll tell us more about the world of the early Morrison.

The Barletts: Thayne, Jayleigh, Resha, Cobin, Wes, and Kaler.

Among the folks I have to thank, top honors go to the Bartlett family. They came to work, they worked hard, and they were cheerful and enthusiastic through the whole process. Even the kids worked–Thayne was one of the driving forces keeping the wagon moving down the gulch, and the younger Bartletts helped Ruby uncover and jacket a couple of small bits of bone that were in the way of the humerus flip. So Wes, Resha, Thayne, Jayleigh, Kaler, and Cobin: thank you, sincerely. We couldn’t have done it without you all, and Molly and Darla!

EDIT: I also need to thank Casey Cordes–without his rope and winch skills, the jacket would still be out in the desert. And actually everyone on the team was clutch. We had no extraneous human beings and no unused gear. It was a true team effort.

The full version of the art shown at the top of this post: a new life restoration of Brachiosaurus by Brian Engh.

From start to end, this has been a Brian Engh joint. He found the humerus in the first place, and he was there for every step along the way, including creating the original paleoart that I’ve used to bookend this post. When Brian wasn’t prospecting or digging or plastering (or cooking, he’s a ferociously talented cook) he was filming. He has footage of me walking up to the humerus for the first time last May and being blown away, and he has some truly epic footage of the horses pulling the humerus out for us. All of the good stuff will go into the upcoming installments of Jurassic Reimagined. He bought the wagon and the boat winch with Patreon funds, so if you like this sort of thing–us going into the middle of nowhere, bringing back giant dinosaurs, and making blog posts and videos to explain what we’ve found and why we’re excited–please support Brian’s work (link). Also check out his blog, dontmesswithdinosaurs.com–his announcement about the find is here–and subscribe to his YouTube channel, Brian Engh Paleoart (link), for the rest of Jurassic Reimagined and many more documentaries to come.

(SV-POW! also has a Patreon page [link], and if you support us, Mike and I will put those funds to use researching and blogging about sauropods. Thanks for your consideration!)

The happiest I have ever been in the field. Photo by Yara Haridy.

And for me? It’s been the adventure of a lifetime, by turns terrifying and exhilarating. I missed out on the digs where Sauroposeidon, Brontomerus, and Aquilops came out of the ground, so this is by far the coolest thing I’ve been involved with finding and excavating. I got to work with old friends, and I made new friends along the way. And there’s more waiting for us, in “Brachiosaur Gulch” and in the Salt Wash more generally. After five years of fieldwork, we’ve just scratched the surface. Watch this space!

Media Coverage

Just as I was about to hit ‘publish’ I learned that this story has been beautifully covered by Anna Salleh of the Australian Broadcasting Corporation. I will add more links as they become available.

References

Over the past few years I’ve dropped hints here and there about the work I’ve been doing in the Morrison Formation of Utah with Brian Engh, John Foster, ReBecca Hunt-Foster, Jessie Atterholt, and Thuat Tran. I’ve been quiet about that (with one notable exception), but we’re finally ready to show you all what we’ve been up to. Brian has put together a short series of documentaries to take you into the Morrison and show you what we’ve found and why we’re excited about it. Your journey begins here:

We’ll have a lot more to say about this, building up to a big reveal this coming Thursday, so stay tuned!

A life-size silhouette of the Snowmass Haplocanthosaurus, with Thierra Nalley, me, and Jessie Atterholt for scale. Photo by Jeremiah Scott.

Tiny Titan, a temporary exhibit about the Snowmass Haplocanthosaurus project, opened at the Western Science Center in Hemet, California, last night. How? Why? Read on.

Things have been quieter this year on the Haplo front than they were in 2018, for many reasons. My attention was pulled away by a lot of teaching and other day-job work–we’re launching a new curriculum at the med school, and that’s eaten an immense amount of time–and by some very exciting news from the field that I can’t tell you about quite yet (but watch this space). Things are still moving, and there will be a paper redescribing MWC 8028 and all the weird and cool things we’ve learned about it, but there are a few more timely things ahead of it in the queue.

One of the things going on behind the scenes this year is that Jessie Atterholt, Thierra Nalley, and I have been working with Alton Dooley, the director of the Western Science Center, on this exhibit. Alton has had a gleam in his eye for a long time of using the WSC’s temporary exhibit space to promote the work of local scientists, and we had the honor of being his first example. He also was not fazed by the fact that the project isn’t done–he wants to show the public the process of science in all of its serendipitous and non-linear glory, and not just the polished results that get communicated at the end.

Everything’s better cut in half. Photo by Jessie Atterholt.

Which is not to say that the exhibit isn’t polished. On the contrary, it looks phenomenal. Thanks to a loan from Julia McHugh at Dinosaur Journey in Colorado, most of the real fossils are on display. We’re only missing the ribs and most of the sacrum, which is too fragmentary and fragile to come out of its jacket. As you can see from the photo up top, there is a life-size vinyl silhouette of the Snowmass Haplo, with 3D prints of the vertebrae in approximate life position. Other 3D prints show the vertebrae before and after the process of sculpting, rescanning, and retrodeformation, as described in our presentation for the 1st Palaeontological Virtual Congress last year (that slideshow is a PeerJ Preprint, here). The exhibit also includes panels on “What is Haplocanthosaurus” and its relationships, on pneumaticity in sauropods, on the process of CT scanning and 3D modeling, and on the unusual anatomical features of the Snowmass specimen. The awesome display shown above, with the possibly-bumpy spinal cord and giant intervertebral discs reconstructed, was all Alton–he did the modeling, printing, and assembly himself.

Haplo vs Bronto. Thierra usually works on the evolution and development of the vertebral column in primates, so I had to show her how awesome vertebrae can be when they’re done right. Photo by Brittney Stoneburg.

My favorite thing in the exhibit is this striking comparison of one the Snowmass Haplo caudals with a proximal caudal from the big Oklahoma apatosaurine. This was Alton’s idea. He asked me if I had any photos of caudal vertebrae from really big sauropods that we could print at life size to compare to MWC 8028, and my mind went immediately to OMNH 1331, which is probably the second-largest-diameter vertebra of anything from all of North America (see the list here). It was also Alton’s idea to fill in the missing bits using one of Marsh’s plates of Brontosaurus excelsus from Como Bluff in Wyoming. It’s a pretty amazing display, and it turns out to have been a vehicle for discovery, too–I didn’t realize until I saw the verts side-by-side that the neural canal of the Snowmass Haplo caudal is almost as big as the neural canal from the giant apatosaurine caudal. It’s not a perfect comparison, because the OMNH fossil doesn’t preserve the neural canal, and the Como specimen isn’t that big, but proportionally, the Snowmass Haplo seems to have big honkin’ neural canals, not just at the midpoint (which we already knew), but all the way through. Looks like I have some measuring and comparing to do.

(Oh, about the title: we don’t know if the Snowmass Haplo was fully grown or not, but not all haplocanthosaurs were small. The mounted H. delfsi in Cleveland is huge, getting into Apatosaurus and Diplodocus territory. Everything we can assess in the Snowmass Haplo is fused, for what that’s worth. We have some rib chunks and Jessie will be doing histo on them to see if we can get ontogenetic information. I’ll keep you posted.)

Brian’s new Haplocanthosaurus restoration, along with some stinkin’ mammals. Photo by Jessie Atterholt.

Brian Engh contributed a fantastic life restoration of Haplocanthosaurus pro bono, thanks to this conversation, which took place in John Foster’s and ReBecca Hunt-Foster’s dining room about a month ago:

Brian: What are you drawing?

Me: Haplocanthosaurus.

Brian: Is that for the exhibit?

Me: Yup.

Brian (intense): Dude, I will draw you a Haplocanthosaurus.

Me: I know, but you’re a pro, and pros get paid, and we didn’t include a budget for paleoart.

Brian (fired up): I’m offended that you didn’t just ask me to draw you a Haplocanthosaurus.

Then he went to the Fosters’ couch, sat down with his sketchbook, and drew a Haplocanthosaurus. Not only is it a stunning piece on display in the exhibit, there are black-and-white printouts for kids to take and color (or for adults to take to their favorite tattoo artists, just sayin’). [Obligatory: this is not how things are supposed to work. We should all support original paleoart by supporting the artists who create it. But Brian just makes so damn many monsters that occasionally he has to kick one out for the heck of it. Also, I support him on Patreon, and you can, too, so at a stretch you could consider this the mother of all backer rewards.]

