Turns out that if Mike and I don’t post about sauropods for a while, people start doing it for us! This very interesting project by Tom Johnson of Loveland, Colorado, first came to my attention when Tom emailed Mark Hallett about it and Mark kindly passed it on to me. I got in touch with Tom and asked if he’d be interested in writing it up for SV-POW!, and here it is. Many thanks to Tom for his willingness to share his work with us. Enjoy! – Matt Wedel

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The sauropod formerly known as Apatosaurus in the American Museum of Natural History was the first permanently mounted sauropod dinosaur in the world, and for many years, the most famous (Brinkman 2010). The greater part of the skeleton consists of the specimen AMNH 460 from the Nine Mile Crossing Quarry north of Como Bluff, Wyoming, supplemented with bones from other AMNH specimens from Como Bluff, Bone Cabin Quarry, and with plaster casts of the forelimbs of the holotype specimen of Brontosaurus excelsus (YPM 1980) at the Yale Peabody Museum.

A herd of Brontosaurus skeleton models parading before four box covers issued between the 1950s and 1990s.

Like many aging boomer dinophiles, my dinosaur epiphany was the result of books, movies, and toys available in the 1950s, but especially a series of plastic model dinosaur skeletons that appeared around 1958. The Brontosaurus was my personal favorite, and, like the Tyrannosaurus and Stegosaurus models in the series, was very obviously based on the AMNH mount. The models were reissued at least three times over the years and can still be found either “mint in box” or more often in various stages of completion.

Apatosaurus lousiae 1/12 scale skeleton, modelled by Phil Platt, assembled and photographed by Brant Bassam. Image courtesy of BrantWorks.com.

The crème de la crème today, of course, is the 1:12 scale Apatosaurus skeleton model by Phil Platt, available from Gaston Design in Fruita, Colorado. A particularly nice example is the one completed and mounted by Brant Bassam of BrantWorks. The Platt skeleton is a replica in the true sense of the word. The plastic models are pretty crude in comparison, as cool as they appeared to us as kids.

I was interested in skeletal illustrations I have seen of Tyrannosaurus rex, which compare the completeness of various specimens by showing the actual bones included by coloring them red. A 2005 study of Apatosaurus by Upchurch et. al. examined eleven of the most complete Apatosaurus individuals, and I was interested to see the actual bones known for each specimen. Using published descriptions, red markers, and copies of a skeletal silhouette of Apatosaurus (permission obtained from the artist), I prepared a comparison of the most completely known Apatosaurus specimens. It was clear, of course, that Apatosaurus louisae (CM 3018) is the most complete specimen of the Apatosaurus/Brontosaurus group. But it also was apparent that old AMNH 460 included a substantial portion of the skeleton, even if it is a composite.

I grabbed some additional markers and, using the illustration of the mount in William Diller Matthew’s popular book Dinosaurs (Matthew 1915, fig. 20, which I trust is in the public domain by now), I color-coded the bones according to the composition as listed in Matthew’s (1905) article:

  • AMNH 460, Nine-Mile Crossing Quarry: 5th, 6th, 8th to 13th cervical vertebrae; 1st to 9th dorsal; 3rd to 19th caudal; all ribs; both coracoids; “parts of” sacrum and ilia; both ischia and pubes; left femur and astragalus; and “part of” the left fibula. RED
  • AMNH 222, Como Bluff: right scapula, 10th dorsal vertebra, right femur and tibia. GREEN
    (Visitors to AMNH: you can see the rest of AMNH 222 under the feet of the hunched-over Allosaurus)
  • AMNH 339, Bone Cabin Quarry: 20th to 40th caudal vertebrae. LIGHT BLUE
  • AMNH 592, Bone Cabin Quarry: metatarsals of the right hind foot. VIOLET
  • YPM 1980, Como Bluff: left scapula, forelimb long bones (casts). YELLOW
  • The remaining parts of the skeleton are either modeled in plaster or are unspecified (“a few toe bones”). BLACK

It occurred to me that I might have sufficient spare parts of old ITC and Glencoe Brontosaurus models to create a three-dimensional version. I did, and painting prior to assembly definitely made the job easier.

There are obviously limitations to using Matthew’s (1915) reconstruction (e.g., only 13 cervicals) and the model (12 cervicals). It is also not clear from Matthew’s description how much of the sacrum and ilia were restored. Nevertheless, the painted model does provide a colorful, if crude, visualization of the composition of the composite.

Here are some more photos of the finished product:

A view from the front of the model, compared with a historical AMNH photo of the forelimbs and pelvic girdle.

Long considered a specimen of Brontosaurus excelsus or Apatosaurus excelsus, AMNH 460 was referred to Apatosaurus ajax by Upchurch et. al. in 2005. In the most comprehensive analysis of diplodocid phylogeny to date, Tschopp et. al. (2015) found AMNH 460 to be an “indeterminate apatosaurine” pending a “detailed analysis of the specimen.” What to call it? Oh, yeah, that’s been covered in another post!