One special perk from the opening last night: Jessica Bramson was able to attend. Who’s that, you ask? Jessica’s son, Mike Gordon, found the first piece of bone from the Snowmass Haplo on their property in Colorado over a decade ago. Jessica and her family spent two years uncovering the fossils and trying to get paleontologists interested. In time she got in touch with John Foster, and the rest is history. Jessica lives in California now, and thanks to John’s efforts we were able to invite her to the exhibit opening to see her dinosaur meet the world. Stupidly, I did not get any photos with her, but I did thank her profusely.

A restored, retrodeformed caudal of the Snowmass Haplocanthosaurus, 3D-printed at life size for the exhibit. Photo swiped from the WSC Facebook page.

I owe a huge thanks to Alton Dooley for taking an interest in our work, and to the whole WSC crew for their hard work creating and promoting the exhibit. You all rock.

The exhibit will run through the end of March, 2020, at least. I deliberately did not show most of it, partly because I was too busy having fun last night to be diligent about taking photos, but mostly because I want you to go see it for yourself (I will do a retrospective post with more info after the exhibit comes down, for people who weren’t able to see it in person). If you make it out to Hemet, I hope you have half as much fun going through the exhibit as we did making it.

I’ll have more to say about both of these in the near future, but for now suffice it to say that this (link):

and this (link):

are available for your perusal. Not just the abstracts, but the slide decks as well, just as Mike did for his talk on Jensen’s Big Three sauropods (link).

Jessie is also posting her talk a few slides at a time on her Instagram, with some helpful unpacking, so that’s worth a look even if you have the slides already. That stream of posts starts here.

My talk (Taylor and Wedel 2019) from this year’s SVPCA is up!

The talks were not recorded live (at least, if they were, it’s a closely guarded secret). But while it was fresh in my mind, I did a screencast of my own, and posted it on YouTube (CC By). I had to learn how to do this for my 1PVC presentation on vertebral orientation, and it’s surprisingly straightforward on a Mac, so I’ve struck while the iron is hot.

For the conference, I spoke very quickly and omitted some details to squeeze the talk into a 20-minute slot. In this version, I go a bit slower and make some effort to ensure it’s intelligible to an intelligent layman. That’s why it runs closer to half an hour. I hope you’ll find it worth your time.

References

I got a wonderful surprise a couple of nights ago!

Supersaurus referred scapulocoracoid BYU 12962 back when it was still in the ground. Rough composite assembled from screenshots of the video below, from about 23m17s.

I found myself wondering where the widely quoted (and ludicrous) mass estimate of 180 tons for Ultrasauros came from, and went googling for it. That took me to a blog-post by Brian Switek, which linked to a Google Books scan of what turned out to be my own chapter on the history of sauropod research (Taylor 2010) in the Geological Society’s volume Dinosaurs and Other Extinct Saurians: a Historical Perspective. So it turns out that I once knew the answer to that question. My chapter references McGowan (1991:118), which says:

Jim Jensen’s (1985) Ultrasaurus (“beyond lizard”), found in Colorado in 1979, had an estimated length of more than ninety-eight feet (30 m), compared with seventy-four feet (22.5 m) for the Berlin specimen of Brachiosaurus. This is a length increase of 1.32, so the weight increase would be (1.32)^3 = 2.3, giving an estimated weight of almost 180 tons.

[As I noted in my 2010 chapter, that’s based on Colbert’s (1962) equally silly estimate of 78 tonnes for MB.R.2181 (formerly HMN S II), the Girafatitan brancai paralectotype.]

So that’s a funny story and a mystery solved, but where it gets really good is that as I was grubbing around in the search results that led me to that conclusion, I stumbled on Episode 21 of the I Know Dino podcast, which contains a glorious embedded video: The Great Dinosaur Discovery, a 1976 film by BYU about Jensen’s work at quarries including Dry Mesa, and heavily featuring bones of what would become Supersaurus!

It’s very well worth 25 minutes of your time, despite the horrible 1970s documentary music, and brings actual new information to the table.

Some of the highlights include:

— Right from the start, seeing Jensen himself: someone I’ve been sort of familiar with from the literature, but never really imagined as being an actual human being.

— From about two minutes in, Jensen seems be uncovering bones in dry sand, rather like kids in a palaeo pits at some museums. It takes about one minute to uncover a nice tibia. Is it ever really that easy? Is the Dry Mesa quarry that easy to work?

— Putting faces to the important names of Vivian and Eddie Jones, the uranium prospectors who first led Jensen to several of his important sites, and after whom the species Supersaurus vivianae and Dystylosaurus edwini were named.

Vivian “Supersaurus” Jones and Eddie “Dystylosaurus” Jones in the field [from about 4m41s in the video]

— From about 13m30s onwards, we see what I think must be the Supersaurus pelvis that’s now on display at the North American Museum of Ancient Life. (It doesn’t actually look all that big, in the scheme of things.)

— From 16m50s onwards, things start to get real, with the uncovering (real or re-enacted) of the first Supersaurus scapulocoracoid: that is, the one that Jensen referred to in his 1985 paper as “first specimen”, but which in the end he did not designate as the holtotype. This bone, once accessioned, became BYU 12962 (but Jensen refers to it in his papers as BYU 5501).

The first appearance in the film of the Supersaurus scap BYU 12962 fully unconvered [18m11s]. You can easily recognise it as the bone that Jensen posed with from the lobe-shaped acromion process.

— Within seconds of our seeing the scap, Jensen decides the best thing to do is illustrate how it’s “like a sidewalk” by walking up and down on it. Seriously.

Oh, Jim.

— At about 19m30s, we see what is probably the big Barosaurus vertebra BYU 9024 whose identity Jensen changed his mind about a couple of times. Unfortunately, the film quality is very poor here, and you can’t make much out.

— From 20 minutes in, the video shows comparative skeletal reconstructions of Brontosaurus (clearly from Marsh 1891), “Brachiosaurus” [i.e. Giraffatitan] (clearly from Janensch 1950) and Supersaurus. The fascinating thing is that the latter is restored as a brachiosaurid — in fact, as a scaled-up Janensch-1950 Giraffatitan with some tweaks only to the head and anterior neck. So it seems Jensen thought at this time that he’d found a giant brachiosaur, not a diplodocid. (Note that this film was made three years before the Ultrasaurus scapulocoracoid was discovered in 1979, so the presumed brachiosaurid identity cannot have rested in that.)

Brontosaurus (yellow), Brachiosaurus (blue), and Supersaurus (white) — which is restored as a brachiosaurid.

— During this section, a fascinating section of narration says “The animal found here is so much larger than anything ever dreamed of, the press, for lack of scientific name, called it a Supersaurus.” If this is legit, then it seems Jensen is not guilty of coining this dumb name. It’s the first I’ve heard of it: I wonder if anyone can corroborate?

— As 22m06s we are told: “It was an AP newsman who broke the story to the world. Time and Life followed. Reader’s Digest ran the story. And National Geographic, one of the quarry sponsors, began an article.” I would love to get hold of the AP, Time, Life and National Geographic articles. Can anyone help? It seems that all these organisations have archives online, but they all suffer from problems:

Here’s that scap again, in the process of being excavated. [22:05]

— As 22m40s, Jack McIntosh turns up to give an expert opinion. I don’t know how much film of him there is out there, but it’s nice that we have something here.

Everyone’s favourite avocational sauropod specialist, Jack McIntosh.

— At 23:17, we get our best look at the scap, with a long, slow pan that shows the whole thing. (That’s the sequence that I made the composite from, that we started this whole post with.)

All in all, it’s a facinating insight into a time when the Dry Mesa quarry was new and exciting, when it was thought to contain only a single giant sauropod, when that animal was known only informally as “Supersaurus” having been so nicknamed by the media, and when it was (it seems) thought to be brachiosaurid. Take 25 minutes, treat yourself, and watch it.

Update (the next day)

The Wikipedia entry on Jim Jensen says that “In 1973, Brigham Young University cooperated with producer Steve Linton and director John Linton in order to produce The Great Dinosaur Discovery, a 1-hour-long color documentary showing Jensen’s on-site finds in Dry Mesa. […] the full-length documentary was reduced to a 24-minute-long mini-film which started airing on American television channels throughout the USA as of 1976.”

Can anyone confirm that the original date was 1973, and not 1976 as given on the short version that’s linked above?

And, more important, does anyone have access to the full-hour version?

 

References