This is a nostalgia shot for the old brontophiles. Notice that the Triceratops is entering the lake for a swim!

Tom Johnson with the mounted skeleton of Amphicyon, a Miocene “bear-dog”,
in the Raymond Alf Museum of Paleontology in Claremont, California.

References

  • Brinkman , Paul D. (2010). The Second Jurassic Dinosaur Rush, University of Chicago Press, 2010.
  • Matthew, William Diller, (1905). “The Mounted Skeleton of Brontosaurus,” The American Museum Journal, Vol. V, No. 2, April.
  • Matthew, W.D. (1915). Dinosaurs, With Special Reference to the American Museum Collections, American Museum of Natural History, New York.
  • Tschopp, Emanuel, Octávio Mateus, and Roger Benson. (2015). “A Specimen-Level Phylogenetic Analysis and Taxonomic Revision of Diplodocidae (Dinosauria, Sauropoda).” Ed. Andrew Farke. PeerJ 3 (2015): e857.
  • Upchurch, P., Tomida, Y., Barrett, P.M. (2005). “A new specimen of Apatosaurus ajax (Sauropoda: Diplodocidae) from the Morrison Formation (Upper Jurassic) of Wyoming, USA”. National Science Museum Monographs (Tokyo) 26 (118): 1–156.

Check out this beautiful Lego Diplodocus:

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(Click through for the full image at full size.)

I particularly like the little touch of having of bunch of Lego Victorian gentleman scientists clustered around it, though they’re probably a bit too big for the skeleton.

This is the work of MolochBaal, and all rights are reserved. You can see five more views of this model in his Flickr gallery. I especially admire how he’s managed to get the vertebral transitions pretty smooth, the careful use of separate radius/ulna and tibia/fibula, and the use of a transparent brick in the skull to represent the antorbital fenestra.

The forefeet are wrong — their toes should not be splayed out — but you can’t blame MolochBaal for that, as he was copying the mounted CM 84/94 cast in the Madrid museum.

 

Illustration talk slide 13

Illustration talk slide 14

Illustration talk slide 15

Somewhat lamely, this is the only slide I had in about lighting. I left it up while I talked about the most important points, which are:

  • Don’t use a flash unless you absolutely have to.
  • If you can swing it, the common convention is to have specimens illuminated from the upper left.*
  • If you have the time, it’s not a bad idea to bracket your Goldilocks shot with brighter and darker photos, by fiddling with your camera settings.

* I happily violate this convetion if illumination from another angle shows the specimen to better advantage–and if I have any control over illumination. Working with big bones in some collections, you basically have overhead florescent lights and that’s it. The NHM shot above may look not-so-hot, but there we at least had a desk lamp we could move around. In a lot of places I’ve worked, I didn’t have even that.

The other posts in this series are here.

My awesome employers Index Data flew us all out to Boston a few weeks ago, for six days of food, drink, work (yes, work!) and goofy tyrannosaurs.

There is really no excuse for this, is there?

SPECIAL BONUS: I am wearing my Xenoposeidon T-shirt.

 

MOLD-A-RAMA

May 3, 2012

I’m in Chicago, visiting the Field Museum, which means two things: Brachiosaurus (see below), and Mold-A-Rama. Downstairs from the great hall, on the ground floor, they have Mold-A-Rama machines, and I cannot resist their siren song.

The Mold-A-Rama is the king of novelty souvenirs. You can keep your stamped pennies, little pewter spoons, hand-painted bells, and refrigerator magnets. None of them is worthy to sully the presence of the awesome Mold-A-Rama. You put in two dollars, and then you get to watch as this hissing, clanking 1950s machine with tubes and wires and lights actually makes your item right in front of your eyes. A few minutes later, BAM, you’re holding a hot, smelly hunk of probably carcinogenic plastic that is so fresh from the mold that it is still a bit soft. You can’t buy that kind of authenticity–except from a Mold-A-Rama.

See that red thing, newly made, still in the bowels of the machine? That is MY T. rex!

This is my first Mold-A-Rama Triceratops. I already have a T. rex from my last visit, way back in 2005, which I can now pass on to my son. I also have a Stegosaurus, a Brontosaurus (shown but not commented on here), and a Trachodon. Yeah, yeah, I know the real animals are known as Apatosaurus and Edmontosaurus these days, but I’m not talking about the real animals. I’m talking about Mold-A-Rama, and trust me, the Mold-A-Rama critters are Brontosaurus and Trachodon. They drag their tails, they live in swamps, they’re cold-blooded and they died out from racial senescence (in about 1975, I think).

Finally, because Mike will straight-up murder me if I post from Chicago without it, here’s your friendly local not-quite-fully-mature mounted holotype specimen of Brachiosaurus: